CHAPTER XLII.

_THE TOWER_.

The next morning they went to inspect the Temple; Pitt and the two

ladies. Mr. Dallas preferred some other occupation. But the interest

brought to the inspection was not altogether legitimate. Mrs. Dallas

cared principally to see how comfortable her son's chambers were, and

to refresh herself with the tokens of antiquity and importance which

attached to the place and the institution to which he belonged. Betty

was no antiquarian in the best of times, and at present had all her

faculties concentrated on one subject and one question which was not of

the past. Nevertheless, it is of the nature of things that a high

strain of the mind renders it intensely receptive and sensitive for

outward impressions, even though they be not welcomed; like a taut

string, which answers to a breath breathed upon it. Betty did not care

for the Temple; had no interest in the old Templars' arms on the sides

of the gateways; and thought its medley of dull courts and lanes a very

undesirable place. What was it to her where Dr. Johnson had lived? she

did not care for Dr. Johnson at all, and as little for Oliver

Goldsmith. Pitt, she saw, cared; how odd it was! It was some comfort

that Mrs. Dallas shared her indifference.

'My dear,' she said, 'I do not care about anybody's lodgings but yours.

Dr. Johnson is not there now, I suppose. Where are _your_ rooms?'

But Pitt laughed, and took them first to the Temple church.

Here Betty could not refuse to look and be interested a little. How

little, she did not show. The beauty of the old church, its venerable

age, and the strange relics of the past in its monuments, did command

some attention. Yet Betty grudged it; and went over the Halls and the

Courts afterward with a half reluctant foot, hearing as if against her

will all that Pitt was telling her and his mother about them. Oh, what

did it matter, that one of Shakspeare's plays had been performed in the

Middle Temple Hall during its author's lifetime? and what did it

signify whether a given piece of architecture were Early English or

Perpendicular Gothic? What did interest her, was to see how lively and

warm was Pitt's knowledge and liking of all these things. Evidently he

delighted in them and was full of information concerning them; and his

interest did move Betty a little. It moved her to speculation also.

Could this man be so earnest in his enjoyment of Norman arches and

polished shafts and the effigies of old knights, and still hold to the

views and principles he had avowed and advocated last year? Could he,

who took such pleasure in the doings and records of the past, really

mean to attach himself to another sort of life, with which the honours

and dignities and delights of this common world have nothing to do?

The question recurred again afresh on their return home. As Betty

entered the house, she was struck by the beauty of the carved oak

staircase, and exclaimed upon it.

'Yes,' said Pitt; 'that is the prettiest part of the house. It is said

to be by Inigo Jones; but perhaps that cannot be proved.'

'Does it matter?' said Betty, laughing.

'Not to any real lover of it; but to the rest, you know, the name is

the thing.'

'"Lover of it"!' said Betty. 'Can you love a staircase?'

Pitt laughed out; then he answered seriously.

'Don't you know that all that is good and true is in a way bound up

together? it is one whole; and I take it to be certain that in

proportion to anyone's love for spiritual and moral beauty will be,

_coeteris paribus_, his appreciation of all expression of it, in nature

or art.'

'_But_', said Betty, '"spiritual and moral beauty"! You do not mean

that this oak staircase is an expression of either?'

'Of both, perhaps. At any rate, the things are very closely connected.'

'You are an enigma!' said Betty.

'I hope not always to remain so,' he answered.

Betty went up the beautiful staircase, noting as she went its beauties,

from storey to storey. She had not noticed it before, although it

really took up more room than was proportionate to the size of the

house. What did Pitt mean by those last words? she was querying. And

could it be possible that the owner of a house like this, with a

property corresponding, would not be of the world and live in the world

like other men? He must, Betty thought. It is all very well for people

who have not the means to make a figure in society, to talk of

isolating themselves from society. A man may give up a little; but when

he has much, he holds on to it. But how was it with Pitt? She must try

and find out.

She accordingly made an attempt that same evening, beginning with the

staircase again.

'I admired Inigo Jones all the way up-stairs,' she said, when she had

an opportunity to talk to Pitt alone. Mr. Dallas had gone to sleep

after dinner, and his wife was knitting at a sufficient distance. 'The

quaint fancies and delicate work are really such as I never imagined

before in wood-carving. But your words about it remain a puzzle to me.'

'My words? About art being an expression of truth? Surely that is not

new?'

'It may be very old; but I do not understand it.'

'You understand, that so far as art is genuine, it is a setter forth of

truth?'

'Well, I suppose so; of some truth. Roses must be roses, and trees must

be trees; and of course must look as like the reality as possible.'

'That is the very lowest thing art can do, and in some cases is not

true art at all. Her business is to tell truth--never to deceive.'

'What sort of truth then?'

'What I said; spiritual and moral.'

'Ah, there it is! Now you have got back to it. Now you are talking

mystery, or--forgive me--transcendentalism.'

'No; nothing but simple and very plain fact. It is this first,--that

all truth is one; and this next,--that in the world of creation things

material are the expression of things spiritual. So all real beauty in

form or colour has back of it a greater beauty of higher degree.'

'You are talking pure mystery.'

'No, surely,' said Pitt eagerly. 'You certainly recognise the truth of

what I am saying, in some things. For instance, you cannot look up

steadily into the blue infinity of one of our American skies on a clear

day--at least _I_ cannot--without presently getting the impression of

truth, pure, unfailing, incorruptible truth, in its Creator. The rose,

everywhere in the world, so far as I know, is the accepted emblem of

love. And for another very familiar instance,--Christ is called in the

Bible the Sun of righteousness--the Light that is the life of man. Do

you know how close to fact that is? What this earth would be if

deprived of the sun for a few days, is but a true image of the

condition of any soul finally forsaken by the Sun of righteousness. In

one word, death; and that is what the Bible means by death, of which

the death we commonly speak of is again but a faint image.'

