ACT I.

_A Room tastefully filled with cheap Art-furniture. Gimcracks

in an étagère; a festoon of chenille monkeys hanging from

the gaselier. Japanese fans, skeletons, cotton-wool spiders,

frogs, and lizards, scattered everywhere about. Drain-pipes

with tall dyed grasses. A porcelain stove decorated with

transferable pictures. Showily-bound books in book-case.

Window. The Visitors' bell rings in the hall outside. The

hall-door is heard to open, and then to shut. Presently

NORA walks in with parcels; a Porter carries a large

Christmas-tree after her--which he puts down. NORA gives

him a shilling--and he goes out grumbling. NORA hums

contentedly, and eats macaroons. Then HELMER puts his

head out of his Manager's room, and NORA hides macaroons

cautiously._

_Helmer_ (_playfully_). Is that my little squirrel twittering--that my

lark frisking in here?

_Nora_. Ess! (_To herself._) I have only been married eight years, so

these marital amenities have not yet had time to pall!

[Illustration: "Boo!"]

_Helmer_ (_threatening with his finger_). I hope the little bird has

surely not been digging its beak into any macaroons, eh?

_Nora_ (_bolting one, and wiping her mouth_). No, most certainly not.

(_To herself_.) The worst of being so babyish is--one _does_ have to

tell such a lot of taradiddles! (_To H._) See what _I_'ve bought--it's

been _such_ fun!

[_Hums._

_Helmer_ (_inspecting parcels_). H'm--rather an _expensive_ little

lark!

[_Takes her playfully by the ear._

_Nora_. Little birds like to have a flutter occasionally. Which

reminds me--(_Plays with his coat-buttons._) I'm such a simple ickle

sing--but if you _are_ thinking of giving me a Christmas present, make

it cash.

_Helmer_. Just like your poor father, _he_ always asked me to make it

cash--he never made any himself! It's heredity, I suppose. Well--well!

[_Goes back to his Bank. NORA goes on humming._

_Enter Mrs. LINDEN, doubtfully._

_Nora_. What, CHRISTINA--why, how old you look! But then you are

poor. I'm not. TORVALD has just been made a Bank Manager. (_Tidies the

room._) Isn't it really wonderfully delicious to be well off? But,

of course, you wouldn't know. _We_ were poor once, and, do you know,

when TORVALD was ill, I--(_tossing her head_)--though I _am_ such a

frivolous little squirrel, and all that, I actually borrowed £300 for

him to go abroad. Wasn't _that_ clever? Tra-la-la! I shan't tell you

_who_ lent it. I didn't even tell TORVALD. I am such a mere baby I

don't tell him everything. I tell Dr. RANK, though. Oh, I'm so awfully

happy I should like to shout, "Dash it all!"

_Mrs. Linden_ (_stroking her hair_). Do--it is a natural and innocent

outburst--you are such a child! But I am a widow, and want employment.

_Do_ you think your husband could find me a place as clerk in his

Bank? (_Proudly._) I am an excellent knitter!

_Nora_. That would really be awfully funny. (_To HELMER, who

enters._) TORVALD, this is CHRISTINA; she wants to be a clerk in your

Bank--_do_ let her! She thinks such a lot of _you_. (_To herself._)

Another taradiddle!

_Helmer_. She is a sensible woman, and deserves encouragement. Come

along, Mrs. LINDEN, and we'll see what we can do for you.

[_He goes out through the hall with Mrs. L., and the front-door is

heard to slam after them._

_Nora_ (_opens door, and calls_). Now, EMMY, IVAR, and BOB, come

in and have a romp with Mamma--we will play hide-and-seek. (_She

gets under the table, smiling in quiet satisfaction; KROGSTAD

enters--NORA pounces out upon him_). Boo!... Oh, I _beg_ your

pardon. I don't do this kind of thing _generally_--though I may be a

little silly!

_Krogstad_ (_politely_). Don't mention it. I called because I happened

to see your husband go out with MRS. LINDEN--from which, being a

person of considerable penetration, I infer that he is about to give

her my post at the Bank. Now, as you owe me the balance of £300,

for which I hold your acknowledgment, you will see the propriety of

putting a stop to this little game at once.

