The noise was truly distractin’; but if anybody could stand the wear and

tear of their brains and ears, it was one of the most instructive and

interestin’ places the world ever afforded to man or woman. Why, if

there hadn’t been another thing in the hull buildin’, that great

“Careless Enjun” alone, was enough to run anybody’s idees up into

majestic heights and run ’em round and round into lofty circles and

spears of thought, they hadn’t never thought of runnin’ into before. And

there was everything else under the sun to see, and we see it; and

everything under the sun to hear, and we heerd it. Though I can’t be

expected to describe upon it, for I had to keep such a eye onto myself

to keep myself collected together. Why, the noise of my sewin’ machine

will make my head ache so sometimes, that I can’t stand it; and then

think of takin’ the noise of seventy or eighty thunder-claps, and a span

of big earthquakes, and forty or fifty sewin’ societies (run by wimmen),

and all the threshin’ machines you can think of, and fifty or sixty big

droves of lions and hyena’s a roarin’, and the same number of strong,

healthy infants, under the influence of colic, and several hundred

political meetin’s and deestrick schools jest let out, and several

Niagara Falls; take the noise of all these put together and they don’t

give you any jest idee of the noise and distraction.

Why, there was such a awful buzz and clatter of machinery; big wheels a

turnin’ little wheels, and little wheels a turnin’ big ones, and all a

buzzin’; such a glitterin’ of glass and gildin’ and colors of all kinds,

and a swarmin’ of folks and chatterin’ of voices, and rustlin’ of

dresses, and thumpin’ of canes, stampin’ of shoes and runnin’ of

childern, and flutterin’ of ribbins, and wavin’ of hands, and bowin’ of

heads; that though beauty and instruction was on every side of me and I

knew it, yet I couldn’t take a realizin’ sense of it. I had to keep

askin’ myself every few moments:—“Josiah Allen’s wife, is it you? tell

me frankly, whether it is or not; or is it some of the relation on your

mother’s side? or be you Josiah? or who be you?”

Jest as I was a thinkin’ this, who should I meet face to face but Cousin

Bean, and says she: “Have you seen the mummy from Egypt, three thousand

years old?”

“Mummy who?” says I.

Says she,—“It is a Egyptian woman, a princess; she is dead,” says she.

Says I,—“I thought so, from her age.”

“She is embalmed,” says Cousin Bean.

“What kind of balm?” says I, coolly.

She said she nor nobody else knew exactly what kind of balm it was; she

said it had got lost thousands of years ago; covered up with the dust of

centuries.

I asked her if she knew whether she was any relation of Sphynx; comin’

from the same neighborhood, I didn’t know but she might be.

She said she believed she was.

“Well,” says I, “I’ll go and see her then, for old Sphynx is a woman I

have always respected;” says I in a noble tone, “_there_ is a woman who

has minded her own business, and kep’ her own secrets for thousands of

years. Some say that a woman can’t keep anything to herself for any

length of time, and if she has got a secret, has got to git some other

woman to help her keep it. But there _she_ has stood and seen the old

things become new, and the new, old; the sun of knowledge go down, and

the night of barbarism sweep its black shadders over her, and the sun

rise up on her again, each one takin’ thousands of years, and she a

mindin’ her own business, and keepin’ her affairs to herself through it

all; foolin’ the hull world, and not smilin’ at it; nations runnin’

crazy with new idees, and risin’ up and crashin’ down on each other

every few hundred years, and she lookin’ on with the calmness and

patience of eternity wrote down on her forward. It does me good to see

one of my own sect stand so firm.”

So we sot off to see it; Josiah sayin’ he would meet us at noon, down by

the Japan House.

