WHAT EVERY FOOL KNOWS.
JASPER stood on the staircase waiting. Then he heard a step descend.
There was no light: the maids, in the excitement and confusion, had
forgotten their duties. No lamp on the staircase, none in the hall.
Only in the latter the dull glimmer of the horn lantern that irradiated
but did not illumine the faces of two who were dead. The oak door at
the foot of the stairs was ajar, and a feeble light from this lantern
penetrated to the staircase. The window admitted some greyness from the
overcast sky.
‘Tell me, Barbara,’ he said, ‘what is the doctor’s report?’
‘Jasper!’ Then Barbara’s strength gave way, and she burst into a
flood of tears. He put his arm round her, and she rested her head on
his breast and cried herself out. She needed this relief. She had kept
control over herself by the strength of her will. There was no one in
the house to think for her, to arrange anything; she had the care of
everything on her, beside her great sorrow for her father, and fear for
Eve. As for the servant girls, they were more trouble than help. _Men_
were in the kitchen; that sufficed to turn their heads and make them
leave undone all they ought to have done, and do just those things they
ought not to do. At this moment, after the strain, the presence of a
sympathetic heart opened the fountain of her tears and broke down her
self-restraint.
Jasper did not interrupt her, though he was anxious to know the result
of Mr. Coyshe’s examination. He waited patiently, with the weeping girl
in his arms, till she looked up and said, ‘Thank you, dear friend, for
letting me cry here: it has done me good.’
‘Now, Barbara, tell me all.’
‘Jasper, the doctor says that Eve will live.’
‘God’s name be praised for that!’
‘But he says that she will be nothing but a poor cripple all her days.’
‘Then we must take care of her.’
‘Yes, Jasper, I will devote my life to her.’
‘_We_ will, Barbara.’
She took his hand and pressed it between both hers.
‘But,’ she said hesitatingly, ‘what if Mr. Coyshe——’ She did not finish
the sentence.
‘Wait till Mr. Coyshe claims her.’
‘He is engaged to her, so of course he will, the more readily now that
she is such a poor crushed worm.’
Jasper said nothing. He knew Mr. Coyshe better than Barbara, perhaps.
He had taken his measure when he went with him over the farm after the
signing of the will.
‘This place is hers by her father’s will,’ said Jasper; ‘and, should
the surgeon draw back, she will need you and me to look after her
interests.’
‘Yes,’ said Barbara, ‘she will need us both.’
Then she withdrew her hands and returned upstairs.
A few days later Mr. Coyshe took occasion to clear the ground. He
explained to Barbara that his engagement must be considered at an end.
He was very sorry, but he must look out for his own interests, as he
had neither parent alive to look out for them for him. It would be
quite impossible for him to get on with a wife who was a cripple.
‘You are premature, Mr. Coyshe,’ said Miss Jordan stiffly. ‘If you
had waited till my sister were able to speak and act, she would have,
herself, released you.’
‘Exactly,’ said the unabashed surgeon; ‘but I am so considerate of the
feelings of the lady, that I spare her the trouble.’
And now let us spread the golden wings of fancy, and fly the scenes
of sorrow—but fly, not in space, but in time; measure not miles, but
months.
It is autumn, far on into September, and Michaelmas has brought with
it the last days of summer. Not this the autumn that we saw coming on,
with the turning dogwood and bird-cherry, but another.
In the garden the colchicum has raised its pale lilac flowers.
The Michaelmas daisy is surrounded by the humming-bird moth with
transparent wings, but wings that vibrate so fast that they can only
be seen as a quiver of light. The mountain ash is hung with clusters
of clear crimson berries, and the redbreasts and finches are about it,
tearing improvidently at the store, thoughtless of the coming winter,
and strewing the soil with wasted coral.
Eve is seated in the sun outside the house, in the garden, and on her
knees is a baby—Barbara’s child, and yet Eve’s also, for if Barbara
gave it life, Eve gave it a name. Before her sister Barbara kneels, now
just restored from her confinement, a little pale and large in eye,
looking up at her sister and then down at the child. Jasper stands by
contemplating the pretty group.
