Those "Cynthias of a minute," the Months, fleet past us so swiftly, that
though we never mistake them while they are present with us, yet the
moment any one of them is gone by, we begin to blend the recollection of
its features with those of the one which preceded it, or that which has
taken its place, and thus confuse them together till we know not "which
is which." And then, to mend the matter, when the whole of them have
danced their graceful round, hand in hand, before us, not being able to
think of either separately, we unite them all together in our
imagination, and call them the Past Year; as we gather flowers into a
bunch, and call them a bouquet.
Now this should not be. Each one of the sweet sisterhood has features
sufficiently marked and distinct to entitle her to a place and a name;
and if we mistake these features, and attribute those of any one to any
other, it is because we look at them with a cold and uninterested, and
therefore an inobservant regard. The lover of Julie could trace fifty
minute particulars which were wanting in the portrait of his mistress;
though to any one else it would have appeared a likeness: for, to common
observers, "a likeness" means merely a something which is not so
absolutely _un_like but what it is capable of calling up the idea of the
original, to those who are intimately acquainted with it.
Now, I have been for a long while past accustomed to feel towards the
common portraits of the Months, of which so many are extant, what St.
Preux did towards that of his mistress: all I could ever discover in
them was the particulars in which they were _not_ like. Still I had
never ventured to ask the favour of either of them to sit to me for her
picture; having seen that it was the very nature of them to be for ever
changing, and that, therefore, to attempt to _fix_ them, would be to
trace the outline of a sound, or give the colour of a perfume.
At length, however, my unwearied attendance on them, in their yearly
passage past me, and the assiduous court that I have always paid to each
and all of their charms, has met with its reward: for there is this
especial difference between them and all other mistresses whatever,
that, so far from being jealous of each other, their sole ground of
complaint against their lovers is, that they do not pay equal devotion
to each in her turn; the blooming MAY and the blushing JUNE disdain the
vows of those votaries who have not previously wept at the feet of the
weeping APRIL, or sighed in unison with the sad breath of MARCH. And it
is the same with all the rest. They present a sweet emblem of the
_ideal_ of a happy and united human family; to each member of which the
best proof you can offer that you are worthy of _her_ love, is, that you
have gained that of her sisters; and to whom the best evidence you can
give of being able to love either worthily, is, that you love all. This,
I say, has been the kind of court that I have paid to the Months--loving
each in all, and all in each. And my reward (in addition to that of the
love itself--which is a "virtue," and therefore "its own reward") has
been that each has condescended to watch over and instruct me, while I
wrote down the particulars of her brief but immortal life--immortal,
because ever renewed, and bearing the seeds of its renewal within
itself.
These instructions, however, were accompanied by certain conditions,
without complying with which I am not permitted to make the results
available to any one but myself. For my own private satisfaction I have
liberty to personify the objects of my admiration under any form I
please; but if I speak of them to others, they insist on being treated
merely as portions or periods of their beautiful parent the YEAR, as
_she_ is a portion of TIME, the great parent of all things; and that the
facts and events I may have to refer to, shall not be essentially
connected with _them_, but merely be considered as taking place during
the period of their sojourn on the earth respectively.
I confess that this condition seems to savour a little of the
fastidious, not to say the affected. And, what is still more certain, it
cuts me off from a most fertile source of the poetical and the
picturesque. I will frankly add, however, that I am not without my
suspicions that this latter may have been the very reason why this
condition was imposed upon me; for I am by no means certain that, if I
had been left to myself, I should not have substituted cold abstractions
and unintelligible fictions (or what would have seemed such to others),
in the place of that simple _information_ which it is my chief object to
convey.
Laying aside, then, if I can, all ornamental figures of speech, I shall
proceed to place before the reader, in plain prose, the principal events
which happen, in the two worlds of Nature and of Art, during the life
and reign of each month; beginning with the nominal beginning of the
dynasty, and continuing to present, on the birthday of each member of
it, a record of the beauties which she brings in her train, and the good
deeds which she either inspires or performs.
