Chapter II

THE MAORI

"The moving finger writes; and, having writ,

Moves on. Nor all your piety or wit

Can lure it back to cancel half a line,

Nor all your tears wash out a word of it."

The first colonists of New Zealand were brown men from the South Seas.

It was from Eastern Polynesia that the Maoris unquestionably came.

They are of the same race as the courteous, handsome people who

inhabit the South Sea Islands from Hawaii to Rarotonga, and who, in

Fiji, mingle their blood with the darker and inferior Melanesians

of the west. All the Polynesians speak dialects of the same musical

tongue. A glance at Tregear's Comparative Maori-Polynesian Dictionary

will satisfy any reader on that point. The Rarotongans call themselves

"Maori," and can understand the New Zealand speech; so, as a rule, can

the other South Sea tribes, even the distant Hawaiians. Language alone

is proverbially misleading as a guide to identity of race. But in

the case of the Polynesians we may add colour and features, customs,

legends, and disposition. All are well though rather heavily built,

active when they choose, and passionately fond of war and sport. The

New Zealanders are good riders and capital football players. The

Samoans are so fond of cricket that they will spend weeks in playing

gigantic matches, fifty a side. Bold as seamen and skilful as

fishermen, the Polynesians are, however, primarily cultivators of

the soil. They never rose high enough in the scale to be miners or

merchants. In the absence of mammals, wild and tame, in their islands,

they could be neither hunters nor herdsmen. Fierce and bloodthirsty in

war, and superstitious, they were good-natured and hospitable in peace

and affectionate in family life.

There is no reason to think that the New Zealanders are more akin to

the modern Malays than they are to the Australian blacks; nor have

attempts to connect them with the red men of America or the Toltecs

of Mexico succeeded. They are much more like some of the Aryans of

Northern India. But the truth is, their fortunes before their race

settled in Polynesia are a pure matter of guess-work. Some centuries

ago, driven out by feuds or shortness of food, they left their isles

of reef and palm, and found their way to Ao-tea-roa, as they called

New Zealand.

On the map their new home seems at first sight so isolated and remote

from the other groups of Oceania as to make it incredible that even

the most daring canoe-men could have deliberately made their

way thither. But this difficulty disappears upon a study of the

ascertained voyages of the Polynesians. Among the bravest and most

venturesome navigators of the ocean, the brown mariners studied and

named the stars, winds and currents. As allies they had those friends

of the sailor, the trade-winds. In cloudy weather, when the signs in

the sky were hidden, the regular roll of the waves before the steady

trade-wind was in itself a guide.[1] Their large double-canoes joined

by platforms on which deck-houses were built were no despicable

sea-boats, probably just as good as the vessels in which the

Phoenicians circumnavigated Africa. Even their single canoes were

sometimes between 100 and 150 feet long, and the crews of these,

wielding their elastic paddles, kept time in a fashion that has won

respect from the coxswain of a University eight. For their long

voyages they stored water in calabashes, carried roots and dried fish,

and had in the cocoa-nut both food and drink stored safely by nature

in the most convenient compass. In certain seasons they could be

virtually sure of replenishing their stock of water from the copious

tropical or semi-tropical rains. Expert fishermen, they would miss no

opportunity of catching fish by the way. They made halting-places of

the tiny islets which, often uninhabited and far removed from the

well-known groups, dot the immense waste of the Pacific at great

intervals. The finding of their stone axes or implements in such

desolate spots enables their courses to be traced. Canoe-men who could

voyage to solitary little Easter Island in the wide void towards

America, or to Cape York in the distant west, were not likely to find

insuperable difficulties in running before the north-east winds to New

Zealand from Rarotonga, Savaii or Tahiti. The discovery in the new

land of the jade or greenstone--far above rubies in the eyes of men of

the Stone Age--would at once give the country all the attractiveness

that a gold-field has for civilized man.

[Footnote 1: S. Percy Smith on _The Geographical Knowledge of the

Polynesians_.]

