II.

“I DARESAY it will be all right; he seems quiet now,” said the poor lady

of the “parlours” a few days later, in reference to their litigious

neighbour and the precarious piano. The two lodgers had grown regularly

acquainted, and the piano had had much to do with it. Just as this

instrument served, with the gentleman at No. 4, as a theme for

discussion, so between Peter Baron and the lady of the parlours it had

become a basis of peculiar agreement, a topic, at any rate, of

conversation frequently renewed. Mrs. Ryves was so prepossessing that

Peter was sure that even if they had not had the piano he would have

found something else to thresh out with her. Fortunately however they

did have it, and he, at least, made the most of it, knowing more now

about his new friend, who when, widowed and fatigued, she held her

beautiful child in her arms, looked dimly like a modern Madonna. Mrs.

Bundy, as a letter of furnished lodgings, was characterised in general by

a familiar domestic severity in respect to picturesque young women, but

she had the highest confidence in Mrs. Ryves. She was luminous about her

being a lady, and a lady who could bring Mrs. Bundy back to a gratified

recognition of one of those manifestations of mind for which she had an

independent esteem. She was professional, but Jersey Villas could be

proud of a profession that didn’t happen to be the wrong one—they had

seen something of that. Mrs. Ryves had a hundred a year (Baron wondered

how Mrs. Bundy knew this; he thought it unlikely Mrs. Ryves had told

her), and for the rest she depended on her lovely music. Baron judged

that her music, even though lovely, was a frail dependence; it would

hardly help to fill a concert-room, and he asked himself at first whether

she played country-dances at children’s parties or gave lessons to young

ladies who studied above their station.

Very soon, indeed, he was sufficiently enlightened; it all went fast, for

the little boy had been almost as great a help as the piano. Sidney

haunted the doorstep of No. 3 he was eminently sociable, and had

established independent relations with Peter, a frequent feature of which

was an adventurous visit, upstairs, to picture books criticised for not

being _all_ geegees and walking sticks happily more conformable. The

young man’s window, too, looked out on their acquaintance; through a

starched muslin curtain it kept his neighbour before him, made him almost

more aware of her comings and goings than he felt he had a right to be.

He was capable of a shyness of curiosity about her and of dumb little

delicacies of consideration. She did give a few lessons; they were

essentially local, and he ended by knowing more or less what she went out

for and what she came in from. She had almost no visitors, only a decent

old lady or two, and, every day, poor dingy Miss Teagle, who was also

ancient and who came humbly enough to governess the infant of the

parlours. Peter Baron’s window had always, to his sense, looked out on a

good deal of life, and one of the things it had most shown him was that

there is nobody so bereft of joy as not to be able to command for

twopence the services of somebody less joyous. Mrs. Ryves was a

struggler (Baron scarcely liked to think of it), but she occupied a

pinnacle for Miss Teagle, who had lived on—and from a noble nursery—into

a period of diplomas and humiliation.

Mrs. Ryves sometimes went out, like Baron himself, with manuscripts under

her arm, and, still more like Baron, she almost always came back with

them. Her vain approaches were to the music-sellers; she tried to

compose—to produce songs that would make a hit. A successful song was an

income, she confided to Peter one of the first times he took Sidney,

blasé and drowsy, back to his mother. It was not on one of these

occasions, but once when he had come in on no better pretext than that of

simply wanting to (she had after all virtually invited him), that she

mentioned how only one song in a thousand was successful and that the

terrible difficulty was in getting the right words. This rightness was

just a vulgar “fluke”—there were lots of words really clever that were of

no use at all. Peter said, laughing, that he supposed any words he

should try to produce would be sure to be too clever; yet only three

weeks after his first encounter with Mrs. Ryves he sat at his delightful

davenport (well aware that he had duties more pressing), trying to string

together rhymes idiotic enough to make his neighbour’s fortune. He was

satisfied of the fineness of her musical gift—it had the touching note.

The touching note was in her person as well.

The davenport was delightful, after six months of its tottering

predecessor, and such a re-enforcement to the young man’s style was not

impaired by his sense of something lawless in the way it had been gained.

