CHAPTER XXI.

THE STREET FAIR.

The street fair is the most popular form of modern local enterprise, and

has been growing in popularity for several years.

WHAT IT IS.

[Illustration:

STREET FAIR BOOTH.—_Brooks._

]

The street fair consists of a series of temporary booths erected on both

sides of the main street of a town, or around a central square or park,

if the town is laid out that way. These booths are built at the outer

edge of the sidewalk, upon the roadway, leaving the passageway of the

sidewalk at one side and the middle of the street at the other side.

Most booths face the street, although often they are arranged to face

both the street and the sidewalk. Each merchant builds his booth before

his own store, making a display of merchandise in the booth, but selling

goods only from his regular stock. Confectionery, notions, etc., are

also sold from booths. At the street corners or interspersed among the

booths of the merchants, are raised platforms on which free

entertainments, such as juggling, acrobatic acts, legerdemain, etc., are

given at stated intervals for the amusement of the people. In connection

with the street fair, various special attractions are arranged, a

balloon ascension one day, a parade of floats on another, and so on,

according to the fancy or enterprise of the committee.

[Illustration:

STREET FAIR BOOTH.—_Wietlispach._

]

THE OBJECT.

The free street fair is intended not only to attract temporary crowds to

a town, but to make the town popular to the farming and outlying

community tributary to it. Many farmers live within reach of two or,

perhaps, three towns; but the enterprising town—the one that entertains

the farmers with free street fairs, is supposed to be thereafter favored

with the largest share of trade.

[Illustration:

STREET FAIR BOOTH.—_Siemon._

]

Moreover, the street fair gives merchants an excellent opportunity to

make the acquaintance of the neighboring farmers and residents of

smaller, near by towns. This acquaintance ripens into a friendship and

mutual respect that not only wins trade, but holds it for all time.

SUCCESS OF STREET FAIRS.

How successful the scheme of free street fairs has been is evinced by

the fact that towns which have once held this sort of entertainment are

always eager to continue them the next year, and the next—and are still

holding street fairs. Seldom has the committee been called upon to

collect a dollar of the original subscription—for the fairs pay their

own way, and only cost each merchant the expense of his individual

display. It is stated that no street fair has ever been a failure since

the idea was first conceived, although of course the measure of their

success depends greatly upon the ability of the committee and the

enterprise of the merchants in making attractive displays.

[Illustration:

STREET FAIR BOOTH.—_Landers._

]

ADVANTAGES OVER COUNTY FAIRS.

[Illustration:

STREET FAIR BOOTH.—_Walthes._

]

The street fair has proved itself much superior to the old style county

or state fair. The people are held day and night at the door of the

merchants instead of spending their time two or three miles away from

town. The old-style fair leaves a town deserted, dull and forlorn. Trade

is at a standstill, and merchants agree it is almost as well to close

their doors during fair week. The street fair is a period of excitement,

hustling and constant sales for every merchant. The people are forced to

remain where there is a constant temptation to spend their spare

cash—and of course they spend it.

[Illustration:

STREET FAIR BOOTH.—_Wietlispach._

]

TIME TO HOLD STREET FAIRS.

The season of street fairs is from May to October, although some are

being held in this month of April in the warmer states. They usually

open on Tuesday morning and end Friday night, although in some cases the

entire week, including Monday and Saturday, is not considered too long a

period for the festivities.

HOW TO ORGANIZE A STREET FAIR.

First you must have a guaranteed fund. This is procured as follows: (a)

Subscriptions from merchants; (b) sale of booths and privileges; (c)

sale of advertising space on the daily souvenir programme.

The cost of a street fair is from $2,500 upward, depending on size of

your town, the amount of advertising you do, etc.

[Illustration:

STREET FAIR BOOTH.—_Hastings._

]

You will need a large number of committees to properly handle your

street fair. One object of having a great many committees is to give

every business man in town something to do in connection with the fair,

so that those who are inclined to grow lukewarm will, of necessity, be

compelled to take continued interest in the forthcoming fair.

