CHAPTER XI

THE ROYAL FAMILY OF SWEDEN

The present reigning family of Sweden is too young to be very

numerous, and in this brief survey it is well to begin with a bit of

information about that grand democratic monarch, Oscar II, passed away

less than two years ago. How the Bernadotte dynasty was formed has

already been shown in a previous chapter, and something of the kings,

who succeeded the former Field Marshal of France has also been

related, so that we have in these few pages simply to deal with Oscar

II, the late king, and his four sons and their families.

Oscar's grandfather, the originator of the Bernadotte dynasty, was

still on the throne when he was born, in 1829, as the third son of

Crown Prince Oscar and the beautiful Josephine of Leuchtenberg. He

seemed far removed from the throne then, and thus he found freedom

to develop himself more in keeping with his individual tastes and

inclinations. Another factor to be borne in mind is the character of

his governor and principal instructor, the historian, F.F. Carlson,

who gave to his pupil a fondness for scientific exactness as well as

an insight into the true causes of civilizatory development found none

too frequently in professional thinkers, and hardly ever in princes.

The things that drew him most strongly in those days were the sea, and

music.

One of the foremost of Swedish composers, A.F. Lindblad, taught him

the latter, while his fondness for the former was richly satisfied

during the years when he worked his way through the ranks of the

Swedish navy. And his position on board the various man-of-war's-men

in which he traveled on many seas was never merely ornamental or even

exceptional. He took not only the title but also the work of the

offices he held, from midshipman to admiral.

It was characteristic of him, too, that when he married, he did so

out of love. On a tour through several countries; in 1856, he was

fortunate enough to meet Princess Sophia of Nassau. The courtship was

brief and ardent. Within a few months occurred the engagement, and the

wedding followed in less than a year. To the last that royal couple

remained strongly devoted to each other in spite of widely differing

tastes and temperaments. She has all her life been intensely

religious, with a strong leaning toward pietism, and illness has still

further developed this inborn tendency. He, on the other hand, was

always gay, light-hearted, fond of merriment, and given to many

pleasures and pursuits which his spouse could only look upon as far

too worldly.

Duke Oscar Frederick, as he was known in those early days, found

himself heir to the throne after death had unexpectedly removed the

two claimants with rights prior to his own. And on the succession of

his eldest brother, he became the Crown Prince. It was a delicate

position which imposed on him a reserve foreign to his nature. As it

contrasted sharply with the unceremonious jollity of his brother, King

Charles, he came by degrees to be regarded by those ignorant of his

true character with a distrust bordering on dislike. Thus, when the

succession fell to him in 1872, he found himself little understood and

less loved. It took him years to overcome the prejudice. Perhaps it

was his sanction of the impeachment proceedings by the Norwegian

Radicals against the retiring Conservative ministry which, in the

early '80's, first served to turn the trend of public opinion in his

favor, both in Sweden and Norway. That act was one of the many by

which he showed his ability to submit his own inclinations to the

demands of the people without becoming a mere tool in the hands of

any one political party. About the same time he succeeded in bringing

about a deeply needed and by himself long-cherished reform of the

popular educational system in Sweden. Previously,--it was, in fact,

his first important step after his ascension to the throne,--he had on

his own initiative proclaimed full freedom of worship for persons not

belonging to the established church.

