RAINBOW OVER SWEAT HOUSE.

During the song the theurgist mixed various herbs in a gourd over which he

poured water. After chanting some twenty minutes he advanced to the

entrance of the house, taking the medicine gourd with him, and, after

pouring some of its contents on the heated stones, took his seat and

joined in the chanting. After another twenty minutes Hasjelti and

Hostjoghon appeared. A Navajo blanket had previously been placed on the

ground at the south side of the entrance. Hasjelti lifted the coverings

from the entrance, and the patient, having first donned his breech cloth,

came out and sat on the blanket. Hasjelti rubbed the invalid with the horn

of a mountain sheep held in the left hand, and in the right hand a piece

of hide, about 10 inches long and 4 wide, from between the eyes of the

sheep. The hide was held flatly against the palm of the hand, and in this

way the god rubbed the breast of the invalid, while he rubbed his back

with the horn, occasionally alternating his hands. Hostjoghon put the

invalid through the same manipulation. The gods then gave him drink four

times from the gourd containing medicine water composed of finely-chopped

herbs and water, they having first taken a draught of the mixture. The

soles of the feet, palms, breast, back, shoulders, and top of the head of

the invalid were touched with medicine water, and the gods suddenly

disappeared. The patient arose and bathed himself with the remainder of

the medicine water and put on his clothing. The coverings of the entrance,

which were gifts to the song priest from the invalid, were gathered

together by the song priest and carried by an attendant to the medicine

lodge. An attendant erased the rainbow by sweeping his hand from the feet

to the head, drawing the sands with him, which were gathered into a

blanket and carried to the north and deposited at the base of a piñon

tree. The song priest placed the wands in a basket, and thus, preceded by

the invalid, carried them in both hands to the medicine lodge singing a

low chant. The sweat house was not carelessly torn down, but was taken

down after a prescribed form. Four men commenced at the sides toward the

cardinal points, and with both hands scraped the sand from the boughs.

When this was all removed the boughs were carefully gathered and conveyed

to a piñon tree some 50 feet distant and fastened horizontally in its

branches about 2 feet above the ground. The heated stones from the

interior of the sweat house were laid on the boughs; the upright logs

which formed the frame work of the house were carried to a piñon tree, a

few feet from the tree in which the boughs and heated stones were placed,

and arranged crosswise in the tree, and on these logs corn meal was

sprinkled and on the meal a medicine tube (cigarette) was deposited. The

tube was about 2 inches long and one third of an inch in diameter, and it

contained a ball composed of down from several varieties of small birds,

sacred tobacco, and corn pollen. It was an offering to Hasjelti. Meal was

sprinkled on the tube. The ground on which the house had stood was

smoothed over, the ashes from the fire carefully swept away, and thus all

traces of the ceremony were removed. The invalid upon entering the lodge

took his seat on the west side facing east. The song priest continued his

chant. He took from the meal bag some sacred meal and placed it to the

soles of the feet of the invalid and on his palms, knees, breast, back,

shoulders, and head. At the conclusion of this ceremony all indulged in a

rest for an hour or more. The bark cups which contained the colored sands

for decorating were placed in the medicine lodge north of the door.

Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians · 第 10 / 47 题