My first thought on seein’ it was, “I don’t believe you was hung for

your beauty, or would be, if you had lived another three thousand

years,” but then my very next thought was, “folks may look sort o’

contemptuous at you, and, in the pride and glory of their butterfly

existence, pass you by in a hauty way; but if your still lips could open

once, they would shake the hull world with your knowledge of the

mysterious past and the still more mysterious future, whose secrets you

understand.” And then (unbeknown to me) I reveried a little: thinks’es

I, what scenes did them eyes look upon the last time they was opened in

this world? What was the last words she heerd,—the last face that bent

over her? And what strange and beautiful landscape is it that is spread

out before her now? What faces does she see? What voices does she hear?

I had quite a number of emotions while I stood there a reverin’—probable

as many as twenty or thirty.

But about this time Cousin Bean says she: “Did you see Queen Victoria’s

pictures, that she has lent?”

I turned right round and faced her, and says I, in agitated tones,—“You

don’t tell me, Miss Bean, that the Widder Albert has got some pictures

of her own, here, that she has lent to the Sentinal?”

“Yes,” says she, “she has got three or four, in the English Department

of the Art Gallery.”

I turned right round and started for the Artemus Gallery, for I see I

had missed ’em the day before, and after I had got into the English

Department, a good woman pinted ’em all out to me, at my request.

The first one I looked at, thinks’es I,—how curious that the Widder

Albert should send a paintin’ here, picturin’ all out what I had thought

about ever sense I had thought at all. Thinks’es I, I most know she has

heerd how I always felt about it, and sent it over a purpose to

accommodate me. It was the “Death of Wolfe.” Oh! how often I had heerd

Josiah sing (or what he called singin’) about it; how

“Brave Wolfe drew up his men

In a line so pretty,

On the field of Abraham,

Before the city.”

That was when we was first married, and he wantin’ to treat me

first-rate would set and sing to me evenins, (or what he called singin’)

till he was hoarse as a owl, about “Lovely Sophronia Sleeps in Death,”

and “Lady Washington’s Lament,” and “Brave Wolfe.” And I, bein’ jest

married, and naturally feelin’ kind o’ sentimental and curious, would

set and cry onto my handkerchief till it was wet as sop.

Then there was the Widder Albert, herself, dressed up slicker than I

ever was, or ever shall be; but I was glad to see it. There haint a

envious hair in my head; if there was, I would pull it out by the roots,

if I had to take the pinchers to it. It wouldn’t have hurt my feelins if

she had been dressed in pure gold, from head to foot. Store clothes

can’t be made too good for that woman.

[Sidenote: THE MARQUIS OF LORNE]

But what was about as interestin’ to me, as any of ’em, was the weddin’

of the Widder Albert’s oldest boy, Albert Wales. It was a noble, large

picture. There they stood before the minister, as natteral as life; and

lots of the most elegant dressed folks of both sects, and officers

dressed in uniform, a standin’ all round ’em; and the Widder’s benign

face a lookin’ down on ’em like a benediction.

I see there was a man a standin’ by this picture, keepin’ his eye on it

all the time, and a woman in front of me said to another one:

“He stands there a watchin’ the Queen’s pictures all the time, don’t

he?”

“Yes,” says the other one, “so afraid they will git injured in some

way.”

Before I could say a word to ’em, they sailed off out of the room. But

it all come to me in a minute, who he was. It was the Widder Albert’s

son-in-law, Loeezy’s husband. I remembered readin’ that he was expected

to the Sentinal; and here he was, a watchin’ his mother-in-law’s

pictures. Thinks’es I, how awful clever that is in him; some men despise

their mother-in-laws. And I declare, my admirin’ feelins towards him,

for treatin’ his wife’s ma so well, and the feelins I felt for that

woman, so rousted me up, that I walked right up to him and held out my

right hand, and says I, in tones tremblin’ with emotion:

“How do you do, Mr. Lorne? Little did I think I should have this honor

and deep pleasure; little did I think I should see one of the Widder

Albert’s own family here to-day.”