A Scandinavianism of the purely sentimental kind,--the kind that

talked without ever dreaming of putting the talk into deeds,--had

prevailed until then on the peninsula. Intermixed with it was an

equally sentimental sympathy with France. Though himself the grandson

of a Frenchman and still keenly devoted to French literature and art,

King Oscar had the foresightedness to recognize that the interests of

the country were more closely bound up with those of Germany. And one

of the most striking features of his reign was the growing cultural

intercourse between the nations in the north and their neighbor south

of the Baltic. And while the king discouraged the speech-making, empty

Scandinavianism against which Ibsen was fond of launching his most

vitriolic invectives, he fostered instead a fellow-feeling between

Sweden, Norway and Denmark that found its expression in practical

co-operation, in the equalization of commercial and industrial

regulations, in the breaking down of as many as possible of the

unnecessary barriers between them. As the years passed on and the

trend of his labors became understood and appreciated, he found a part

of his reward in a steadily increasing respect for him throughout

the civilized world, a respect that repeatedly found expression in

requests that he act as arbiter of international differences. He had

always been fond of traveling, and this fondness he continued to

indulge up to the last. Unlike those of some other monarchs having a

similar taste, his comings and goings on the Continent were always the

objects of pleasant and welcoming comment. If gossip had to name King

Christian of Denmark "the father-in-law of all Europe," King Oscar was

surely "the friend of all the world." Apace with his own fame grew

the prosperity of his people. On either side of the Kjölen his reign

marked an era of unprecedented economical, social, and spiritual

progress which not even the internal dissensions of the sister nation

could interrupt.

King Oscar's motto was _Brödrafolkens Väl_ "The Brother-Peoples Weal!"

The Scandinavian peninsula is still populated by brother-peoples, as

was indicated at the time of the death of the old king. It was the

week for the distribution in Norway of the Nobel prizes, always

attended in Christiania with great rejoicing and merry-making. On this

occasion all demonstration was prohibited, and the Norwegian capital

was almost as much in mourning as was Stockholm. Though entirely

devoted to the new order of things, the Norwegians did not forget,

nor will they forget, the character of the king who ruled them for

a generation. More democratic than the Swedes, they were peculiarly

attached personally, if not politically, to one whom they felt to be

really of like democratic instincts with themselves, even if he did

show himself every inch a king.

Not only as a ruler, but as a father, King Oscar was both wise and

fortunate. Four sons came to him through his marriage, and these have

proved men of his own type. The Crown Prince Gustave was born just one

year after the marriage of his parents, on June 16th, at the Castle

of Drottingholm, in the year 1858; Prince Oscar, known as Prince

Bernadotte, was born on Nov. 15, 1859, at Stockholm; Prince Carl on

Feb. 27, 1861, also at Stockholm; while the youngest, Prince Eugene,

like his eldest brother, first saw the light at the Castle of

Drottingholm, on Aug. 1, 1865. As has been previously stated, the

Crown Prince (now king) was married to the Princess Victoria of Bade,

granddaughter of Emperor William I of Germany, and great-granddaughter

of the exiled Gustavus IV of Sweden. The third son, Prince Carl, is

wedded to his cousin, the Princess Ingeborg of Denmark, which was

a source of great satisfaction to King Oscar and Queen Sophie. The

youngest son, Prince Eugene, is devoted to art, and spends much time

out of the country. Never did King Oscar do more to win the approval

of his subjects, and thinking men and women everywhere, than when he

permitted the marriage of his second son, Prince Oscar, to a young

Swedish noblewoman, Fröken Ebba Munck, of Fulkila, who was also Queen

Sophie's maid-of-honor. While the prince had to renounce his right of

succession and his position as a royal prince of Sweden, his relations

to his father and the other members of the royal family remained the

same.

Of this incident in the history of the royal family of Sweden, the

following story is told:

The Queen interceded long and persistently with her husband for

permission for her second son to be married to the woman he loved.

Although the Munck family had played a very important part in the

history of the nation, the king was opposed to the _mésalliance_. "It

is Oscar's duty to be true to himself and to his love," she used to

say. But the king, who was not wont to refuse any of the wishes of

his consort, steadily refused to sanction the union. There were many

things against such a marriage, for Prince Oscar was the second son

of the king, and the very fact that the reigning House of Norway and

Sweden was one of the most youthful of the royal houses of Europe made

it all the more necessary that its scions should intermarry with the

members of the ancient reigning houses.

About this time the queen was seized with one of her serious attacks

of illness, and her state was such that at one time her life was

despaired of. Her physicians declared that her only hope of recovery

lay in an instant operation, which was both dangerous and extremely

painful.

