CHAPTER XXXV.

LADY HOPE IN THE CASTLE.

Lady Clara had been dancing, talking and receiving such homage as would

have satisfied the ambition of a princess. She had managed to snatch

time to exchange many a sweet word and bright look with her lover, and

would have been happy in delicious weariness, but for the sudden

indisposition which had fallen upon her grandmother. As it was she could

hardly realize anything, but gave way to intense weariness, and almost

fell asleep as Margaret was undressing her.

But Caroline had been alone all the evening, within hearing of the

laughter, the music, and feeling the very tread of the dancers in every

nerve. She was young, ardent, and naturally felt a craving wish for the

amusement she had resolutely denied herself; now, less than ever, could

she feel a desire for sleep. Instead of seeking her room she wandered

off to a wing of the castle, in which the picture gallery stretched its

silent range of dead shadows, and tried to throw off the unaccountable

excitement that possessed her, by walking up and down the long gallery.

The late moon was shining through the windows, and a crowd of dimly

outlined figures, in armor or sweeping garments, looked down upon her

from the walls.

Why this strange spirit of unrest had sent her to that gallery she could

not have told, but it was there still, urging her on and on, she could

not tell where, but walked swiftly up and down, up and down, as if

striving to weary herself in a desire for the slumber that seemed to

have fallen upon every human being in the castle.

As she was walking thus wildly, a footstep, not her own, disturbed her.

She stopped to listen--made sure that it was some one advancing, and

drew slowly back toward the wall, hoping to shelter herself among the

low-hanging pictures.

The moonlight, from a neighboring window, lay full upon her as she

retreated across the room, with her face turned down the gallery, and

her breath hushed in fear. She saw, coming toward her, now in shadow,

now in broader light, a lady, in garments of rustling silk, sweeping far

back on the oaken floor, and gleaming duskily, amber-hued in the

imperfect light of a small silver lamp which she carried in her hand--a

beautiful lady, with rubies on her neck and in her hair. The lamplight,

for a moment, concentrated on a face whose weariness was overborne by

slumbering triumph, which poised her head like that of a newly crowned

empress.

Caroline stood for the moment fascinated, then made a swift retreat, for

she saw those great, black eyes turned full upon her, and fled in a

panic.

A shriek--the crash of a falling lamp, and a mass of dusky drapery

huddled together on the floor, brought the girl out of her covert.

Something must have happened--the lady had hurt herself--perhaps could

not arise from want of help. She went down the gallery, passing first

one window then another, taking the moonlight from each, when the fallen

lady uttered another cry, sprang to her feet and fled down the gallery,

leaving her lamp overturned, with the wick still burning.

Caroline took up the lamp, and placing it on a bracket, left the

gallery, vexed with herself for the fright she had occasioned this

strange lady by wandering about so heedlessly in the dark. Still she

could not sleep, but went to her own room and sat waiting there for the

morning to dawn.

Perhaps an hour after Caroline left the picture gallery, a figure

clothed in white from head to foot, came through an end door, walking

firmly through the darkness, and touching the floor with the noiseless

tread of her naked feet. She walked straight to the silver lamp and took

it from the bracket. Now her face was revealed. It was Lady Hope.

She held the lamp before her, and moved on very slowly, looking ahead

through the darkness with those wide open, staring eyes.

After that, when all the fires of that vivid illumination had burned out

in the park, and were quenched in the castle, a bright star seemed

wandering up and down the vast building; now at one window, then at

another, lighting it up with fitful gleams, then leaving it in darkness,

and appearing again in some far off casement.

Once or twice the form of a woman in white cast its cloudy outline

across the plate glass of an unshuttered window; but no person was in

the park to observe her, and she wandered on with a lamp in her firm

hand, which brightened over the pallid outlines of her face, and kindled

up her night drapery like sunshine over drifted snow. Up and down along

the corridors, and through the long drawing-room, the figure swept,

carrying her lamp, and moving noiselessly over the floor with her white,

naked feet.

Upon that unconscious face a look of deep pain had stamped itself in

place of haughty triumph, and the wide open black eyes had a far-off

look, as if their glance could penetrate the walls and the very sky

beyond.

On and on the woman wandered, till she came to a closed door in one of

the corridors. Here she paused, laid her right hand on the silver knob,

and turned it so noiselessly that, when the door opened, it seemed like

the action of a ghost.

The room was darkened from even the faint light of the stars by sweeping

draperies of silk, which glowed out redly as the lamp light fell upon it

in flashes, as if suddenly drenched with wine.

A high ebony bedstead stood in the centre of this noble room, canopied

half way over, and draped like the windows, so that a red gleam fell

upon the whiteness of the counterpane as the light of that lamp fell

upon it.

