CHAPTER XXVII

OBLIQUE AERIAL PHOTOGRAPHY

Oblique views from the airplane are of very great value. While vertical

views are more searching in many respects, they do nevertheless present

an aspect of the earth with which ordinary human experience is

unfamiliar. Consequently they are difficult to interpret without special

training. They suffer, too, from the military standpoint, from the

limitation that it is with vertical extension just as much as with

horizontal that an army has to contend in its progress. Elevations and

depressions of land show on an oblique view where they would be entirely

missed in a vertical one. For illustration, study the picture of part of

the outskirts of Arras (Fig. 144), presenting moat, walls and

embankments, all of which would be serious obstacles, but would hardly

be noticed on a vertical view. Pictures taken from directly overhead are

eminently suited to artillery use, but oblique views of the territory to

be attacked, taken from low altitudes, formed an essential part of the

equipment of the infantry in the later stages of the war.

Pictorially, oblique views are undoubtedly the most satisfactory. The

most revealing aspect of any object is not one side or face alone, but

the view taken at an angle, showing portions of two or three sides. Best

of all is that taken to show portions of front, side and top—the

well-known but heretofore fictitious “bird's-eye view” (Fig. 145). This

possibility is ordinarily denied the surface-of-the-earth photographer,

but the proper vantage point is attained in the airplane.

Aerial obliques may be taken at any angle, although a distinction is

sometimes made between obliques of high angle and panoramic or low angle

views (Fig. 146). In addition to ordinary obliques, a very beautiful

development is the stereo oblique. Both kinds of oblique photography

call for special instrumental equipment and technique.

[Illustration:

FIG. 144.—The outskirts of Arras. Low oblique showing contours.]

=Methods and Apparatus for Oblique Photography.=—The simplest method of

taking oblique pictures from a plane is to use a hand camera pointed at

the desired angle. Its limitations are in the size and scale of the

picture obtainable, and in the inherent limitations to the method of

camera support. A step in advance of this is to mount the camera above

the fuselage, on the machine gun ring or turret, in place of the gun.

Considerably greater rigidity is thus obtained, and heavier cameras can

be utilized, although the wind resistance is a serious factor. Excellent

obliques have been made in this way, even with 50-centimeter cameras,

but the scheme is impractical in military planes, because of the removal

of machine gun protection.

[Illustration:

FIG. 145.—Oblique view of Capitol and Congressional Library,

Washington.]

[Illustration:

FIG. 146.—Fort Alvenslegen, near Metz.

Photo by Photographic Section A. E. F.]

If the camera is fixed in the fuselage in its normal vertical position,

obliques may be and have been taken by the simple expedient of _banking_

the plane steeply. This is not to be recommended as a standard

procedure, especially for taking a consecutive series of exposures.

The most satisfactory arrangements for taking obliques are two; first,

to mount _the camera obliquely in the plane_, and second, to use a

_mirror or prism_, in front or behind the lens of the vertically mounted

camera. The first method has been employed chiefly by the French, the

latter by the English, whose gravity fed cameras could not be mounted

obliquely.

Taking up first the oblique mounting of cameras, we find two ways of

doing this: longitudinal mounting and lateral mounting. In longitudinal

mounting the camera projects forward and downward, usually from the nose

of a pusher or bi-motored plane. With this form of mounting (Fig. 147)

it is necessary of course to fly directly toward the objective. If this

is a portion of enemy trench, which must be photographed from a height

of 400 or 500 meters, the plane will be directly on top of its objective

a few seconds after the exposure is made, and be a conspicuous target,

in imminent danger of destruction. Moreover, only a single short section

of the trench would be obtained for each crossing of the line. The one

case where resort to this method is practically forced is with the

120-centimeter cameras which simply cannot be slung athwart the plane.

There is a slight advantage in this method of carrying in that the

motion of the image is less if the objective is approached, instead of

being passed at the side, and so longer exposures can be made. The

longitudinal mounting has, however, been very generally superseded by

the lateral.

[Illustration:

FIG. 147.—120-centimeter camera mounted obliquely in the fore-and-aft

position.]

Methods for mounting cameras obliquely for taking pictures through the

side of the plane have been discussed in detail in connection with

camera mountings and installations (Fig. 93). The chief difficulties are

want of space, obstacles at the side such as control wires and

longerons, and failure of the camera to function properly at an angle.

Even in the broad circular sectioned fuselage of the Salmson plane,

quarters are so cramped that the French 50-centimeter camera when

obliquely mounted cannot be used with the 12-plate magazine, and

recourse is made to thin flat double plate-holders. Holes in the side of

the fuselage should clear all wires and should command a view

unobstructed by the wings—which often means that the camera must be

carried behind the observer's cockpit, irrespective of the suitability

of that space from other standpoints. Cameras dependent for their action

on gravity, such as the deRam and English L type, are unsuited for

oblique suspension.

[Illustration:

FIG. 148.—Mirror on camera cone for taking oblique views.]

For cameras which, because of their method of operation or shape cannot

be slung obliquely, the only way to take obliques is to employ mirrors

(Fig. 148) or prisms. These must be of the same optical quality as the

photographic lens. They are both necessarily of considerable weight

because they must be of large area of face to fill the entire aperture

of an aerial lens. Mirrors are lighter than prisms, but must be quite

thick to prevent distortion of the surface due to any possible strains

to their mount. Right angle glass prisms have been used by the English

with the 8 and 10 inch L cameras. The prisms were uniformly tilted to an

angle of 12½ degrees from the horizontal.

Glass mirrors can be silvered either on the rear or front surface. If on

the rear, both surfaces must be accurately parallel, which means much

greater labor and expense than if the front surface can be utilized. The

difficulty with front surface mirrors is that the metallic coating is

easily tarnished or scratched, especially if silver is used, which is

almost imperative, since all the other metals have considerably lower

reflecting powers. (Gold might serve both as mirror and color filter,

because of its yellow color.) Placing the mirror inside the camera body

in part obviates this trouble, but means the use of a special elbow lens

cone. In any case the mirror or prism occasions at least a 10 per cent.

loss of light. Pictures taken by reflectors of any kind are reversed,

and must either be printed in a camera, or on transparent film which may

be viewed from the back.

The most usual condition for making obliques is to fly very low (300 to

600 meters), with the line of sight of the camera from 12 to 45 degrees

from the horizontal. This low altitude necessitates very short

exposures, to avoid movement of the image. The picture may be taken

either the long or the short way of the plate, depending on the

character of the object and the information desired. It is to be noted

that successive oblique pictures cannot be mounted to form a continuous

panorama—this being possible with obliques only if they are taken from

one point, as from a captive balloon. If successive views are made on a

straight flight at intervals so as to exactly juxtapose in the

foreground, they overlap by a large margin the middle, and a point on

the horizon, if that shows, will be in the same position in every

picture. Mosaics of obliques could be made only by some system of

conical mounting.

=Sights for Oblique Photography.=—Any of the sights previously discussed

for vertical work, such as the tube sights, are applicable to obliques.

They must, however, be suited for mounting at an angle, in a position

convenient for the observer. In addition, provision must be made for

adjusting the angle so that the lines of sight of camera and finder are

parallel. Mounting outside the fuselage is practically the only feasible

way, and is less objectionable with oblique than with vertical sights,

as oblique sighting does not require the observer to stand up and lean

over the edge of the cockpit. Windows in the side of the fuselage,

either of celluloid or non-breakable glass, are a great aid to oblique

observation. Marks upon the transparent surface can be utilized for the

rear points of a sight of which the front point is a single fixed bead

or rectangle.

Airplane Photography · 第 27 / 33 章