I turned and walked away, not looking back.

5

It was a bright morning. Through the high windows of the classroom

came soft sunlight filtered through the delicate fiberglass grillwork

that faced the entire west side of the building. I looked down at the

peaceful campus, the slowly moving streams of students, the expanse of

cool green grass, the solid impressiveness of nearby buildings. In the

distance I could see a section of the practice football field and I

thought of Mike Boyle, driving his huge shoulder into a tackling dummy,

sweating and grunting, thick thighs driving powerfully. A monstrous

youth, all right. But an unearthly monster? Hardly.

I heard the restless movement in the room behind me and I wrenched my

thoughts back to the lecture.

"Why is _Beowulf_ called an epic?" I asked rhetorically, turning.

"Because of its scope. Because of the greatness of its hero. Because

it expresses the whole struggle and aspiration and point of view of

its people. Its action is on a grand scale. Its emotions are deep

and powerful. This is not the twentieth century story of a housewife

who has a petty little affair with a mediocre man she meets in the

super market. This is big. This is important. It has to do with the

vital issues of life. It has greatness. Victory is a triumph over a

formidable enemy of the people. Defeat is death, and even in the manner

of dying there is majesty and heroism." I paused, letting my eyes rove

over the room, using the teacher's trick of focusing on the last row

and thus seeming to be looking at all of the students in between. Their

faces were all turned toward me in a semblance of respectful attention.

A boy in the third row was sleeping with his eyes half open. "And the

manner of the writing is in keeping with the heroic action," I went on,

letting my gaze move forward to the front row, to the shock of flaming

red hair and a pair of carelessly crossed legs sleekly clad in spun

plastisheen. "It is powerful, strongly rhythmic, eloquent."

I smiled. Laurie Hendricks seemed to sigh, and the slight movement

brought my attention to her breasts, softly outlined under a

lemon-colored sweater.

"Of course it loses much in translation," I added. There was a

respectful titter of amusement from the class. The old prof, I thought,

with his academic jokes. Even at twenty-seven, in my fourth year of

teaching, I had fallen into the habit of repeating the same jokes each

semester. Laurie Hendricks smiled warmly at me and I found myself

reacting to the moist red curve of her lips, liking the fact that she

had been amused.

During the long, relatively sleepless night, my faith in the validity

of my mind's impressions had wavered badly. I had ranged from an angry

conviction that everything I had heard was real and true, through

all the stages of argument and doubt, down to a dismal hopelessness,

an acknowledgment that alien minds and macabre plots were grotesque

splinters off my peculiar branch of insanity.

Looking now at Laurie Hendricks, I found myself reluctant to believe

that she was anything but an unusually beautiful girl who was giving

every indication of being more than ordinarily interested in me. The

accidental circumstance of the previous night's meeting had created a

new relationship between us without a word being spoken this morning.

She was no longer just another anonymous student. And I strongly

suspected that I was no longer to her just another stuffy instructor.

I turned abruptly toward the sleeping boy in the third row. "Mr.

Carbo," I said sharply. "Mr. Carbo!"

His head came up with a snap. His eyes were still dull with sleep.

"Huh?"

"Mr. Carbo, are you with us?"

The class laughed, warming to a situation in which someone else is made

to look a little ridiculous.

"Mr. Carbo, what do you think of Beowulf's technique in handling the

dragon?"

"I don't think I understand, sir," the boy said lamely.

"You have read the assignment I suppose."

"Yes, sir."

"Did anything strike you about the fight?"

"Well, I thought it was kind of bloodthirsty, sir."

"The Anglo-Saxons were a bloodthirsty people," I said. "They didn't

have television or movies or synthetic-participation sports to let them

drain off some of their violence. Even their literature was more like a

battle cry than a civilized catharsis of emotions."

"Yes, sir."

"I'm glad you agree, Mr. Carbo." I felt that I was being rather hard on

him, but you were expected to make a goat out of the guilty student who

slept or talked or failed to study. It was standard teaching procedure

and not without its value in keeping the class on its toes.

I let him off the hook, turning to address the class as a whole. "You

know how boxers will waste the first round feeling each other out,

testing the other's reactions? Did you notice anything similar in

Beowulf's approach to battle?"

"Yeah," a student called from the back of the room. "He lets the dragon

gobble up a couple of the other guys."

"Right!" I said with exaggerated enthusiasm. "Miss Hendricks, would you

read that passage for us?"

She looked startled. As she hunted for the place there was a general

thud and rustle of textbooks being hastily opened. Laurie Hendricks

coughed and began to read. Her voice was low, hesitant, pleasantly

husky. The passage she read told in gory detail how the ancient hero

had watched as the dragon entered the mead hall, had waited, feigning

sleep, studying the enemy's movements, even though this involved a

rather grim death for some of Beowulf's companions in arms. As I

listened, I thought of the younger alien the night before, standing

among the students on the campus and watching while the other flung

me into the street in front of the racing car. I heard the words of

the centuries-old epic and a detached portion of my mind told me

that, unlike the mighty Anglo-Saxon warrior, I couldn't wait out the

enemy. I already knew how he worked. If I waited there would be another

accident. I had to find the enemy before he or she had a chance to

attack.

Laurie Hendricks finished reading and glanced up questioningly from the

text. I nodded to indicate that that was enough. My gaze held hers.

"The point I'm making," I said, "is that the attitude toward life

was so different from ours. Unless you understand and accept that

difference you can't respond to the literature of the people at that

time. Their view of the universe was alien to anything we know. Human

life was cheap. To stay alive was a constant struggle. Life didn't last

very long--"

The bell rang to signal the end of the lecture. I held up my hand,

stilling the immediate mass movement out of the seats.

"I have to talk to you individually about your term papers," I

said quickly, ignoring the general groan. "I'll set up individual

appointments. If the students in the--first row--will stay a few

minutes I'll start with them."

I nodded and the class burst into a confusion of noise and movement.

The students in the first row lingered. I sat behind the desk in the

front of the room and waved the initial student forward. Carefully I

drew up a time schedule of office appointments. As I had hoped, Laurie

Hendricks waited until the last. We were alone in the classroom when

she uncurled from her seat and swayed toward the desk. The soft curve

of her mouth was provocative.

"You don't look any the worse for wear, Professor."

I smiled faintly. "I'm only an instructor, Miss Hendricks, not a

professor. And I feel fine, thanks to you and your friends."

"We just picked you up and dusted you off."

There was a brief, awkward silence. Our eyes met appraisingly. She

leaned a firmly rounded hip against the edge of the desk.

"I'd like to thank your friends personally," I said at last. "Would you

give me their names?"

"Sure--but you don't have to thank them."

"I'd like to. I know Mike Boyle, of course--but who was the girl with

him?"

"That's Helen Darrow. She's a physics major. She and Mike are going

steady now."

I looked surprised. The girl hadn't seemed like the kind who would

be majoring in physics. And that fact didn't go along with a co-ed's

worshipful admiration of a brawny football star.

"They're a funny couple," Laurie Hendricks said, patting her red hair

with graceful fingers. "But sometimes a man and a woman can clink

together when you'd least expect it."

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