He kinder glared at me, in a strange and almost shocked way, and says I,

in polite axents:

“You don’t know me, of course,” and then I made a handsome curchy as I

says, “but I am Josiah Allen’s wife. Do tell me, how is your

mother-in-law; how is the Widder Albert?” And then I wiped my heated

forward, and says I,—“I am a very warm friend of hern. It takes more

than the same blood to make folks related. Congenial spirits and kindred

souls, are the truest relationship, and she is dretful near to me. Is

the warm weather kinder wearin’ on her? It uses _me_ right up.” I have

sweat more prespiration to-day, than any day sense I was on my tower. I

have told my husband, Josiah, that if it kep’ on, I didn’t know but he

would have to carry me home in a pail, (or pails.)

He spoke out and says he,—“Madam, you are mistaken, I—”

He looked awful sort o’ surprised, and even angry. It probable surprised

him to see such polite manners in a Yankey. I was a actin’ well and

friendly, and I knew it, and I kep’ right on a appearin’. Says I:

“Josiah and I have worried about her, a sight. We read last spring, in

the _World_, that she was enjoyin’ real poor health, and we was afraid

that this weather would go hard with her; for there haint another woman

on the face of the earth, that I honor and admire, more than I do the

Widder Albert. She is jest about right, I think; handsome enough, and

not too handsome, so’s to be vain, and envied by other wimmen; smart

enough, and not too smart, so’s to be conceited and top-heavy; and sound

principles, sound as anything can be sound. Her heart is in the right

place, exactly, bounded on one side by sympathy and tenderness, and on

the other by reason and common sense. Why shouldn’t her husband have

been a happy man, settin’ in the centre of such a heart? Why shouldn’t

she have brought her childern up well? She is a woman that has had her

Rights, and has honored them and herself. And let any opposer and

scoffer of Woman’s Rights, take a telescope and look at the Widder

Albert, and then look at her 4 fathers; let ’em see whether England has

prospered best under her rain, or under their rain; let ’em see who has

been the most God-fearin’ and well-behaved; let ’em turn that telescope

onto her public actions, and then onto theirn; and then let ’em look

close and searchin’ onto the private life of them 4 old fathers, and

then onto hern, and see which looks the purest and prettiest.

“And after they have done, let ’em lay that telescope down, and say that

wimmen don’t know enough, and haint sound-minded enough to vote; jest

let ’em say it if they dare! And wimmen, too; why! her example ort to

stand up in life, before some vain, frivolous wimmen I could

mention—wimmen that don’t believe in havin’ a right—jest as plain as if

it was worked on a canvas sampler, with a cross stitch, and hung up in

their kitchens. A young woman, crowned with all the glory and honor the

world could give, devotin’ her life first to God, and then to the good

of her people; carryin’ her Right jest as stiddy and level as a Right

ever was carried; faithful to all her duties, public and private; her

brightest crown, the crown of true motherhood; no more truly the mother

of princes, than mother of England. Why, the farm she had left to her by

her uncle George, is so big that the sun don’t never go down on it;

larger in dimensions than we can hardly think on with our naked minds;

and all over that enormous farm of hern, the flowers turn no more

constant to that sun, and that sun is no more consolin’ and inspirin’ to

them flowers, than is the thought of this kind, gracious lady to them

that work her farm on shares. Why! her memory, the memory of a woman—who

had a Right—will go down to future ages as one to be revered, and almost

worshiped.”

But if you’ll believe it, after all my outlay of politeness, and good

manners, that feller acted mad. What under the sun ailed him I don’t

know to this day, unless it was he couldn’t git over it—my praising up

his mother-in-law so. Some men are at such sword’s pints with their

mother-in-laws that they can’t bear a word in their favor. But I wasn’t

goin’ to encourage no such feelins in him, and I was determined to be

polite myself, to the last, so I says in conclusion: “Good-bye, Mr.

Lorne, give my best respects to your mother-in-law.”

He give me a look witherin’ enough to wither me, if I had been easy

withered, which I wasn’t. And that was the last words I said to him.

