CHAPTER XII

A BOHEMIAN "AT HOME"

The night when he paid out of his own purse for the supper consumed at

the cafe, Barbemuche managed to make Colline accompany him. Since his

first presence at the meetings of the four friends whom he had relieved

from their embarrassing position, Carolus had especially remarked

Gustave, and already felt an attractive sympathy for this Socrates

whose Plato he was destined to become. It was for this reason he had

chosen him to be his introducer. On the way, Barbemuche proposed that

they should enter a cafe which was still open, and take something to

drink. Not only did Colline refuse, but he doubled his speed in passing

the cafe, and carefully pulled down his hyperphysic hat over his face.

"But why won't you come in?" politely asked the other.

"I have my reasons," replied Colline. "There is a barmaid in that

establishment who is very much addicted to the exact sciences, and I

could not help having a long discussion with her, to avoid which I

never pass through this street at noon, or any other time of day. To

tell you the truth," added he innocently, "I once lived with Marcel in

this neighborhood."

"Still I should be very glad to offer you a glass of punch, and have a

few minutes' talk with you. Is there no other place in the vicinity

where you could step in without being hindered by any mathematical

difficulties?" asked Barbemuche, who thought it a good opportunity for

saying something very clever.

Colline mused an instant. "There is a little place here," he said,

pointing to a wine shop, "where I stand on a better footing."

Barbemuche made a face, and seemed to hesitate. "Is it a respectable

place?" he demanded.

His cold and reserved attitude, his limited conversation, his discreet

smile, and especially his watch chain with charms on it, all led Colline

to suppose that Barbemuche was a clerk in some embassy, and that he

feared to compromise himself by going into some wine shop.

"There is no danger of anyone seeing us," said he. "All the diplomatic

body is in bed by this time."

Barbemuche made up his mind to go in, though at the bottom of his heart

he would have given a good deal for a false nose. For greater security,

he insisted on having a private room, and took care to fasten a napkin

before the glass door of it. These precautions taken, he appeared more

at ease, and called for a bowl of punch. Excited a little by the

generous beverage, Barbemuche became more communicative, and, after

giving some autobiographical details, made bold to express the hope he

had conceived of being personally admitted a member of the Bohemian

Club, for the accomplishment of which ambitious design he solicited the

aid of Colline.

Colline replied that, for his part, he was entirely at the service of

Barbemuche, but, nevertheless, he could make no positive promise. "I

assure you of my vote," said he. "But I cannot take it upon me to

dispose of those of my comrades."

"But," asked Barbemuche, "for what reasons could they refuse to admit me

among them?"

Colline put down the glass which he was just lifting to his mouth, and,

in a very serious tone, addressed the rash Carolus, saying, "You

cultivate the fine arts?"

"I labor humble in those noble fields of intelligence," replied the

other, who felt bound to hang out the colors of his style.

Colline found the phrase well turned, and bowed in acknowledgment.

"You understand music?" he continued.

"I have played on the bass-viol."

"A very philosophical instrument. Then, if you understand music, you

also understand that one cannot, without violation of the laws of

harmony, introduce a fifth performer into a quartet; it would cease to

be a quartet."

"Exactly, and become a quintet."

"A quintet, very well, now attend to me. You understand astronomy?"

"A little, I'm a bachelor of arts."

"There is a little song about that," said Colline. "'Dear bachelor, says

Lisette'--I have forgotten the tune. Well then, you know that there are

four cardinal points. Now suppose there were to turn up a fifth cardinal

point, all the harmony of nature would be upset. What they call a

cataclysm--you understand?"

"I am waiting for the conclusion," said Carolus, whose intelligence

began to be a little shaky.

"The conclusion--yes, that is the end of the argument, as death is the

end of life, and marriage of love. Well, my dear sir, I and my friends

are accustomed to live together, and we fear to impair, by the

introduction of another person, the harmony which reigns in our habits,

opinions, tastes, and dispositions. To speak frankly, we are going to

be, some day, the four cardinal points of contemporary art; accustomed

to this idea, it would annoy us to see a fifth point."

