II. The Attic

The maid sat in the kitchen, wondering why Miss Thorne did not come

down. It was almost seven o'clock, and Miss Hathaway's breakfast hour

was half past six. Hepsey did not frame the thought, but she had a vague

impression that the guest was lazy.

Yet she was grateful for the new interest which had come into

her monotonous life. Affairs moved like clock work at Miss

Hathaway's--breakfast at half past six, dinner at one, and supper at

half past five. Each day was also set apart by its regular duties, from

the washing on Monday to the baking on Saturday.

Now it was possible that there might be a change. Miss Thorne seemed

fully capable of setting the house topsy-turvy--and Miss Hathaway's last

injunction had been: “Now, Hepsey, you mind Miss Thorne. If I hear that

you don't, you'll lose your place.”

The young woman who slumbered peacefully upstairs, while the rest of the

world was awake, had, from the beginning, aroused admiration in

Hepsey's breast. It was a reluctant, rebellious feeling, mingled with an

indefinite fear, but it was admiration none the less.

During the greater part of a wondering, wakeful night, the excited

Hepsey had seen Miss Thorne as plainly as when she first entered the

house. The tall, straight, graceful figure was familiar by this time,

and the subdued silken rustle of her skirts was a wonted sound. Ruth's

face, naturally mobile, had been schooled into a certain reserve, but

her deep, dark eyes were eloquent, and always would be. Hepsey wondered

at the opaque whiteness of her skin and the baffling arrangement of her

hair. The young women of the village had rosy cheeks, but Miss Thorne's

face was colourless, except for her lips.

It was very strange, Hepsey thought, for Miss Hathaway to sail before

her niece came, if, indeed, Miss Thorne was her niece. There was a

mystery in the house on the hilltop, which she had tried in vain to

fathom. Foreign letters came frequently, no two of them from the same

person, and the lamp in the attic window had burned steadily every night

for five years. Otherwise, everything was explainable and sane.

Still, Miss Thorne did not seem even remotely related to her aunt, and

Hepsey had her doubts. Moreover, the guest had an uncanny gift which

amounted to second sight. How did she know that all of Hepsey's books

had yellow covers? Miss Hathaway could not have told her in the letter,

for the mistress was not awire of her maid's literary tendencies.

It was half past seven, but no sound came from upstairs. She replenished

the fire and resumed meditation. Whatever Miss Thorne might prove to be,

she was decidedly interesting. It wis pleasant to watch her, to feel the

subtle refinement of all her belongings, and to wonder what was going to

happen next. Perhaps Miss Thorne would take her back to the city, as

her maid, when Miss Hathaway came home, for, in the books, such things

frequently happened. Would she go? Hepsey was trying to decide, when

there was a light, rapid step on the stairs, a moment's hesitation in

the hall, and Miss Thorne came into the dining-room.

“Good morning, Hepsey,” she said, cheerily; “am I late?”

“Yes'm. It's goin' on eight, and Miss Hathaway allers has breakfast at

half past six.”

“How ghastly,” Ruth thought. “I should have told you,” she said, “I will

have mine at eight.”

“Yes'm,” replied Hepsey, apparently unmoved. “What time do you want

dinner?”

“At six o'clock--luncheon at half past one.”

Hepsey was puzzled, but in a few moments she understood that dinner was

to be served at night and supper at midday. Breakfast had already been

moved forward an hour and a half, and stranger things might happen at

any minute.

Ruth had several other reforms in mind, but deemed it best to wait.

After breakfast, she remembered the lamp in the window and went up to

put it out.

It was still burning when she reached it, though the oil was almost

gone, and, placing it by the stairway, that she might not forget to have

it filled, she determined to explore the attic to her heart's content.

The sunlight streamed through the east window and searched the farthest

corners of the room. The floor was bare and worn, but carefully swept,

and the things that were stored there were huddled together far back

under the eaves, as if to make room for others.