He had made the purchase in anticipation of the money he expected from

Mr. Locket, but Mr. Locket’s liberality was to depend on the ingenuity of

his contributor, who now found himself confronted with the consequence of

a frivolous optimism. The fruit of his labour presented, as he stared at

it with his elbows on his desk, an aspect uncompromising and

incorruptible. It seemed to look up at him reproachfully and to say,

with its essential finish: “How could you promise anything so base; how

could you pass your word to mutilate and dishonour me?” The alterations

demanded by Mr. Locket were impossible; the concessions to the platitude

of his conception of the public mind were degrading. The public mind!—as

if the public _had_ a mind, or any principle of perception more

discoverable than the stare of huddled sheep! Peter Baron felt that it

concerned him to determine if he were only not clever enough or if he

were simply not abject enough to rewrite his story. He might in truth

have had less pride if he had had more skill, and more discretion if he

had had more practice. Humility, in the profession of letters, was half

of practice, and resignation was half of success. Poor Peter actually

flushed with pain as he recognised that this was not success, the

production of gelid prose which his editor could do nothing with on the

one side and he himself could do nothing with on the other. The truth

about his luckless tale was now the more bitter from his having managed,

for some days, to taste it as sweet.

As he sat there, baffled and sombre, biting his pen and wondering what

was meant by the “rewards” of literature, he generally ended by tossing

away the composition deflowered by Mr. Locket and trying his hand at the

sort of twaddle that Mrs. Ryves might be able to set to music. Success

in these experiments wouldn’t be a reward of literature, but it might

very well become a labour of love. The experiments would be pleasant

enough for him if they were pleasant for his inscrutable neighbour. That

was the way he thought of her now, for he had learned enough about her,

little by little, to guess how much there was still to learn. To spend

his mornings over cheap rhymes for her was certainly to shirk the

immediate question; but there were hours when he judged this question to

be altogether too arduous, reflecting that he might quite as well perish

by the sword as by famine. Besides, he did meet it obliquely when he

considered that he shouldn’t be an utter failure if he were to produce

some songs to which Mrs. Ryves’s accompaniments would give a circulation.

He had not ventured to show her anything yet, but one morning, at a

moment when her little boy was in his room, it seemed to him that, by an

inspiration, he had arrived at the happy middle course (it was an art by

itself), between sound and sense. If the sense was not confused it was

because the sound was so familiar.

He had said to the child, to whom he had sacrificed barley-sugar (it had

no attraction for his own lips, yet in these days there was always some

of it about), he had confided to the small Sidney that if he would wait a

little he should be intrusted with something nice to take down to his

parent. Sidney had absorbing occupation and, while Peter copied off the

song in a pretty hand, roamed, gurgling and sticky, about the room. In

this manner he lurched like a little toper into the rear of the

davenport, which stood a few steps out from the recess of the window,

and, as he was fond of beating time to his intensest joys, began to bang

on the surface of it with a paper-knife which at that spot had chanced to

fall upon the floor. At the moment Sidney committed this violence his

kind friend had happened to raise the lid of the desk and, with his head

beneath it, was rummaging among a mass of papers for a proper envelope.

“I say, I say, my boy!” he exclaimed, solicitous for the ancient glaze of

his most cherished possession. Sidney paused an instant; then, while

Peter still hunted for the envelope, he administered another, and this

time a distinctly disobedient, rap. Peter heard it from within and was

struck with its oddity of sound—so much so that, leaving the child for a

moment under a demoralising impression of impunity, he waited with quick

curiosity for a repetition of the stroke. It came of course immediately,

and then the young man, who had at the same instant found his envelope

and ejaculated “Hallo, this thing has a false back!” jumped up and

secured his visitor, whom with his left arm he held in durance on his

knee while with his free hand he addressed the missive to Mrs. Ryves.

As Sidney was fond of errands he was easily got rid of, and after he had

gone Baron stood a moment at the window chinking pennies and keys in

pockets and wondering if the charming composer would think his song as

good, or in other words as bad, as he thought it. His eyes as he turned

away fell on the wooden back of the davenport, where, to his regret, the

traces of Sidney’s assault were visible in three or four ugly scratches.

“Confound the little brute!” he exclaimed, feeling as if an altar had

been desecrated. He was reminded, however, of the observation this

outrage had led him to make, and, for further assurance, he knocked on

the wood with his knuckle. It sounded from that position commonplace

enough, but his suspicion was strongly confirmed when, again standing

beside the desk, he put his head beneath the lifted lid and gave ear

while with an extended arm he tapped sharply in the same place. The back

was distinctly hollow; there was a space between the inner and the outer

pieces (he could measure it), so wide that he was a fool not to have

noticed it before. The depth of the receptacle from front to rear was so

great that it could sacrifice a certain quantity of room without

detection. The sacrifice could of course only be for a purpose, and the

purpose could only be the creation of a secret compartment. Peter Baron

was still boy enough to be thrilled by the idea of such a feature, the

more so as every indication of it had been cleverly concealed. The

people at the shop had never noticed it, else they would have called his

attention to it as an enhancement of value. His legendary lore

instructed him that where there was a hiding-place there was always a

hidden spring, and he pried and pressed and fumbled in an eager search

for the sensitive spot. The article was really a wonder of neat

construction; everything fitted with a closeness that completely saved

appearances.