_Nora_. But I don't at all--not a little wee bit! I'm so childish, you

know--why _should_ I? [_Sitting upright on carpet._

_Krogs._ I will try to make it plain to the meanest capacity. When

you came to me for the loan, I naturally required some additional

security. Your father, being a shady Government official, without a

penny--for, if he had possessed one, he would, presumably, have left

it to you--without a penny, then, I, as a cautious man of business,

insisted upon having his signature as a surety. Oh, we Norwegians are

sharp fellows!

_Nora_. Well, you _got_ Papa's signature, didn't you?

_Krogs._ Oh, I _got_ it right enough. Unfortunately, it was dated

three days after his decease--now, how do you account for _that_?

_Nora_. How? Why, as poor Papa was dead, and couldn't sign, I signed

_for_ him, that's all! Only somehow I forgot to put the date back.

_That's_ how. Didn't I _tell_ you I was a silly, unbusinesslike little

thing? It's very simple.

_Krogs._ Very--but what you did amounts to forgery, notwithstanding.

I happen to know, because I'm a lawyer, and have done a little in the

forging way myself. So, to come to the point--if _I_ get kicked out, I

shall not go alone! [_He bows, and goes out._

_Nora_. It _can't_ be wrong! Why no one but KROGSTAD would have been

taken in by it! If the Law says it's wrong, the Law's a goose--a

bigger goose than poor little me even! (_To HELMER, who enters_.)

Oh, TORVALD, how you made me jump!

_Helmer_. Has anybody called? (_NORA shakes her head_.) Oh, my little

squirrel mustn't tell naughty whoppers! Why, I just met that fellow

KROGSTAD in the hall. He's been asking you to get me to take him

back--now, hasn't he?

_Nora_ (_walking about_). Do just see how pretty the Christmas-tree

looks!

_Helmer_. Never mind the tree--I want to have this out about KROGSTAD.

I can't take him back, because many years ago he forged a name. As a

lawyer, a close observer of human nature, and a Bank Manager, I have

remarked that people who forge names seldom or never confide the fact

to their children--which inevitably brings moral contagion into the

entire family. From which it follows, logically, that KROGSTAD has

been poisoning his children for years by acting a part, and is morally

lost. (_Stretches out his hands to her._) I can't bear a morally lost

Bank-cashier about me!

_Nora_. But you never thought of dismissing him till CHRISTINA came!

_Helmer_. H'm! I've got some business to attend to--so good-bye,

little lark! [_Goes into office and shuts door._

_Nora_ (_pale with terror_). If KROGSTAD poisons his children because

he once forged a name, I must be poisoning EMMY, and BOB, and IVAR,

because _I_ forged Papa's signature! (_Short pause; she raises

her head proudly._) After all, if I _am_ a doll, I can still

draw a logical induction! I mustn't play with the children any

more--(_hotly_)--I don't care--I _shall_, though! Who cares for

KROGSTAD?

[_She makes a face, choking with suppressed tears, as Curtain

falls._

N.B.--The tremendous psychological problem of whether NORA is as much

of a doll, a squirrel, and a lark, as she seems, and if so, whether

it is her own fault, or HELMER's or Society's, will be solved in

subsequent numbers.

* * * * *

BETTER LATE THAN NEVER.--At last by the authority of the L.C.C. his

Grace of BEDFORD has been notified that within three months from

now "Locks, bolts, and bars must fly asunder" in the parish of St.

Pancras, where henceforth existence of all such obstruction is to

cease. We hope that the gate-keepers, whose occupation is gone, have

been amply provided for, as they will now have no gates, but only

themselves to keep. _Mr. Punch_ has persistently advocated the reform.

And now, Gentlemen, how about Mud Salad Market, which, like Scotland

in _Macbeth's_ time, "stands where it did"?

* * * * *

[Illustration: FASCINATION!

"APOLLONIUS, by some probable conjectures, found her out to be a

serpent, a Lamia; and that all her furniture was, like Tantalus's

gold described by HOMER, no substance, but mere illusion."--_Burton's

Anatomy of Melancholy._]

A LAMIA, this? Nay, obvious coil, and hiss most unequivocal, betray the

Snake;

As fell ophidian as in fierce meridian of Afric ever lurked in swamp or

brake;

And yet Corinthian LYCIUS never doted on the white-throated charmer of

his soul

With blinder passion than our fools of Fashion

Feel for this gruesome ghoul.

Poor LYCIUS had excuse. Who might refuse worship to Lamia, "now a lady

bright"?

