CHAPTER XLI. A TROIS

Men serve women kneeling; when they get on their feet they go

away.

Guy Oscard stood for a moment on the threshold. He heard the door close

behind him, and he took two steps farther forward.

Jack Meredith and Millicent were at the fireplace. There was a heap of

disordered paper and string upon the table, and a few wedding presents

standing in the midst of their packing.

Millicent's pretty face was quite white. She looked from Meredith to

Oscard with a sudden horror in her eyes. For the first time in her life

she was at a loss--quite taken aback.

“Oh-h!” she whispered, and that was all.

The silence that followed was tense as if something in the atmosphere

was about to snap; and in the midst of it the wheels of Sir John's

retreating carriage came to the ears of the three persons in the

drawing-room.

It was only for a moment, but in that moment the two men saw clearly. It

was as if the veil from the girl's mind had fallen--leaving her thoughts

confessed, bare before them. In the same instant they both saw--they

both sped back in thought to their first meeting, to the hundred links

of the chain that brought them to the present moment--they KNEW; and

Millicent felt that they knew.

“Are YOU going to be married to-morrow?” asked Guy Oscard deliberately.

He never was a man to whom a successful appeal for the slightest

mitigation of justice could have been made. His dealings had ever been

with men, from whom he had exacted as scrupulous an honour as he had

given. He did not know that women are different--that honour is not

their strong point.

Millicent did not answer. She looked to Meredith to answer for her; but

Meredith was looking at Oscard, and in his lazy eyes there glowed the

singular affection and admiration which he had bestowed long time before

on this simple gentleman--his mental inferior.

“Are YOU going to be married to-morrow?” repeated Oscard, standing quite

still, with a calmness that frightened her.

“Yes,” she answered rather feebly.

She knew that she could explain it all. She could have explained it

to either of them separately, but to both together, somehow it

was difficult. Her mind was filled with clamouring arguments and

explanations and plausible excuses; but she did not know which to select

first. None of them seemed quite equal to this occasion. These men

required something deeper, and stronger, and simpler than she had to

offer them.

Moreover, she was paralysed by a feeling that was quite new to her--a

horrid feeling that something had gone from her. She had lost her

strongest, her single arm: her beauty. This seemed to have fallen from

her. It seemed to count for nothing at this time. There is a time

that comes as surely as death will come in the life of every beautiful

woman--a time wherein she suddenly realises how trivial a thing her

beauty is--how limited, how useless, how ineffectual!

Millicent Chyne made a little appealing movement towards Meredith, who

relentlessly stepped back. It was the magic of the love that filled his

heart for Oscard. Had she wronged any man in the world but Guy

Oscard, that little movement--full of love and tenderness and sweet

contrition--might have saved her. But it was Oscard's heart that she had

broken; for broken they both knew it to be, and Jack Meredith stepped

back from her touch as from pollution. His superficial, imagined love

for her had been killed at a single blow. Her beauty was no more to him

at that moment than the beauty of a picture.

“Oh, Jack!” she gasped; and had there been another woman in the room

that woman would have known that Millicent loved him with the love that

comes once only. But men are not very acute in such matters--they either

read wrong or not at all.

“It is all a mistake,” she said breathlessly, looking from one to the

other.

“A most awkward mistake,” suggested Meredith, with a cruel smile that

made her wince.

“Mr. Oscard must have mistaken me altogether,” the girl went on, volubly

addressing herself to Meredith--she wanted nothing from Oscard. “I may

have been silly, perhaps, or merely ignorant and blind. How was I to

know that he meant what he said?”

“How, indeed?” agreed Meredith, with a grave bow.

“Besides, he has no business to come here bringing false accusations

against me. He has no right--it is cruel and ungentlemanly. He cannot

prove anything; he cannot say that I ever distinctly gave him to

understand--er, anything--that I ever promised to be engaged or anything

like that.”

She turned upon Oscard, whose demeanour was stolid, almost dense. He

looked very large and somewhat difficult to move.