"Nevertheless," suggested Carolus, "where you are four it is easy to be

five."

"Yes, but then we cease to be four."

"The objection is a trivial one."

"There is nothing trivial in this world; little brooks make great

rivers; little syllables make big verses; the very mountains are made of

grains of sand--so says 'The Wisdom of Nations,' of which there is a

copy on the quay--tell me, my dear sir, which is the furrow that you

usually follow in the noble fields of intelligence?"

"The great philosophers and the classic authors are my models. I live

upon their study. 'Telemachus' first inspired the consuming passion I

feel."

"'Telemachus'--there are lots of him on the quay," said Colline. "You

can find him there at any time. I have bought him for five sous--a

second-hand copy--I would consent to part with it to oblige you. In

other respects, it is a great work; very well got up, considering the

age."

"Yes, sir," said Carolus. "I aspire to high philosophy and sound

literature. According to my idea, art is a priesthood--."

"Yes, yes," said Colline. "There's a song about that too," and he began

to hum....

"Art's a priesthood, art's a priesthood,"

to the air of the drinking song in "Robert the Devil."

"I say, then, that art being a solemn mission, writers ought, above all

things--"

"Excuse me," said Colline, who heard one of the small hours striking,

"but it's getting to be tomorrow morning very fast."

"It is late, in fact," said Carolus. "Let us go."

"Do you live far off?"

"Rue Royale St. Honore, No. 10."

Colline had once had occasion to visit this house, and remembered that

it was a splendid private mansion.

"I will mention you to my friends," said he to Carolus on parting, "and

you may be sure that I shall use all my influence to make them favorably

disposed to you. Ah, let me give you one piece of advice."

"Go on," said the other.

"Be very amiable and polite to Mademoiselles Mimi, Musette and Phemie;

these ladies exercise an authority over my friends, and by managing to

bring their mistresses' influence to bear upon them you will contrive

far more easily to obtain what you require from Marcel, Schaunard and

Rodolphe."

"I'll try," said Carolus.

Next day, Colline tumbled in upon the Bohemian association. It was the

hour of breakfast, and for a wonder, breakfast had come with the hour.

The three couples were at table, feasting on artichokes and pepper

sauce.

"The deuce!" exclaimed the philosopher. "This can't last, or the world

would come to an end. I arrive," he continued, "as the ambassador of the

generous mortal whom we met last night."

"Can he be sending already to ask for his money again?" said Marcel.

"It has nothing to do with that," replied Colline. "This young man

wishes to be one of us; to have stock in our society, and share the

profits, of course."

The three men raised their heads and looked at one another.

"That's all," concluded Colline. "Now the question is open."

"What is the social position of your principal?" asked Rodolphe.

"He is no principal of mine," answered the other. "Last night he begged

me to accompany him, and overflowed me with attentions and good liquor

for a while. But I have retained my independence."

"Good," said Schaunard.

"Sketch us some leading features of his character," said Marcel.

"Grandeur of soul, austerity of manners, afraid to go into wine shops,

bachelor of arts, candid as a transparency, plays on the bass-viol, is

disposed to change a five franc piece occasionally."

"Good again!" said Schaunard.

"What are his hopes?"

"As I told you already, his ambition knows no bounds; he aspires to be

'hail-fellow-well-met' with us."

"That is to say," answered Marcel, "he wishes to speculate upon us, and

to be seen riding in our carriages."

"What is his profession?" asked Rodolphe.

"Yes," said Marcel, "what does he play on?"

"Literature and mixed philosophy. He calls art a priesthood."

"A priesthood!" cried Rodolphe, in terror.

"So he says."

"And what is his road in literature?"

"He goes after 'Telemachus'."

"Very good," said Schaunard, eating the seed of his artichoke.

"Very good! You dummy!" broke our Marcel. "I advise you not to say that

in the street."