Betty fidgeted a little; this was not what she wished to speak of; it

was getting away from her point.

'Your staircase set me wondering about _you_,' she said boldly, not

answering his speech at all.

'In yet another connection?' said Pitt, smiling.

'In another connection. You remember you used to talk to me pretty

freely last summer about your new views and plans of life?'

'I remember. But my staircase?'--

'Yes, your staircase. You know it is rich and stately, as well as

beautiful. Whatever it signifies to you, to my lower vision it means a

position in the world and the means to maintain it. And I debated with

myself, as I went up the stairs, whether the owner of all this would

_still_ think it his duty to live altogether for others, and not for

himself like common people.'

She looked at him, and Pitt met her inquiring eyes with a steady,

penetrating, grave look, which half made her wish she had let the

question alone. He delayed his answer a little, and then he said,--

'Will you let me meet that doubt in my own way?'

'Certainly!' said Betty, surprised; 'if you will forgive me its

arising.'

'Is one responsible for doubts? One _may_ be responsible for the state

of mind from which they spring. Then, if you will allow me, I will say

no more on the subject for a day or two. But I will not leave you

unanswered; that is, unless you refuse to submit to my guidance, and

will not let me take my own way.'

'You are mysterious!'

'Will you go with me when I ask you?'

'Yes.'

'Then that is sufficient.'

Betty thought she had not gained much by her move.

The next day was given to the Tower. Mrs. Dallas did not go; her

husband was of the party instead. The inspection of the place was

thorough, and occupied some hours; Pitt, being able, through an old

friend of Mr. Strahan's who was now also _his_ friend, to obtain an

order from the Constable for seeing the whole. At dinner Betty

delivered herself of her opinion.

'Were you busy all day with nothing but the Tower? asked Mrs. Dallas.

'Stopped for luncheon,' said her husband.

'And we did our work thoroughly, mamma,' added Pitt. 'You must take

time, if you want to see anything.'

'Well,' said Betty, 'I must say, if this is what it means, to live in

an old country, I am thankful I live in a new one.'

'What now?' asked Mr. Dallas. 'What's the matter?'

'Mrs. Dallas was wiser, that she did not go,' Betty went on. '"I have

supped fall of horrors." Really I have read history, but that gives it

to one diluted. I had no notion that the English people were so savage.'

'Come, come! no worse than other people,' Mr. Dallas put in.

'I do not know how it is with other people. I am thankful we have no

such monument in America. I shouldn't think snow would lie on the

Tower!'

'Doesn't often,' said Pitt.

'Think, Mrs. Dallas! I stood in that little chapel there,--the

prisoners' chapel,--and beneath the pavement lay between thirty and

forty people, the remains of them, who lay there with their heads

separated from their bodies; and some of them with no heads at all. The

heads had been set up on London bridge, or on Temple Bar, or some other

dreadful place. And then as we went round I was told that here was the

spot where Lady Jane Grey was beheaded; and there was the window from

which she saw the headless body of her husband carried by; and _there_

stood the rack on which Anne Askew was tortured; and there was the

prison where Arabella Stuart died insane; and here was the axe which

used to be carried before the Lieutenant when he took a prisoner to his

trial, and was carried before the prisoner when he returned, mostly

with the sharp edge turned towards him. I do not see how people used to

live in those times. There are Anne Boleyn and her brother, Lady Jane

Grey and her husband, and other Dudleys innumerable'--

'My dear, do stop,' said Mrs. Dallas. 'I cannot eat my dinner, and you

cannot.'

'Eat dinner! Did anybody use to eat dinner, in those times? Did the

world go on as usual? with such horrors on the throne and in the

dungeon?'

'It is a great national monument,' said Mr. Dallas, 'that any people

might be proud of.'

'Proud! Well, I am glad, as I said, that the sky is blue over America.'

'The blue looks down on nothing so fine as our old Tower. And it isn't

so blue, either, if you could know all.'

'Where are you going to take us next, Pitt?' Mrs. Dallas asked, to give

things a pleasanter turn.

'How did you like St. Paul's, Miss Betty?' her husband went on, before

Pitt could speak.

'It is very black!'

'That is one of its beauties,' remarked Pitt.

'Is it? But I am accustomed to purer air. I do not like so much smoke.'

'You were interested in the monuments?' said Mrs. Dallas.

'Honestly, I am not fond of monuments. Besides, there is really a

reminiscence of the Tower and the axe there very often. I had no

conception London was such a place.'

'Let us take her to Hyde Park and show her something cheerful, Pitt.'

'I should like above all things to go to the House of Commons and hear

a debate--if it could be managed.'

Pitt said it could be managed; and it was managed; and they went to the

Park; and they drove out to see some of the beauties near London,

Richmond, Hampton Court, and Windsor; and several days passed away in

great enjoyment for the whole party. Betty forgot the Tower and grew

gay. The strangeness of her position was forgotten; the house came to

be familiar; the alternation of sight-seeing with the quiet household

life was delightful. Nothing could be better, might it last. Could it

not last? Nay, Betty would have relinquished the sight-seeing and

bargained for only the household life, if she could have retained that.

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