It took Baron some minutes to pursue his inquiry, during which he

reflected that the people of the shop were not such fools after all.

They had admitted moreover that they had accidentally neglected this

relic of gentility—it had been overlooked in the multiplicity of their

treasures. He now recalled that the man had wanted to polish it up

before sending it home, and that, satisfied for his own part with its

honourable appearance and averse in general to shiny furniture, he had in

his impatience declined to wait for such an operation, so that the object

had left the place for Jersey Villas, carrying presumably its secret with

it, two or three hours after his visit. This secret it seemed indeed

capable of keeping; there was an absurdity in being baffled, but Peter

couldn’t find the spring. He thumped and sounded, he listened and

measured again; he inspected every joint and crevice, with the effect of

becoming surer still of the existence of a chamber and of making up his

mind that his davenport was a rarity. Not only was there a compartment

between the two backs, but there was distinctly something _in_ the

compartment! Perhaps it was a lost manuscript—a nice, safe,

old-fashioned story that Mr. Locket wouldn’t object to. Peter returned

to the charge, for it had occurred to him that he had perhaps not

sufficiently visited the small drawers, of which, in two vertical rows,

there were six in number, of different sizes, inserted sideways into that

portion of the structure which formed part of the support of the desk.

He took them out again and examined more minutely the condition of their

sockets, with the happy result of discovering at last, in the place into

which the third on the left-hand row was fitted, a small sliding panel.

Behind the panel was a spring, like a flat button, which yielded with a

click when he pressed it and which instantly produced a loosening of one

of the pieces of the shelf forming the highest part of the

davenport—pieces adjusted to each other with the most deceptive

closeness.

This particular piece proved to be, in its turn, a sliding panel, which,

when pushed, revealed the existence of a smaller receptacle, a narrow,

oblong box, in the false back. Its capacity was limited, but if it

couldn’t hold many things it might hold precious ones. Baron, in

presence of the ingenuity with which it had been dissimulated,

immediately felt that, but for the odd chance of little Sidney Ryves’s

having hammered on the outside at the moment he himself happened to have

his head in the desk, he might have remained for years without suspicion

of it. This apparently would have been a loss, for he had been right in

guessing that the chamber was not empty. It contained objects which,

whether precious or not, had at any rate been worth somebody’s hiding.

These objects were a collection of small flat parcels, of the shape of

packets of letters, wrapped in white paper and neatly sealed. The seals,

mechanically figured, bore the impress neither of arms nor of initials;

the paper looked old—it had turned faintly sallow; the packets might have

been there for ages. Baron counted them—there were nine in all, of

different sizes; he turned them over and over, felt them curiously and

snuffed in their vague, musty smell, which affected him with the

melancholy of some smothered human accent. The little bundles were

neither named nor numbered—there was not a word of writing on any of the

covers; but they plainly contained old letters, sorted and matched

according to dates or to authorship. They told some old, dead story—they

were the ashes of fires burned out.

As Peter Baron held his discoveries successively in his hands he became

conscious of a queer emotion which was not altogether elation and yet was

still less pure pain. He had made a find, but it somehow added to his

responsibility; he was in the presence of something interesting, but (in

a manner he couldn’t have defined) this circumstance suddenly constituted

a danger. It was the perception of the danger, for instance, which

caused to remain in abeyance any impulse he might have felt to break one

of the seals. He looked at them all narrowly, but he was careful not to

loosen them, and he wondered uncomfortably whether the contents of the

secret compartment would be held in equity to be the property of the

people in the King’s Road. He had given money for the davenport, but had

he given money for these buried papers? He paid by a growing

consciousness that a nameless chill had stolen into the air the penalty,

which he had many a time paid before, of being made of sensitive stuff.

It was as if an occasion had insidiously arisen for a sacrifice—a

sacrifice for the sake of a fine superstition, something like honour or

kindness or justice, something indeed perhaps even finer still—a

difficult deciphering of duty, an impossible tantalising wisdom.

Standing there before his ambiguous treasure and losing himself for the

moment in the sense of a dawning complication, he was startled by a

light, quick tap at the door of his sitting-room. Instinctively, before

answering, he listened an instant—he was in the attitude of a miser

surprised while counting his hoard. Then he answered “One moment,

please!” and slipped the little heap of packets into the biggest of the

drawers of the davenport, which happened to be open. The aperture of the

false back was still gaping, and he had not time to work back the spring.

