DEDICATIO PHASELI.

Strangers, the bark you see, doth say

Of ships the fleetest far was she.

AQUILIUS.--Stay for a moment: "the fleetest," then she was one of a

_fleet_, and sailed perhaps under convoy, and ought not to have

outsailed the _fleet_--say quickest.

GRATIAN.--No interruption, or by this baculus! Go on, Mr. Curate.

CURATE.--If you please, I'll heave anchor again.

Strangers, this bark you see doth say,

Of ships the fleetest far was she:

And that she passed and flew away

From every hull that ploughed the sea,

That fought against, or used the gale

With hand-like oar or wing-like sail.

She cites, as witness to her word,

The frowning Adriatic strand;

The Cyclades which rocks engird,

And noted Rhodus' distant land;

Propontis and unkindly Thrace,

And Savage Pontus' billowy race.

That which is now a shallop here,

Was once a tract of tressed wood,

Its foliage was Cytorus' gear,

Upon the topmost ridge it stood,

And when the morning breeze awoke

Its whistling leaves the silence broke.

Pontic Amastris, says the bark,

Box-overgrown Cytorus, you

Know me by each familiar mark,

And testify the tale is true.

She says you saw her earliest birth

Upon your nursing mountain-earth,

She dipped her blades, a maiden launch,

First in your waves, and bent her course

Thence, ever to her master staunch,

Through seas that plied their utmost force.

If right or left the breeze did strike,

Or gentle Jove did strain alike,

Each sheet before the wind. She came

From that remotest ocean-spot

To this clear inlet, still the same,

And yet audaciously forgot

The bribes which, under doubtful skies,

Are vowed to sea-side deities.

Her deeds are done, her tale is told,

For those were feats of bygone strength;

In secret peace she now grows old,

And dedicates herself at length,

Twin-brother Castor, at thy shrine,

And Castor's brother twin, at thine.

GRATIAN.--Hand me the book. I thought so--that "audaciously forgot" is

your audacious interpolation. She does not forget her vows, for she

never made any. You bring her back, good Master Curate, not a little in

the sulks, like a runaway wife, that had forgotten her vows, and

remembered all her audacity. We see her reluctantly taken in

tow--looking like a profligate, weary, and voyage worn, buffeted and

beaten by more storms than she likes to tell of. You must alter

audaciously.

AQUILIUS.--And I object to bribes; it is a satire upon the underwriters.

CURATE.--The underwriters?

AQUILIUS.--Yes, the "Littoralibus Diis;" what were they but an insurance

company, with their chief temple, some Roman "Lloyd's," and offices in

every sea-port?

CURATE.--Or perhaps the "Littoralibus Diis," referred to a

"coast-guard."

GRATIAN.--Worse and worse, for that would imply that they took bribes,

and that she was an old smuggler. Keep to the original, and if you will

modernize Catullus, you must merely say, she was so safe a boat that the

owner did not think it worth while to insure.

CURATE.--The learned themselves dispute as to the identity of the "Dii

Littorales." In the notes, I find they are said to be Glaucus, Nereus,

Melicerta, Neptune, Thetis, and others; but in the notes to Statius, you

will find Gevartius bids the aforesaid learned tell that to the marines.

He knows better. I remember his words,--"Sed male illi marinos et

littorales deos confundunt. Littorales enim potissimum Dii Caelestes

erant, Pallas, Apollo, Hercules, &c., unde illi potius apud Catullum

sunt intelligendi."

GRATIAN.--She might have been doubly insured; for besides Glaucus,

Neptune, Thetis, and Co., there was the company registered by Gevartius.

CURATE.--I have looked again at the passage, and think I have not quite

given the meaning of "novissimo." I doubt if it does mean remote--it

more likely means the last voyage--so let me substitute this:--

She came,

'Twas her last voyage, from far sea,

To this clear inlet-home, the same

Good bark and true, and proudly free

From vows which under doubtful skies,

Are made to sea-side Deities.

GRATIAN.--_Probatum est._--We have, however, run the vessel down. Let me

see what comes next. Oh, "To Lesbia." This is the old well-known

deliciously elegant little piece that I remember we were wont to try our

luck with in our youth; and many a translation of it may yet be found

among half-forgotten trifles. We are, some of us, it is true, a little

out of this cherry-season of kissing--there is a time for all things,

and so there was a time for that. It is pleasant still to trifle with

the subject: even the wise Socrates played with it in one of his

dialogues, and so may we, innocently enough. Though there be some

greybeards, (no, I am wrong, they are not greybeards, but grave-airs,

and they, more shame to them, with scarcely a beard at all,) that would

open the book here, and shut it again in haste, and look as if they had

just come out of the cave of Trophonius. That is not a healthy and

honest purity.