It was not idle curiosity, but delicate sentiment, that made Ruth eager

to open the trunks and dresser drawers, and to turn over the contents of

the boxes that were piled together and covered with dust. The interest

of the lower part of the house paled in comparison with the first real

attic she had ever been in.

After all, why not? Miss Hathaway was her aunt,--her mother's only

sister,--and the house was in her care. There was no earthly reason

why she should not amuse herself in her own way. Ruth's instincts were

against it, but Reason triumphed.

The bunches of dried herbs, hanging from the rafters and swaying back

and forth in ghostly fashion, gave out a wholesome fragrance, and

when she opened trunks whose lids creaked on their rusty hinges,

dried rosemary, lavender, and sweet clover filled the room with that

long-stored sweetness which is the gracious handmaiden of Memory.

Miss Hathaway was a thrifty soul, but she never stored discarded

clothing that might be of use to any one, and so Ruth found no

moth-eaten garments of bygone pattern, but only things which seemed to

be kept for the sake of their tender associations.

There were letters, on whose yellowed pages the words had long since

faded, a dogeared primer, and several well worn schoolbooks, each having

on its fly-leaf: “Jane Hathaway, Her Book”; scraps of lace, brocade ard

rustling taffeta, quilt patterns, needlebooks, and all of the eloquent

treasures that a well stored attic can yield.

As she replaced them, singing softly to herself, a folded newspaper

slipped to the floor. It was yellow and worn, like the letters, and

she unfolded it carefully. It was over thirty years old, and around

a paragraph on the last page a faint line still lingered. It was an

announcement of the marriage of Charles G. Winfield, captain of the

schooner Mary, to Miss Abigail Weatherby.

“Abigail Weatherby,” she said aloud. The name had a sweet, old-fashioned

sound. “They must have been Aunt Jane's friends.” She closed the trunk

and pushed it back to its place, under the eaves.

In a distant corner was the old cedar chest, heavily carved. She pulled

it out into the light, her cheeks glowing with quiet happiness, and sat

down on the floor beside it. It was evidently Miss Hathaway's treasure

box, put away in the attic when spinsterhood was confirmed by the

fleeting years.

On top, folded carefully in a sheet, was a gown of white brocade,

short-waisted and quaint, trimmed with pearl passementerie. The neck was

square, cut modestly low, and filled in with lace of a delicate, frosty

pattern--Point d'Alencon. Underneath the gown lay piles of lingerie, all

of the finest linen, daintily made by hand. Some of it was trimmed with

real lace, some with crocheted edging, and the rest with hemstitched

ruffles and feather-stitching.

There was another gown, much worn, of soft blue cashmere, some

sea-shells, a necklace of uncut turquoises, the colour changed to green,

a prayer-book, a little hymnal, and a bundle of letters, tied with

a faded blue ribbon, which she did not touch. There was but one

picture--an ambrotype, in an ornate case, of a handsome young man, with

that dashing, dare-devil look in his eyes which has ever been attractive

to women.

Ruth smiled as she put the treasures away, thinking that, had Fate

thrown the dice another way, the young man might have been her esteemed

and respected uncle. Then, all at once, it came to her that she had

unthinkingly stumbled upon her aunt's romance.

She was not a woman to pry into others' secrets, and felt guilty as she

fled from the attic, taking the lamp with her. Afterward, as she sat on

the narrow piazza, basking in the warm Spring sunshine, she pieced out

the love affair of Jane Hathaway's early girlhood after her own fashion.

She could see it all plainly. Aunt Jane had expected to be married

to the dashing young man and had had her trousseau in readiness, when

something happened. The folded paper would indicate that he was Charles

Winfield, who had married some one else, but whether Aunt Jane had

broken her engagement, or the possible Uncle Charles had simply taken a

mate without any such formality, was a subject of conjecture.

Still, if the recreant lover had married another, would Aunt Jane have

kept her treasure chest and her wedding gown? Ruth knew that she herself

would not, but she understood that aunts were in a class by themselves.

