CHAPTER XXI.

FAREWELLS.

The rest of the time until graduation was like a dream to Molly and her

friends whose hearts were filled with a sort of two-pronged

homesickness; homesickness for home and for Wellington, which now they

were about to leave forever more.

A great many things happened in the space that intervened between the

first of May and the eighteenth of June, when graduation occurred. There

were dances at Exmoor and dances at Wellington and the senior reception

to the juniors. Then there were long quiet evenings when the old crowd

gathered in No. 5 and talked of the future.

It was on one of these warm summer nights that they were draped as usual

about the couches in the mellow glimmer of one Japanese lantern. Judy,

thrumming on the guitar, sang:

"'When all the world is young, lad,

And all the trees are green;

And every goose a swan, lad,

And every lass a queen;

Then hey for boot and horse, lad,

And round the world away;

Young blood must have its course, lad,

And every dog his day.

"'When all the world is old, lad,

And all the trees are brown;

And all the sport is stale, lad,

And all the wheels run down;

Creep home and take your place there,

The spent and maimed among:

God grant you find one face there,

You loved when all was young.'"

"My, that makes me sad," said Jessie. "I feel that I've already lived my

life and am coming back to old Wellington to die with a lot of other

decrepit old persons who used to be young and beautiful."

"Thanks for the compliment about looks," said Edith. "But I don't feel

that way. I'm going forth to conquer. I am going to write books and

books before I come home to die."

"I'm going to write books, too," announced Molly meekly, "but I feel

that I'm not ready to begin yet----"

"You can't begin too young," interrupted Edith.

"I know, but I'm coming back for a post grad. course in"--Molly

hesitated, she hardly knew why--"in English and--and a few other things.

I've got no style----"

"What, are you really coming back?" they cried.

"Nance and I have decided to return," replied Molly. "We are not ready

to join the ranks yet, are we, Nance? Dear Nance is going to polish up

her French literature. I'll be busy enough. I expect to do a lot of

tutoring and other profitable work."

"What shall I do?" groaned Judy. "I don't want to study any more, and,

yet, how can I bear for you two to be at Wellington without me to bother

you."

Molly looked at her and smiled.

"Remember, you are to come home with me this summer, Judy, and maybe

you'll like Kentucky so well you'll want to stay there."

Molly was well aware that her brother Kent had fallen in love with Judy

at first sight, and it didn't occur to her that anybody could resist the

charms of her favorite brother.

"Margaret, why don't you come back?" asked Nance.

"Not me," answered Margaret. "I hear the voice of suffrage calling!"

"We all of us hear voices calling," broke in Katherine. "And each is a

different voice according to our natures. Now Margaret's voice is

soprano, but Jessie hears a deep baritone----"

"Nothing of the sort," cried Jessie.

"'Fess up, now, Jessie, when is it to be?"

The girls all gathered around pretty Jessie and at last, hard pressed,

she said:

"When it does come off you'll have to assemble from the four quarters of

the globe to act as bridesmaids, but the day's not set yet."

"Have you decided on the man?" asked Edith.

"Edith, how can you?" answered Jessie, laughing.

"What are you going to do, Katherine?" asked Molly, when the excitement

had quieted down.

"Teach," answered Katherine bluntly. "I loathe the thing, but a place

awaits me, so I suppose next winter will find me sitting behind a little

table, ringing a bell sharply, and saying, 'Now, girls, pay attention,

please.'" She turned her large melancholy eyes on her sister. "Edith

thinks she's the only writer in the family, but in the intervals of

teaching I intend to surprise her. I've already had one short story

accepted by an obscure but _bona fide_ magazine which hasn't sent me a

check yet."

"Have you heard the joke on Katherine?" put in Edith.

"Do tell," they cried, while Katherine said fiercely: "Now, Edith, you

promised to keep that a secret."

"It's too good to keep. She chose for the subject of her graduating

essay 'The Juvenile Delinquent,' and got it all written and then it

occurred to her that Miss Walker would announce 'The Juvenile

Delinquent, Katherine Williams,' and she could not stand the

implication."

"Poor Katherine," they cried, laughing joyously.

And now Molly was handing around nut cake and cloud bursts, it seemed

almost for the last time, and after that these bright spirits in kimonos

flitted away to their rooms.

A little later, after darkness and quiet had descended, an ecstatic

little giggle broke from Judy, lying alone and staring at the dim

outline of her window. It was too soft a sound to disturb the tired

sleepers in the adjoining rooms, but it meant that Judy had an idea,--an

idea that she could see already realized by the aid of her remarkable

imagination.