Jest that minute Josiah come in, and I told him that I hadn’t no idee

the Marquis of Lorne was such a feller.

Says Josiah, “I don’t believe it was Mark, it was some tyke or other;

mebby it was the Widder’s hired man.”

I wouldn’t contend with him, but I knew what I did know. I went to

lookin’ at some of the other pictures. There was faces that was glad and

happy, and some that had desolation wrote out on ’em. There was one

picture, “War Times” that made me feel very sad feelins; an old man

leanin’ on a rough stun fence, lookin’ over the lonely winter fields,

and thinkin’ of his boys away on the field of death—the boys that made

the old farm jubilant with their happy voices and gay young faces. You

can see it all in the old man’s face—the memory, the dread, and the

heartache. And then there was another one “La Rota,” by name that worked

on my feelins dretfully. A mother standin’ before a foundlin’ hospital,

jest about puttin’ her baby into the little turnin’ box in the winder

that would turn him forever from his mother’s arms into the arms of

charity, which are colder. After that one kiss on the baby face, she

would never see him, never know of his fate; he would be as lost to her

as if she had lost him in the crowd of heavenly childern; though in that

case she would know where he was: safe forever from sin and misery, and

here—how could she tell what would be the baby’s fate. Oh, how bad La

Rota was a feelin’; how I did pity her.

And then there was “The Prodigal,” a comin’ back in rags, and misery,

and remorse, to the home he left in his pride and strength; and to see

that old father a waitin’ to welcome him, and the feeble old mother

bein’ helped out by her sons and daughters—a forgivin’ of him. Oh, what

a idee that did give of the long sufferin’ and patience of love.

Finally, my eyes fell onto a picture that affected me more than any I

had seen as yet. The name on’t was: “The Lord gave, the Lord hath taken

away, Blessed be the name of the Lord.” They had gathered round the

table for the first time since death had been there, and the minister

was askin’ a blessin’. A woman sat at the head of the table with her

hands clasped close, as if to crush back her agony; her face white and

thin from watchin’ and sorrow—jest as a certain person’s would be if it

was Josiah,—her eyes bent down, jest as if she _could not_ look at that

vacant chair. On one side of her with his face bent down in grief, was a

young feller about the age of Thomas Jefferson; on the other side, a

girl about the age of Tirzah Ann, was kneelin’ right down by the table a

sobbin’ as if her heart would break. And as I looked at it the thought

would come up, though I ordered it back, “What! what if it was Josiah?”

And this thought rousted up such feelins that I couldn’t control ’em,

and I turned round instinctively and locked arms with him, and we went

into another room.

Presently, or about that time we found ourselves in the French

Department. I laid out to pay a good deal of attention to France,

whether they showed off in the Main Buildin’ or Art Gallery, or

anywhere; because, wherever I stood before their doins,—above all the

beauty and grandeur of their display, I see with my mind’s eye, that

gallant form that left glory and happiness behind him to come with army

and treasure to help a strugglin’ land to freedom. I see that noble

face—not middle-aged and brass-mounted as he looks on his monument, but

young and eager eyed—a standin’ on the vessel’s keel, (or keeler) a

goin’ at Liberty’s call, into a New World, and the perils and hardships

of a camp; and wavin’ back a good bye to the gay pleasures of his youth,

to rank, and all he loved best—his sweetheart and his native land.