Furthermore, there are too many details connected with the work of

preparing for the fair and conducting it, to be placed on the shoulders

of one small committee. Accordingly, there must be separate committees

for each department of street fair work. The finance committee must look

after raising the money. The amusement committee must see that proper

attractions and amusements are provided. The committee on premiums will

get up the premium list, appoint judges in the various departments and

see that the awarded premiums are paid. The committee on parades and

special days will look after the work indicated by its title. You will

need also a committee on contests, such as cake walking, baby shows, old

violin players, fat men’s race, greased pole climbing, greased pig

catching and such other diversions as may be introduced for local talent

in addition to the attractions engaged from abroad. Your committee on

privileges and booths will be able to render great service to the

association by using proper judgment and enterprise. A large revenue can

be realized from the sale of booths and spaces for merry-go-rounds,

Ferris wheels, side shows, etc. Your committee on railroads will have to

look after the important work of securing special reduced rates from all

points in territory tributary to your city during the continuance of the

fair. By appointing influential men on this committee and having them go

direct to the main offices of the railroad company you will be able to

secure liberal concessions in the way of reduced excursion rates that

will greatly swell your attendance during the week. Your committee on

advertising will have plenty of work to do. It is a good plan to appoint

the local newspaper men on this committee. They will keep booming the

street fair from the time that the date is fixed upon, and will see that

the field is thoroughly and constantly covered, so far as the

advertising is concerned. You will also need an executive committee.

This committee may include all the members of the above committees,

these being only sub-committees of the executive committee, or it may be

limited, as you think best. In some cities a regular street fair company

is incorporated under the laws of the state, with a president, board of

directors, etc. This is a very good plan. It gives an air of permanence

to the organization and makes all the transactions of the association

more business-like in character.

AMUSEMENTS.

Good attractions must be secured for the free entertainments. Do not

make the mistake of hiring cheap performers, as they will disgust your

people rather than entertain them. There are now a number of expert

conductors, or general managers of street fairs, who hire their services

to committees and advise the townsmen in all details. These men, having

had ample experience, are very useful to committees and often insure the

success of the fair. When there is no resident of your town available

who has a genius for carrying out such enterprises, the employment of an

expert director is advised. In this case it is better to secure your man

in the beginning, as he can then assist in organizing the entire

festival.

PROMINENT DETAILS.

R. J. McDonald, who is an authority on street fairs, gives the following

excellent advice as to details:

[Illustration:

STREET FAIR BOOTH.—_Boyer._

]

[Illustration:

STATE FAIR BOOTH.—_Anthter._

]

[Illustration:

STREET FAIR ARCH.

]

[Illustration:

GENERAL VIEW OF THE BELVILLE, ILL., STREET FAIR.

]

[Illustration:

GENERAL VIEW OF THE STAUNTON, VA., STREET FAIR.

]

The first step is to interest the city authorities, the manufacturing

dealers of all lines, and the citizens in general. Then, in order,

follow the securing of the necessary subscriptions, concessions from all

lines of transportation and many other sources, advertising, newspaper

work, billing the country for at least 200 miles in all directions,

daily souvenir programme, the formation of the different committees,

arranging street parades daily, securing the use of vacant grounds for

the erection of booths for the merchants and manufacturing displays, for

a Midway inclosure, space for lease to venders of all kinds. Then comes

the famous Midway, which, without doubt, will be the most attractive

feature of the street fair. Who can forget Chicago in 1893, and the

people of all nations? For this feature some large traveling street fair

combination should be secured—one which will have all the features which

go to make up a successful Midway.

You would also need tents for the press and visitors, one large tent for

dining hall—would advise that this be in charge of, and under the

management of some congregation—German and Irish villages, with the

native dance and the Irish piper to warm the hearts of their countrymen,

also two or three free exhibitions, which should be the best in America.

Now, to make the fair a success, the writer would advise making

concessions to some charitable institution or some good cause; then you

get the ladies, clergy and press with you, and if you can do this, it is

sure to be a grand success. The fair must be advertised largely, like a

circus, special rates on all lines of transportation. Every day must be

a special day. A different parade, finishing at the entrance to the

fair, should be held every afternoon—never in the morning. There should

be a military day for the entertainment of the soldiers of the civil

war, both union and confederate, the soldiers of the Spanish-Philippine

war, also a school children’s day. This being campaign year, would

advise a democratic and republican day, and invite some of the most

prominent speakers of the country, candidates for office, etc. I would

also advise a public marriage on one of the days, and each afternoon or

evening a genuine old-fashioned cake walk, combined with fireworks and

an abundance of good music. A floral parade, properly handled, with a

popular lady citizen as queen, would be the strongest feature of the

week, and would draw thousands of strangers to any city. This part of

the entertainment will require some one with experience to handle, if it

is to be a success.

FLOATS.

During street fairs, as well as the ordinary country fairs, industrial

parades are frequent, and often the decorator is puzzled how to

construct an effective float.

We show several pictures of floats in the late Milwaukee industrial

parade. The booth was built upon a large wagon truck and had a latticed

roof. The lower sides of the booth hung over the wheels and were

elaborately pleated and puffed. Fancy groceries were shown in the float,

and maidens, dressed to represent the southern climes from whence the

goods came, were seated on each of the sides.

