EATING AND WRITING.

Ovid, Horace, and Virgil all frequented the tables of the great; Cato

warmed his virtue with wine; Shakspeare kept up his _verve_ with stolen

venison; Steele and Addison wrote their best papers over a bottle; Sir

Walter Scott is famed for good housekeeping; and I know authors who love

to dine like lords. Even booksellers do their spiriting more gently for

good fare, and bid for an author the most spiritedly after dinner.

There is not a more vulgar mistake than that of confounding good eating

with gluttony and excess. It is not because a man gets twenty or

five-and-twenty guineas per sheet for a dashing article, and has taste

to expend his well-earned cash upon a cook who knows how to dress a

dinner, that he is necessarily to gorge himself like a mastiff with

sheep's paunch. On the contrary, if he means to preserve the powers of

his palate intact, he must "live cleanly as a nobleman should do." The

fat-witted people in the City are not nice in their eating, quantity

being more closely considered by them than quality. There is, I admit,

something in the good man's concluding conjecture, that "the sort of

diet men observe influences their style." I should know an "heavy-wet"

man at the third line; and I can tell to a nicety when Theodore Hook

writes upon claret, and when he is inspired by the over-heating and

acrimonious stimulus of Max. Hayley obviously composed upon tea and

bread and butter. Dr. Philpots may be nosed a mile off for priestly port

and the fat bulls of Basan; and Southey's Quarterly articles are written

on an empty stomach, and before his crudities, like the breath of Sir

Roger de Coverley's barber, have been "mollified by a breakfast."--_New

Monthly Mag._

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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 351, January 10, 1829 · 第 16 / 36 题