The Maori stories of their migration to New Zealand are a mixture of

myth and legend. Among them are minute details that may be accurate,

mingled with monstrous tales of the utterly impossible. For example,

we are told that one chief, on his canoe first nearing the coast,

saw the feathery, blood-red rata-flowers gleaming in the forest, and

promptly threw overboard his Polynesian coronet of red feathers,

exclaiming that he would get a new crown in the new land. Such an

incident might be true, as might also the tale of another canoe

which approached the shore at night. Its crew were warned of the

neighbourhood of land by the barking of a dog which they had with them

and which scented a whale's carcass stranded on the beach. On the

other hand we are gravely told that the hero Gliding-Tide having

dropped an axe overboard off the shore, muttered an incantation so

powerful that the bottom of the sea rose up, the waters divided, and

the axe returned to his hand. The shoal at any rate is there, and is

pointed out to this day. And what are we to say to the tale of another

leader, whose canoe was upset in the South Seas, and who swam all the

way to New Zealand?

The traditions say that the Maori Pilgrim Fathers left the island

of Hawaiki for New Zealand about the beginning of the 15th century.

Hawaiki is probably one of the "shores of old romance." Other

Polynesian races also claim to have come thence. Mr. Percy Smith gives

good reasons for the suggestion that the ancestors of the Maoris

migrated from the Society Islands and from Rarotonga, and that their

principal migration took place about five hundred years ago. It seems

likely enough, however, that previous immigrants had gone before them.

One remnant of these, the now almost extinct Moriori, colonised the

Chatham Islands, whither they were not followed by the conquering

Maori until the present century. The two most famous of the great

double canoes of the Maori settlers were the Arawa (shark), and the

Tainui (flood-tide). On board thereof, with the men, women, and

children, were brought dogs, rats, the gourd and taro root, and the

invaluable kumara or sweet potato. The karaka tree, whose glossy,

almost oily-looking leaves were in after days to be seen in every

village, was another importation. With these tradition ranks the green

parakeet and blue pukeko or swamp-hen, two birds whose rich plumage

has indeed something in it of tropical gaudiness, at any rate in

contrast with the sober hues of most New Zealand feathers. The Tainui

canoe was said to have found its last resting-place near the mouth of

the Mokau river. A stone still lies there which is treasured by the

natives as the ancient anchor of their sacred craft. Some years ago,

when a European carried this off, they brought an action against him

and obtained an order of the Court compelling him to restore it. Not

far away stands a grove of trees alleged to have sprung from the

Tainui's skids. Certainly Sir James Hector, the first scientific

authority in the Colony, finding that these trees grow spontaneously

nowhere else in New Zealand, named them _Pomaderris Tainui_. But

though, for once, at any rate, science was not indisposed to smile

on tradition and Maori faith triumphed, and the unbeliever was for

a while confounded, it unhappily seems now quite certain that the

congener of _Pomaderris Tainui_ is found only in Australia, one of the

few lands nigh the Pacific which cannot have been Hawaiki.

It will be safe to say that the Maori colonists landed at different

points and at widely different dates, and that later immigrants

sometimes drove earlier comers inland or southward. More often,

probably, each small band sought out an empty territory for itself. On

this tribes and sub-tribes grew up, dwelling apart from each other.

Each district became the land of a clan, to be held by tomahawk and

spear. Not even temporary defeat and slavery deprived a tribe of its

land: nothing did that but permanent expulsion followed by actual

seizure and occupation by the conquerors. Failing this, the right

of the beaten side lived on, and could be reasserted after years of

exile. The land was not the property of the _arikis_ or chiefs, or

even of the _rangatiras_ or gentry. Every free man, woman and child

in each clan had a vested interest therein which was acknowledged and

respected. The common folk were not supposed to have immortal souls.

That was the distinction of the well born. But they had a right to

their undivided share of the soil. Even when a woman married into

another tribe, or--in latter days--became the wife of a white, she

did not forfeit her title, though sometimes such rights would be

surrendered by arrangement, to save inconvenience. Trade never entered

into Maori life. Buying and selling were unknown. On and by the land

the Maori lived, and he clung to it closely as any Irish peasant. "The

best death a man can die is for the land," ran a proverb. "Let us die

for the land!" shouted a chieftain, haranguing his fighting men before

one of their first battles with the English. No appeal would be more

certain to strike home.