‘Eve,’ said Barbara in a low tremulous voice, ‘I have had for some
months on my heart a great fear lest, when my little one came, I should
love it with all my heart, and rob you. I had the same fear before I
married Jasper, lest he should snatch some of my love away from the
dear suffering sister who needs all. But now I have no such fear any
more, for love, I find, is a great mystery—it is infinitely divisible,
yet ever complete. It is like’—she lowered her voice reverently—’it
is like what we Catholics believe about the body of our Lord, the
very Sacrament of Love. That is in Heaven and in every church. It
is on every altar, and in every communicant, entire. I thought once
that when I had a husband, and then a little child, love would suffer
diminution—that I could not share love without lessening the portion of
each. But it is not so. I love my baby with my whole undivided heart; I
love you, my sister, equally with my whole undivided heart; and I love
my husband also,’ she turned and smiled at Jasper, ‘with my very whole
and undivided heart. It is a great mystery, but love is divine, and
divine things are perceived and believed by the heart, though beyond
the reason.’
‘So,’ said Eve, smiling, and with her blue eyes filling, ‘my dear, dear
Barbara, once so prosaic and so practical, is becoming an idealist and
poetical.’
‘Wherever unselfish love reigns, there is poetry,’ said Jasper; ‘the
sweetest of the songs of life is the song of self-sacrificing love.
Barbara never was prosaic. She was always an idealist; but, my dear
Eve, the heart needs culture to see and distinguish true poetry from
false sentiment. That you lacked at one time. That you have now.
I once knew a little girl, light of heart, and loving only self,
with no earnest purpose, blown about by every caprice. Now I see a
change—a change from base element to a divine presence. I see a sweet
face as of old, but I see something in it, new-born; a soul full of
self-reproach and passionate love; a heart that is innocent as of old,
but yet that has learned a great deal, and all good, through suffering.
I see a life that was once purposeless now instinct with purpose—the
purpose to live for duty, in self-sacrifice, and not for pleasure. My
dear Eve, the great and solemn priest Pain has laid his hands on you
and broken you, and held you up to Heaven, and you are not what you
were, and yet—and yet are the same.’
Eve could not speak. She put her arms round her sister’s neck, and
clung to her, and the tears flowed from both their eyes, and fell upon
the tiny Eve lying on the knees of the elder Eve.
But though they were clasped over the child, no shadow fell on its
little face. The baby laughed.
* * * * *
Some years ago—the author cannot at the moment say how many, nor does
it matter—he paid a visit to Morwell, and saw the sad havoc that had
been wrought to the venerable hunting-lodge of the Abbots of Tavistock.
The old hall had disappeared, a floor had been put across it, and it
had been converted into an upper and lower story of rooms. One wing
had been transformed into a range of model cottages for labourers. The
house of the Jordans was now a farm.
The author asked if he might see the remains of antiquity within the
house.
An old woman who had answered his knock and ring, replied, ‘There are
none—all have been swept away.’
‘But,’ said he, ‘in my childhood I remember that the place was full of
interest; and by the way, what has become of the good people who lived
here? I have been in another part of the country, and indeed a great
deal abroad.’
‘Do you mean Mr. Jasper?’
‘No: Jasper, no—the name began with J.’
‘The old Squire Jordan your honour means, no doubt. He be dead ages
ago. Mr. Jasper married Miss Jordan—Miss Barbara we called her. When
Miss Eve died, they went away to Buckfastleigh, where they had a
house and a factory. There was a queer matter about the old squire’s
death—did you never hear of that, sir?’
‘I heard something; but I was very young then.’
‘My Joseph could tell you all about it better than I.’
‘Who is your Joseph?’
‘Well, sir, I’m ashamed to say it, but he’s my sweetheart, who’s been
a-courting of me these fifty years.’
‘Not married yet?’
‘He’s a slow man is Joseph. I reckon he’d ‘a’ spoken out if he’d been
able at last, but the paralysis took ‘m in the legs. He put off and
off—and I encouraged him all I could; but he always was a slow man.’
‘Where is he now?’
‘Oh, he’s with his married sister. He sits in a chair, and when I can I
run to ‘m and take him some backy or barley-sugar. He’s vastly fond o’
sucking sticks o’ barley-sugar. Gentlefolks as come here sometimes give
me a shilling, and I lay that out on getting Joseph what he likes. He
always had a sweet tooth.’
‘Then you love him still?’
The old woman looked at me with surprise. Her hand and head shook.
‘Of course I does: love is eternal—every fool knows that.’
THE END.
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1. =Molière=: Le Misanthrope.
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7. =Boccaccio=: Decameron: Prima giornata.
8. =Calderon=: La vida es sueño.
9. =Restif de la Bretonne=: L’an 2000.
10. =Camões=: Os Lusíadas: Canto I., II.
11. =Racine=: Athalie.
12-15. =Petrarca=: Rerum vulgarium fragmenta.
16-17. =Dante=: Divina Commedia II.: Purgatorio.