He hastily laid a big book over the place and then went and opened his

door.

It offered him a sight none the less agreeable for being unexpected—the

graceful and agitated figure of Mrs. Ryves. Her agitation was so visible

that he thought at first that something dreadful had happened to her

child—that she had rushed up to ask for help, to beg him to go for the

doctor. Then he perceived that it was probably connected with the

desperate verses he had transmitted to her a quarter of an hour before;

for she had his open manuscript in one hand and was nervously pulling it

about with the other. She looked frightened and pretty, and if, in

invading the privacy of a fellow-lodger, she had been guilty of a

departure from rigid custom, she was at least conscious of the enormity

of the step and incapable of treating it with levity. The levity was for

Peter Baron, who endeavoured, however, to clothe his familiarity with

respect, pushing forward the seat of honour and repeating that he

rejoiced in such a visit. The visitor came in, leaving the door ajar,

and after a minute during which, to help her, he charged her with the

purpose of telling him that he ought to be ashamed to send her down such

rubbish, she recovered herself sufficiently to stammer out that his song

was exactly what she had been looking for and that after reading it she

had been seized with an extraordinary, irresistible impulse—that of

thanking him for it in person and without delay.

“It was the impulse of a kind nature,” he said, “and I can’t tell you

what pleasure you give me.”

She declined to sit down, and evidently wished to appear to have come but

for a few seconds. She looked confusedly at the place in which she found

herself, and when her eyes met his own they struck him as anxious and

appealing. She was evidently not thinking of his song, though she said

three or four times over that it was beautiful. “Well, I only wanted you

to know, and now I must go,” she added; but on his hearthrug she lingered

with such an odd helplessness that he felt almost sorry for her.

“Perhaps I can improve it if you find it doesn’t go,” said Baron. “I’m

so delighted to do anything for you I can.”

“There may be a word or two that might be changed,” she answered, rather

absently. “I shall have to think it over, to live with it a little. But

I like it, and that’s all I wanted to say.”

“Charming of you. I’m not a bit busy,” said Baron.

Again she looked at him with a troubled intensity, then suddenly she

demanded: “Is there anything the matter with you?”

“The matter with me?”

“I mean like being ill or worried. I wondered if there might be; I had a

sudden fancy; and that, I think, is really why I came up.”

“There isn’t, indeed; I’m all right. But your sudden fancies are

inspirations.”

“It’s absurd. You must excuse me. Good-by!” said Mrs. Ryves.

“What are the words you want changed?” Baron asked.

“I don’t want any—if you’re all right. Good-by,” his visitor repeated,

fixing her eyes an instant on an object on his desk that had caught them.

His own glanced in the same direction and he saw that in his hurry to

shuffle away the packets found in the davenport he had overlooked one of

them, which lay with its seals exposed. For an instant he felt found

out, as if he had been concerned in something to be ashamed of, and it

was only his quick second thought that told him how little the incident

of which the packet was a sequel was an affair of Mrs. Ryves’s. Her

conscious eyes came back to his as if they were sounding them, and

suddenly this instinct of keeping his discovery to himself was succeeded

by a really startled inference that, with the rarest alertness, she had

guessed something and that her guess (it seemed almost supernatural), had

been her real motive. Some secret sympathy had made her vibrate—had

touched her with the knowledge that he had brought something to light.

After an instant he saw that she also divined the very reflection he was

then making, and this gave him a lively desire, a grateful, happy desire,

to appear to have nothing to conceal. For herself, it determined her

still more to put an end to her momentary visit. But before she had

passed to the door he exclaimed: “All right? How can a fellow be

anything else who has just had such a find?”

She paused at this, still looking earnest and asking: “What have you

found?”

“Some ancient family papers, in a secret compartment of my

writing-table.” And he took up the packet he had left out, holding it

before her eyes. “A lot of other things like that.”

“What are they?” murmured Mrs. Ryves.

“I haven’t the least idea. They’re sealed.”

“You haven’t broken the seals?” She had come further back.

“I haven’t had time; it only happened ten minutes ago.”

“I knew it,” said Mrs. Ryves, more gaily now.

“What did you know?”

“That you were in some predicament.”

“You’re extraordinary. I never heard of anything so miraculous; down two

flights of stairs.”

“_Are_ you in a quandary?” the visitor asked.

“Yes, about giving them back.” Peter Baron stood smiling at her and

rapping his packet on the palm of his hand. “What do you advise?”

She herself smiled now, with her eyes on the sealed parcel. “Back to

whom?”