A man lay profoundly sleeping on this bed--a handsome, middle-aged man,

whose thick brown beard showed soft gleams of silver in it, and whose

hair, though waving and bright, was growing thin on the top of his head.

The man appeared to sleep heavily, and a smile lay on his lips; but a

look of habitual care had written itself on his forehead, and his mouth

was surrounded by stern, hard lines, that seemed graven there with

steel.

The woman stood by this sleeping man, gazing on him with the far-off

look of a ghost. She turned at last, and set the light down on a

console, where it fell less distinctly on the pillow where that head was

lying. Then she crept back and sat down on the side of the bed, so close

to the unconscious sleeper that her shadow fell across him. Slowly, as

if she had been touching a serpent, her hand crept stealthily toward

that which lay in the supine carelessness of sleep on the white

counterpane. She touched it at last, but started back. A blood-red stain

from the curtain fell across it as her bending form let the light stream

through the silk.

The woman drew back and passed her left hand quickly over that which had

touched the sleeping man. Again and again she rubbed one hand over the

other, muttering to herself.

Then a look of passionate distress came to that dark face, and, going to

a marble table, on which a silver bowl and pitcher stood, she poured

some water into the bowl, and plunged the hand with which she had

touched that sleeping man into it. The splash of the water aroused him,

and its icy coldness shocked the woman out of her unnatural sleep. She

turned around wildly, with the water dripping from her hands--turned to

find herself in her husband's chamber, with his astonished eyes fixed

upon her as he sat up in bed.

"Rachael!"

She did not answer him, but stood gazing around the room in wild

bewilderment. How came she standing there? By what spirit of love or

hate had she been sent to that silver basin?

"Rachael, is anything wrong? Are you ill?"

The woman began to shiver. Perhaps the ice cold water had chilled her.

She looked down upon her hands as if the red shadow haunted her yet, but

all she saw were drops of pure water rolling down her slender fingers,

and falling one by one to the floor.

"I do not know!" she answered, in cold bewilderment. "Something drove me

out from the bed, and sent me wandering, wandering, wandering! But how I

came here, alas! Norton, I cannot tell you."

Rachael shivered all over as she spoke, and, as if drawn that way by

some unseen force, came close to Lord Hope's bed, and sat down upon it.

"Oh, I am so cold--so dreary cold!"

An eider down quilt lay across the foot of the bed. Lord Hope reached

forward and folded it around her, very gently, murmuring:

"My poor wife! poor Rachael! You have been dreaming."

"No; it was not all dreaming, Norton. I did see--no matter what; but it

was something that terrified me out of all the joy and glory of this

night. I must have been fearfully worn out to sleep after that; but the

lamp, which I left behind me, is burning there, and my hands were in the

cold water, trying to wash themselves, when you awoke me. I must have

been in that fearful picture gallery again."

"You have courage to go there at all, Rachael!"

"I got there without knowing it. The rooms have been so changed I lost

my way, and took the wrong corridor, and there I saw--"

"_Her_ picture."

"Was it that? Oh! was it only that?"

"It is there--her picture--life size; and so like that I would not look

on it for the world."

"But what carried me there, Norton? On this night, too, when I have been

honored, as your wife should be for the first time! when her mother has

taken me by the hand and lifted the cloud from my name! Ah, Norton!

Norton! it was glory to me when I saw your eyes kindle, and answer back

to mine, as the noblest of the land crowded round to do me homage. Then

I knew that the old love was perfect yet. Oh, Destiny is cruel, that it

will not let me have one perfect day!"

"After all, it was but a picture. Why allow it to distress you so?"

Lord Hope took her hands in his. She did not shrink from his touch now,

as she had in her abnormal sleep; but he felt her palms growing warm,

and saw the light coming back to her eyes, where it had seemed frozen at

first.

"And you love me? I was sure of it to-night. That was my chiefest glory.

Lacking that, what would the homage of all the world be to Rachael

Closs? I was thinking this, when _that_ seemed to start up before me,

and whispering to myself, 'He loves me! he loves me! he loves me!' like

a young girl; for I have seemed very young to-night. Why not? A glorious

life lies before us. You will now step more fearlessly forward, and take

your place among the great men of the earth,--while I--I will be

anything; charm stones, work miracles, to win popularity and lay it at

your feet.

"Say that you love me once more, Norton, and then I will creep back to

my pillow, the proudest and happiest woman on earth--for, after all, it

was only a picture!"

Rachael Closs had hardly done speaking when a cry of distress rang

through the neighboring corridor, the door of Lord Hope's chamber was

flung open, and a pallid face looked in.

"Come--come at once! My lady is dying!"

Round to other rooms came that cry of terror, arousing those two

girls--the one from her sleep, the other from her mournful vigil--and

drawing the family together, in pale groups, into the tower-chamber.

The Old Countess; or, The Two Proposals · 第 35 / 37 章