It was possible that Charles Winfield was an earlier lover, and she had

kept the paper without any special motive, or, perhaps, for “auld lang

syne.”

Probably the letters would have disclosed the mystery, and the newspaper

instinct, on the trail of a “story,” was struggling with her sense of

honour, but not for the world, now that she knew, would Ruth have read

the yellowed pages, which doubtless held faded roses pressed between

them.

The strings of sea-shells, and the larger ones, which could have come

only from foreign shores, together with the light in the window, gave

her a sudden clew. Aunt Jane was waiting for her lover and the lamp was

a signal. If his name was Charles Winfield, the other woman was dead,

and if not, the marriage notice was that of a friend or an earlier

lover.

The explanation was reasonable, clear, and concise--what woman could

ask for more? Yet there was something beyond it which was out of Miss

Thorne's grasp--a tantalising something, which would not be allayed.

Then she reflected that the Summer was before tier, and, in reality,

now that she was off the paper, she had no business with other people's

affairs.

The sun was hidden by gathering clouds and the air was damp before Ruth

missed the bright warmth on the piazza, and began to walk back and forth

by way of keeping warm. A gravelled path led to the gate and on either

side was a row of lilac bushes, the bare stalks tipped with green. A

white picket fence surrounded the yard, except at the back, where the

edge of the precipice made it useless. The place was small and well

kept, but there were no flower beds except at the front of the house,

and there were only two or three trees.

She walked around the vegetable garden at the back of the house, where

a portion of her Summer sustenance was planted, and discovered an unused

gate at the side, which swung back and forth, idly, without latching.

She was looking over the fence and down the steep hillside, when a sharp

voice at her elbow made her jump.

“Sech as wants dinner can come in and get it,” announced Hepsey, sourly.

“I've yelled and yelled till I've most bust my throat and I ain't

a-goin' to yell no more.”

She returned to the house, a picture of offended dignity, but carefully

left the door ajar for Ruth, who discovered, upon this rude awakening

from her reverie, that she was very hungry.

In the afternoon, the chill fog made it impossible to go out, for

the wind had risen from the sea and driven the salt mist inland. Miss

Hathaway's library was meagre and uninteresting, Hepsey was busy in the

kitchen, and Ruth was frankly bored. Reduced at last to the desperate

strait of putting all her belongings in irreproachable order, she found

herself, at four o'clock, without occupation. The temptation in the

attic wrestled strongly with her, but she would not go.

It seemed an age until six o'clock. “This won't do,” she said to

herself; “I'll have to learn how to sew, or crochet, or make tatting. At

last, I am to be domesticated. I used to wonder how women had time for

the endless fancy work, but I see, now.”

She was accustomed to self analysis and introspection, and began to

consider what she could get out of the next six months in the way of

gain. Physical strength, certainly, but what else? The prospect was

gloomy just then.

“It's goin' to rain, Miss Thorne,” said Hepsey, at the door. “Is all the

winders shut?”

“Yes, I think so,” she answered.

“Supper's ready any time you want it.”

“Very well, I will come now.”

When she sat down in the parlour, after doing scant justice to Hepsey's

cooking, it was with a grim resignation, of the Puritan sort which,

supposedly, went with the house. There was but one place in all the

world where she would like to be, and she was afraid to trust herself in

the attic.

By an elaborate mental process, she convinced herself that the cedar

chest and the old trunks did not concern her in the least, and tried to

develop a feminine fear of mice, which was not natural to her. She

had just placed herself loftily above all mundane things, when Hepsey

marched into the room, and placed the attic lamp, newly filled, upon the

marble table.

Here was a manifest duty confronting a very superior person and, as she

went upstairs, she determined to come back immediately, but when she had

put the light in the seaward window, she lingered, under the spell of

the room.