Schaunard relieved his annoyance at this reproof by kicking Phemie under

the table for taking some of his sauce.

"Once more," said Rodolphe. "What is his condition in the world? What

does he live on, and where does he live? And what is his name?"

"His station is honorable. He is professor of everything in a rich

family. His name is Carolus Barbemuche. He spends his income in

luxurious living and dwells in the Rue Royale."

"Furnished lodging?"

"No, there is real furniture."

"I claim the floor," said Marcel. "To me it is evident that Colline has

been corrupted. He has already sold his vote for so many drinks. Don't

interrupt me! (Colline was rising to protest.) You shall have your

turn. Colline, mercenary soul that he is, has presented to you this

stranger under an aspect too favorable to be true. I told you before; I

see through this person's designs. He wants to speculate on us. He says

to himself, 'Here are some chaps making their way. I must get into their

pockets. I shall arrive with them at the goal of fame.'"

"Bravo!" quoth Schaunard, "have you any more sauce there?"

"No," replied Rodolphe, "the edition is out of print."

"Looking at the question from another point of view," continued Marcel,

"this insidious mortal whom Colline patronizes, perhaps aspires to our

intimacy only from the most culpable motives. Gentlemen, we are not

alone here!" continued the orator, with an eloquent look at the women.

"And Colline's client, smuggling himself into our circle under the cloak

of literature, may perchance be but a vile seducer. Reflect! For one, I

vote against his reception."

"I demand the floor," said Rodolphe, "only for a correction. In his

remarkable extemporary speech, Marcel has said that this Carolus, with

the view of dishonoring us, wished to introduce himself under the cloak

of literature."

"A Parliamentary figure."

"A very bad figure; literature has no cloak!"

"Having made a report, as chairman of committee," resumed Colline,

rising, "I maintain the conclusions therein embodied. The jealousy which

consumes him disturbs the reason of our friend Marcel; the great artist

is beside himself."

"Order!" cried Marcel.

"So much so, that, able designer as he is, he has just introduced into

his speech a figure the incorrectness of which has been ably pointed out

by the talented orator who preceded me."

"Colline is an ass!" shouted Marcel, with a bang of his fist on the

table that caused a lively sensation among the plates. "Colline knows

nothing in an affair of sentiment; he is incompetent to judge of such

matters; he has an old book in place of a heart."

Prolonged laughter from Schaunard. During the row, Colline kept gravely

adjusting the folds of his white cravat as if to make way for the

torrents of eloquence contained beneath them. When silence was

reestablished, he thus continued:

"Gentlemen, I intend with one word to banish from your minds the

chimerical apprehensions which the suspicions of Marcel may have

engendered in them respecting Carolus."

"Oh, yes!" said Marcel ironically.

"It will be as easy as that," continued Colline, blowing the match with

which he had lighted his pipe.

"Go on! Go on!" cried Schaunard, Rodolphe, and the women together.

"Gentlemen! Although I have been personally and violently attacked in

this meeting, although I have been accused of selling for base liquors

the influence which I possess; secure in a good conscience I shall not

deign to reply to those assaults on my probity, my loyalty, my morality.

[Sensation.] But there is one thing which I will have respected. [Here

the orator, endeavoring to lay his hand on his heart, gave himself a rap

in the stomach.] My well tried and well known prudence has been called

in question. I have been accused of wishing to introduce among you a

person whose intentions were hostile to your happiness--in matters of

sentiment. This supposition is an insult to the virtue of these

ladies--nay more, an insult to their good taste. Carolus Barbemuche is

decidedly ugly." [Visible denial on the face of Phemie; noise under the

table; it is Schaunard kicking her by way of correcting her compromising

frankness.]

"But," proceeded Colline, "what will reduce to powder the contemptible

argument with which my opponent has armed himself against Carolus by

taking advantage of your terrors, is the fact that the said Carolus is a

Platonist." [Sensation among the men; uproar among the women.]

This declaration of Colline's produced a reaction in favor of Carolus.