Her mind had been reviewing the talk of the evening and revolving about

each of the girls in turn;--Edith and Katherine and Molly, literary and

ambitious; Nance, serious and studious; Jessie, pretty, romantic and

destined for marriage; and Margaret, the able and willing champion of

suffrage. And Judy had smiled as she began to recall certain hours when

Margaret's enthusiasm had waxed high, even so far back as Freshman year,

and her first class presidency. That thought had started others, and as

Judy remembered various amusing incidents of the four years, her "idea"

had flashed upon her. It was then that Judy had hugged herself and

laughed aloud, but it was several nights later that she shared with the

other girls her inspiration.

They had gathered in Otoyo's little room that night,--just the eight

close friends who now grasped every opportunity for one more good time

together. They were a little inclined to sadness, for they had all been

busy with those extra duties that point directly to the closing days of

college life.

Some had posed before the class photographer's camera, some had borne

the weariness of having gowns fitted, and at least two had practiced

their parts for the commencement exercises.

Margaret and Jessie were humming the chorus of one of the Senior class

songs and Otoyo was just beginning to make the tea, when Judy slipped

out of the room with a word of excuse and a promise to return.

Molly turned lazily to Nance who sat close beside her on the couch and

whispered, "Judy is as nervous as a witch these days. She has probably

thought of something to add to her list!"

"Oh, that list!" returned Nance. "She has everything on it now from

white gloves to a trunk strap, and still it grows!"

"'Seniors, seniors, seniors,'" chanted Margaret and Jessie dreamily,

watching Otoyo as she deftly arranged her dainty cups and saucers on

beautiful lacquered trays.

Edith and Katherine were quietly disputing some point about the class

program and absent-mindedly accepting lemon for their tea, when the door

opened and a woman draped closely in black stepped into the room.

"Ah, ha, young ladies," she cried in a high, weird voice that startled

them into instant silence, "so you would pierce the mysterious veil of

the future and read in your teacups the fortune that awaits you? Could

you but possess my occult vision, you would not need to employ such

puerile methods."

Here the somber figure raised two black-gloved arms and held before her

eyes a pair of plain black opera glasses. She had reversed their usual

position and now gazed steadily about the room through the large end of

the glasses.

"Ah, ha," she began again, fixing her roving attention upon Margaret,

who returned her gaze easily, "I see far, far away, through a vista of

crowded seats, a huge platform adorned with distinguished figures. A

pretty woman stunningly gowned is introducing to a breathlessly

expectant audience a tall, striking person. The plaudits of the

multitude drown the sound of her name as it is announced, but our keen

sight enables us to recognize the famous Miss Wakefield! To those who

have long known her, it will not be surprising to learn that her

companion is none other than her college satellite, now Miss

Jessie,--but I cannot quite pronounce the unfamiliar name."

As the voice stopped for a moment, Jessie started toward the strange

figure, but Margaret pulled her back and drew her blushing face down

upon her own shoulder.

At the same time Molly cried, "Where have I seen those shabby old

glasses before?"

And Nance added, "My old bird glasses, or I'm blind!"

Nothing daunted, the prophetess went on in the same weird key, "I see

the gray towers of Wellington looming grandly against a wild autumnal

sky. I see troops of girls crowding across the campus and into

recitation rooms. I see a single figure walking beside the white-haired

President as though discussing the schedule of lectures and the merits

of students, and the figure is that of Miss Oldham,--dear old Nance!"

And the voice of the soothsayer broke suddenly as she turned the glasses

on Nance and Molly.

Then she hurried on, "By forcing my keen vision to its utmost capacity,

I am able to read upon certain profound text books the names of their

joint compilers, Edith and Katherine Williams, the world-famed writers!"

Again the voice paused as the glasses were leveled at the friendly

disputants, long since quieted by the eloquence of the seer.

All this time Otoyo had stood spellbound beside her teapot. Now she

started slightly as the glasses glimmered in her direction.

"Oh, no, no, no," she cried in real distress. "Don't tell me, please,

Mees Kean!"

At that, Judy flung the draperies back from her hair, the glasses to

Nance, and her arms about Otoyo, exclaiming at the same moment:

"You precious child, I don't know any more than your little Buddha does

about your future, but the gods will be good to you and we'll leave it

to them."

Molly Brown's Senior Days · 第 21 / 22 章