Though the tribal estate was communal property in so far that any

member could go out into the wilderness and fell trees and reclaim the

waste, the fruits of such work, the timber and plantations, at once

became personal property. The fields, houses, weapons, tools, clothes,

and food of a family could not be meddled with by outsiders. The

territory, in a word, was common, but not only products but usufructs

were property attaching to individuals, who could transfer them by

gift.

Though in time they forgot the way to "Hawaiki," and even at last the

art of building double-canoes, yet they never wanted for pluck or

seamanship in fishing and voyaging along the stormy New Zealand

coasts. Their skill and coolness in paddling across flooded rivers may

still sometimes be witnessed.

Always needing fish, they placed their villages near the sea beaches

or the rivers and lakes. In their canoes they would paddle as far as

twelve miles from land. Amongst other fish they caught sharks, killing

them before they hauled them into the crank canoes; or, joining

forces, they would sweep some estuary with drag nets, and, with much

yelling and splashing, drive the fish into a shallow corner. There

with club and spear dog-fish and smooth-hound would be done to death

amid shouts and excitement. Then would come a gorge on a grand scale,

followed by business--the cutting into strips and drying of the

shark-meat for winter food. In the forests they found birds, and,

not having the bow-and-arrow, made shift to snare and spear them

ingeniously. To add to the vegetable staples which they had brought

with them from their Polynesian home, they used the root of the

fern or bracken, and certain wild fruits and berries--none of them

specially attractive. What between fish, birds and vegetables, with

occasional delicacies in the shape of dogs and rats, they were by no

means badly provisioned, and they cooked their food carefully and

well, chiefly by steaming in ovens lined with heated stones. Without

tea, coffee, sugar, alcohol or tobacco, they had also but seldom the

stimulant given by flesh meat. Their notorious cannibalism was almost

confined to triumphal banquets on the bodies of enemies slain in

battle. Without the aid of metals or pottery, without wool, cotton,

silk or linen, without one beast of burden, almost without leather,

they yet contrived to clothe, feed and house themselves, and to make

some advance in the arts of building, carving, weaving and dyeing.

[Illustration: MAORI AND CARVED BOW OF CANOE]

The labour and patience needed to maintain some degree of rude comfort

and keep up any kind of organised society with the scanty means at

their disposal were very great indeed. The popular notion of the

lazy savage basking in the sunshine, or squatting round the fire

and loafing on the labour of his women, did not fairly apply to the

Maori--at any rate to the unspoiled Maori. As seen by the early

navigators, his life was one of regular, though varied and not

excessive toil. Every tribe, in most ways every village, was

self-contained and self-supporting. What that meant to a people

intelligent, but ignorant of almost every scientific appliance, and

as utterly isolated as though they inhabited a planet of their own,

a little reflection will suggest. The villagers had to be their own

gardeners, fowlers, fishermen and carpenters. They built their own

houses and canoes, and made every tool and weapon. All that they wore

as well as what they used had to be made on the spot. They did not

trade, though an exchange of gifts regulated by strict etiquette

amounted to a rude and limited kind of barter, under which inland

tribes could supply themselves with dried sea-fish and sea-birds

preserved in their melted fat, or northern tribes could acquire the

precious greenstone found in the west of the South Island.

Without flocks and herds or domestic fowls, theirs was the constant

toil of the cultivator. Their taro and their kumara fields had to be

dug, and dug thoroughly with wooden spades. Long-handled and pointed

at the end, these implements resembled stilts with a cross-bar about

eighteen inches from the ground on which the digger's foot rested. Two

men worked them together. The women did not dig the fields, but theirs

was the labour almost as severe of carrying on their backs the heavy

baskets of gravel to scatter over the soil of the plantations.

Almost the only staple article of Maori vegetable food which grew

wild and profusely was the fern or bracken _(pteris aquilina_ var.

_esculenta_), which indeed was found on every hill and moor and in

every glade, at any rate in the North Island. But the preparation of

the fibrous root was tedious, calling as it did for various processes

of drying and pounding.