Hail! then, hail to thee, JANUARY!--all hail! cold and wintry as thou
art, if it be but in virtue of thy first day. THE DAY, as the French
call it, par excellence; "Le jour de l'an." Come about me, all ye little
schoolboys, that have escaped from the unnatural thraldom of your
taskwork--come crowding about me, with your untamed hearts shouting in
your unmodulated voices, and your happy spirits dancing an untaught
measure in your eyes! Come, and help me to speak the praises of New
Year's Day!--_your_ day--one of the three which have, of late, become
yours almost exclusively, and which have bettered you, and been bettered
themselves, by the change. Christmas-day, which _was_; New-year's-day,
which _is_; and Twelfth-day, which _is to be_; let us compel them all
three into our presence--with a whisk of our imaginative wand convert
them into one, as the conjurer does his three glittering balls--and then
enjoy them all together,--with their dressings, and coachings, and
visitings, and greetings, and gifts, and "many happy returns"--with their
plum-puddings, and mince-pies, and twelfth cakes, and neguses--with their
forfeits, and fortune-tellings, and blind-man's-buffs, and snap-dragons,
and sittings up to supper--with their pantomimes, and panoramas, and new
penknives, and pastrycooks' shops--in short, with their endless round of
ever new nothings, the absence of a relish for which is but ill supplied,
in after life, by that feverish hungering and thirsting after excitement,
which usurp without filling its place. Oh! that I might enjoy those
nothings once again in fact, as I can in fancy! But I fear the wish is
worse than an idle one; for it not only may not be, but it ought not to
be. "We cannot have our cake and eat it too," as the vulgar somewhat
vulgarly, but not the less shrewdly, express it. And this is as it should
be; for if we could, it would neither be worth the eating nor the having.
If the reader complains that this is not the sober style which I just
now promised to maintain, I cannot help it. Besides, it was my subject
that spoke then, not myself; and it spoke to those who are too happy to
be wise, and to whom, therefore, if it were to speak wisely, it might as
well not speak at all. Let them alone for awhile, and they will grow too
wise to be happy; and then they may be disposed and at leisure to listen
to reason.
In sober sadness, then, if the reader so wills it, and after the
approved manner of modern moral discourses, the subject before us may be
regarded under three distinct points of view; namely, January in
London--January in the country--and January in general. And first, of
the first.
Now--but before I proceed further, let me bespeak the reader's
indulgence at least, if not his favour, towards this everlasting
monosyllable, "Now," to which my betters have, from time to time, been
so much indebted, and on which I shall be compelled to place so much
dependence in this my present undertaking. It is the pass word, the
"open sesame," that must remove from before me all lets and impediments;
it is the charm that will alternately put to silence my imagination when
it may be disposed to infringe on the office of my memory, and awaken my
memory when it is inclined to sleep; in fact, it is a monosyllable of
infinite avail, and for which, on this as on many other occasions, no
substitute can be found in our own or any other language; and if I
approve, above all other proverbs, that which says, "There's nothing
like the time present," it is partly because "the time present" is but a
periphrasis for NOW!
Now, then, the cloudy canopy of sea-coal smoke that hangs over London,
and crowns her queen of capitals, floats thick and threefold; for fires
and feastings are rife, and every body is either "out" or "at home,"
every night.
Now schoolboys don't know what to do with themselves till dinner-time;
for the good old days of frost and snow, and fairs on the Thames, and
furred gloves, and skaiting on the canals, and sliding on the kennels,
are gone by; and for any thing in the shape of winter one might as well
live in Italy at once!
Now, on the evening of Twelfth-day, mischievous maid-servants pin
elderly people together at the windows of pastry-cooks' shops, thinking
them "weeds that have no business there."
Now, if a frosty day or two does happen to pay us a flying visit, on its
way home to the North Pole, how the little boys make slides on the
pathways, for lack of ponds, and, it may be, trip up an occasional
housekeeper just as he steps out of his own door; who forthwith vows
vengeance, in the shape of ashes, on all the slides in his
neighbourhood; not, doubtless, out of vexation at his own mishap, and
revenge against the petty perpetrators of it, but purely to avert the
like from others!
