There was a little apartment of five rooms, twenty minutes removed by

Subway from the fish store; her bedroom, all pink and yellow maple; his;

a kitchen, parlor, and dining room worked out happily in white-muslin

curtains, spindle-legged parlor chairs, Henry's newfangled chifferobe

and bed with a fine depth of mattress, and a kitchen with eight shining

pots above the sink and a border of geese, cut out to the snip of Ann's

own scissors, waddling across the wall.

It was two and a half years since Mrs. Plush had died, and the boarders,

as if spilled from an ark on rough seas, had struck out for diverse

shores. The marvel to them now was that they had delayed so long.

"A home of our own, Ann. Pretty sweet, isn't it?"

"Oh, daddy, it is!"

"You mustn't overdo, though, baby. Sometimes we're not so strong as we

think we are. A little hired girl would be best." The fish business had

more than held its own.

"But I love doing it alone, dad. It--it's the next best thing to a home

of--my own."

He looked startled into her dreaming eyes.

"Your own? Why, Annie, isn't this--your own?"

She laid fingers against his eyes so that he could not see the pinkiness

of her.

"You know what I mean, daddy--my--very--own."

At that timid phrasing of hers Henry felt that his heart was actually

strangling, as if some one were holding it back on its systolic swing,

like a caught pendulum.

"Why, Annie," he said, "I never thought--"

But inevitably and of course it had happened.

The young man's name was Willis--Fred E. Willis--already credit man in

a large wholesale grocery firm and two feet well on the road to

advancement. A square-faced, clean-faced fellow, with a clean love of

life and of Ann Elizabeth in his heart.

Henry liked him.

Ann Elizabeth loved him.

And yet, what must have been a long-smoldering flame of fear shot up

through the very core of Henry's being, excoriating.

"Why, Ann Elizabeth," he kept repeating, in his slow and always

inarticulate manner, "I--You--Mine--I just never thought."

She wound the softest of arms about his neck.

"I know, daddy-darlums, and I'll never leave you. Never. Fred has

promised we will always be together. We'll live right here with you, or

you with us."

"Annie," he cried, "you mustn't ever--marry. I mean, leave daddy--that

way--anyway. You hear me? You're daddy's own. Just his by himself.

Nobody is good enough for my girl."

"But, daddy," clouding up for tears, "I thought you liked Fred so much!"

"I do, but it's you I'm talking about. Nobody can have you."

"But I love him, daddy. This is terrible. I love him."

"Oh, Ann, Ann! daddy hasn't done right, perhaps, but he meant well.

There are _reasons_ why he wants to keep his little girl with him

always--alone--his."

"But, daddy dear, I promise you we'll never let you be lonely. Why, I

couldn't stand leaving you any more than you could--"

"Not those reasons alone, Ann."

"Then what?"

"You're so young," he tried to procrastinate.

"I'll be eighteen. A woman."

All his faculties were cornered.

"You're--so--Oh, I don't know--I--"

"You haven't any reasons, dad, except dear silly ones. You can't keep me

a little girl all the time, dear. I love Fred. It's all planned. Don't

ruin my life, daddy--don't ruin my life."

She was lovely in her tears and surprisingly resolute in her mind, and

he was more helpless than ever with her.

"Ann--you're not strong."

"Strong!" she cried, flinging back her curls and out her chest. "That is

a fine excuse. I'm stronger than most. All youngsters have measles and

scarlet fever and Fred says his sister Lucile out in Des Moines had St.

Vitus' dance when she was eleven, just like I did. I'm stronger than you

are, dad. I didn't get the flu and you did."

"You're nervous, Annie. That's why I want always to keep you at

home--quiet--with me."

She sat back, her pretty eyes troubled-up lakes.

"You mean the dreams and the scared feeling, once in a while, that I

can't swallow. That's nothing. I know now why I was so frightened in my

sleep the other night. I told Fred, and he said it was the peach sundae

on top of the crazy old movie we saw that evening. Why, Jeanette

Peopping had to take a rest cure the year before she was married. Girls

are always more nervous than fellows. Daddy--you--you frighten me when

you look at me like that! I don't know what you mean! What-do-you-mean?"

He was helpless and at bay and took her in his arms and kissed her hair.

"I guess your old daddy is a jealous pig and can't bear to share his

girl with anyone. Can't bear to--to give her up."

"You won't be giving up, daddums. I couldn't stand that, either. It

will be three of us then. You'll see. Look up and smile at your Ann

Elizabeth. Smile, now, smile."

And of course he did.