The queen called the king to her bedside, and said, "If I undergo this

operation and recover, will you allow Oscar and Ebba to have their

way?" The king was unable to resist such an appeal, made at such a

time, and gave his promise. A short time afterwards the operation was

successfully performed, and when the queen was convalescent, the king

redeemed his promise and gave his consent to the marriage of his

second son. It was on Christmas Eve, and the king had come to his

wife's apartments to see her. He found Ebba Munck and his son Oscar

with her. The maid-of-honor was, at the time of his entrance, singing

one of his poems to Her Majesty, which, oddly enough, was on the

subject of the right to love. After waiting until the song was ended,

the king went up to his son, and, leading him to the girl, laid his

hand in hers, in this manner signifying that he had withdrawn his

opposition to their plans.

The marriage has proved a most happy one. Prince Oscar has found

perfect content, and has been able to follow his career as a

philanthropist. The wedding took place at Bournemouth, in the presence

of the queen of Sweden, on March 15, 1888, and for some time after it

the prince and his wife were known as Prince and Princess Bernadotte;

but later the uncle of Prince Oscar, the Grand Duke of Luxemburg, gave

him the title of the Count of Wisborg for himself and his descendants.

When their children were born, Prince Oscar and his wife proclaimed

them as the children of Oscar and Ebba Bernadotte, and, during

their entire married life, they have lived as quietly and simply as

possible, and have found their greatest interest in working for the

poor and suffering. They have a son and a daughter, the former, Count

Carl Oscar, having been born on May 27, 1890, and the latter, the

Countess Marie, on February 28, 1889; and three other children.

And so, as the years went by, a third generation grew up in the palace

at Stockholm,--a brood of long-limbed and broad-shouldered sons with

wholesome tastes and bright minds and kindly temperaments. And at

last, when the king was seventy-eight years old, a great-grandchild

was laid in his arms,--the first son of Prince Gustavus Adolphus (now

the Crown Prince) and the Princess Margaret of Connaught.

Up to the last King Oscar remained active and interested in all public

affairs. Though he had experienced several brief but rather severe

illnesses of late years, the end came without warning, after a few

days of indisposition, on Dec. 8, 1907. A kindly "thanks" for a small

favor rendered him by a member of his family was the last word heard

from his lips. Previously he had expressed his wish to the members of

his cabinet that no interruption in public or private business be made

on account of his death.

King Gustavus V, who took the oath of office within a few hours of his

father's death, has suffered something resembling his father's fate

as Crown Prince. Overshadowed by the more brilliant gifts and more

attractive personality of the parent, he was for years spoken of in

rather a disparaging manner in Sweden, while in Norway he harvested

outright hatred in return for his determined upholding of the union.

On frequent occasions during the last decade of his father's reign, he

acted as vice-regent while his father was sick or traveling, and in

this way he found chances to display qualities that gradually changed

the popular regard of him from one of suspicion to one of hearty

respect. His near-sightedness, his serious-mindedness, have militated

against him, but it seems probable that he will prove the very _best_

ruler Sweden could desire at the present juncture. He is slow to make

up his mind, and will not do so until he has searched every phase

and detail of the problem before him, but once he has come to a

conclusion, he pursues his path without looking to the right or left.

Gustavus is fifty years old, tall, rather dark, quite unassuming, and

is essentially democratic, while seeming the opposite, whereas Oscar

was aristocratic, although he made much of the people. Like all other

Swedish kings, Gustavus adopted a motto when he ascended the throne;

it is "With the People for the Fatherland"--not inappropriate in view

of his inheritance of a problem clamoring for solution, the extension

of the suffrage and a more direct representation of the people in both

the upper and lower houses of the Riksdag. The new king, who possesses

an uncommon amount of energy, may probably be depended upon to

accomplish this reform.

