CHAPTER VIII

THE COST OF A FIVE FRANC PIECE

One Saturday evening, at a time when he had not yet gone into

housekeeping with Mademoiselle Mimi, who will shortly make her

appearance, Rodolphe made the acquaintance at the table d'hote he

frequented of a ladies' wardrobe keeper, named Mademoiselle Laure.

Having learned that he was editor of "The Scarf of Iris" and of "The

Beaver," two fashion papers, the milliner, in hope of getting her goods

puffed, commenced a series of significant provocations. To these

provocations Rodolphe replied by a pyrotechnical display of madrigals,

sufficient to make Benserade, Voiture, and all other dealers in the

fireworks of gallantry jealous; and at the end of the dinner,

Mademoiselle Laure, having learned that he was a poet, gave him clearly

to understand that she was not indisposed to accept him as her Petrarch.

She even, without circumlocution, made an appointment with him for the

next day.

"By Jove," said Rodolphe to himself, as he saw Mademoiselle Laure home,

"this is certainly a very amiable young person. She seems to me to have

a good grammar and a tolerably extensive wardrobe. I am quite disposed

to make her happy."

On reaching the door of her house, Mademoiselle Laure relinquished

Rodolphe's arm, thanking him for the trouble he had taken in

accompanying her to such a remote locality.

"Oh! madame," replied Rodolphe, bowing to the ground, "I should like you

to have lived at Moscow or the islands of the Sound, in order to have

had the pleasure of being your escort the longer."

"That would be rather far," said Laure, affectedly.

"We could have gone by way of the Boulevards, madame," said Rodolphe.

"Allow me to kiss you hand in the shape of your cheek," he added,

kissing his companion on the lips before Laure could make any

resistance.

"Oh sir!" she exclaimed, "you go too fast."

"It is to reach my destination sooner," said Rodolphe. "In love, the

first stages should be ridden at a gallop."

"What a funny fellow," though the milliner, as she entered her dwelling.

"A pretty girl," said Rodolphe, as he walked away.

Returning home, he went to bed at once, and had the most delightful

dreams. He saw himself at balls, theaters, and public promenades with

Mademoiselle Laure on his arm, clad in dresses more magnificent than

those of the girl with the ass's skin of the fairy tale.

The next morning at eleven o'clock, according to habit, Rodolphe got up.

His first thought was for Mademoiselle Laure.

"She is a very well mannered woman," he murmured, "I feel sure that she

was brought up at Saint Denis. I shall at length realize the happiness

of having a mistress who is not pitted with the small-pox. Decidedly I

will make sacrifices for her. I will go and draw my screw at 'The Scarf

of Iris.' I will buy some gloves, and I will take Laure to dinner at a

restaurant where table napkins are in use. My coat is not up to much,"

said he as he dressed himself, "but, bah! black is good wear."

And he went out to go to the office of "The Scarf of Iris."

Crossing the street he came across an omnibus, on the side of which was

pasted a bill, with the words, "Display of Fountains at Versailles,

today, Sunday."

A thunderbolt falling at Rodolphe's feet would not have produced a

deeper impression upon him than the sight of this bill.

"Today, Sunday! I had forgotten it," he exclaimed. "I shall not be able

to get any money. Today, Sunday!!! All the spare coin in Paris is on its

way to Versailles."

However, impelled by one of those fabulous hopes to which a man always

clings, Rodolphe hurried to the office of the paper, reckoning that some

happy chance might have taken the cashier there.

Monsieur Boniface had, indeed, looked in for a moment, but had left at

once.

"For Versailles," said the office messenger to Rodolphe.

"Come," said Rodolphe, "it is all over!... But let me see," he thought,

"my appointment is for this evening. It is noon, so I have five hours to

find five francs in--twenty sous an hour, like the horses in the Bois du

Boulogne. Forward."

As he found himself in a neighborhood where the journalist, whom he

styled the influential critic, resided, Rodolphe thought of having a try

at him.

"I am sure to find him in," said he, as he ascended the stairs, "it is

the day he writes his criticism--there is no fear of his being out. I

will borrow five francs of him."

"Hallo! it's you, is it?" said the journalist, on seeing Rodolphe. "You

come at the right moment. I have a slight service to ask of you."

"How lucky it falls out," thought the editor of "The Scarf of Iris."

"Were you at the Odeon Theater last night?"

"I am always at the Odeon."

"You have seen the new piece, then?"

"Who else would have seen it? I am the Odeon audience."

"That is true," said the critic, "you are one of the caryatides of the

theater. It is even rumored that it is you who finds the money for its

subvention. Well, that is what I want of you, a summary of the plot of

the new piece."

"That is easy, I have the memory of a creditor."

"Whom is this piece by?" asked the critic of Rodolphe, whilst the latter

was writing.

"A gentleman."

"It cannot be up to much."