Fishing involved not only the catching of fish, but the manufacture of

seine nets, sometimes half a mile long, of eel-weirs, lines made of

the fibre of the native flax, and of fish-hooks of bone or tough

crooked wood barbed with human bone. The human skeleton was also laid

under contribution for the material of skewers, needles and flutes.

The infinite patience and delicacy requisite in their bird-snaring and

spearing are almost beyond the conception of the civilized townsmen

untrained in wood-craft. To begin with, they had to make the slender

bird spears, thirty feet long, out of the light wood of the _tawa_

tree. A single tree could provide no more than two spears, and the

making of them--with stone tools of course--took many months. Think of

the dexterity, coolness and stealth required to manage such a weapon

in a jungle so dense and tangled that white sportsmen often find a

difficulty in handling their guns there! The silent adroitness needed

to approach and spear the wild parrot or wood-pigeon without stirring

the branch of a tree would alone require a long apprenticeship to

wood-craft.

Maori house-building showed a knowledge of architecture decidedly

above that of the builders of Kaffir kraals, to say nothing of the

lairs of the Australian blacks. The poorest huts were definitely

planned and securely built. The shape was oblong, the walls low, the

roof high pitched and disproportionately large, though not so much so

as in some of the South Sea Islands. The framework was of the durable

totara-wood, the lining of reeds, the outside of dried rushes. At the

end turned to the sunshine was a kind of verandah, on to which opened

the solitary door and window, both low and small. The floor was

usually sunk below ground, and Maori builders knew of no such thing

as a chimney. Though neither cooking nor eating was done in their

dwelling-houses, and offal of all kinds was carefully kept at a decent

distance, the atmosphere in their dim, stifling interiors was as a

rule unendurable by White noses and lungs. Even their largest tribal

or meeting halls had but the one door and window; the Maori mind

seemed as incapable of adding thereto, as of constructing more than

one room under a single roof. On the other hand, the dyed patterns

on the reed wainscoting, and the carvings on the posts, lintel and

boards, showed real beauty and a true sense of line and curve.

Still less reason is there to find fault with their canoes, the larger

of which were not only strangely picturesque, but, urged by as many as

a hundred paddles, flew through the water at a fine speed, or under

sail made long coasting voyages in seas that are pacific only in name.

To the carving on these crafts the savage artists added decoration by

red ochre, strips of dyed flax, gay feathers and mother-o'-pearl. Both

the building of the canoes and their adornment entailed long months of

labour. So did the dressing of the fibre of the flax and palm-lily,

and the weaving therefrom of "mats" or mantles, and of kirtles. Yet

the making of such ordinary clothing was simple indeed compared to the

manufacture of a chief's full dress mat of _kiwi_ feathers. The soft,

hairy-looking plumage of the _kiwi_ (apteryx) is so fine, each feather

so minute, that one mantle would occupy a first-rate artist for two

years. Many of these mantles, whether of flax, feathers or dog-skin,

were quaintly beautiful as well as warm and waterproof.

Nor did Maori skill confine itself to ornamenting the clothing of

man. The human skin supplied a fresh and peculiar field for durable

decoration. This branch of art, that of Moko or tattooing, they

carried to a grotesque perfection. Among the many legends concerning

their demi-god Maui, a certain story tells how he showed them the way

to tattoo by puncturing the muzzle of a dog, whence dogs went with

black muzzles as men see them now. For many generations the patterns

cut and pricked on the human face and body were faithful imitations

of what were believed to be Maui's designs. They were composed of

straight lines, angles, and cross-cuts. Later the hero Mataora taught

a more graceful style which dealt in curves, spirals, volutes and

scroll-work. Apart from legend it is a matter of reasonable certitude

that the Maoris brought tattooing with them from Polynesia. Their

marking instruments were virtually the same as those of their tropical

cousins; both, for instance, before the iron age of the nineteenth

century, often used the wing-bones of sea-birds to make their tiny

chisels. Both observed the law of _tapu_ under which the male

patients, while undergoing the process of puncturing, were sacred,

immensely to their own inconvenience, for they had to dwell apart, and

might not even touch food with their hands. As to the source of the

peculiar patterns used by the New Zealanders, they probably have some

relation with the admirable wood-carving before mentioned. Either

the Moko artists copied the style of the skilful carvers of panels,

door-posts, clubs, and the figure-heads on the prows of canoes, or the

wood-carvers borrowed and reproduced the lines and curves of the Moko.