I feel most skairt to say it, and don’t know as I ort to, but somehow I

feel a little different about Layfayette from what I do about our own

glorious Washington. For G. W. was a fightin’ for his own land, and

there was most likely a little mite of selfishness mixed up with his

noble emotions, (probable not more than one part in two or three

hundred) but in this noble young feller these wasn’t a mite. He give

all, and dared all, from pure love of Liberty, and sympathy for the

oppressed. And so France’s hull doins would have looked good to me

anyway for his sake. But if they had stood up on their own merits alone

they would have stood firm and solid as a hemlock post newly sot. They

done well, clear from the ceilin’ down. There was one picture, there was

a great crowd before, and amongst the rest I see the “Creation

Searchers” a standin’ in a row, a gazin up at it with a dissatisfied

though nearly wooden expression of countenance. The picture was “Rizpah

Defendin’ the bodies of Saul’s childern from the Eagles;” it affected me

terribly—I thought of Thomas Jefferson. The wild desolation of the spot,

the great beams a risin’ out of the rocks with the seven dead bodies a

hangin’ up in the air—left there to die of hunger and agony,—with the

slow death of agonizin’ horrer wrote out on their dead faces and their

stiffened forms. And beneath them standin’ with her yeller dress and

blue drapery a floatin’ back from her, is Rizpah, fightin’ back a huge

vulture that with terrible open mouth and claws is contendin’ with her

for the bodies of her sons. They were slain to avert the famine, and

there is in her face the strength of the martyr, and the energy of

despair. How that woman, so strong, so heroic by nature must have loved

her two boys! It was a horrible, scareful picture but fearfully

impressive. When I look at anything very beautiful, or very grand and

impressive, my emotions lift me clear up above speech. I s’pose the

higher we go up the less talkin’ there is done. Why if anybody could

feel sociable and talkative when they first look at that picture, I

believe they could swear, they wouldn’t be none too good for it. But

jest at that minute when I was feelin’ so awful horrified, and lifted

up, and curious, and sublime and everything, I heerd a voice sayin’ in a

pert lively tone, but very scorfin’,

“That haint true to nater at all.”

“No,” says Solomon Cypher in a complainin’, fault-findin’ way, “there’s

nothin’ natteral about it at all. Why!” says he strikin’ himself a

eloquent blow in the pit of his stomach—“why didn’t they hang the

scarecrows nearer to the cornfield?”

“And I never,” says Cornelius Cork, a holdin’ his glasses on with both

hands—for his nose bein’ but small, they would fall off—“I never see a

crow that looked like that; it haint shaped right for a crow.”

“The perspective of the picture haint the right size,” says Shakespeare

Bobbet.

“The tone is too low down,” says Solomon Cypher; “the cheerful obscure

is too big and takes up too much room.”

“Cheerful obscure,” says I in witherin’ tones, as I looked round at ’em.

“Don’t you think we know what we are a talkin’ about Josiah Allen’s

wife?” says Solomon Cypher.

“I wont say that you don’t,” says I “for it wouldn’t be good manners.” I

wouldn’t stay another minute where they was, and I hurried Josiah out

tellin’ him Miss Bean would be a waitin’ for us at the Japan house. I

told Josiah on our way that them “Creation Searchers” fairly sickened

me, a runnin’ things down, and pretendin’ not to admire ’em, and lookin’

wooden, and findin’ fault.

[Sidenote: THE SPIRITUALIST]

“Well,” says Josiah, “they say they have got a reputation for wisdom to

keep up, and they will do it.”

“They are keepin’ up the reputation of natteral fools,” says I warmly.

“Well,” says Josiah with that same triumphant look to his mean he always

wore when we talked on this subject, “if there haint anything in it

Samantha, why does so many do it?”

He had got the better of me for once, and he knew it. I knew well there

was hundreds of folks that got up on big reputation in jest that way, so

I wouldn’t multiply another word with him, for I couldn’t.

[Sidenote: THE WIMMEN’S PAVILION]

Josiah said he wanted to look at a mowin’ machine, and as I hadn’t been

to the Woman’s Pavilion only to take a cursory view of it, I thought now

was my time, and so I went through it with a proud and happy heart. Yes,

I can truly say without lyin’ that my emotions as I went through that

buildin’ was larger in size and heftier in weight than any emotions I

had enjoyed sense I had been to the Sentinal. Feelin’ such feelins for

my sect as I felt, holdin’ their honor and prosperity, and success

nearer to my heart, than to any earthly object, (exceptin’ Josiah) I

suppose if anybody could have looked inside of my mind as I wandered

through them rooms, they would have seen a sight they never would have

forgot the longest day they ever lived; I s’pose it would have skairt

’em most to death if they wasn’t used to seein’ emotions performin’. Oh!