"Well, it is not as strong as a Turk."

"Then it cannot be very robust. The Turks, you see, have usurped a

reputation for strength. Besides, there are no longer any Turks except

at masked balls and in the Champs-Elysees where they sell dates. One of

my friends knows the East and he assures me that all the natives of it

were born in the Rue Coquenard."

"That is smart," said Rodolphe.

"You think so?" observed the critic, "I will put it in my article."

"Here is my analysis of the piece, it is to the point," resumed

Rodolphe.

"Yes, but it is short."

"By putting in dashes and developing your critical opinion it will fill

some space."

"I have scarcely time, my dear fellow, and then my critical opinion will

not fill enough space either."

"You can stick in an adjective at every third word."

"Cannot you tail on to your analysis a little, or rather a long

criticism of the piece, eh?" asked the critic.

"Humph," said Rodolphe. "I have certainly some opinions upon tragedy,

but I have printed them three times in 'The Beaver' and 'The Scarf of

Iris.'"

"No matter, how many lines do your opinions fill?"

"Forty lines."

"The deuce, you have strong opinions. Well, lend me your forty lines."

"Good," thought Rodolphe, "if I turn out twenty francs' worth of copy

for him he cannot refuse me five. I must warn you," said he to the

critic, "that my opinions are not quite novel. They are rather worn at

the elbows. Before printing them I yelled them in every cafe in Paris,

there is not a waiter who does not know them by heart."

"What does that matter to me? You surely do not know me. Is there

anything new in the world except virtue?"

"Here you are," said Rodolphe, as he finished.

"Thunder and tempests, there is still nearly a column wanting. How is

this chasm to be filled?" exclaimed the critic. "Since you are here

supply me with some paradoxes."

"I have not any about me," said Rodolphe, "though I can lend you some.

Only they are not mine, I bought them for half a franc from one of my

friends who was in distress. They have seen very little use as yet."

"Very good," said the critic.

"Ah!" said Rodolphe to himself, setting to write again. "I shall

certainly ask him for ten francs, just now paradoxes are as dear as

partridges." And he wrote some thirty lines containing nonsense about

pianos, goldfish and Rhine wine, which was called toilet wine just as

we speak of toilet vinegar.

"It is very good," said the critic. "Now do me the favor to add that the

place where one meets more honest folk than anywhere else is the

galleys."

"Why?"

"To fill a couple of lines. Good, now it is finished," said the

influential critic, summoning his servant to take the article to the

printers.

"And now," thought Rodolphe, "let us strike home." And he gravely

proposed his request.

"Ah! my dear fellow," said the critic, "I have not a sou in the place.

Lolette ruins me in pommade, and just now she stripped me of my last

copper to go to Versailles and see the Nereids and the brazen monsters

spout forth the floods."

"To Versailles. But it is an epidemic!" exclaimed Rodolphe.

"But why do you want money?"

"That is my story," replied Rodolphe, "I have at five this evening an

appointment with a lady, a very well bred lady who never goes out save

in an omnibus. I wish to unite my fortunes with hers for a few days, and

it appears to me the right thing to enable her to take the pleasures of

this life. For dinner, dances, &c., &c., I must have five francs, and if

I do not find them French literature is dishonoured in my person."

"Why don't you borrow the sum of the lady herself?" exclaimed the

critic.

"The first time of meeting, it is hardly possible. Only you can get me

out of this fix."

"By all the mummies of Egypt I give you my word of honor that I have not

enough to buy a sou pipe. However, I have some books that you can sell."

"Impossible today, Mother Mansut's, Lebigre's, and all the shops on the

quays and in the Rue Saint Jacques are closed. What books are they?

Volumes of poetry with a portrait of the author in spectacles? But such

things never sell."

"Unless the author is criminally convicted," said the critic. "Wait a

bit, here are some romances and some concert tickets. By setting about

it skillfully you may, perhaps, make money of them."

"I would rather have something else, a pair of trowsers, for instance."

"Come," said the critic, "take this copy of Bossuet and this plaster

cast of Monsieur Odilon Barrot. On my word of honor, it is the widow's

mite."

"I see that you are doing your best," said Rodolphe. "I will take away

these treasures, but if I get thirty sous out of them I shall regard it

as the thirteenth labor of Hercules."

After having covered about four leagues Rodolphe, by the aid of an

eloquence of which he had the secret on great occasions, succeeded in

getting his washerwoman to lend him two francs on the volumes of poetry,

the romances and the bust of Monsieur Barrot.

"Come," said he, as he recrossed the Seine, "here is the sauce, now I

must find the dish itself. Suppose I go to my uncle."

Half an hour later he was at his Uncle Monetti's, who read upon his

nephew's face what was the matter. Hence he put himself on guard and

forestalled any request by a series of complaints, such as:

"Times are hard, bread is dear, debtors do not pay up, rents are

terribly high, commerce decaying, &c., &c.," all the hypocritical litany

of shopkeepers.