The inspiration of the patterns, whether on wood or skin, may be found

in the spirals of sea-shells, the tracery on the skin of lizards and

the bark of trees, and even, it may be, in the curious fluting and

natural scroll-work on the tall cliffs of the calcareous clay called

_papa_.

But, however the Moko artist learned his designs, he was a painstaking

and conscientious craftsman in imprinting them on his subject. No

black-and-white draughtsman of our time, no wood-cutter, etcher, or

line-engraver, worked with slower deliberation. The outlines were

first drawn with charcoal or red ochre. Thus was the accuracy of curve

and scroll-work ensured. Then, inch by inch, the lines were cut or

pricked out on the quivering, but unflinching, human copper-plate.

The blood was wiped away and the _narahu_ (blue dye) infused. In the

course of weeks, months, or years, as leisure, wealth, or endurance

permitted, the work was completed. In no other society did the artist

have his patron so completely at his mercy. Not only was a Moko expert

of true ability a rarity for whose services there was always an

"effective demand," but, if not well paid for his labours, the

tattooer could make his sitter suffer in more ways than one. He could

adroitly increase the acute anguish which had, as a point of honour,

to be endured without cry or complaint; or he could coolly bungle the

execution of the design, or leave it unfinished, and betake himself to

a more generous customer. A well-known tattooing chant deals with the

subject entirely from the artist's standpoint, and emphasises the

business principles upon which he went to work. It was this song that

Alfred Domett (Robert Browning's Waring) must have had in his mind

when, in his New Zealand poem, he thus described the Moko on the face

of the chief Tangi-Moana:--

"And finer, closer spirals of dark blue

Were never seen than in his cheek's tattoo;

Fine as if engine turned those cheeks declared

No cost to fee the artist had been spared;

That many a basket of good maize had made

That craftsman careful how he tapped his blade,

And many a greenstone trinket had been given

To get his chisel-flint so deftly driven."

When, however, the slow and costly agony was over, the owner of an

unusually well-executed face became a superior person. He united in

himself the virtues and vices of a chieftain of high degree (shown by

the elaborateness of his face pattern), of a tribal dandy, of a brave

man able to endure pain, of the owner of a unique picture, and of an

acknowledged art critic. In the rigid-looking mask, moreover, which

had now taken the place of his natural face were certain lines by

which any one of his fellow-tribesmen could identify him living or

dead. In this way the heads of Maori chiefs have been recognised

even in the glass cases of museums. On some of the earlier deeds and

agreements between White and Maori, a chief would sign or make his

mark by means of a rough reproduction of his special Moko.

The Maori _pas_ or stockaded and intrenched villages, usually perched

on cliffs and jutting points overhanging river or sea, were defended

by a double palisade, the outer fence of stout stakes, the inner of

high solid trunks. Between them was a shallow ditch. Platforms as

much as forty feet high supplied coigns of vantage for the look-out.

Thence, too, darts and stones could be hurled at the besiegers. With

the help of a throwing-stick, or rather whip, wooden spears could

be thrown in the sieges more than a hundred yards. Ignorant of the

bow-and-arrow and the boomerang, the Maoris knew and used the sling.

With it red-hot stones would be hurled over the palisades, among the

rush-thatched huts of an assaulted village, a stratagem all the more

difficult to cope with as Maori _pas_ seldom contained wells or

springs of water. The courage and cunning developed in the almost

incessant tribal feuds were extraordinary. Competent observers thought

the Maoris of two generations ago the most warlike and ferocious race

on earth. Though not seldom guilty of wild cruelty to enemies, they

did not make a business of cold-blooded torture after the devilish

fashion of the North American Indians. Chivalrous on occasion, they

would sometimes send warning to the foe, naming the day of an intended

attack, and abide thereby. They would supply a starving garrison with

provisions in order that an impending conflict might be a fair trial

of strength. War was to them something more dignified than a mere

lawless struggle. It was a solemn game to be played according to rules

as rigidly laid down and often as honourably adhered to as in

the international cricket and football matches of Englishmen and

Australians.