“He has not attempted to do so yet,” suggested Jack suavely, looking at

his friend.

“I do not see that it is quite a question of proofs,” said Oscard

quietly, in a voice that did not sound like his at all. “We are not in a

court of justice, where ladies like to settle these questions now. If we

were I could challenge you to produce my letters. There is no doubt of

my meaning in them.”

“There are also my poor contributions to--your collection,” chimed in

Jack Meredith. “A comparison must have been interesting to you, by the

same mail presumably, under the same postmark.”

“I made no comparison,” the girl cried defiantly. “There was no question

of comparison.”

She said it shamelessly, and it hurt Meredith more than it hurt Guy

Oscard, for whom the sting was intended.

“Comparison or no comparison,” said Jack Meredith quickly, with the

keenness of a good fencer who has been touched, “there can be no doubt

of the fact that you were engaged to us both at the same time. You told

us both to go out and make a fortune wherewith to buy--your affections.

One can only presume that the highest bidder--the owner of the largest

fortune--was to be the happy man. Unfortunately we became partners,

and--such was the power of your fascination--we made the fortune; but

we share and share alike in that. We are equal, so far as the--price is

concerned. The situation is interesting and rather--amusing. It is

your turn to move. We await your further instructions in considerable

suspense.”

She stared at him with bloodless lips. She did not seem to understand

what he was saying. At last she spoke, ignoring Guy Oscard's presence

altogether.

“Considering that we are to be married to-morrow, I do not think that

you should speak to me like that,” she said with a strange, concentrated

eagerness.

“Pardon me, we are not going to be married to-morrow.”

Her brilliant teeth closed on her lower lip with a snap, and she stood

looking at him, breathing so hard that the sound was almost a sob.

“What do you mean?” she whispered hoarsely.

He raised his shoulders in polite surprise at her dulness of

comprehension.

“In the unfortunate circumstances in which you are placed,” he

explained, “it seems to me that the least one can do is to offer every

assistance in one's power. Please consider me hors de concours. In a

word--I scratch.”

She gasped like a swimmer swimming for life. She was fighting for that

which some deem dearer than life--namely, her love. For it is not only

the good women who love, though these understand it best and see farther

into it.

“Then you can never have cared for me,” she cried. “All that you have

told me,” and her eyes flashed triumphantly across Oscard, “all that

you promised and vowed was utterly false--if you turn against me at the

first word of a man who was carried away by his own vanity into thinking

things that he had no business to think.”

If Guy Oscard was no great adept at wordy warfare, he was at all events

strong in his reception of punishment. He stood upright and quiescent,

betraying by neither sign nor movement that her words could hurt him.

“I beg to suggest again,” said Jack composedly, “that Oscard has not

yet brought any accusations against you. You have brought them all

yourself.”

“You are both cruel and cowardly,” she exclaimed, suddenly descending to

vituperation. “Two to one. Two men--GENTLEMEN--against one defenceless

girl. Of course I am not able to argue with you. Of course you can get

the best of me. It is so easy to be sarcastic.”

“I do not imagine,” retorted Jack, “that anything that we can say or do

will have much permanent power of hurting you. For the last two years

you have been engaged in an--intrigue, such as a thin-skinned or

sensitive person would hardly of her own free will undertake. You may

be able to explain it to yourself--no doubt you are--but to our more

limited comprehensions it must remain inexplicable. We can only judge

from appearances.”

“And of course appearances go against me--they always do against a

woman,” she cried rather brokenly.

“You would have been wise to have taken that peculiarity into

consideration sooner,” replied Jack Meredith coldly. “I admit that I

am puzzled; I cannot quite get at your motive. Presumably it is one of

those--SWEET feminine inconsistencies which are so charming in books.”

There was a little pause. Jack Meredith waited politely to hear if she

had anything further to say. His clean-cut face was quite pallid; the

suppressed anger in his eyes was perhaps more difficult to meet than

open fury. The man who never forgets himself before a woman is likely to

be an absolute master of women.

“I think,” he added, “that there is nothing more to be said.”

