PART V

THE HAPPY ENDING

We told dear father all our tale

That night before we went to bed,

And at the end his face grew pale,

And he bent over us and said

(Was it not strange?) he, too, was there,

A weary, weary watch to keep

Before the gates of the City of Sleep;

But, ere we came, he did not dare

Even to dream of entering in,

Or even to hope for Peterkin.

He was the poor blind man, he said,

And we--how low he bent his head!

Then he called mother near; and low

He whispered to us--“Prompt me now;

For I forget that song we heard,

But you remember every word.”

Then memory came like a breaking morn,

And we breathed it to him--_A child was born!_

And there he drew us to his breast

And softly murmured all the rest.--

_The wise men came to greet him with their gifts

of myrrh and frankincense,--_

_Gold and myrrh and frankincense they brought to make him mirth;_

_And would you know the way to win to little brother Peterkin,_

_My childhood’s heart shall guide you through the glories of the earth._

Then he looked up and mother knelt

Beside us, oh, her eyes were bright;

Her arms were like a lovely belt

All round us as we said Good-night

To father: _he_ was crying now,

But they were happy tears, somehow;

For there we saw dear mother lay

Her cheek against his cheek and say--

Hush, let me kiss those tears away.

_DEDICATION_

_What can a wanderer bring_

_To little ones loved like you?_

_You have songs of your own to sing_

_That are far more steadfast and true,_

_Crumbs of pity for birds_

_That flit o’er your sun-swept lawn,_

_Songs that are dearer than all our words_

_With a love that is clear as the dawn._

_What should a dreamer devise,_

_In the depths of his wayward will,_

_To deepen the gleam of your eyes_

_Who can dance with the Sun-child still?_

_Yet you glanced on his lonely way,_

_You cheered him in dream and deed,_

_And his heart is o’erflowing, o’erflowing to-day_

_With a love that--you never will need._

_What can a pilgrim teach_

_To dwellers in fairy-land?_

_Truth that excels all speech_

_You murmur and understand!_

_All he can sing you he brings;_

_But--one thing more if he may_,

_One thing more that the King of Kings_

_Will take from the child on the way._

_Yet how can a child of the night_

_Brighten the light of the sun?_

_How can he add a delight_

_To the dances that never are done?_

_Ah, what if he struggles to turn_

_Once more to the sweet old skies_

_With praise and praise, from the fetters that burn,_

_To the God that brightened your eyes?_

_Yes; he is weak, he will fail,_

_Yet, what if, in sorrows apart,_

_One thing, one should avail,_

_The cry of a grateful heart;_

_It has wings: they return through the night_

_To a sky where the light lives yet,_

_To the clouds that kneel on his mountain-height_

_And the path that his feet forget._

_What if he struggles and still_

_Fails and struggles again?_

_What if his broken will_

_Whispers the struggle is vain?_

_Once at least he has risen_

_Because he remembered your eyes;_

_Once they have brought to his earthly prison_

_The passion of Paradise._

_Kind little eyes that I love,_

_Eyes forgetful of mine,_

_In a dream I am bending above_

_Your sleep, and you open and shine;_

_And I know as my own grow blind_

_With a lonely prayer for your sake,_

_He will hear--even me--little eyes that were kind,_

_God bless you, asleep or awake._

* * * * *

BY ALFRED NOYES

Poems

With an Introduction by HAMILTON MABIE

_Cloth, 12mo, $1.25 net_

“Imagination, the capacity to perceive vividly and feel sincerely, and

the gift of fit and beautiful expression in verse-form--if these may be

taken as the equipment of a poet, nearly all of this volume is poetry.

And if to the sum of these be added the indescribable increment of charm

which comes occasionally to the work of some poet, quite unearned by any

of these catalogued qualities of his, you have a fair measure of Mr.

Noyes at his best.... Two considerations render Mr. Noyes interesting

above most poets: the wonderful degree in which the personal charm

illumines what he has already written, and the surprises which one feels

may be in store in his future work. His feelings have already so much

variety and so much apparent sincerity that it is impossible to tell in

what direction his genius will develop. In whatever style he

writes,--the mystical, the historical-dramatic, the impassioned

description of natural beauty, the ballad, the love lyric,--he has the

peculiarity of seeming in each style to have found the truest expression

of himself.”--_Louisville Courier-Journal._

_PUBLISHED BY_

THE MACMILLAN COMPANY

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A History of English Poetry

BY W. J. COURTHOPE, C.B., D.Litt., LL.D.

Late Professor of Poetry in the University of Oxford

_Cloth, 8vo, $3.25 net per volume_

VOLUME I. The Middle Ages--Influence of the Roman Empire--The

Encyclopædic Education of the Church--The Feudal System.

VOLUME II. The Renaissance and the Reformation--Influence of the

Court and the Universities.

VOLUME III. English Poetry in the Seventeenth Century--Decadent

Influence of the Feudal Monarchy--Growth of the National Genius.

VOLUME IV. Development and Decline of the Poetic Drama--Influence

of the Court and the People.

VOLUME V. The Constitutional Compromise of the Eighteenth

Century--Effects of the Classical Renaissance--Its Zenith and

Decline--The Early Romantic Renaissance.

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signal importance to the history of English Literature.”--_Pall Mall

Gazette._

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RECENT POETRY

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humorous note that sounds of genius.”--_Philadelphia Press._

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RECENT POETIC DRAMAS

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=Ulysses=: A Drama

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The Sin of David

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Nero

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=Mr. WILLIAM B. YEATS’S= _COLLECTED POEMS_

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The Flower of Old Japan, and Other Poems · 第 5 / 5 章