[Illustration]

[Illustration]

[Illustration:

PARADE FLOAT—“THE SEASONS.”—_Goldsman._

]

Eight horses, caparisoned in white, with large plumes on their heads,

were attached to the float, and each horse was led by a groom in fancy

dress. This float was one of the most successful in the parade.

One of the most novel floats ever constructed was that of Mr. Mahana,

shown herewith. It was shaped like a large slipper, and completely

covered the wagon truck on which it was placed. Silver foil covered the

entire surface, and around the edge, or sole, was an ornamental border

in white and gold. Underneath the big umbrella sat a bevy of pretty

girls.

[Illustration]

In our first picture is shown a clothing float, the star and crescent

being adopted as the design. Although somewhat crudely carried out, the

idea is a good one. While only one coat was shown on each side of the

star, the float attracted much attention.

The Mercantile Co.’s float, was part of a floral parade. Float and

horses were decorated in pure white, and five young girls, seated under

the canopy, wore flowing white draperies. The relief to this was given

by the mass of greenery in the interior of the float, and by the signs,

which were lettered in emerald green.

THE SEASONS.

This float showed on the four sides the allegorical presentations of

Spring, Summer, Autumn and Winter.

“No. 1.—Spring.—Front Section of Float.—Arbor and arch trimmed with

artificial marguerites and morning glories, intertwined with foliage.

Glass prisms hang suspended to represent dew drops.

“‘Spring,’ draped in pure white gauze; wings at shoulders. Butterflies

and aigrette in the hair. She is represented seated on a large mushroom

(made of a 24-inch chopping bowl). Before her are seated four large

rabbits on their hind legs. On the spreading limb of the tree that

fronts her are perched two big crows, a blue jay, an oriole and two

small birds, all posed in the act of singing (beaks high and open).

Spring is clasping in one hand a baton and in the other a piece of

music. She is giving the birds and rabbits their first spring lesson.

This section was called ‘An Ode to Spring.’

“No. 2.—Summer.—Right Side Section of float.—‘Summer,’ draped in light

blue cheesecloth and silver tinsel. On head a wreath of pink and white

roses, and on one shoulder butterflies, on the other roses. In her left

hand she carries basket of roses. Arbor and archway are trimmed entirely

with pink and white roses, three gross being used (artificial). Plums

and peaches hang pendent from the top. At her feet (on the right)

crouches a large white swan. At each corner of this section are two full

size cranes, three feet high.

“No. 3.—Autumn.—Left Side of Float, Ceres (Wheat).—‘Autumn’ is

represented by a brunette draped in corn-colored cheesecloth. Her long

wreath is of corn flowers, poppies and wheat. On her head a wreath of

poppies and wheat. In her right hand she carries a sickle. Under her

left arm she carries a loosely bound sheaf of wheat. Arbor and archway

trimmed with poppies and wheat. A dozen bunches of artificial, full size

grapes hang from top of the arbor. In the growing wheat, at each side of

this section, are two quail and two hares.

[Illustration:

PARADE FLOAT—“CLEOPATRA’S BARGE.”—_Lorch._

]

“No. 4.—Winter.—Rear of Float.—Represented by a young lady draped in

dark green. In one hand she carries a bow, in her belt she has an arrow.

Her wreath for the hair is of holly berries and ivy. Her bower and arch

are trimmed with ivy and dahlias. Her corsage wreath is of dahlias. At

her left crouches a Texan puma, life size; at her right stands a full

sized deer.

CLEOPATRA’S BARGE.

The combination was green and pink. The figurehead was relief papier

mache work done in gold on bronze green ground. The large leaf (sail) is

also papier mache work. Close scrutiny is necessary to see the best

work.

PATRIOTIC FLOAT.

The framework is light, but substantial, the canopy being supported by

iron bars on which sleeve puffing is used. These bars are turned at top

and bottom, flattened, and furnished with screw holes. The umbrella

holders at the corners are made in the same way, four handsome girls

standing beneath the umbrellas. Quite a few goods were shown in the

spaces, and the entire effect was excellent.

[Illustration:

PATRIOTIC FLOAT.—_Olson._

]

ORIGINAL STREET FAIR BOOTH WITH REVOLVING ILLUMINATED BALL.

