TO HIS BROTHER MIHAIL.

July 28, 1888.

On the Seas Black, Caspian, and of Life.

... A wretched little cargo steamer, _Dir_, is racing full steam from

Suhum to Poti. It is about midnight. The little cabin--the only one in the

steamer--is insufferably hot and stuffy. There is a smell of burning, of

rope, of fish and of the sea. One hears the engine going “Boom-boom-boom.”

... There are devils creaking up aloft and under the floor. The darkness is

swaying in the cabin and the bed rocks up and down.... One’s stomach’s

whole attention is concentrated on the bed, and, as though to find its

level, it rolls the Seltzer water I had drunk right up to my throat and

then lets it down to my heels. Not to be sick over my clothes in the dark I

hastily put on my things and go out.... It is dark. My feet stumble against

some invisible iron bars, a rope; wherever you step there are barrels,

sacks, rags. There is coal dust under foot. In the dark I knock against a

kind of grating: it is a cage with wild goats which I saw in the daytime.

They are awake and anxiously listening to the rocking of the boat. By the

cage sit two Turks who are not asleep either.... I grope my way up the

stairs to the captain’s bridge.... A warm but violent and unpleasant wind

tries to blow away my cap.... The steamer rocks. The mast in front of the

captain’s bridge sways regularly and leisurely like a metronome; I try to

look away from it, but my eyes will not obey me and, just like my stomach,

insist on following moving objects.... The sky and the sea are dark, the

shore is not in sight, the deck looks a dark blur ... there is not a single

light.

Behind me is a window ... I look into it and see a man who looks

attentively at something and turns a wheel with an expression as though he

were playing the ninth symphony.... Next to me stands the little stout

captain in tan shoes.... He talks to me of Caucasian emigrants, of the

heat, of winter storms, and at the same time looks intently into the dark

distance in the direction of the shore.

“You seem to be going too much to the left again,” he says to someone; or,

“There ought to be lights here.... Do you see them?”

“No, sir,” someone answers from the dark.

“Climb up and look.”

A dark figure appears on the bridge and leisurely climbs up. In a minute we

hear:

“Yes, sir.”

I look to the left where the lights of the lighthouse are supposed to be,

borrow the captain’s glasses, but see nothing.... Half an hour passes, then

an hour. The mast sways regularly, the devils creak, the wind makes dashes

at my cap.... It is not pitch dark, but one feels uneasy.

Suddenly the captain dashes off somewhere to the rear of the ship, crying,

“You devil’s doll!”

“To the left,” he shouts anxiously at the top of his voice. “To the left!

... To the right! A-va-va-a!”

Incomprehensible words of command are heard. The steamer starts, the devils

give a creak.... “A-va-va!” shouts the captain; at the bows a bell is rung,

on the black deck there are sounds of running, knocking, cries of

anxiety.... The _Dir_ starts once more, puffs painfully, and apparently

tries to move backwards.

“What is it?” I ask, and feel something like a faint terror. There is no

answer.

“He’d like a collision, the devil’s doll!” I hear the captain’s harsh

shout. “To the left!”

Red lights appear in front, and suddenly among the uproar is heard the

whistling, not of the _Dir_, but of some other steamer.... Now I understand

it: there is going to be a collision! The _Dir_ puffs, trembles, and does

not move, as though waiting for a signal to go down.... But just when I

think all is lost, the red lights appear on the left of us, and the dark

silhouette of a steamer can be discerned.... A long black body sails past

us, guiltily blinks its red eyes, and gives a guilty whistle....

“Oof! What steamer is it?” I ask the captain.

The captain looks at the silhouette through his glasses and replies:

“It is the _Tweedie_.”

After a pause we begin to talk of the _Vesta_, which collided with two

steamers and went down. Under the influence of this conversation the sea,

the night and the wind begin to seem hideous, created on purpose for man’s

undoing, and I feel sorry as I look at the fat little captain.... Something

whispers to me that this poor man, too, will sooner or later sink to the

bottom and be choked with salt water. [Footnote: Chekhov’s presentiment

about the captain was partly fulfilled: that very autumn the _Dir_ was

wrecked on the shores of Alupka.]

I go back to my cabin.... It is stuffy, and there is a smell of cooking. My

travelling companion, Suvorin-_fils_, is asleep already.... I take off

all my clothes and go to bed.... The darkness sways to and fro, the bed

seems to breathe.... Boom-boom-boom! Bathed in perspiration, breathless,

and feeling an oppression all over with the rocking, I ask myself, “What am

I here for?”

I wake up. It is no longer dark. Wet all over, with a nasty taste in my

mouth, I dress and go out. Everything is covered with dew.... The wild

goats look with human eyes through the grating of their cage and seem to be

asking “Why are we here?” The captain stands still as before and looks

intently into the distance....

A mountainous shore stretches on the left.... Elborus is seen from behind

the mountains.

A blurred sun rises in the sky.... One can see the green valley of Rion and

the Bay of Poti by the side of it.

Letters of Anton Chekhov to His Family and Friends · 第 35 / 237 题