As is so often the case with fighting races capable of cruelty, they

were strictly courteous in their intercourse with strangers. Indeed,

their code of manners to visitors was so exact and elaborate as to

leave an impression of artificiality. No party of wayfarers would

approach a _pa_ without giving formal notice. When the strangers were

received, they had the best of everything, and the hosts, who saw that

they were abundantly supplied, had too much delicacy to watch them

eat. Maori breeding went so far as to avoid in converse words or

topics likely to be disagreeable to their hearers.

Their feeling for beauty was shown not merely in their art, but in

selecting the sites of dwelling-places, and in a fondness for shady

shrubs and trees about their huts and for the forest-flowers. The

natural images and similes so common in their wild, abrupt, unrhymed

chants and songs showed how closely they watched and sympathised with

nature. The hoar-frost, which vanishes with the sunrise, stood with

them for ephemeral fame. Rank without power was "a fountain without

water." The rushing stream reminded the Maori singer, as it did the

Mantuan, of the remorseless current of life and human fate.

"But who can check life's stream?

Or turn its waters back?

'Tis past,"

cried a father mourning for his dead son. In another lament a grieving

mother is compared to the drooping fronds of the tree-fern. The maiden

keeping tryst bids the light fleecy cloudlets, which in New Zealand so

often scud across the sky before the sea-wind, to be messengers to her

laggard gallant.

"The sun grows dim and hastes away

As a woman from the scene of battle,"

says the lament for a dead chief.[1] The very names given to hills,

lakes, and rivers will be witnesses in future days of the poetic

instinct of the Maori--perhaps the last destined to remain in his

land. Such names are the expressive Wai-orongo-mai (Hear me, ye

waters!); Puké-aruhé (ferny hill); Wai-rarapa (glittering water);

Maunga-tapu (sacred mount); Ao-reré (flying cloud). Last, but not

least, there is the lordly Ao-rangi (Cloud in the heavens), over which

we have plastered the plain and practical "Mount Cook."

[Footnote 1: The Maori is deeply imbued with the poetry of the woods.

His commonest phraseology shows it. 'The month when the pohutu-kawa

flowers'; 'the season when the kowhai is in bloom'; so he punctuates

time. And the years that are gone he softly names' dead leaves!'--HAY,

_Brighter Britain_.]

Many of the Maori chiefs were, and some even now are, masterly

rhetoricians. The bent of the race was always strongly to controversy

and discussion. Their ignorance of any description of writing made

them cultivate debate. Their complacent indifference to time made

deliberative assembly a prolonged, never-wearying joy. The chiefs

met in council like Homer's heroes--the commons sitting round and

muttering guttural applause or dissent. The speeches abounded in short

sententious utterances, in proverbs, poetic allusions and metaphors

borrowed from legends. The Maori orator dealt in quotations as freely

as the author of the _Anatomy of Melancholy_, and his hearers caught

them with as much relish as that of a House of Commons of Georgian

days enjoying an apt passage from the classics. Draped in kilt and

mantle, with spear or carved staff of office in the right hand, the

speakers were manly and dignified figures. The fire and force of their

rhetoric were not only aided by graceful gesture but were set out in a

language worthy of the eloquent. If we cannot say of the Maori tongue

as Gibbon said of Greek, that it "can give a soul to the objects of

sense and a body to the abstractions of philosophy," we can at any

rate claim for it that it is a musical and vigorous speech. Full of

vowel-sounds, entirely without sibilants, but rich in guttural and

chest notes, it may be made at will to sound liquid or virile, soft or

ringing.