such proud and lofty feelins as I did enjoy a seein’ the work of my sect

from all over the length and breadth of the world. The wonderful, useful

inventions of the sect, showin’ the power and solid heft of her brains;

the beautiful works of art showin’ her creative artist soul, and provin’

plain the healthy and vigorous state of her imagination. The wonderful

wood carvin’, and dainty fancy needle work, and embroideries of all

kinds you can imagine, showin’ the stiddy, patient, persistent powers of

her hands and fingers; and what was fur more interestin’ to me of all,

was the silent exhibit at the south entrance, showin’ what sort of a

heart she has within her, a record of eight hundred and twenty-two large

noble sized charities, organized and carried on by the sect which a

certain person once Smith, is proud to say she belongs to.

Oh! I can truly say that I felt perfectly beautiful, a goin’ through

them noble halls, a seein’ everything and more too, (as it were) from

doll’s shoes, and pictures of poseys, and squirrels, and five little

pigs, up to the Vision of St. Christopher, and a big statute of Eve

standin’ with her arm over her face, hidin’ the shame in it. There was

Injun basket work, perfectly beautiful, and settin’ by the side of it

weavin’ her baskets sot as dignified and good appearin’ a woman, (though

dark complexioned) as any nation of the world sent to the Sentinal. I

bought a little basket of her right there on the spot, for I liked her

looks, and she handed me out her card:

Margaret Kesiah, Obkine Injun of Canada.

And there was napkins, the linen of which was wove by my friend, the

Widder Albert; and as I looked at ’em, I thought gently to myself: how

many wimmen who haint got a Right, and don’t want one, could spin linen

equal to this? And then amongst every other way to honor and glorify my

sect that could be thought of, there was a female woman all carved out

of butter. I had thought in my proud spirited hautiness of soul that I

could make as handsome butter balls, and flower ’em off as nobby as any

other woman of the age. But as I looked at that beautiful roll of butter

all flattened out into such a lovely face, I said to myself in firm

axents, though mild: “Samantha, you have boasted your last boast over

butter balls.”

There was some bright happy pictures, and some that wasn’t. One was of a

sick child and its mother out in the desert alone with the empty water

jug standin’ by ’em. The mother holdin’ the feeble little hands, and

weepin’ over him. Her heart was a desert, and she was in a desert, which

made it hard for her, and hard for me too, and I was jest puttin’ my

hand into my pocket after my white cotton handkerchief, when somebody

kinder hunched me in the side, and lookin’ round, there was that very

female lecturer I see at New York village. Says she: “Come out where it

is more quiet, Josiah Allen’s wife; I want to have a little talk with

you.”

[Sidenote: THE FEMALE LECTURER]

She looked perfectly full of talk, but says I: “I haint only jest

commenced lookin’ round at the splendid doins in this buildin’;” says I,

“I don’t want to stir out of this house for 13 or 14 hours.”

Says she, “You can come again, but I _must_ have a talk with you.”

Says I, “Feelin’ as I do, wont you excuse me mom?”

But she wouldn’t excuse me, and seein’ she was fairly sufferin’ to talk,

I led the way to a rendezvoo where I promised Josiah to be, not knowin’

how long she would talk when she got at it, for—though I am very close

mouthed myself—I know well the failins of my sect in that respect. The

very moment we sot down on the pleasant and secluded bench I took her

to, she begun:

Josiah Allen's Wife as a P. A. and P. I.: Samantha at the Centennial. Designed As a Bright and Shining Light, to Pierce the Fogs of Error and Injustice That Surround Society and Josiah, and to Bring More Clearly to View the Path That Leads Straight on to Virtue and Happiness. · 第 24 / 27 段