It has always been my theory—and I have yet to hear it successfully

disputed—that it is better to have an attractive advertisement costing

$1 than a poor one costing twenty-five cents; and on this hypothesis the

above booth will be described. The street fair is one of the best

chances for advertising you will ever get. Your audience is not going to

be the same that critically and leisurely inspected your show windows

and the goods and taste displayed therein the week before. It is going

to be a rushing, pushing, good natured and sight seeing crowd. It will

not be one that will be critically inclined, nor have time for minute

details. Knowing this to be a fact, it is “up to you” to get in your

advertising and do it with a booth that will arrest the eye, whether in

a hurry or not. Here is where you can use all the loud, flashy and

contrasting colors you want.

[Illustration:

BICYCLE PARADE FLOAT.—_Softley._

]

[Illustration: Fig. 1. Fig. 2.]

First you must see if your electric light company has the “strings” of

lights (see Fig. 1), shown running from the center to corners, on hand.

There are companies who keep these on hand, with weatherproof sockets,

to be rented out for just such purposes. The lights shown around the

edges can be put in by any electrician at a small cost on one circuit.

Both these and the “strings” are supposed to burn steadily, and not

connected to the flasher. The carpenter contractor will undoubtedly put

in an appearance in due time. These contractors usually put up the

booths for a stipulated price, rent you the lumber and remove it when

the fair is over.

Next is the ball frame (see Fig. 2). This is intended to be six feet in

diameter, made of strips of wood or moulding ¼ × 3 inches, soaked in hot

water and bent to form. The 3-inch width is to give you a base for the

lamp sockets. Between the six ribs shown run hogshead hoops to give

fullness between the ribs shown. The frame can be covered with two

contrasting colors in six equal sized pieces for daylight effect, and

the colored lights will take care of this part in the evening. The shaft

should be of 1-inch gas pipe. Having had a platform built inside the

booth flush with the gables, it will be a length equal from the floor of

the platform to the peak of the roof, plus the height of the ball and

six inches for clearance. Have the bottom drawn to a point or filled

with a pointed plug shown at C (Fig. 2), and provide a socket bearing.

This bearing is intended to support the entire ball and not offer undue

friction to its rotation. It will also be necessary to provide an extra

shield near the bottom to prevent a heavy wind forcing it out of the

socket sideways. At a point just under the peak of the roof, which is

also the upper bearing for the shaft, drill two ½-inch holes. Drill two

holes also at a point between the roof outside and the bottom of the

ball, shown at A. The contact rings and brushes at B are fully described

in detail in the March issue of The Show Window. These will be made the

same, only larger. Equip the shaft with a 5-inch grooved pulley belt

direct to the countershaft of your flasher, and it will run about thirty

revolutions per minute.

[Illustration:

PARADE FLOAT.—_Bittman._

]

[Illustration:

PARADE FLOATS.—_Brown._

]

[Illustration: Fig. 3.]

The shield shown in Fig. 3 is made of tin or painted pasteboard, and

will be found absolutely necessary to keep rain out of all sockets

pointing outward from a point above the center of the ball. If water was

to get in between the socket and lamp base, plugs will be blown faster

than you can put them in.

[Illustration: Fig. 4. Fig. 5.]

The wiring is shown in Fig. 4. There are three circuits, each of

different color, divided into two parts, each half on opposite sides of

ball. One side of each row of lights will be coupled to a common main,

which will go inside the shaft at the upper hole and out again at the

lower; thence to the bottom ring, which is connected to the main direct.

Circuit No. 1, red, goes from the first brush on the flasher to top ring

and brush on the shaft and thence to the remaining sides of the two red

rows. Circuit No. 2, white, goes from No. 2 on flasher to No. 2 brush

and ring, thence connects to remaining sides of the two white rows.

Circuit No. 3, green, goes from No. 3 on flasher to No. 3 ring and

brush, thence to the remaining sides of the two green rows. The other

main goes to the leg of flasher direct. Run one wire from each main for

the motor.

Set your flasher lugs as shown in Fig. 5, and the various color changes

will take place, as shown at the side of diagram in the order given.

After you are through with your wiring, you will probably find your

hands not in condition to hold the dainty hand of Angelina, and which

soap fails to remove. Don’t get scared. This will probably be a

combination of muriatic acid, asphaltum and rubber. They can be cleaned

as follows: Wash first in water, without soap, to remove the acid. Next

loosen the asphaltum with any kind of oil or grease. Lastly, wash them

with soap, water and sawdust, and you will be surprised to see how

easily it is done when you know how.

[Illustration:

DECORATED HOSE CART.—_Kayser._

]

[Illustration:

PARADE FLOAT.—_Designer Unknown._

]

[Illustration:

ST. VALENTINE’S DISPLAY.—_Baker._

]

[Illustration:

ST. VALENTINE’S DISPLAY.—_Herr._

]

The art of decorating dry goods windows and interiors · 第 10 / 15 章