The Rural Pan

(An April Essay)

Through shady Throgmorton Street and about the vale of Cheapside the

restless Mercury is flitting, with furtive eye and voice a little

hoarse from bidding in the market. Further west, down classic

Piccadilly, moves the young Apollo, the lord of the unerring (satin)

bow; and nothing meaner than a frock-coat shall in these latter years

float round his perfect limbs. But remote in other haunts than these

the rural Pan is hiding, and piping the low, sweet strain that reaches

only the ears of a chosen few. And now that the year wearily turns and

stretches herself before the perfect waking, the god emboldened begins

to blow a clearer note.

When the waking comes at last, and Summer is abroad, these deities will

abroad too, each as his several attributes move him. Who is this that

flieth up the reaches of the Thames in steam-launch hired for the day?

Mercury is out—some dozen or fifteen strong. The flower-gemmed banks

crumble and slide down under the wash of his rampant screw; his wake is

marked by a line of lobster-claws, gold-necked bottles, and fragments

of veal-pie. Resplendent in blazer, he may even be seen to embrace the

slim-waisted nymph, haunter of green (room) shades, in the full gaze of

the shocked and scandalised sun. Apollo meantime reposeth, passively

beautiful, on the lawn of the Guards’ Club at Maidenhead. Here, O

Apollo, are haunts meet for thee. A deity subjectively inclined, he is

neither objective nor, it must be said for him, at all objectionable,

like them of Mercury.

Meanwhile, nor launches nor lawns tempt him that pursueth the rural

Pan. In the hushed recesses of Hurley backwater where the canoe may be

paddled almost under the tumbling comb of the weir, he is to be looked

for; there the god pipes with freest abandonment. Or under the great

shadow of Streatley Hill, “annihilating all that’s made to a green

thought in a green shade”; or better yet, pushing an explorer’s prow up

the remote untravelled Thame, till Dorchester’s stately roof broods

over the quiet fields. In solitudes such as these Pan sits and dabbles,

and all the air is full of the music of his piping. Southwards, again,

on the pleasant Surrey downs there is shouting and jostling; dust that

is drouthy and language that is sultry. Thither comes the young Apollo,

calmly confident as ever; and he meeteth certain Mercuries of the baser

sort, who do him obeisance, call him captain and lord, and then proceed

to skin him from head to foot as thoroughly as the god himself flayed

Marsyas in days of yore, at a certain Spring Meeting in Phrygia: a good

instance of Time’s revenges. And yet Apollo returns to town and swears

he has had a grand day. He does so every year. Out of hearing of all

the clamour, the rural Pan may be found stretched on Ranmore Common,

loitering under Abinger pines, or prone by the secluded stream of the

sinuous Mole, abounding in friendly greetings for his foster-brothers

the dab-chick and water-rat.

For a holiday, Mercury loveth the Pullman Express, and a short hour

with a society paper; anon, brown boots on the pier, and the pleasant

combination of Métropole and Monopole. Apollo for his part will urge

the horses of the Sun: and, if he leaveth the society weekly to

Mercury, yet he loveth well the Magazine. From which _omphalos_ or hub

of the universe he will direct his shining team even to the far

Hesperides of Richmond or of Windsor. Both iron road and level highway

are shunned by the rural Pan, who chooses rather to foot it along the

sheep track on the limitless downs or the thwart-leading footpath

through copse and spinney, not without pleasant fellowship with feather

and fir. Nor does it follow from all this that the god is unsocial.

Albeit shy of the company of his more showy brother-deities, he loveth

the more unpretentious humankind, especially them that are _adscripti

glebæ,_ addicted to the kindly soil and to the working thereof: perfect

in no way, only simple, cheery sinners. For he is only half a god after

all, and the red earth in him is strong. When the pelting storm drives

the wayfarers to the sheltering inn, among the little group on bench

and settle Pan has been known to appear at times, in homely guise of

hedger-and-ditcher or weather-beaten shepherd from the downs. Strange

lore and quaint fancy he will then impart, in the musical Wessex or

Mercian he has learned to speak so naturally; though it may not be till

many a mile away that you begin to suspect that you have unwittingly

talked with him who chased the flying Syrinx in Arcady and turned the

tide of fight at Marathon.

Yes: to-day the iron horse has searched the country through—east and

west, north and south—bringing with it Commercialism, whose god is

Jerry, and who studs the hills with stucco and garrotes the streams

with the girder. Bringing, too, into every nook and corner fashion and

chatter, the tailor-made gown and the eyeglass. Happily a great part is

still spared—how great these others fortunately do not know—in which

the rural Pan and his following may hide their heads for yet a little

longer, until the growing tyranny has invaded the last common, spinney,

and sheep-down, and driven the kindly god, the well-wisher to

man—whither?

Pagan Papers · 第 9 / 23 题