Suppose a landscape had for its subject one of Gaspar Poussin’s Views

of Tivoli—now, tho’ there is nothing more natural than to find mills

by running water, yet a mill is not an object that can possibly agree

with the other parts of the picture. Suppose in a landscape of Ruysdale

there were introduced the ruins of a temple; tho’ a temple may be

properly placed in a wood near water, yet it does not suit the rustic

simplicity of the pictures of this artist.—Give the mill to Ruysdale

and the temple to Gaspar—all will be right. These two painters were the

most perfect in their different styles that ever existed. Both formed

themselves upon the study of nature, both were correct, both excellent;

and yet so totally different from each other, that there are scarce

any parts of the pictures of one, that will bear being introduced into

those of the other. Claude’s magnificent ideas frequently betrayed him

into _a bad association_.——Large grand masses of trees agree but ill

with sea and ships, unless they are removed to a distance.—An English

painter, who formed himself upon the study of Gaspar, took his trees,

rocks, and other circumstances from that master, but his buildings

from the Gardiner’s huts at Newington.

A story which proceeds upon a regular circumscribed plan, chiefly

consisting of dialogue and sentiment, where the scene is laid in

London, and the characters such as are natural to the place; has _a bad

association_ if the author goes to Africa in quest of adventures. On

the other hand, a novel which sets out upon the principle of variety,

and where a frequent change of place is necessary to the execution of

the design, has _a bad association_ if the author in any part of it

quits adventure for sentiment or satire. And yet, this has been done by

Fielding and Smollet, the two best novel-writers of the age.

* * * * *

END OF THE FIRST VOLUME.

Transcriber’s Notes:

- Text enclosed by underscores is in italics (_italics_).

- Text enclosed by equals is in gesperrt (=gesperrt=).

- Blank pages have been removed.

- Silently corrected typographical errors.

- Spelling and hyphenation variations made consistent.

- Asterisk rows at the start or end of some letters have been

removed as I could not determine any purpose or consistency.

Thirty Letters on Various Subjects, Vol. 1 (of 2) · 第 3 / 3 段