The philosopher wished to improve the effect of his eloquent and adroit

defense.

"Now then," he continued, "I do not see what well founded prejudices can

exist against this young man, who, after all, has rendered us a service.

As to myself, who am accused of acting thoughtlessly in wishing to

introduce him among us, I consider this opinion an insult to my dignity.

I have acted in the affair with the wisdom of the serpent; if a formal

vote does not maintain me this character for prudence, I offer my

resignation."

"Do you make it a cabinet question?" asked Marcel.

"I do."

The three consulted, and agreed by common consent to restore to the

philosopher that high reputation for prudence which he claimed. Colline

then gave the floor to Marcel, who, somewhat relieved of his prejudices,

declared that he might perhaps favor the adoption of the report. But

before the decisive and final vote which should open to Carolus the

intimacy of the club, he put to the meeting this amendment:

"WHEREAS, the introduction of a new member into our society is a

grave matter, and a stranger might bring with him some elements of

discord through ignorance of the habits, tempers, and opinions of

his comrades,

RESOLVED, that each member shall pass a say with the said Carolus,

and investigate his manner of life, tastes, literary capacity, and

wardrobe. The members shall afterward communicate their several

impressions, and ballot on his admission accordingly. Moreover,

before complete admission, the said Carolus shall undergo a

noviciate of one month, during which time he shall not have the

right to call us by our first names or take our arm in the street.

On the day of reception, a splendid banquet shall be given at the

expense of the new member, at a cost of not less than twelve

francs."

This amendment was adopted by three votes against one. The same night

Colline went to the cafe early on purpose to be the first to see

Carolus. He had not long to wait for him. Barbemuche soon appeared,

carrying in his hand three huge bouquets of roses.

"Hullo!" cried the astonished Colline. "What do you mean to do with that

garden?"

"I remember what you told me yesterday. Your friends will doubtless

come with their ladies, and it is on their account that I bring these

flowers--very handsome ones."

"That they are; they must have cost fifteen sous, at least."

"In the month of December! If you said fifteen francs you would have

come nearer."

"Heavens!" cried Colline, "three crowns for these simple gifts of flora!

You must be related to the Cordilleras. Well my dear sir, that is

fifteen francs which we must throw out of the window."

It was Barbemuche's turn to be astonished. Colline related the jealous

suspicions with which Marcel had inspired his friends, and informed

Carolus of the violent discussion which had taken place between them

that morning on the subject of his admission.

"I protested," said Colline, "that your intentions were the purest, but

there was strong opposition nevertheless. Beware of renewing these

suspicions by much politeness to the ladies; and to begin, let us put

these bouquets out of the way." He took the roses and hid them in a

cupboard. "But this is not all," he resumed. "Before connecting

themselves intimately with you, these gentlemen desire to make a

private examination, each for himself, of your character, tastes, etc."

Then, lest Barbemuche might do something to shock his friends, Colline

rapidly sketched a moral portrait of each of them. "Contrive to agree

with them separately," added the philosopher, "and they will end by all

liking you."

Carolus agreed to everything. The three friends soon arrived with their

friends of the other sex. Rodolphe was polite to Carolus, Schaunard

familiar with him, while Marcel remained cold. Carolus forced himself to

be gay and amiable with the men and indifferent to the women. When they

broke up for the night, he asked Rodolphe to dine with him the next day,

and to come as early as noon. The poet accepted, saying to himself,

"Good! I am to begin the inquiry, then."

Next morning at the hour appointed, he called on Carolus, who did indeed

live in a very handsome private house, where he occupied a sufficiently

comfortable room. But Rodolphe was surprised to find at that time of day

the shutters closed, the curtains drawn, and two lighted candles on the

table. He asked Barbemuche the reason.

"Study," replied the other, "is the child of mystery and silence."

They sat down and talked. At the end of an hour, Carolus, with infinite

oratorial address, brought in a phrase which, despite its humble form,

was neither more nor less than a summons made to Rodolphe to hear a

little work, the fruit of Barbemuche's vigils.