It was typical of her that she should be the busiest of brides-to-be,

her complete little trousseau, every piece down to the dishcloths,

monogrammed by her--A.E.W.

Skillful with her needle and thrifty in her purchases, the outfit when

completed might have represented twice the outlay that Henry expended

on it. Then there were "showers,"--linen, stocking, and even a tin one;

gifts from her girl friends--cup, face, bath and guest towels; all the

tremendous trifles and addenda that go to gladden the chattel-loving

heart of a woman. A little secret society of her erstwhile school

friends presented her with a luncheon set; the Keller twins with a

silver gravy boat; and Jeanette Peopping Truman, who occupied an

apartment in the same building, spent as many as three afternoons a week

with her, helping to piece out a really lovely tulip-design quilt of

pink and white sateen.

"Jeanette," said Ann Elizabeth, one afternoon as the two of them sat in

a frothy litter of the pink and white scraps, "how did you feel that

time when you had the nerv--the breakdown?"

Jeanette, pretty after a high-cheek-boned fashion and her still bright

hair worn coronet fashion about her head, bit off a thread with sharp

white teeth, only too eager to reminisce her ills.

"I was just about gone, that's what I was. Let anybody so much as look

at me twice and, pop! I'd want to cry about it."

"And?"

"For six weeks I didn't even have enough interest to ask after Truman,

who was courting me then. Oh, it was no fun, I can tell you, that

nervous breakdown of mine!"

"What--else?"

"Isn't that enough?"

"Did it--was it--was it ever hard to swallow, Jeanette?"

"To swallow?"

"Yes. I mean--did you ever dream or--think--or feel so frightened you

couldn't swallow?"

"I felt lots of ways, but that wasn't one of them. Swallow! Who ever

heard of not swallowing?"

"But didn't you ever dream, Jeanette--terrible things--such terrible

things--and get to thinking and couldn't stop yourself? Silly,

ghostly--things."

Jeanette put down her sewing.

"Ann, are you quizzing me about--your mother?"

"My mother? Why my mother? Jeanette, what do you mean? Why do you ask me

a thing like that? What has my mother got to do with it? Jeanette!"

Conscious that she had erred, Jeanette veered carefully back.

"Why, nothing, only I remember mamma telling me when I was just a kiddie

how your mamma used to--to imagine all sorts of things just to pass the

time away while she embroidered the loveliest pieces. You're like her,

mamma used to say--a handy little body. Poor mamma, to think she had to

be taken before Truman, junior, was born! Ah me!"

That evening, before Fred came for his two hours with her in the little

parlor, Ann, rid of her checked apron and her crisp pink frock saved

from the grease of frying sparks, flew in from a ring at the doorbell

with a good-sized special-delivery box from a silversmith, untying it

with eager, fumbling fingers, her father laying aside his newspaper to

venture three guesses as to its contents.

"Another one of those syrup pitchers."

"Oh dear!"--plucking the twine--"I hope not!"

"Some more nut picks."

"Daddy, stop calamity howling. Here's the card. Des Moines, Iowa. 'From

Lucile Willis, with love to her new sister.' Isn't that the sweetest!

It's something with a pearl handle."

"I know. Another one of those pie-spade things."

"Wrong! Wrong! It's two pieces. Oh!"

It was a fish set of silver and mother-of-pearl. A large-bowled spoon

and a sort of Neptune's fork, set up in a white-sateen bed.

"Say now, that _is_ neat," said Henry, appraising each piece with a show

of critical appreciation not really his. All this spread of the gewgaws

of approaching nuptials seemed meaningless to him; bored him. Butter

knives. Berry spoons. An embarrassment of nut picks and silver pitchers.

A sliver of silver paper cutter with a hilt and a dog's-head handle. And

now, for Fred's delectation this evening, the newly added fish set, so

appropriately inscribed from his sister.

Tilting it against the lamp in the place of honor, Ann Elizabeth turned

away suddenly, looking up at her father in a sudden dumb panic of which

he knew nothing, her two hands at her fair, bare throat. It was so hard

again to swallow. Impossible.

But finally, as was always the case, she did swallow, with a great surge

of relief. A little later, seated on her father's knee and plucking at

his tie in a futile fashion that he loved, she asked him:

"Daddy--about mother--"

They seldom talked of her, but always during these rare moments a

beautiful mood shaped itself between them. It was as if the mere breath

of his daughter's sweetly lipped use of "mother" swayed the bitter-sweet

memory of the woman he carried so faithfully in the cradle of his heart.

"Yes, baby--about mother?"

