VI. Poetry and Beliefs

The business of the poet, as we have seen, is to give order and

coherence, and so freedom, to a body of experience. To do so through

words which act as its skeleton, as a structure by which the impulses

which make up the experience are adjusted to one another, and act

together. The means by which words do this are many and varied. To work

them out is a problem for psychology. A beginning has been indicated

above, but only a beginning. What little can be done shows already that

most critical dogmas of the past are either false or nonsense. A little

knowledge is not here a danger, but clears the air in a remarkable way.

Roughly and inadequately, even in the light of our present knowledge,

we can say that words work in the poem in two main fashions. As sensory

stimuli and as (in the _widest_ sense) symbols. We must refrain from

considering the sensory side of the poem, remarking only that it is

_not_ in the least independent of the other side, and that it has for

definite reasons prior importance in most poetry. We must confine

ourselves to the other function of words in the poem, or rather,

omitting much that is of secondary relevance, to one form of that

function, let me call it _pseudo-statement_.

It will be admitted--by those who distinguish between scientific

statement, where truth is ultimately a matter of verification as this

is understood in the laboratory, and emotive utterance, where ‘truth’

is primarily acceptability _by_ some attitude, and more remotely is the

acceptability _of_ this attitude itself--that it is _not_ the poet’s

business to make true statements. Yet poetry has constantly the air of

making statements, and important ones; which is one reason why some

mathematicians cannot read it. They find the alleged statements to be

_false_. It will be agreed that their approach to poetry and their

expectations from it are mistaken. But what exactly is the other,

the right, the poetic, approach and how does it differ from the

mathematical?

The poetic approach evidently limits the framework of possible

consequences into which the pseudo-statement is taken. For the

scientific approach this framework is unlimited. Any and every

consequence is relevant. If any of the consequences of a statement

conflicts with acknowledged fact then so much the worse for the

statement. Not so with the pseudo-statement when poetically approached.

The problem is--just how does the limitation work? The usual account is

in terms of a supposed universe of discourse, a world of make-believe,

of imagination, of recognised fictions common to the poet and his

readers. A pseudo-statement which fits into this system of assumptions

would be regarded as ‘poetically true’; one which does not, as

‘poetically false.’ This attempt to treat ‘poetic truth’ on the model

of general ‘coherence theories’ is very natural for certain schools of

logicians; but is inadequate, on the wrong lines from the outset. To

mention two objections out of many; there is no means of discovering

what the ‘universe of discourse’ is on any occasion, and the kind of

coherence which must hold within it, supposing it to be discoverable,

is not an affair of logical relations. Attempt to define the system of

propositions into which

“O Rose, thou art sick!”

must fit, and the logical relations which must hold between them if it

is to be ‘poetically true’; the absurdity of the theory becomes evident.

We must look further. In the poetic approach the relevant consequences

are not logical or to be arrived at by a partial relaxation of logic.

Except occasionally and by accident logic does not enter at all. They

are the consequences which arise through our emotional organisation.

The acceptance which a pseudo-statement receives is entirely governed

by its effects upon our feelings and attitudes. Logic only comes in,

if at all, in subordination, as a servant to our emotional response.

It is an unruly servant, however, as poets and readers are constantly

discovering. A pseudo-statement is ‘true’ if it suits and serves

some attitude or links together attitudes which on other grounds are

desirable. This kind of truth is so opposed to scientific ‘truth’ that

it is a pity to use so similar a word, but at present it is difficult

to avoid the malpractice.[7]

This brief analysis may be sufficient to indicate the fundamental

disparity and opposition between pseudo-statements as they occur in

poetry and statements as they occur in science. A pseudo-statement is

a form of words which is justified entirely by its effect in releasing

or organizing our impulses and attitudes (due regard being had for the

better or worse organizations of these _inter se_); a statement, on the

other hand, is justified by its truth, _i.e._ its correspondence, in a

highly technical sense, with the fact to which it points.

Statements true and false alike do of course constantly touch off

attitudes and action. Our daily practical existence is largely

guided by them. On the whole true statements are of more service to

us than false ones. None the less we do not and, at present, cannot

order our emotions and attitudes by true statements alone. Nor is

there any probability that we ever shall contrive to do so. This

is one of the great new dangers to which civilisation is exposed.

Countless pseudo-statements--about God, about the universe, about human

nature, the relations of mind to mind, about the soul, its rank and

destiny--pseudo-statements which are pivotal points in the organization

of the mind, vital to its well-being, have suddenly become, for

sincere, honest and informal minds, impossible to believe. For

centuries they have been believed; now they are gone, irrecoverably;

and the knowledge which has killed them is not of a kind upon which an

equally fine organization of the mind can be based.

This is the contemporary situation. The remedy, since there is no

prospect of our gaining adequate knowledge, and since indeed it

is fairly clear that genuine knowledge cannot serve us here and

can only increase our practical control of Nature, is to cut our

pseudo-statements free from belief, and yet retain them, in this

released state, as the main instruments by which we order our attitudes

to one another and to the world. Not so desperate a remedy as may

appear, for poetry conclusively shows that even the most important

among our attitudes can be aroused and maintained without any belief

entering in at all. Those of Tragedy, for example. We need no

beliefs, and indeed we must have none, if we are to read _King Lear_.