The poet saw himself caught. Curious, however, to learn the color of the

other's style, he bowed politely, assured him that he was enchanted,

that Carolus did not wait for him to finish the sentence. He ran to bolt

the door, and then took up a small memorandum book, the thinness of

which brought a smile of satisfaction to the poet's face.

"Is that the manuscript of your work?" he asked.

"No," replied Carolus. "It is the catalog of my manuscripts and I am

looking for the one which you will allow me to read you. Here it is:

'Don Lopez or Fatality No. 14.' It's on the third shelf," and he

proceeded to open a small closet in which Rodolphe perceived, with

terror, a great quantity of manuscripts. Carolus took out one of these,

shut the closet, and seated himself in front of the poet.

Rodolphe cast a glance at one of the four piles of elephant paper of

which the work was composed. "Come," said he to himself, "it's not in

verse, but it's called 'Don Lopez.'"

Carolus began to read:

"On a cold winter night, two cavaliers, enveloped in large cloaks, and

mounted on sluggish mules, were making their way side by side over one

of the roads which traverse the frightful solitudes of the Sierra

Morena."

"May the Lord have mercy on me!" ejaculated Rodolphe mentally.

Carolus continued to read his first chapter, written in the style above

throughout. Rodolphe listened vaguely, and tried to devise some means of

escape.

"There is the window, but it's fastened; and beside, we are in the

fourth story. Ah, now I understand all these precautions."

"What do you think of my first chapter?" asked Carolus. "Do not spare

any criticism, I beg of you."

Rodolphe thought he remembered having heard some scraps of philosophical

declamation upon suicide, put forth by the hero of the romance, Don

Lopez, to wit; so he replied at hazard:

"The grand figure of Don Lopez is conscientiously studied; it reminds me

of 'Savoyard Vicar's Confession of Faith;' the description of Don

Alvar's mule pleases me exceedingly; it is like a sketch of Gericault's.

There are good lines in the landscape; as to the thoughts, they are

seeds of Rousseau planted in the soil of Lesage. Only allow me to make

one observation: you use too many stops, and you work the word

henceforward too hard. It is a good word, and gives color, but should

not be abused."

Carolus took up a second pile of paper, and repeated the title "Don

Lopez or, Fatality."

"I knew a Don Lopez once," said Rodolphe. "He used to sell cigarettes

and Bayonne chocolate. Perhaps he was a relative of your man. Go on."

At the conclusion of the second chapter, the poet interrupted his host:

"Don't you feel your throat a little dry?" he inquired.

"Not at all," replied Carolus. "We are coming to the history of

Inesilla."

"I am very curious to hear it, nevertheless, if you are tired--"

"Chapter third!" enunciated Carolus in a voice that gave no signs of

fatigue.

Rodolphe took a careful survey of Barbemuche and perceived that he had a

short neck and a ruddy complexion. "I have one hope left," thought the

poet on making this discovery. "He may have an attack of apoplexy."

"Will you be so good as to tell me what you think of the love scene?"

Carolus looked at Rodolphe to observe in his face what effect the

dialogue produced upon him. The poet was bending forward on his chair,

with his neck stretched out in the attitude of one who is listening for

some distant sound.

"What's the matter with you?"

"Hist!" said Rodolphe, "don't you hear? I thought somebody cried fire!

Suppose we go and see."

Carolus listened an instant but heard nothing.

"It must have been a ringing in my ears," said the other. "Go on, Don

Alvar interests me exceedingly; he is a noble youth."

Carolus continued with all the music that he could put into his voice:

"Oh Inesilla! Whatever thou art, angel or demon; and whatever be thy

country, my life is thine, and thee will follow, be it to heaven or

hell!"

Someone knocked at the door.

"It's my porter," said Barbemuche, half opening the door.