AQUILIUS.--But these do not object to a little professional kissing.

GRATIAN.--More shame to them--that is the worst of all, but pass on;

here is nothing but a little harmless play. Yet I don't see why the

young poet, (you know he died at thirty,) should mock his elders in

"rumoresque senum severiorum," these "sayings of severe old men." Why

should old men be severe? O' my conscience, I believe they are far less

severe than the young. Had I been present when the poet indited this to

his Lesbia, I might just have ventured to hint to him thus:--"My dear

friend, you have had enough, perhaps too much of kissing; my advice is,

that you keep it to yourself, and tell it to no one; and don't despise

the words of us old men, and mine are words of advice, that if not

married already, after all this kissing, you take her, your Lesbia, to

wife, as soon as you conveniently can."

This was pronounced with an amusingly affected gravity. I and the Curate

assumed the submissive. We were, as I told you, Eusebius, sitting under

the verandah, and very near the breakfast room; the window of which

(down to the ground) was open. While our good old friend and host was

thus Socratically lecturing, I saw a ribbon catch the air, and float out

towards us a little from the window--then appeared half a bonnet,

inclined on one side, and downwards, as of one endeavouring to catch

sounds more clearly. Seeing that it continued in this position, as soon

as my friend had uttered the last words, I walked hastily towards the

room, and saw the no very prepossessing countenance of a lady, whose

privilege it is to be called young. She blushed, or rather reddened, and

boldly came forward, and addressed our friend,--that she had come to see

some of the family on a little business for the "visiting and other

societies," and seeing us so enjoying ourselves out of doors, she could

not but come forward to pay her respects, adding, with a look at the

Curate, whom she evidently thought to be under reproof, that she hoped

she had not arrived mal-apropos. Our friend introduced her thus,--Ah, my

dear Miss Lydia Prate-apace, is that you?--glad to see you. But

(retaining his assumed gravity,) you are not safe here: there has been

too much kissing, and too much talk about it, for one of your known

rectitude to hear. Dear me, said she, you don't say so: then I shall bid

good-day; and with an inquisitive look at me, and an awful one at the

Curate, she very nimbly tripped off. You will be sure to hear of that

again, said I to the Curate. He laughed incredulous, in his innocency.

Not unlikely, upon my word, said Gratian; for I see them there trotting

down the church-path, Lydia Prate-apace, and her friend Clarissa

Gadabout; so look to yourself, Mr. Curate. But we have had enough for

the present. I must just take a look at my mangel, and my orchard, which

you must know is my piggery. Good-bye for the present. In the evening we

meet again in the library, and let Catullus be of our company. It was

time to change our quarters; for the little spaniel, knowing the hour

his master would visit his stock, and intending as usual to accompany

him, just then ran in to us, and jumping about and barking, gave us no

rest for further discussion.

You must now, my dear Eusebius, behold us in the library as before--G.

reads,--

"Vivamus, mea Lesbia, atque amemus,

Rumoresque senum severiorum."

Ah, that's where we were; I remember we did not like the senum

severiorum.

CURATE.--We!!

G.--Yes, we; for the veriest youth that shoots an arrow at old age, is

but shooting at himself some ten or a dozen paces off. I remember, when

a boy, being pleased with a translation of this by Langhorne; but I only

remember two stanzas, and cannot but think he left out the "soles

occidere et redire possunt;" if so, he did wrong; and I opine that he

vulgarised and removed all grace from it by the word "pleasure." Life

and love, Catullus means to say, are commensurate; but "pleasure" is a

wilful and wanton intrusion. If I remember, his lines are,--

"Lesbia, live to love and _pleasure_,

Careless what the grave may say;

When each moment is a treasure,

Why should lovers lose a day?

Give me then a thousand kisses--

Twice ten thousand more bestow;

Till the sum of endless blisses,

Neither we nor envy know."

Catullus himself might as well have omitted the "malus invidere." Why

should he trouble his head about the matter--envied or not? but now, Mr.

Curate, let us hear your version.

Blackwood's Edinburgh Magazine, Volume 61, No. 377, March 1847 · 第 35 / 44 题