Pseudo-statements to which we attach no belief and statements proper

such as science provides cannot conflict. It is only when we introduce

illicit beliefs into poetry that danger arises. To do so is from this

point of view a profanation of poetry.

Yet an important branch of criticism which has attracted the best

talents from prehistoric times until to-day consists of the endeavour

to persuade men that the functions of science and poetry are identical,

or that the one is a ‘higher form’ of the other, or that they conflict

and we must choose between them.

The root of this persistent endeavour has still to be mentioned; it

is the same as that from which the Magical View of the world arose.

If we give to a pseudo-statement the kind of unqualified acceptance

which belongs by right only to certified scientific statements, if

we can contrive to do this, the impulses and attitudes with which we

respond to it gain a notable stability and vigour. Briefly, if we can

contrive to believe poetry, then the world _seems_, while we do so,

to be transfigured. It used to be comparatively easy to do this, and

the habit has become well established. With the extension of science

and the neutralization of nature it has become difficult as well

as dangerous. Yet it is still alluring; it has many analogies with

drug-taking. Hence the endeavours of the critics referred to. Various

subterfuges have been devised along the lines of regarding Poetic Truth

as figurative, symbolic; or as more immediate, as a truth of Intuition,

not of reason; or as a higher form of the same truth as reason yields.

Such attempts to use poetry as a denial or as a corrective of science

are very common. One point can be made against them all: they are

never worked out in detail. There is no equivalent to Mill’s _Logic_

expounding any such view. The language in which they are framed is

usually a blend of obsolete psychology and emotive exclamations.

The long-established and much-encouraged habit of giving to emotive

utterances--whether pseudo-statements simple, or looser and larger

wholes taken as saying something figuratively--the kind of assent which

we give to established facts, has for most people debilitated a wide

range of their responses. A few scientists, caught young and brought

up in the laboratory, are free from it; but then, as a rule, they pay

no _serious_ attention to poetry. For most men the recognition of

the neutrality of nature brings about--through this habit--a divorce

from poetry. They are so used to having their responses propped up by

beliefs, however vague, that when these shadowy supports are removed

they are no longer able to respond. Their attitudes to so many

things have been forced in the past, over-encouraged. And when the

world-picture ceases to assist there is a collapse. Over whole tracts

of natural emotional response we are to-day like a bed of dahlias whose

sticks have been removed. And this effect of the neutralisation of

nature is only in its beginnings. Consider the probable effects upon

love-poetry in the near future of the kind of enquiry into basic human

constitution exemplified by psycho-analysis.

A sense of desolation, of uncertainty, of futility, of the

groundlessness of aspirations, of the vanity of endeavour, and a

thirst for a life-giving water which seems suddenly to have failed,

are the signs in consciousness of this necessary reorganization of our

lives.[8] Our attitudes and impulses are being compelled to become

self-supporting; they are being driven back upon their biological

justification, made once again sufficient to themselves. And the only

impulses which seem strong enough to continue unflagging are commonly

so crude that, to more finely developed individuals, they hardly seem

worth having. Such people cannot live by warmth, food, fighting, drink,

and sex alone. Those who are least affected by the change are those

who are emotionally least removed from the animals. As we shall see at

the close of this essay, even a considerable poet may attempt to find

relief by a reversion to primitive mentality.

It is important to diagnose the disease correctly and to put the

blame in the right quarter. Usually it is some alleged ‘materialism’

of science which is denounced. This mistake is due partly to clumsy

thinking, but chiefly to relics of the Magical View. For even if the

Universe were ‘spiritual’ all through (whatever that assertion might

mean; all such assertions are probably nonsense), that would not make

it any more accordant to human attitudes. It is not what the universe

is made of but how it works, the law it follows, which makes knowledge

of it incapable of spurring on our emotional responses, and further the

nature of knowledge itself makes it inadequate. The contact with things

which we therein establish is too sketchy and indirect to help us. We

are beginning to know too much about the bond which unites the mind

to its object in knowledge for that old dream of a perfect knowledge

which would guarantee perfect life to retain its sanction. What was

thought to be pure knowledge, we see now to have been shot through with

hope and desire with fear and wonder, and these intrusive elements

indeed gave it all its power to support our lives. In knowledge, in

the ‘How?’ of events, we can find hints by which to take advantage of

circumstances in our favour and avoid mischances. But we cannot get

from it a _raison d’être_ or a justification of more than a relatively

lowly kind of life.

The justification, or the reverse, of any attitude lies, not in

the object, but in itself, in its serviceableness to the whole

personality. Upon its place in the whole system of attitudes, which is

the personality, all its worth depends. This is true equally for the

subtle, finely compounded attitudes of the civilised individual as for

the simpler attitudes of the child.

In brief, experience is its own justification; and this fact must be

faced, although sometimes--by a lover, for example--it may be very

difficult to accept. Once it is faced, it is apparent that all the

attitudes to other human beings and to the world in all its aspects,

which have been serviceable to humanity, remain as they were, as

valuable as ever. Hesitation felt in admitting this is a measure of

the strength of the evil habit we have described. But many of these

attitudes, valuable as ever, are, now that they are being set free,

more difficult to maintain, because we still hunger after a basis in

belief.

Science and poetry · 第 13 / 16 题