It was indeed the porter with a letter. "What an unlucky chance!" cried

Carolus, after he had perused it. "We must put off our reading until some

other time. I have to go out immediately. If you please, we will execute

this little commission together, as it is nothing private, and then we

can come back to dinner."

"There," thought Rodolphe, "is a letter that has fallen from heaven. I

recognize the seal of Providence."

When he rejoined the comrades that night, the poet was interrogated by

Marcel and Schaunard.

"Did he treat you well?" they asked.

"Yes, but I paid dear for it."

"How? Did Carolus make you pay?" demanded Schaunard with rising choler.

"He read a novel at me, inside of which the people are named Don Lopez

and Don Alvar; and the tenors call their mistresses 'angel,' or

'demon.'"

"How shocking!" cried the Bohemians, in chorus.

"But otherwise," said Colline, "literature apart, what is your opinion

of him?"

"A very nice young man. You can judge for yourselves; Carolus means to

treat us all in turn; he invites Schaunard to breakfast with him

tomorrow. Only look out for the closet with the manuscripts in it."

Schaunard was punctual and went to work with the minuteness of an

auctioneer taking an inventory, or a sheriff levying an execution.

Accordingly he came back full of notes; he had studied Carolus chiefly

in respect of movables and worldly goods.

"This Barbemuche," he said, on being asked his opinion, "is a lump of

good qualities. He knows the names of all the wines that were ever

invented, and made me eat more nice things than my aunt ever did on her

birthday. He is on very good terms with the tailors in the Rue

Vivienne, and the bootmakers of the Passage des Panoramas; and I have

observed that he is nearly our size, so that, in case of need, we can

lend him our clothes. His habits are less austere than Colline chose to

represent them; he went wherever I pleased to take him, and gave me

breakfast in two acts, the second of which went off in a tavern by the

fish market where I am known for some Carnival orgies. Well, Carolus

went in there as any ordinary mortal might, and that's all. Marcel goes

tomorrow."

Carolus knew that Marcel was the one who had made the most objections to

his reception. Accordingly, he treated him with particular attention,

and especially won his heart by holding out the hope of procuring him

some sitters in the family of his pupil. When it came to Marcel's turn

to make his report, there were no traces of his original hostility to

Carolus.

On the fourth day, Colline informed Barbemuche that he was admitted, but

under conditions. "You have a number of vulgar habits," he said, "which

must be reformed."

"I shall do my best to imitate you," said Carolus.

During the whole time of his noviciate the Platonic philosopher kept

company with the Bohemians continually, and was thus enabled to study

their habits more thoroughly, not without being very much astonished at

times. One morning, Colline came to see him with a joyful face.

"My dear fellow," he said, "it's all over; you are now definitely one of

us. It only remains to fix the day and the place of the grand

entertainment; I have come to talk with you about it."

"That can be arranged with perfect ease," said Carolus. "The parents of

my pupil are out of town; the young viscount, whose mentor I am, will

lend us the apartments for an evening, only we must invite him to the

party."

"That will be very nice," replied Colline. "We will open to him the

vistas of literature; but do you think he will consent?"

"I am sure of it."

"Then it only remains to fix the day."

"We will settle that tonight at the cafe."

Carolus then went to find his pupil and announced to him that he had

just been elected into a distinguished society of literary men and

artists, and that he was going to give a dinner, followed by a little

party, to celebrate his admission. He therefore proposed to him to make

him one of the guests. "And since you cannot be out late," added

Carolus, "and the entertainment may last some time, it will be for our

convenience to have it here. Your servant François knows how to hold his

tongue; your parents will know nothing of it; and you will have made

acquaintance with some of the cleverest people in Paris, artists and

authors."

"In print?" asked the youth.

"Certainly, one of them edits 'The Scarf of Iris,' which your mother

takes in. They are very distinguished persons, almost celebrities,

intimate friends of mine, and their wives are charming."

"Will there be some women?" asked Viscount Paul.

"Delightful ones," returned Carolus.