There was a dead silence. Millicent Chyne glanced towards Guy Oscard.

He could have saved her yet--by a simple lie. Had he been an impossibly

magnanimous man, such as one meets in books only, he could have

explained that the mistake was all his, that she was quite right, that

his own vanity had blinded him into a great and unwarranted presumption.

But, unfortunately, he was only a human being--a man who was ready to

give as full a measure as he exacted. The unfortunate mistake to which

he clung was that the same sense of justice, the same code of honour,

must serve for men and women alike. So Millicent Chyne looked in vain

for that indulgence which is so inconsistently offered to women, merely

because they are women--the indulgence which is sometimes given and

sometimes withheld, according to the softness of the masculine heart and

the beauty of the suppliant feminine form. Guy Oscard was quite sure of

his own impressions. This girl had allowed him to begin loving her,

had encouraged him to go on, had led him to believe that his love was

returned. And in his simple ignorance of the world he did not see why

these matters should be locked up in his own breast from a mistaken

sense of chivalry to be accorded where no chivalry was due.

“No,” he answered. “There is nothing more to be said.”

Without looking towards her, Jack Meredith made a few steps towards the

door--quietly, self-composedly, with that perfect savoir-faire of the

social expert that made him different from other men. Millicent Chyne

felt a sudden plebeian desire to scream. It was all so heartlessly

well-bred. He turned on his heel with a little half-cynical bow.

“I leave my name with you,” he said. “It is probable that you will be

put to some inconvenience. I can only regret that this--denouement did

not come some months ago. You are likely to suffer more than I, because

I do not care what the world thinks of me. Therefore you may tell the

world what you choose about me--that I drink, that I gamble, that I am

lacking in--honour! Anything that suggests itself to you, in fact. You

need not go away; I will do that.”

She listened with compressed lips and heaving shoulders; and the

bitterest drop in her cup was the knowledge that he despised her. During

the last few minutes he had said and done nothing that lowered him in

her estimation--that touched in any way her love for him. He had not

lowered himself in any way, but he had suavely trodden her under foot.

His last words--the inexorable intention of going away--sapped her last

lingering hope. She could never regain even a tithe of his affection.

“I think,” he went on, “that you will agree with me in thinking that

Guy Oscard's name must be kept out of this entirely. I give you carte

blanche except that.”

With a slight inclination of the head he walked to the door. It was

characteristic of him that although he walked slowly he never turned his

head nor paused.

Oscard followed him with the patient apathy of the large and mystified.

And so they left her--amidst the disorder of the half-unpacked wedding

presents--amidst the ruin of her own life. Perhaps, after all, she was

not wholly bad. Few people are; they are only bad enough to be wholly

unsatisfactory and quite incomprehensible. She must have known the risk

she was running, and yet she could not stay her hand. She must have

known long before that she loved Jack Meredith, and that she was playing

fast and loose with the happiness of her whole life. She knew that

hundreds of girls around her were doing the same, and, with all shame

be it mentioned, not a few married women. But they seemed to be able

to carry it through without accident or hindrance. And illogically,

thoughtlessly, she blamed her own ill-fortune.

She stood looking blankly at the door which had closed behind three

men--one old and two young--and perhaps she realised the fact that such

creatures may be led blindly, helplessly, with a single hair, but that

that hair may snap at any moment.

She was not thinking of Guy Oscard. Him she had never loved. He had only

been one of her experiments, and by his very simplicity--above all, by

his uncompromising honesty--he had outwitted her.

It was characteristic of her that at that moment she scarcely knew the

weight of her own remorse. It sat lightly on her shoulders then, and it

was only later on, when her beauty began to fade, when years came and

brought no joy for the middle-aged unmarried woman, that she began to

realise what it was that she had to carry through life with her. At that

moment a thousand other thoughts filled her mind--such thoughts as one

would expect to find there. How was the world to be deceived? The

guests would have to be put off--the wedding countermanded--the presents

returned. And the world--her world--would laugh in its sleeve. There lay

the sting.

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