DEAR FRIEND,

I am answering the chief substance of your letter--the question why we so

rarely talk of serious subjects. When people are silent, it is because they

have nothing to talk about or because they are ill at ease. What is there

to talk about? We have no politics, we have neither public life nor club

life, nor even a life of the streets; our civic existence is poor,

monotonous, burdensome, and uninteresting--and to talk is as boring as

corresponding with L. You say that we are literary men, and that of itself

makes our life a rich one. Is that so? We are stuck in our profession up to

our ears, it has gradually isolated us from the external world, and the

upshot of it is that we have little free time, little money, few books, we

read little and reluctantly, we hear little, we rarely go anywhere. Should

we talk about literature? ... But we have talked about it already. Every

year it’s the same thing again and again, and all we usually say about

literature may be reduced to discussing who write better, and who write

worse. Conversations upon wider and more general topics never catch on,

because when you have tundras and Esquimaux all round you, general ideas,

being so inappropriate to the reality, quickly lose shape and slip away

like thoughts of eternal bliss. Should we talk of personal life? Yes, that

may sometimes be interesting and we might perhaps talk about it; but there

again we are constrained, we are reserved and insincere: we are restrained

by an instinct of self-preservation and we are afraid. We are afraid of

being overheard by some uncultured Esquimaux who does not like us, and whom

we don’t like either. I personally am afraid that my acquaintance, N.,

whose cleverness attracts us, will hold forth with raised finger, in every

railway carriage and every house about me, settling the question why I

became so intimate with X. while I was beloved by Z. I am afraid of our

morals, I am afraid of our ladies.... In short, for our silence, for the

frivolity and dulness of our conversations, don’t blame yourself or me,

blame what the critics call “the age,” blame the climate, the vast

distances, what you will, and let circumstances go on their own fateful,

relentless course, hoping for a better future.

Letters of Anton Chekhov to His Family and Friends · 第 161 / 237 题