Now, Bond Street begins to be conscious of carriages; two or three
people are occasionally seen wandering through the Western Bazaar; and
the Soho Ditto is so thronged, that Mr. Trotter begins to think of
issuing another decree against the inroads of single gentlemen.
Now, linen drapers begin to "sell off" their stock at "fifty per cent.
under prime cost," and continue so doing all the rest of the year; every
article of which will be found, on inspection, to be of "the last new
pattern," and to have been "only had in that morning!"
Now, oranges are eaten in the dress-circle of the great theatres, and
inquiries are propounded there, whether "that gentleman in black"
(meaning Hamlet) "is Harlequin?" And laughs, and "La! Mammas!" resound
thence to the remotest corners of the house; and "the gods" make merry
during the play, in order that they may be at leisure to listen to the
pantomime; and Mr. Farley is consequently in his glory, and Mr. Grimaldi
is a great man; as, indeed, when is he not?
Now, newspapers teem with twice-ten-times-told tales of haunted houses,
and great sea-snakes, and mermaids; and a murder is worth a Jew's eye to
them; for "the House does not meet for the despatch of business till
the fifth of February." And great and grievous are the lamentations that
are heard in the said newspapers, over the lateness of the London
season, and its detrimental effects on the interests of the metropolis;
but they forget to add--"erratum--for _metropolis_, read _newspapers_."
Now, Moore's Almanack holds "sole sovereign sway and mastery" among the
readers of that class of literature; for there has not yet been time to
nullify any of its predictions; not even that which says, "we may expect
some frost and snow about this period."
Finally, now periodical works put on their best attire; the old ones
expressing their determination to become new, and the new ones to become
old; and each makes a point of putting forth the first of some pleasant
series of essays (such as this, for example!), which cannot fail to fix
the most fugitive of readers, and make him her own for another twelve
months at least.
Let us now repair to the country. "The country in January" has but a
dreary sound, to those who go into "the country" only that they may not
be seen "in town." But to those who seek the country for the same reason
that they seek London, namely, for the good that is to be found there,
the one has at least as many attractions as the other, at any given
period of the year. Let me add, however, that if there _is_ a particular
period when the country puts forth fewer of her attractions than at any
other, it is this; probably to try who are her real lovers, and who are
only false flatterers, and to treat them accordingly. And yet--
Now, the trees, denuded of their gay attire, spread forth their thousand
branches against the gray sky, and present as endless a variety of form
and feature for study and observation, as they did when dressed in all
the flaunting fashions of midsummer. Now, too, their voices are silent,
and their forms are motionless, even when the wind is among them; so
that the low plaintive piping of the robin-redbreast can be heard, and
his hiding-place detected by the sound of his slim feet alighting on the
fallen leaves. Or now, grown bolder as the skies become more inclement,
he flits before you from twig to twig silently, like a winged thought;
or like the brown and crimson leaf of a cherry-tree, blown about by the
wind; or perches himself by your side, and looks sidelong in your face,
pertly, and yet imploringly,--as much as to say, "though I do need your
aid just now, and would condescend to accept a crum from your hand, yet
I'm still your betters, for I'm still a bird."
Now, one of the most beautiful sights on which the eye can open
occasionally presents itself: we saw the shades of evening fall upon a
waste expanse of brown earth, shorn hedge-rows, bare branches, and miry
roads, interspersed here and there with a patch of dull melancholy
green. But when we are awakened by the late dawning of the morning, and
think to look forth upon the same, what a bright pomp greets us! What a
white pageantry! It is as if the fleecy clouds that float about the sun
at midsummer had descended upon the earth, and clothed it in their
beauty! Every object we look upon is strange and yet familiar to
us--"another, yet the same!" And the whole affects us like a vision of
the night, which we are half conscious _is_ a vision: we know that it is
_there_, and yet we know not how long it may remain there, since a
motion may change it, or a breath melt it away. And what a mysterious
stillness reigns over all! A white silence! Even the "clouted shoon" of
the early peasant is not heard; and the robin, as he hops from twig to
twig with undecided wing, and shakes down a feathery shower as he goes,
hushes his low whistle in wonder at the unaccustomed scene!