"Daddy"--still fingering at the tie--"was mother--was everything all

right with her up--to the very--end? I mean--no nerv--no pain? Just all

of a sudden the end--quietly. Or have you told me that just to--spare

me?"

She could feel him stiffen, but when his voice came it was even.

"Why, Ann, what a--question! Haven't I told you so often how mother just

peacefully passed on, holding a little pink you."

Sweet-Beautiful--his heart was tolling through a sense of

panic--Sweet-Beautiful.

"I know, daddy, but before--wasn't there any nerv--any sickness?"

"No," he said, rather harshly for him. "No. No. What put such ideas into

your head?"

You see, he was shielding Emma way back there, and a typhoon of her

words was raging through his head:

"Oh, Henry, protect me against anyone ever saying--that. Promise me."

And now, with no sense of his terrible ruthlessness, he was protecting

her with her own daughter.

"Then, daddy, just one more thing," and her underlip caught while she

waited for answer. "There is no other reason except your own dear silly

one of loneliness--why you keep wanting me to put off my marriage?"

"No, baby," he said, finally, his words with no more depth than if his

body were a hollow gourd. "What else could there be?"

Immediately, and with all the resilience of youth, she was her happy

self again, kissing him through his mustache and on his now frankly bald

head, which gave off the incongruous odor of violet eau de Cologne.

"Old dude daddy!" she cried, and wanted to kiss his hands, which he held

suddenly very still and far from her reach.

Then the bell rang again and Fred Willis arrived. All the evening,

long after Henry lay on his deep-mattressed bed, staring, the little

apartment trilled to her laughter and the basso of Fred's.

* * * * *

A few weeks later there occurred a strike of the delivery men and truck

drivers of the city, and Henry, especially hard hit because of the

perishable nature of his product, worked early and late, oftentimes

loading the wagons himself and riding alongside of the precariously

driving "scab."

Frequently he was as much as an hour or two late to dinner, and upon one

or two occasions had tiptoed out of the house before the usual hour

when Ann opened her eyes to the consciousness of his breakfast to be

prepared.

They were trying days, the scheme of his universe broken into, and Henry

thrived on routine.

The third week of the strike there were street riots, some of them

directly in front of the fish store, and Henry came home after a day of

the unaccustomed labor of loading and unloading hampers of fish, really

quite shaken.

When he arrived Ann Elizabeth was cutting around the scalloped edge of

a doily with embroidery scissors, the litter of cut glass and silver

things out on the table and throwing up quite a brilliance under the

electric lamp, and from the kitchen the slow sizzle of waiting chops.

"Whew!" he said, as he entered, both from the whiff he emanated as he

shook out of his overcoat, and from a great sense of his weariness.

Loading the hampers, you understand. "Whew!"

Ann Elizabeth started violently, first at the whiff which preceded him

and at his approach into the room; then sat forward, her hand closing

into the arm of the chair, body thrust forward and her eyes widening

like two flowers opening.

Then she rose slowly and slyly, and edged behind the table, her two

hands up about her throat.

"Don't you come in here," she said, lowly and evenly. "I know you, but

I'm not afraid. I'm only afraid of you at night, but not by light. You

let me swallow, you hear! Get out! Get out!"

Rooted, Henry stood.

"Why, Annie!" he said in the soothing voice from out of his long ago,

"Annie--it's daddy!"

"No, you don't," she cried, springing back as he took the step forward.

"My daddy'll kill you if he finds you here. He'll slit you up from your

tail right up to your gill. He knows how. I'm going to tell him and Fred

on you. You won't let me swallow. You're slippery. I can't stand it.

Don't you come near me! Don't!"

"Annie!" he cried. "Good God! Annie, it's daddy who loves you!" Poor

Henry, her voice was still under a whisper and in his agony he committed

the error of rushing at her. "Annie, it's daddy! See, your own dear

daddy!"

But she was too quick. Her head thrown back so that the neck muscles

strained out like an outraged deer's cornered in the hunt and her

eyes rolled up, Ann felt for and grasped the paper knife off the

trinket-littered table.

"Don't you touch me--slit you up from tail to your gills."

"Annie, it's daddy! Papa! For God's sake look at daddy--Ann! God!" And

caught her wrist in the very act of its plumb-line rush for his heart.

He was sweating in his struggle with her, and most of all her strength

appalled him, she was so little for her terrible unaccountable power.

"Don't touch me! You can't! You haven't any arms! Horrible gills!"

She was talking as she struggled, still under the hoarse and frantic

whisper, but her breath coming in long soughs. "Slit-you-up-from-tail.