The seamy side of Maori life, as of all savage life, was patent to the

most unimaginative observer. The traveller found it not easy to dwell

on the dignity, poetry and bravery of a race which contemned washing,

and lived, for the most part, in noisome hovels. A chief might be an

orator and skilled captain, but, squatting on the ground, smeared with

oil, daubed with red ochre and grimly tattooed, he probably impressed

the white visitor chiefly as an example of dirt and covetousness. The

traveller might be hospitably entertained in a _pa_ the gate of which

was decorated with the smoke-dried heads of slain enemies by a host

whose dress might include a necklace of human teeth,[1] the owner of

which he had helped to eat. Though a cannibal feast was a rare orgie,

putrid food was a common dainty. Without the cringing manner of the

Oriental, the Maori had his full share of deceitfulness. Elaborate

treachery is constantly met with in the accounts of their wars. If

adultery was rare, chastity among the single women was rarer still.

The affection of parents for young children was requited by no

kindness on the part of youth for old age. Carving never rose higher

than grotesque decoration. The attempts at portraying the human face

or form resulted only in the monstrous and the obscene.

[Footnote 1: At any rate among the Ngatiporou tribe.]

[Illustration: A MAORI MAIDEN

Photo by ILES, Thames]

The Maori men are as a rule tall and bulky, long-bodied and

short-legged, and with fairly large pyramidal skulls, showing

well-developed perceptive faculties. Their colour varies from maize to

dusky olive, and their features from classic to negroid; but usually

the nose, though not flat, is wide, and the mouth, though not

blubber-lipped, is heavy and sensual. Shorter and more coarsely built

than the males, the women, even when young, are less attractive to the

European eye, despite their bright glances and black, abundant hair.

It might well be thought that this muscular, bulky race, with ample

room to spread about a fertile and exceptionally healthy country,

would have increased and multiplied till it had filled both islands.

It did not, however. It is doubtful whether it ever numbered more than

a hundred and fifty thousand. Except on the shores of Cook's Straits,

it only planted a few scattered outposts in the South Island. Yet that

is the larger island of the two. It is also the colder, and therein

lies at least one secret of the check to the Maori increase. They were

a tropical race transplanted into a temperate climate. They showed

much the same tendency to cling to the North Island as the negroes in

North America to herd in the Gulf States. Their dress, their food and

their ways were those of dwellers on shores out of reach of frost and

snow. Though of stout and robust figure, they are almost always weak

in the chest and throat. Should the Maoris die out, the medical

verdict might be summed up in the one word tuberculosis.

The first European observers noted that they suffered from "galloping"

consumption. Skin disorders, rheumatism and a severe kind of influenza

were other ailments.

In the absence equally of morality and medical knowledge among their

unmarried women, it did not take many years after the appearance of

the Whites to taint the race throughout with certain diseases. A

cold-blooded passage in Crozet's journal tells of the beginning of

this curse. Though not altogether unskilful surgeons, the Maoris knew

virtually nothing of medicine. Nor do they show much nervous power

when attacked by disease. Cheerful and sociable when in health, they

droop quickly when ill, and seem sometimes to die from sheer lack

of the will to live. Bright and imaginative almost as the Kelts of

Europe, their spirits are easily affected by superstitious dread.

Authentic cases are known of a healthy Maori giving up the ghost

through believing himself to be doomed by a wizard.