Now, the labour of the husbandman is, for once in the year, at a stand;
and he haunts the alehouse fire, or lolls listlessly over the half-door
of the village smithy, and watches the progress of the labour which he
unconsciously envies; tasting for once in his life (without knowing it)
the bitterness of that _ennui_ which he begrudges to his betters.
Now, melancholy-looking men wander "by twos and threes" through
market-towns, with their faces as blue as the aprons that are twisted
round their waists; their ineffectual rakes resting on their shoulders,
and a withered cabbage hoisted upon a pole; and sing out their doleful
petition of "Pray remember the poor gardeners, who can get no work!"
Now, the passengers outside the Cheltenham night-coach look wistfully at
the Witney blanket-mills as they pass, and meditate on the merits of a
warm bed.
Now, people of fashion, who cannot think of coming to their homes in
town so early in the season, and will not think of remaining at their
homes in the country so late, seek out spots on the seashore which have
the merit of being neither town _nor_ country, and practise patience
there (as Timon of Athens did), en attendant the London winter, which is
ordered to commence about the first week in spring, and end at
midsummer!
But we are forgetting the garden all this while; which must not be; for
Nature does not. Though the gardener can find little to do in it, _she_
is ever at work there, and ever with a wise hand, and graceful as wise.
The wintry winds of December having shaken down the last lingering
leaves from the trees, the final labour of the gardener was employed in
making all trim and clean; in turning up the dark earth, to give it air;
pruning off the superfluous produce of summer; and gathering away the
worn-out attire that the perennial flowers leave behind them, when they
sink into the earth to seek their winter home, as Harlequin and
Columbine, in the pantomimes, sometimes slip down through a trapdoor,
and cheat their silly pursuers by leaving their vacant dresses standing
erect behind them.
All being left trim and orderly for the coming on of the new year. Now
(to resume our friendly monosyllable) all the processes of nature for
the renewal of her favoured race, the flowers, may be more aptly
observed than at any other period. Still, therefore, however desolate a
scene the garden may present to the _general_ gaze, a particular
examination of it is full of interest, and interest that is not the less
valuable for its depending chiefly on the imagination.
Now, the bloom-buds of the fruit trees, which the late leaves of autumn
had concealed from the view, stand confessed, upon the otherwise bare
branches, and, dressed in their patent wind-and-water-proof coats, brave
the utmost severity of the season,--their hard unpromising outsides,
compared with the forms of beauty which they contain, reminding us of
their friends the butterflies when in the chrysalis state.
Now, the perennials, having slipped off their summer robes, and retired
to their subterranean sleeping-rooms, just permit the tops of their
naked heads to peep above the ground, to warn the labourer from
disturbing their annual repose.
Now, the smooth-leaved and tender-stemmed Rose of China hangs its pale,
scentless, artificial-looking flowers upon the cheek of Winter;
reminding us of the last faint bloom upon the face of a fading beauty,
or the hectic of disease on that of a dying one; and a few
chrysanthemums still linger, the wreck of the past year,--their various
coloured stars looking like faded imitations of the gay, glaring
China-aster.
Now, too,--first evidences of the revivifying principle of the new-born
year--for all that we have hitherto noticed are but lingering remnants
of the old--Now, the golden and blue crocuses peep up their pointed
coronals from amidst their guarding palisades of green and gray leaves,
that they may be ready to come forth at the call of the first February
sun that looks warmly upon them; and perchance one here and there,
bolder than the rest, has started fairly out of the earth already, and
half opened her trim form, pretending to have mistaken the true time; as
a forward school-miss will occasionally be seen coquetting with a smart
cornet, before she has been regularly produced,--as if she did not know
that there was "any harm in it."