There is neither pride of an objectionable type, nor any tendency to

tyranny, nor one strain of arrogance in the new king. He may not be

able to draw upon such ripe culture or upon such fine talents as the

monarch who preceded him, yet the Swedes have no fear that his love of

truth and justice will not outweigh this deficiency and probably make

him a more practical ruler. As for the French descent of the Swedish

royal house, neither the present nor the late king have ever been

ashamed of their ancestry, or forgotten that the first Bernadotte on

their throne was one of Napoleon's greatest marshals.

Never will Gustavus V be able to give to words or actions that

brilliantly original and kingly tone for which his late father was so

admired everywhere. That, to the mind of all beholders, is to be the

drawback of his reign, for he is the merest mortal; where his father

was the luminous angel. Where Oscar would have been finely eloquent,

Gustavus shows himself merely sensible. Oscar's temper was heated,

his emotions were forever coming to the surface. Gustave is, if more

poised, less interesting. He has always been addicted to manly sports

and exercises. He has often been observed to "put up" an excellent

game of tennis at the club in Stockholm. But he is without the alert

and springy step of the old Oscar, whose muscles remained taut and

elastic almost to his dying day. Gustave lacks the literary aptitudes

of his late father, likewise, who left a well-filled book of verse

which admirers all over Europe did into French, German, Italian,

Danish, and even Hungarian. Gustave has not inherited his mother's

musical genius, either. She was at one time a devotee of Wagner, a

disciple of Kant, and always a pious evangelical of the German

cast. From both his parents Gustave received every encouragement to

proficiency in music. Music, to the late Oscar, was, both in theory

and practice, an essential element in the intellectual life. Gustave

is less the artist than the practical king.

He encourages international congresses of every kind to come to

Sweden; he helps the universities and the cause of education

throughout his kingdom; he feels his father's interest in Hedin's

travels through central Asia, but he can give no creative impulse

after his father's grand fashion. Oscar was the man of ideas, the

vitalizer of projects literary, musical, dramatic and scientific. He

made Stockholm the capital of the whole intellectual world. Gustave is

very courteous, affable in a dignified way, impressive as he opens the

Riksdag in royal ermine. He has commenced his reign in simplicity,

rising at eight, breakfasting on coffee and rolls, reading the morning

papers until ten, and reviewing the military with a conscientious

assiduity. His note is repose both in manner and in speech, in

striking contrast with the late Oscar, who was majestic in the very

way he had of eating cold meat at supper, and whose height of six feet

three towered, almost without the drooping heaviness of age, till his

seventy-ninth year. Notwithstanding the adverse comparison with his

parent, one has but to see Gustave's face, with its determination and

refinement, to feel a certain assurance as to Sweden's future.

It is a curious fact that there has been such a dearth of girls in the

Swedish royal family, the only princess of the house being the Crown

Princess of Denmark, a daughter of the late King Charles XV. The

present queen has only sons: Crown Prince Gustavus Adolphus, wedded to

Margaret of Connaught; Prince Wilhelm, who was recently married to

the Russian Princess Marie Palvona, and Prince Erik, now about twenty

years of age. The present Crown Prince and Princess are seemingly

perpetuating the tradition, as their first child is a lusty little

son.

Queen Victoria is said to be endowed with an instinct for business of

every kind far finer and more efficient than that of her husband, and

it is to be regretted that her health is so frail that she is obliged

to spend much time outside her husband's realm, and the duties of her

royal dignity devolve upon her daughter-in-law, the Crown Princess.

It is very satisfying to the Swedish people that by a strange play

of circumstances, the claims of the extinct House of Vasa,--the last

direct descendant of which passed away a few days after King Oscar,

in the person of Carola, Dowager-Queen of Saxony, and daughter of the

deposed King Gustavus Adolphus IV of Sweden,--are again restored, and

that the reigning House of Bernadotte and the ancient House of Vasa

have become joined through the present Crown Prince. It is something

to consider, too, that Adolphus V is the first of the Bernadotte

dynasty in whose veins, through his mother, Sophie of Nassau, there

flows royal blood.[k]

Norwegian Life An Account of Past and Contemporary Conditions and Progress in Norway and Sweden · 第 11 / 19 章