Slit--you--up--from--tail--to--gills."

"Annie! Annie!" still obsessed by his anguished desire to reassure

her with the normality of his touch. "See, Annie, it's daddy. Ann

Elizabeth's daddy." With a flash her arm and the glint of the paper

cutter eluded him again and again, but finally he caught her by the

waist, struggling, in his dreadful mistake, to calm her down into the

chair again.

"Now I've got you, darling. Now--sit--down--"

"No, you haven't," she said, a sort of wild joy coming out in her

whisper, and cunningly twisting the upper half of her body back from

his, the hand still held high. "You'll never get me--you fish!"

And plunged with her high hand in a straight line down into her throat.

It was only when the coroner withdrew the sliver of paper knife from its

whiteness, that, coagulated, the dead and waiting blood began to ooze.

* * * * *

"Do you," intoned the judge for the third and slightly more impatient

time, "plead guilty or not guilty to the charge of murder against you?"

This time the lips of the prisoner's wound of a mouth moved stiffly

together:

"Guilty."

ROULETTE

I

Snow in the village of Vodna can have the quality of hot white plush

of enormous nap, so dryly thick it packs into the angles where fences

cross, sealing up the windward sides of houses, rippling in great seas

across open places, flaming in brilliancy against the boles of ever so

occasional trees, and tucking in the houses up to the sills and down

over the eaves.

Out in the wide places it is like a smile on a dead face, this snow

hush, grateful that peace can be so utter. It is the silence of a broody

God, and out of that frozen pause, in a house tucked up to the sills and

down to the eaves, Sara Turkletaub was prematurely taken with the pangs

of childbirth, and in the thin dawn, without even benefit of midwife,

twin sons were born.

Sturdy sons, with something even in their first crescendo wails that

bespoke the good heritage of a father's love-of-life and a mother's

life-of-love.

No Sicilian sunrise was ever more glossy with the patina of hope

than the iced one that crept in for a look at the wide-faced,

high-cheek-boned beauty of Sara Turkletaub as she lay with her sons to

the miracle of her full breasts, her hair still rumpled with the agony

of deliverance. So sweetly moist her eyes that Mosher Turkletaub, his

own brow damp from sweat of her writhings, was full of heartbeat, even

to his temples.

Long before moontime, as if by magic of the brittle air, the tidings had

spread through the village, and that night, until the hand-hewn rafters

rang, the house of Turkletaub heralded with twofold and world-old fervor

the advent of the man-child. And through it all--the steaming warmth,

the laughter through bushy beards, the ministering of women wise and

foolish with the memory of their own pangs, the shouts of vodka-stirred

men, sheepish that they, too, were part custodians of the miracle of

life--through it all Sara Turkletaub lay back against her coarse bed, so

rich--so rich that the coves of her arms trembled each of its burden and

held tighter for fear somehow God might repent of his prodigality.

That year the soil came out from under the snow rich and malmy to the

plow, and Mosher started heavy with his peddler's pack and returned

light. It was no trick now for Sara to tie her sons to an iron ring in

the door jamb and, her strong legs straining and her sweat willing,

undertake household chores of water lugging, furniture heaving,

marketing with baskets that strained her arms from the sockets as she

carted them from the open square to their house on the outskirts, her

massive silhouette moving as solemnly as a caravan against the sky line.

Rich months these were and easy to bear because they were backed by a

dream that each day, however relentless in its toil, brought closer to

reality.

"America!"

The long evenings full of the smell of tallow; maps that curled under

the fingers; the well-thumbed letters from Aaron Turkletaub, older

brother to Mosher and already a successful pieceworker on skirts in

Brooklyn. The picture postcards from him of the Statue of Liberty! Of

the three of them, Aaron, Gussie, his wife, and little Leo, with donkey

bodies sporting down a beach labeled "Coney." A horrific tintype of

little Leo in tiny velveteen knickerbockers that fastened with large,

ruble-sized, mother-of-pearl buttons up to an embroidered sailor blouse.

It was those mother-of-pearl buttons that captured Sara's imagination

so that she loved and wept over the tintype until little Leo quite

disappeared under the rust of her tears. Long after young Mosher, who

loved his Talmud, had retired to sway over it, Sara could yearn at this

tintype.

Her sons in little knickerbockers that fastened to the waistband with

large pearl buttons!

Her black-eyed Nikolai with the strong black hair and the virile little

profile that hooked against the pillow as he slept.

Her red-headed Schmulka with the tight curls, golden eyes, and even

more thrusting profile. So different of feature her twins and yet so

temperamentally of a key. Flaming to the same childish passions, often

too bitter, she thought, and, trembling with an unnamed fear, would tear

them apart.