"Oh, dear master, I thank you. The entertainment shall certainly take

place here. All the lustres shall be lit up, and I will have the

wrappers taken off the furniture."

That night at the cafe, Barbemuche announced that the party would come

off next Saturday. The Bohemians told their mistresses to think about

their toilettes.

"Do not forget," said they, "that we are going into the real drawing

rooms. Therefore, make ready; a rich but simple costume."

And from that day all the neighborhood was informed that Mademoiselles

Phemie, Mimi, and Musette were going into society.

On the morning of the festivity, Colline, Schaunard, Marcel, and

Rodolphe called, in a body, on Barbemuche, who looked astonished to see

them so early.

"Has anything happened which will oblige us to put it off?" he asked

with some anxiety.

"Yes--that is, no," said Colline. "This is how we are placed. Among

ourselves we never stand on ceremony, but when we are to meet strangers,

we wish to preserve a certain decorum."

"Well?" said the other.

"Well," continued Colline, "since we are to meet tonight, the young

gentleman to whom we are indebted for the rooms, out of respect to him

and to ourselves, we come simply to ask you if you cannot lend us some

becoming toggery. It is almost impossible, you see, for us to enter this

gorgeous roof in frock-coats and colored trousers."

"But," said Carolus, "I have not black clothes for all of you."

"We will make do with what you have," said Colline.

"Suit yourselves then," said Carolus, opening a well-furnished wardrobe.

"What an arsenal of elegancies!" said Marcel.

"Three hats!" exclaimed Schaunard, in ecstasy. "Can a man want three

hats when he had but one head?"

"And the boots!" said Rodolphe, "only look!"

"What a number of boots!" howled Colline.

In a twinkling of an eye each had selected a complete equipment.

"Till this evening," said they, taking leave of Barbemuche. "The ladies

intend to be most dazzling."

"But," said Barbemuche, casting a glance at the emptied wardrobe. "You

have left me nothing. What am I to wear?"

"Ah, it's different with you," said Rodolphe. "You are the master of the

house; you need not stand upon etiquette."

"But I have only my dressing gown and slippers, flannel waistcoat and

trousers with stocking feet. You have taken everything."

"Never mind; we excuse you beforehand," replied the four.

A very good dinner was served at six. The company arrived, Marcel

limping and out of humor. The young viscount rushed up to the ladies and

led them to the best seats. Mimi was dressed with fanciful elegance;

Musette got up with seductive taste; Phemie looked like a stained glass

window, and hardly dared sit down.

The dinner lasted two hours and a half, and was delightfully lively. The

young viscount, who sat next to Mimi, kept treading on her foot. Phemie

took twice of every dish. Schaunard was in clover. Rodolphe improvised

sonnets and broke glasses in marking the rhyme. Colline talked to

Marcel, who remained sulky.

"What is the matter with you?" asked the philosopher.

"My feet are in torture; this Carolus has boots like a woman's."

"He must be given to understand that, for the future, some of his shoes

are to be made a little larger. Be easy, I will see to it. But now to

the drawing room, where the coffee and liquers await us."

The revelry recommenced with increased noise. Schaunard seated himself

at the piano and executed, with immense spirit, his new symphony, "The

Death of the Damsel." To this succeeded the characteristic piece of "The

Creditor's March," which was twice encored, and two chords of the piano

were broken.

Marcel was still morose, and replied to the complaints and

expostulations of Carolus:

"My dear sir, we shall never be intimate friends, and for this reason:

Physical differences are almost always the certain sign of a moral

difference; on this point philosophy and medicine agree."

"Well?" said Carolus.

"Well," continued Marcel, showing his feet, "your boots, infinitely too

small for me, indicate a radical difference of temper and character; in

other respects, your little party has been charming."

At one in the morning the guests took leave, and zig-zagged homeward.

Barbemuche felt very ill, and made incoherent harangues to his pupil,

who, for his part, was dreaming of Mademoiselle Mimi's blue eyes.

Bohemians of the Latin Quarter · 第 12 / 23 章