Go out to the Beaver-kill

"In the tassel-time of spring,"

and follow its brimming waters through the budding forests, to that

corner which we call the Painter's Camp. See how the banks are all

enamelled with the pale hepatica, the painted trillium, and the delicate

pink-veined spring beauty. A little later in the year, when the ferns

are uncurling their long fronds, the troops of blue and white violets

will come dancing down to the edge of the stream, and creep venturously

out to the very end of that long, moss-covered log in the water. Before

these have vanished, the yellow crow-foot and the cinquefoil will

appear, followed by the star-grass and the loose-strife and the golden

St. John's-wort. Then the unseen painter begins to mix the royal colour

on his palette, and the red of the bee-balm catches your eye. If you

are lucky, you may find, in midsummer, a slender fragrant spike of

the purple-fringed orchis, and you cannot help finding the universal

self-heal. Yellow returns in the drooping flowers of the jewel-weed,

and blue repeats itself in the trembling hare-bells, and scarlet is

glorified in the flaming robe of the cardinal-flower. Later still, the

summer closes in a splendour of bloom, with gentians and asters and

goldenrod.

You never get so close to the birds as when you are wading quietly down

a little river, casting your fly deftly under the branches for the wary

trout, but ever on the lookout for all the various pleasant things that

nature has to bestow upon you. Here you shall come upon the cat-bird at

her morning bath, and hear her sing, in a clump of pussy-willows, that

low, tender, confidential song which she keeps for the hours of domestic

intimacy. The spotted sandpiper will run along the stones before

you, crying, "wet-feet, wet-feet!" and bowing and teetering in the

friendliest manner, as if to show you the way to the best pools. In the

thick branches of the hemlocks that stretch across the stream, the tiny

warblers, dressed in a hundred colours, chirp and twitter confidingly

above your head; and the Maryland yellow-throat, flitting through the

bushes like a little gleam of sunlight, calls "witchery, witchery,

witchery!" That plaintive, forsaken, persistent note, never ceasing,

even in the noonday silence, comes from the wood-pewee, drooping upon

the bough of some high tree, and complaining, like Mariana in the moated

grange, "weary, weary, weary!"

When the stream runs out into the old clearing, or down through the

pasture, you find other and livelier birds,--the robins, with his sharp,

saucy call and breathless, merry warble; the bluebird, with his notes

of pure gladness, and the oriole, with his wild, flexible whistle; the

chewink, bustling about in the thicket, talking to his sweetheart in

French, "cherie, cherie!" and the song-sparrow, perched on his favourite

limb of a young maple, dose beside the water, and singing happily,

through sunshine and through rain. This is the true bird of the brook,

after all: the winged spirit of cheerfulness and contentment, the patron

saint of little rivers, the fisherman's friend. He seems to enter into

your sport with his good wishes, and for an hour at a time, while you

are trying every fly in your book, from a black gnat to a white miller,

to entice the crafty old trout at the foot of the meadow-pool,

the song-sparrow, close above you, will be chanting patience and

encouragement. And when at last success crowns your endeavour, and the

parti-coloured prize is glittering in your net, the bird on the bough

breaks out in an ecstasy of congratulation: "catch 'im, catch 'im, catch

'im; oh, what a pretty fellow! sweet!"

There are other birds that seem to have a very different temper. The

blue-jay sits high up in the withered-pine tree, bobbing up and down,

and calling to his mate in a tone of affected sweetness, "salute-her,

salute-her," but when you come in sight he flies away with a harsh cry

of "thief, thief, thief!" The kingfisher, ruffling his crest in solitary

pride on the end of a dead branch, darts down the stream at your

approach, winding up his red angrily as if he despised you for

interrupting his fishing. And the cat-bird, that sang so charmingly

while she thought herself unobserved, now tries to scare you away by

screaming "snake, snake!"

As evening draws near, and the light beneath the trees grows yellower,

and the air is full of filmy insects out for their last dance, the voice

of the little river becomes louder and more distinct. The true poets

have often noticed this apparent increase in the sound of flowing waters

at nightfall. Gray, in one of his letters, speaks of "hearing the murmur

of many waters not audible in the daytime." Wordsworth repeats the same

thought almost in the same words:

"A soft and lulling sound is heard

Of streams inaudible by day."

Little Rivers: A Book of Essays in Profitable Idleness(#1562) · 第 20 / 56 题