But foul-fanged here, fierce-eyed, a shape of fear, the serpent stands,

revealed to general sight,

A loathly thing, close knotted ring on ring, of guise unlovely, and

infectious breath;

And yet strong witchery draws to those wide jaws

Whose touch is shameful death.

See how the flattering things on painted wings, foolish as gnat-swarms

near the shrivelling blaze,

Flock nearer, nearer! Forms, too, quainter, queerer, frog-dupes of folly,

rabbit-thralls of craze,

Butterfly triflers, gay-plumed would-be riflers of golden chalices, of

poisoned flowers,

Flitter and flutter in delirium utter,

As drawn by wizard powers.

Oh, "Painted Lady," Summer coverts shady, the greenwood home, the sweep

of sunny fields,

A butterfly befit; but where's the wit that mire-befouled to the

swamp-demon yields?

Oh, birds of Iris-glitter, black and bitter will be the wakening when

those gaudy plumes

Fall crushed and leaden, as your senses deaden

In poisonous Python fumes!

Ye _gobemouche_ creatures of batrachian features, who "go a-wooing" such

a fate as this,

Have ye no vision of that doom's decision? Have ye no ear for rattle or

for hiss?

Salammbô's craving, morbid and enslaving, was sanity compared with your

mad love,

As well the swallow the fierce shrike might follow,

Or hawk be chased by dove!

Tantalus' gold is all such Lamias hold; 'tis Devil's dice such Mammon

vassals throw;

A sordid fever fires each fool-believer in the gross glitter, the unholy

glow.

Vile is your Dagon! Circe's venomed flagon embruted less than doth the

Lamia's wine,

Than Comus' cup more perilous to sup--

As snakes are worse than swine.

The poet's snake enchanted, who so flaunted her borrowed robes amidst the

daffodils,

Hath piteous touches. She, from Fate's clutches, free some brief space,

"escaped from so sore ills,"

Moves our compassion. But this modern fashion of Snake Enchanter looks

unlovely all.

Greed's inspiration its sole fascination.

Low selfishness its thrall.

"A Serpent!" So the Sophist murmured low, and "LYCIUS' arms were empty of

delight,"

LAMIA had fled! Would that some sage cool head, some modern APOLLONIUS,

with the might

Of sense magnanimous, would banish thus the bestial Lamia of our later day,

Whose fascination draws a noble nation

To sordid slow decay!

* * * * *

DANTE NOT "IN IT"!--The Italian language is to be excluded from the

Indian Civil Service Examination. "The story is extant, and written

in very choice Italian," said _Hamlet_, and SHAKSPEARE knew that the

reference would be intelligible to his audience. But _Hamlet_ "up to

date" in this "so-called nineteenth century" would be compelled to

give the speech thus, "The original story, I believe, is written in

the Italian language, with which none of us here are acquainted."

But, after all, the candidates may be inclined to adapt the

Gilbert-Sullivan words and music to the occasion, and sing--

"So, in spite of all temptation,

At the next examination

They'll bar I-tal-i-an!"

Though, years hence, it may happen that they'll be sorry they weren't

compelled to get up Italian as one of the subjects.

* * * * *

"O WOMAN, IN OUR HOUR OF EASE!"--which line would make a suitable

motto for our very useful, chatty, and interesting weekly contemporary

entitled _Woman. À propos_ of "headings," the only one in the

above-mentioned publication to which objection can possibly be taken

"on the face of it" is "Wrinkles." Wouldn't "Whispers" be better? It

is quite enough for _Woman_ to appear with lines, but it's too bad

that wrinkles should be added while she is yet so young.

* * * * *

"CHARLES OUR FRIEND."--Once again occurs an illustration of the

applicability of Dickensian characters to modern instances. In last

Thursday's _Times_, by special Razzle-Dalziel wire, we read of the

return of another great Arctic explorer, Mr. WASHBURTON PIKE, after

having braved dangers demanding the most dauntless courage. Here,

then, are two single gentlemen rolled into one: it is _Pike_ and

_Pluck_ combined.

* * * * *

[Illustration: BEATUS POSSIDENS.

"I'VE COME ABOUT A JOB. I HEARD THERE WAS A BOY WANTED."

"OH, YOU 'EARD AS THERE WAS A BOY WANTED, DID YER? THEN YOU'RE JUST

TOO LATE, 'COS MASTER'S SOOTED!"]

* * * * *

Punch, or the London Charivari, Volume 100, April 4, 1891 · 第 6 / 34 题