There are, however, other evil influences under which this attractive

and interesting people are fading away. Though no longer savages, they

have never become thoroughly civilized. Partial civilization has been

a blight to their national life. It has ruined the efficacy of their

tribal system without replacing it with any equal moral force and

industrial stimulus. It has deprived them of the main excitement of

their lives--their tribal wars--and given them no spur to exertion

by way of a substitute. It has fatally wounded their pride and

self-respect, and has not given them objects of ambition or preserved

their ancient habits of labour and self-restraint. A hundred years ago

the tribes were organized and disciplined communities. No family or

able-bodied unit need starve or lack shelter; the humblest could count

on the most open-handed hospitality from his fellows. The tribal

territory was the property of all. The tilling, the fishing, the

fowling were work which could not be neglected. The chief was not a

despot, but the president of a council, and in war would not be given

the command unless he was the most capable captain. Every man was a

soldier, and, under the perpetual stress of possible war, had to be a

trained, self-denying athlete. The _pas_ were, for defensive reasons,

built on the highest and therefore the healthiest positions. The

ditches, the palisades, the terraces of these forts were constructed

with great labour as well as no small skill. The fighting was hand to

hand. The wielding of their weapons--the wooden spear, the club,

the quaint _meré_[1] and the stone tomahawk--required strength and

endurance as well as a skill only to be obtained by hard practice. The

very sports and dances of the Maori were such as only the active and

vigorous could excel in. Slaves were there, but not enough to relieve

the freemen from the necessity for hard work. Strange sacred customs,

such as _tapu_ (vulgarly Anglicized as taboo) and _muru_, laughable as

they seem to us, tended to preserve public health, to ensure respect

for authority, and to prevent any undue accumulation of goods and

chattels in the hands of one man. Under the law of _muru_ a man

smitten by sudden calamity was politely plundered of all his

possessions. It was the principle under which the wounded shark is

torn to pieces by its fellows, and under which the merchant wrecked on

the Cornish coast in bye-gone days was stripped of anything the waves

had spared. Among the Maoris, however, it was at once a social duty

and a personal compliment. If a man's hut caught fire his dearest

friends clustered round like bees, rescued all they could from the

flames, and--kept it. It is on record that a party about to pay a

friendly visit to a neighbour village were upset in their canoe as

they were paddling in through the surf. The canoe was at once claimed

by the village chief--their host. Moreover they would have been

insulted if he had not claimed it. Of course, he who lost by _muru_

one week might be able to repay himself the next.

[Footnote 1: Tasman thought the meré resembled the _parang_, or heavy,

broad-bladed knife, of the Malays. Others liken it to a paddle, and

matter-of-fact colonists to a tennis-racket or a soda-water bottle

flattened.]

Certain colonial writers have exhausted their powers ridicule--no very

difficult task--upon what they inaccurately call Maori communism. But

the system, in full working order, at least developed the finest race

of savages the world has seen, and taught them barbaric virtues which

have won from their white supplanters not only respect but liking.

The average colonist regards a Mongolian with repulsion, a Negro with

contempt, and looks on an Australian black as very near to a wild

beast; but he likes the Maoris, and is sorry that they are dying out.

No doubt the remnants of the Maori tribal system are useless, and

perhaps worse than useless. The tribes still own land in common, and

much of it. They might be very wealthy landlords if they cared to

lease their estates on the best terms they could bargain for. As it

is, they receive yearly very large sums in rent. They could be rich

farmers if they cared to master the science of farming. They have

brains to learn more difficult things. They might be healthy men

and women if they would accept the teachings of sanitary science

as sincerely as they took in the religious teachings of the early

missionaries. If they could be made to realize that foul air,

insufficient dress, putrid food, alternations of feast and famine, and

long bouts of sedulous idleness are destroying them as a people and

need not do so, then their decay might be arrested and the fair hopes

of the missionary pioneers yet be justified. So long as they soak

maize in the streams until it is rotten and eat it together with dried

shark--food the merest whiff of which will make a white man sick;

so long as they will wear a suit of clothes one day and a tattered

blanket the next, and sit smoking crowded in huts, the reek of which

strikes you like a blow in the face; so long as they will cluster

round dead bodies during their _tangis_ or wakes; so long as they

will ignore drainage--just so long will they remain a blighted and

dwindling race, and observers without eyes will talk as though there

was something fateful and mysterious in their decline. One ray of hope

for them has quite lately been noted. They are caring more for the

education of their children. Some three thousand of these now go

to school, not always irregularly. Very quaint scholars are the

dark-eyed, quick-glancing, brown-skinned little people sitting tied

"to that dry drudgery at the desk's dull wood," which, if heredity

counts for anything, must be so much harder to them than to the

children of the _Pakeha_.[1] Three years ago the Government

re-organized the native schools, had the children taught sanitary

lessons with the help of magic lanterns, and gave power to committees

of native villagers to prosecute the parents of truants. The result

has been a prompt, marked and growing improvement in the attendance

and the general interest. Better still, the educated Maori youths are

awakening to the sad plight of their people. Pathetic as their regrets

are, the healthy discontent they show may lead to better things.

[Footnote 1: Foreigner.]

[Illustration]

The Long White Cloud: "Ao Tea Roa" · 第 2 / 23 章