Pull of the cruelties and the horrible torture complex of the young

male, they had once burned a cat alive, and the passion of their father

and their cries under flaying had beat about in her brain for weeks

after. Jealousies, each of the other, burned fiercely, and, aged three,

they scratched blood from one another over the favor of the shoemaker's

tot of a girl. And once, to her soul-sickness, Nikolai, the black one,

had found out the vodka and drunk of it until she discovered him in a

little stupor beside the cupboard.

Yet--and Sara would recount with her eyes full of more tears than they

could hold the often-told tale of how Schmulka, who could bear no

injustice, championed the cause of little Mottke, the butcher's son,

against the onslaught of his drunken father, beating back the lumbering

attack with small fists tight with rage; of little Nikolai, who fell

down the jagged wall of a quarry and endured a broken arm for the six

hours until his father came home rather than burden his mother with what

he knew would be the agony of his pain.

Red and black were Sara's sons in pigment. But by the time they were

four, almost identical in passion, inflammable both to the same angers,

the impulsive and the judiciary cunningly distributed in them.

And so, to the solemn and Talmud teachings of Mosher and the

wide-bosomed love of this mother who lavishly nurtured them, these sons,

so identically pitched, grew steady of limb, with all the thigh-pulling

power of their parents, the calves of their little legs already tight

as fists. And from the bookkeeping one snow-smelling night, to the

drip-drip of tallow, there came the decisive moment when America looked

exactly four months off!

Then one starlit hour before dawn the pogrom broke. Redly, from the very

start, because from the first bang of a bayonet upon a door blood began

to flow and smell.

There had been rumors. For days old Genendel, the ragpicker, had

prophetically been showing about the village the rising knobs of his

knotting rheumatic knuckles, ill omen of storm or havoc. A star had shot

down one night, as white and sardonic as a Cossack's grin and almost

with a hiss behind it. Mosher, returning from a peddling tour to a

neighboring village, had worn a furrow between his eyes. Headache, he

called it. Somehow Sara vaguely sensed it to be the ache of a fear.

One night there was a furious pink tint on the distant horizon, and

borne on miles of the stiffly thin air came the pungency of burning

wood and flesh across the snowlight. Flesh! The red sky lay off in the

direction of Kishinef. What was it? The straw roof of a burning barn?

The precious flesh of an ox? What? Reb Baruch, with a married daughter

and eleven children in Kishinef, sat up all night and prayed and swayed

and trembled.

Packed in airtight against the bite of the steely out-of-doors, most of

the village of Vodna--except the children and the half-witted Shimsha,

the _ganef_--huddled under its none-too-plentiful coverings that night

and prayed and trembled.

At five o'clock that red dawn, almost as if a bayonet had crashed into

her dream, Sara, her face smeared with pallor, awoke to the smell of

her own hair singeing. A bayonet _had_ crashed, but through the door,

terribly!

The rest is an anguished war frieze of fleeing figures; of running

hither and thither in the wildness of fear; of mothers running with

babes at breasts; of men, their twisted faces steaming sweat, locked in

the Laocoön embrace of death. Banners of flame. The exultant belch of

iridescent smoke. Cries the shape of steel rapiers. A mouth torn back to

an ear. Prayers being moaned. The sticky stench of coagulating blood.

Pillage. Outrage. Old men dragging household chattels. Figures crumpling

up in the outlandish attitudes of death. The enormous braying of

frightened cattle. A spurred heel over a face in that horrible moment

when nothing can stay its descent. The shriek of a round-bosomed girl

to the smear of wet lips across hers. The superb daring of her lover to

kill her. A babe in arms. Two. The black billowing of fireless smoke.

A child in the horse trough, knocked there from its mother's arms by the

butt end of a bayonet, its red curls quite sticky in a circle of its

little blood. A half-crazed mother with a singed eyebrow, blatting over

it and groveling on her breasts toward the stiffening figure for the

warmth they could not give; the father, a black-haired child in his

arms, tearing her by force out of the zone of buckshot, plunging back

into it himself to cover up decently, with his coat, what the horse

trough held.

Dawn. A huddle of fugitives. Footsteps of blood across the wide open

places of snow. A mother, whose eyes are terrible with what she has left

in the horse trough, fighting to turn back. A husband who literally

carries her, screaming, farther and farther across the cruel open

places. A town. A ship. The crucified eyes of the mother always looking

back. Back.

The Vertical City · 第 11 / 15 段