"Would you believe it," said the uncle, "that I have been forced to

borrow money from my shopman to meet a bill?"

"You should have sent to me," said Rodolphe. "I would have lent it you,

I received two hundred francs three days ago."

"Thanks, my lad," said the uncle, "but you have need of your fortune.

Ah! whilst you are here, you might, you who write such a good hand, copy

out some bills for me that I want to send out."

"My five francs are going to cost me dear," said Rodolphe to himself,

setting about the task, which he condensed.

"My dear uncle," said he to Monetti, "I know how fond you are of music

and I have brought you some concert tickets."

"You are very kind, my boy. Will you stay to dinner?"

"Thanks, uncle, but I am expected at dinner in the Faubourg Saint

Germain, indeed, I am rather put out about it for I have not time to run

home and get the money to buy gloves."

"You have no gloves, shall I lend you mine?" said his uncle.

"Thanks, we do not take the same size, only you would greatly oblige me

by the loan of--"

"Twenty nine sous to buy a pair? Certainly, my boy, here you are. When

one goes into society one should be well dressed. Better be envied than

pitied, as your aunt used to say. Come, I see you are getting on in the

world, so much the better. I would have given you more," he went on,

"but it is all I have in the till. I should have to go upstairs and I

cannot leave the shop, customers drop in every moment."

"You were saying that business was not flourishing?"

Uncle Monetti pretended not to hear, and said to his nephew who was

pocketing the twenty nine sous:

"Do not be in a hurry about repayment."

"What a screw," said Rodolphe, bolting. "Ah!" he continued, "there are

still thirty-one sous lacking. Where am I to find them? I know, let's be

off to the crossroads of Providence."

This was the name bestowed by Rodolphe on the most central point in

Paris, that is to say, the Palais Royal, a spot where it is almost

impossible to remain ten minutes without meeting ten people of one's

acquaintance, creditors above all. Rodolphe therefore went and stationed

himself at the entrance to the Palais Royal. This time Providence was

long in coming. At last Rodolphe caught sight of it. Providence had a

white hat, a green coat, and a gold headed cane--a well dressed

Providence.

It was a rich and obliging fellow, although a phalansterian.

"I am delighted to see you," said he to Rodolphe, "come and walk a

little way with me; we can have a talk."

"So I am to have the infliction of the phalanstere," murmured Rodolphe,

suffering himself to be led away from the wearer of the white hat, who,

indeed, phalanstered him to the utmost.

As they drew near the Pont des Arts Rodolphe said to his companion--

"I must leave you, not having sufficient to pay the toll."

"Nonsense," said the other, catching hold of Rodolphe and throwing two

sous to the toll keeper.

"This is the right moment," thought the editor of "The Scarf of Iris,"

as they crossed the bridge. Arrived at the further end in front of the

clock of the Institute, Rodolphe stopped short, pointed to the dial

with a despairing gesture, and exclaimed:--

"Confound it all, a quarter to five! I am done for."

"What is the matter?" cried his astonished friend.

"The matter is," said Rodolphe, "that, thanks to your dragging me here

in spite of myself, I have missed an appointment."

"An important one?"

"I should think so; money that I was to call for at five o'clock

at--Batignolles. I shall never be able to get there. Hang it; what am I

to do?"

"Why," said the phalansterian, "nothing is simpler; come home with me

and I will lend you some."

"Impossible, you live at Montrouge, and I have business at six o'clock

at the Chaussee d'Antin. Confound it."

"I have a trifle about me," said Providence, timidly, "but it is very

little."

"If I had enough to take a cab I might get to Batignolles in time."

"Here is the contents of my purse, my dear fellow, thirty one sous."

"Give it to me at once, that I may bolt," said Rodolphe, who had just

heard five o'clock strike, and who hastened off to keep his appointment.

"It has been hard to get," said he, counting out his money. "A hundred

sous exactly. At last I am supplied, and Laure will see that she has to

do with a man who knows how to do things properly. I won't take a

centime home this evening. We must rehabilitate literature, and prove

that its votaries only need money to be wealthy."

Rodolphe found Mademoiselle Laure at the trysting place.

"Good," said he, "for punctuality she is a feminine chronometer."

He spent the evening with her, and bravely melted down his five francs

in the crucible of prodigality. Mademoiselle Laure was charmed with his

manners, and was good enough only to notice that Rodolphe had not

escorted her home at the moment when he was ushering her into his own

room.

"I am committing a fault," said she. "Do not make me repent of it by the

ingratitude which is characteristic of your sex."

"Madame," said Rodolphe, "I am known for my constancy. It is such that

all my friends are astonished at my fidelity, and have nicknamed me the

General Bertrand of Love."

Bohemians of the Latin Quarter · 第 8 / 23 章