“The man of whom I bought the table.”

“Ah then, they’re not from _your_ family?”

“No indeed, the piece of furniture in which they were hidden is not an

ancestral possession. I bought it at second hand—you see it’s old—the

other day in the King’s Road. Obviously the man who sold it to me sold

me more than he meant; he had no idea (from his own point of view it was

stupid of him), that there was a hidden chamber or that mysterious

documents were buried there. Ought I to go and tell him? It’s rather a

nice question.”

“Are the papers of value?” Mrs. Ryves inquired.

“I haven’t the least idea. But I can ascertain by breaking a seal.”

“Don’t!” said Mrs. Ryves, with much expression. She looked grave again.

“It’s rather tantalising—it’s a bit of a problem,” Baron went on, turning

his packet over.

Mrs. Ryves hesitated. “Will you show me what you have in your hand?”

He gave her the packet, and she looked at it and held it for an instant

to her nose. “It has a queer, charming old fragrance,” he said.

“Charming? It’s horrid.” She handed him back the packet, saying again

more emphatically “Don’t!”

“Don’t break a seal?”

“Don’t give back the papers.”

“Is it honest to keep them?”

“Certainly. They’re yours as much as the people’s of the shop. They

were in the hidden chamber when the table came to the shop, and the

people had every opportunity to find them out. They didn’t—therefore let

them take the consequences.”

Peter Baron reflected, diverted by her intensity. She was pale, with

eyes almost ardent. “The table had been in the place for years.”

“That proves the things haven’t been missed.”

“Let me show you how they were concealed,” he rejoined; and he exhibited

the ingenious recess and the working of the curious spring. She was

greatly interested, she grew excited and became familiar; she appealed to

him again not to do anything so foolish as to give up the papers, the

rest of which, in their little blank, impenetrable covers, he placed in a

row before her. “They might be traced—their history, their ownership,”

he argued; to which she replied that this was exactly why he ought to be

quiet. He declared that women had not the smallest sense of honour, and

she retorted that at any rate they have other perceptions more delicate

than those of men. He admitted that the papers might be rubbish, and she

conceded that nothing was more probable; yet when he offered to settle

the point off-hand she caught him by the wrist, acknowledging that,

absurd as it was, she was nervous. Finally she put the whole thing on

the ground of his just doing her a favour. She asked him to retain the

papers, to be silent about them, simply because it would please her.

That would be reason enough. Baron’s acquaintance, his agreeable

relations with her, advanced many steps in the treatment of this

question; an element of friendly candour made its way into their

discussion of it.

“I can’t make out why it matters to you, one way or the other, nor why

you should think it worth talking about,” the young man reasoned.

“Neither can I. It’s just a whim.”

“Certainly, if it will give you any pleasure, I’ll say nothing at the

shop.”

“That’s charming of you, and I’m very grateful. I see now that this was

why the spirit moved me to come up—to save them,” Mrs. Ryves went on.

She added, moving away, that now she had saved them she must really go.

“To save them for what, if I mayn’t break the seals?” Baron asked.

“I don’t know—for a generous sacrifice.”

“Why should it be generous? What’s at stake?” Peter demanded, leaning

against the doorpost as she stood on the landing.

“I don’t know what, but I feel as if something or other were in peril.

Burn them up!” she exclaimed with shining eyes.

“Ah, you ask too much—I’m so curious about them!”

“Well, I won’t ask more than I ought, and I’m much obliged to you for

your promise to be quiet. I trust to your discretion. Good-by.”

“You ought to _reward_ my discretion,” said Baron, coming out to the

landing.

She had partly descended the staircase and she stopped, leaning against

the baluster and smiling up at him. “Surely you’ve had your reward in

the honour of my visit.”

“That’s delightful as far as it goes. But what will you do for me if I

burn the papers?”

Mrs. Ryves considered a moment. “Burn them first and you’ll see!”

On this she went rapidly downstairs, and Baron, to whom the answer

appeared inadequate and the proposition indeed in that form grossly

unfair, returned to his room. The vivacity of her interest in a question

in which she had discoverably nothing at stake mystified, amused and, in

addition, irresistibly charmed him. She was delicate, imaginative,

inflammable, quick to feel, quick to act. He didn’t complain of it, it

was the way he liked women to be; but he was not impelled for the hour to

commit the sealed packets to the flames. He dropped them again into

their secret well, and after that he went out. He felt restless and

excited; another day was lost for work—the dreadful job to be performed

for Mr. Locket was still further off.

The Real Thing and Other Tales · 第 15 / 27 题