The rain beat steadily upon the roof and dripped from the eaves. The

light made distorted shadows upon the wall and floor, while the bunches

of herbs, hanging from the rafters, swung lightly back and forth when

the wind rattled the windows and shook the old house.

The room seemed peopled by the previous generation, that had slept in

the massive mahogany bed, rocked in the chairs, with sewing or gossip,

and stood before the old dresser on tiptoe, peering eagerly into the

mirror which probably had hung above it. It was as if Memory sat at the

spinning-wheel, idly twisting the thread, and bringing visions of the

years gone by.

A cracked mirror hung against the wall and Ruth saw her reflection

dimly, as if she, too, belonged to the ghosts of the attic. She was

not vain, but she was satisfied with her eyes and hair, her white skin,

impervious to tan or burn, and the shape of her mouth. The saucy little

upward tilt at the end of her nose was a great cross to her, however,

because it was at variance with the dignified bearing which she chose to

maintain. As she looked, she wondered, vaguely, if she, like Aunt

Jane, would grow to a loveless old age. It seemed probable, for, at

twenty-five, The Prince had not appeared. She had her work and was

happy; yet unceasingly, behind those dark eyes, Ruth's soul kept

maidenly match for its mate.

When she turned to go downstairs, a folded newspaper on the floor

attracted her attention. It was near one of the trunks which she had

opened and must have fallen out. She picked it up, to replace it, but it

proved to be another paper dated a year later than the first one. There

was no marked paragraph, but she soon discovered the death notice of

“Abigail Winfield, nee Weatherby, aged twenty-two.” She put it into

the trunk out of which she knew it must have fallen, and stood there,

thinking. Those faded letters, hidden under Aunt Jane's wedding gown,

were tempting her with their mute secret as never before. She hesitated,

took three steps toward the cedar chest, then fled ingloriously from the

field.

Whoever Charles Winfeld was, he was free to love and marry again.

Perhaps there had been an estrangement and it was he for whom Aunt

Jane was waiting, since sometimes, out of bitterness, the years distil

forgiveness. She wondered at the nature which was tender enough to keep

the wedding gown and the pathetic little treasures, brave enough to keep

the paper, with its evidence of falseness, and great enough to forgive.

Yet, what right had she to suppose Aunt Jane was waiting? Had she gone

abroad to seek him and win his recreant heart again? Or was Abigail

Weatherby her girlhood friend, who had married unhappily, and then died?

Somewhere in Aunt Jane's fifty-five years there was a romance, but,

after all, it was not her niece's business. “I'm an imaginative

goose,” Ruth said to herself. “I'm asked to keep a light in the window,

presumably as an incipient lighthouse, and I've found some old clothes

and two old papers in the attic--that's all--and I've constructed a

tragedy.”

She resolutely put the whole matter aside, as she sat in her room,

rocking pensively. Her own lamp had not been filled and was burning

dimly, so she put it out and sat in the darkness, listening to the rain.

She had not closed the shutters and did not care to lean out in the

storm, and so it was that, when the whistle of the ten o'clock train

sounded hoarsely, she saw the little glimmer of light from Miss

Ainslie's window, making a faint circle in the darkness.

Half an hour later, as before, it was taken away. The scent of lavender

and sweet clover clung to Miss Hathaway's linen, and, insensibly

soothed, Ruth went to sleep. After hours of dreamless slumber, she

thought she heard a voice calling her and telling her not to forget the

light. It was so real that she started to her feet, half expecting to

find some one standing beside her.

The rain had ceased, and two or three stars, like timid children, were

peeping at the world from behind the threatening cloud. It was that

mystical moment which no one may place--the turning of night to day. Far

down the hill, ghostly, but not forbidding, was Miss Ainslie's house,

the garden around it lying whitely beneath the dews of dawn, and up in

the attic window the light still shone, like unfounded hope in a woman's

soul, harking across distant seas of misunderstanding and gloom, with

its pitiful “All Hail!”

Lavender and Old Lace · 第 4 / 19 题