J. M. G.

Hallamshire.

P.S. Since the foregoing note was written, I have found the copy of Sir

E. Brydge's _Restituta_, from which I copied the extract of _Schola

Cordis_, in the _Christian Poet_.

"_Schola Cordis_: or the Heart of itself gone away from God,

brought back again to Him, and instructed by Him. In 47 Emblems.

1647. 12mo. pp. 196."

Inscribed, without a signature,

"To the Divine Majestie of the onely-begotten, eternall,

well-beloved Son of God and Saviour of the World, Christ Jesus,

the King of Kings, the Lord of Lords; the Maker, the Mender, the

Searcher, and the Teacher of

The Heart:

the Meanest of his most unworthy Servants

offers up this poore Account of his Thoughts,

humbly begging pardon for all that is

amisse in them, and a gracious

acceptance of these weak endeavours

for the Advancement of his

Honour in the Good of others."

The third edition, dated 1675, ascribes these emblems to the author of

_The Synagogue_, annexed to Herbert's _Poems_. This, according to Sir

John Hawkins, in his notes on Walton's _Angler_, was _Christopher

Harvie_: but Wood, in his _Athenae_, positively affirms that the author

of _The Synagogue_, in imitation of the divine Herbert, was _Thomas

Harvey_, M.A., and first Master of Kingston School in Herefordshire. To

_him_, therefore (adds Sir Egerton Brydges), we may presume to assign

it, until a stronger testimony shall dispossess him of a tenure, which

reflects honourable reputation on the copiousness of his fancy and the

piety of his mind.

_Fortune, Infortune, Fort une_ (Vol. iv., p. 57.).--I agree with MR.

BREEN that this inscription on the tomb of Margaret of Austria, in the

beautiful church of Brou, is "somewhat enigmatical," a literal

translation failing entirely to make sense of it. But perhaps MR. BREEN

may be willing to accept the interpretation offered by a writer in the

_Magasin Pittoresque_ for 1850, where, describing the monuments in the

church of Notre Dame de Brou (p. 22.), he says:

"Cette legende bizarre est assez difficile a expliquer, si l'on ne

regarde pas le mot _infortune_ comme un verbe. Avec cette

hypothese, la devise signifierait: 'La fortune a rendu une

personne tres-malheureuse?' Cette explication est d'autant plus

plausible que la vie de Marguerite d'Autriche fut affligee de bien

de revers. Destinee a regner sur la France, elle est repudiee par

Charles VIII., son fiance; elle epouse le fils du roi d'Aragon,

qui la laisse bientot veuve avec un fils qu'elle a aussi la

douleur de perdre peu apres; enfin, remariee a Philibert le Beau,

elle le voit mourir au printemps de son age."

There is little doubt, I think that the inscription was meant to typify

the misfortunes of Margaret; but the preceding solution is still, in a

grammatical point of view, unsatisfactory. If _fort_ could be transposed

to _fait_, the reading would be simple enough; but in these cases we are

bound to take the inscriptions as we find them, and the Rebus in stone

was the especial delight of the sculptors of the fifteenth century.

Notes and Queries, Vol. IV, Number 95, August 23, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 80 / 98 题