We are now to consider the pretensions of January in general.
When the palm of merit is to be awarded among the Months, it is usual to
assign it to May by acclamation. But if the claim depends on the sum of
delight which each witnesses or brings with her, I doubt if January
should not bear the bell from her more blooming sister, if it were only
in virtue of her share in the aforenamed festivities of the Christmas
Holidays. And then, what a happy influence does she not exercise on all
the rest of the Year, by the family meetings she brings about, and by
the kindling and renewing of the social affections that grow out of, and
are chiefly dependent on these. And what sweet remembrances and
associations does she not scatter before her, through all the time to
come, by her gifts--the "new year's gifts!" _Christmas-boxes_ (as they
are called) are but sordid boons in comparison of these; they are mere
money paid for mere services rendered or expected; wages for work done
and performed; barterings of value for value; offerings of the pocket to
the pocket. But new year's gifts are offerings of the affections to the
affections--of the heart to the heart. The value of the first depends
purely on themselves; and the gratitude (such as it is) which they call
forth, is measured by the gross amount of that value. But the others owe
their value to the wishes and intentions of the giver; and the
gratitude _they_ call forth springs from the affections of the receiver.
And then, who can see a New Year open upon him, without being better for
the prospect--without making sundry wise reflections (for _any_
reflections on this subject _must_ be comparatively wise ones) on the
step he is about to take towards the goal of his being? Every first of
January that we arrive at, is an imaginary mile-stone on the turnpike
track of human life; at once a resting-place for thought and meditation,
and a starting point for fresh exertion in the performance of our
journey. The man who does not at least _propose to himself_ to be better
_this_ year than he was last, must be either very good or very bad
indeed! And only to _propose_ to be better, is something; if nothing
else it is an acknowledgment of our _need_ to be so,--which is the first
step towards amendment. But in fact, to propose to oneself to do well,
is in some sort to _do_ well, positively; for there is no such thing as
a stationary point in human endeavours; he who is not worse to-day than
he was yesterday, is better; and he who is not better, is worse.
The very name of January, from Janus, two-faced, "looking before and
after," indicates the reflective propensities which she encourages, and
which when duly exercised cannot fail to lead to good.
And then January is the youngest of the yearly brood, and therefore
_prima facie_ the best; for I protest most strenuously against the
comparative age which Chaucer (I think) has assigned to this month by
implication, when he compares an old husband and a young wife to
"January and June." These poets will sacrifice any thing to
alliteration, even abstract truth. I am sorry to say this of Chaucer,
whose poetry is more of "a true thing" than that of any other, always
excepting Mr. Crabbe's, which is too much of a true thing. And nobody
knew better than Chaucer the respective merits of the Months, and the
peculiar qualities and characteristics which appertain to each. But, I
repeat, alliteration is the Scylla and Charybdis united of all who
embark on the perilous ocean of poetry; and that Chaucer himself chose
occasionally to "listen to the voice of the charmer, charmed she never
so _un_wisely," the above example affords sufficient proof. I am afraid
poets themselves are too self-opiniated people to make it worth while
for me to warn _them_ on this point; but I hereby pray all prose
writers pertinaciously to avoid so pernicious a practice. This, however,
by the by.
I need scarcely accumulate other arguments and examples to show that my
favourite January deserves to rank first among the Months in merit, as
she does in place. But lest doubters should still remain, I will add,
ask the makers-out of annual accounts whether any month can compare with
January, since then they may begin to _hope_ for a settlement, and may
even in some cases venture to _ask_ for it; which latter is a comfort
that has been denied them during all the rest of the year; besides its
being a remote step towards the said settlement. And on the other hand,
ask the contractors of annual accounts whether January is not the best
of all possible months, since then they may begin to _order_ afresh,
with the prospect of a whole year's impunity. The answers to these two
questions must of course decide the point, since the two classes of
persons to whom they are addressed include the whole adult(erated)
population of these commercial realms.