18-20. =Tillier=: Mon oncle Benjamin.
21-22. =Boccaccio=: Decameron: Seconda giornata.
23-24. =Beaumarchais=: Le Barbier de Seville.
25. =Camões=: Os Lusíadas: Canto III., IV.
26-28. =Alfred de Musset=: Comédies et Proverbes: La Nuit vénitienne;
André del Sarto; Les Caprices de Marianne; Fantasio; On ne badine pas
avec l’amour.
29. =Corneille=: Horace.
30-31. =Dante=: Divina Commedia III.: Paradiso.
32-34. =Prevost=: Manon Lescaut.
35-36. =Œuvres de Maître François Villon.=
37-39. =Guillem de Castro=: Las Mocedades del Cid, I., II.
40. =Dante=: La Vita Nuova.
41-44. =Cervantes=: Cinco Novelas ejemplares.
45. =Camões=: Os Lusíadas: Canto V., VI., VII.
46. =Molière=: L’Avare.
47. =Petrarca=: I Trionfi.
48-49. =Boccaccio=: Decameron: Terza giornata.
50. =Corneille=: Cinna.
51-52 =Camões=: Os Lusíadas: Canto VIII., IX., X.
53-54 =La Chanson de Roland.=
55-58 =Alfred de Musset=: Premières Poésies.
59. =Boccaccio=: Decameron: Quarta giornata.
60-61. =Maistre Pierre Pathelin=: Farce du XV^e siècle.
62-63. =Giacomo Leopardi=: Canti.
64-65. =Chateaubriand=: Atala.
66. =Boccaccio=: Decameron, Quinta giornata.
67-70. =Blaise Pascal=: Les Provinciales
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_Volumes now in course of publication_:
=35.= =Wine, Women, and Song=: Mediæval Latin Students’ Songs.
Translated into English, with an Introduction, by JOHN ADDINGTON
SYMONDS.
=36=, =37=. =George Pettie’s Petite Pallace of Pettie his Pleasure.=
Edited by Prof. I GOLLANCZ. 2 vols.
=38.= =Walpole’s Castle of Otranto.= By Sir WALTER SCOTT. With
Introduction and Preface by Miss SPURGEON.
=39.= =The Poets Royal of England and Scotland.= Original Poems by
Kings and other Royal and Noble Persons, collected and edited by W.
BAILEY KEMPLING.
=40.= =Sir Thomas More’s Utopia.= Edited by ROBERT STEELE, F.S.A.
=41.=[3]=Chaucer’s Legend of Good Women.= _In Modern English_, with
Notes and Introduction by Professor W. W. SKEAT.
=42.= =Swift’s Battle of the Books.= Edited, with Notes and
Introduction, by A. GUTHKELCH.
=43.= =Sir William Temple upon the Gardens of Epicurus, with other
17th Century Garden Essays.= Edited, with Notes and Introduction, by
A. FORBES SIEVEKING, F.S.A.
=44.= =The Four Last Things=, by Sir THOMAS MORE; together with =A
Spiritual Consolation and other Treatises= by JOHN FISHER, Bishop of
Rochester. Edited by DANIEL O’CONNOR.
=45.= =The Song of Roland.= Translated from the old French by Mrs.
CROSLAND, With Introduction by Prof. BRANDIN.
=46.= =Dante’s Vita Nuova.= The Italian text, with DANTE G. ROSSETTI’S
translation on opposite page. With Introduction and Notes by Prof. H.
OELSNER.
=47.=[4]=Chaucer’s Prologue and Minor Poems.= _In modern English_,
with Notes and Introduction by Prof. W. W. SKEAT.
=48.=[5]=Chaucer’s Parliament of Birds and House of Fame.= _In modern
English_, with Notes and introduction by Prof. W. W. SKEAT.
=49.= =Mrs. Gaskell’s Cranford.= With Introduction by R. BRIMLEY
JOHNSON.
=50.=[6]=Pearl.= An English Poem of the Fourteenth Century. Edited,
with a Modern Rendering and an Introduction, by Professor I. GOLLANCZ.
=51=, =52=. =King’s Letters.= Volumes III. and IV. Newly edited from
the originals by ROBERT STEELE, F.S.A.
=53.= =The English Correspondence of Saint Boniface.= Translated and
edited, with an Introductory Sketch of the Life of St. Boniface, by E.
J. KYLIE, M.A.
=56.= =The Cavalier to his Lady=: Seventeenth Century Love songs.
Edited by F. SIDGWICK.
=57.= =Asser’s Life of King Alfred.= Edited by L. C. JANE, M.A.