CHAPTER IX

We had the good fortune that year, Sarah and I, to be with a manager who

redeemed many O'Farrells. The Hardings--for his wife, under her stage

name of Estelle Manning, played with him and was the better half of all

his counsels--were of the sort of actor-managers to whom, if the

American stage ever arrives at anything commensurate with its

opportunity, it will owe much. They were not either of them of the

stripe of genius, but up to the limit of their endowment, sound, sincere

and able to interpret life to the people through the virtue of being so

humanly of the people themselves. It was very good for me to be with

them, not only for the stage craft they taught me, but for the healing

of my mind against the contagion of irresponsibility. The Hardings

taught me my way about the professional world, the management of my

gift, its market value, but I am not sure I do not owe much more to the

fact that they loved one another quite simply and devotedly, and to the

certainty which they seemed to make for us all that loyalty, truth, and

forbearance were part of the natural order of things.

I was aware, when I was with the Shamrocks, of a subconscious current

against which any mention of my husband appeared a kind of gaucherie;

it was wholesome for me then, to find it expected of me by the Hardings

that I should act better after I had received a long, affectionate

letter from Tommy, and to be able to refer to it quite unaffectedly.

Everybody in the company took the greatest interest in his coming on at

Christmas to spend four days with me.

We had a carefully chosen company, and clean, straightforward plays

which met with gratifying success. At the end of February, when traffic

was tied up during the great ice storm, I was near enough to get home to

Taylorville and spend a week there.

Tommy came to meet me and we were all happy together, mother sitting

nearly inarticulate in her chair, pleased as a child to see me doing all

the parts in our repertory, and Effie reading my press notices to

whoever could be got to listen to them. I seemed to have found the

groove in which the wheels of my life went round smoothly; I was

justified of much that in my girlhood I had been made to feel so sorely,

set me reprehensibly apart. I remember Forester telling how he had heard

Charlie Gowers retailing the incident of my having slapped him when he

tried to kiss me, getting a kind of reflected glory out of the incident

being so much to my credit.

I went back to Higgleston in May and was happier than I had been in the

six years of my married life. I had my work and my husband; all that I

wanted now was to bring the two into closer relation; it seemed not

unlikely of accomplishment. With what I had saved of my salary, Tommy

was able to make quite a payment on the business, and with the release

of that pressure the whole grip of Higgleston seemed to be loosed from

him. When I suggested that I might get permanent engagements in Chicago

or St. Louis, where he could establish himself, he was disposed to view

it as not unthinkable in connection with what might be expected from a

live business man.

I had to leave home early in the autumn for rehearsals, and to leave

Tommy, by some chance of the weather a trifle under it. I felt I

shouldn't have been able to do so if my husband and Miss Rathbone hadn't

been eminently on those terms that fulfilled Tommy's ideal in respect to

the womenfolk of his partner. Very likely, as she maintained, it was a

feeling of caste that rendered her professional affectionateness

offensive to me. One had to admit that when she applied it to her

shuffling, peering old father, with red-lidded eyes and a nose that

occasionally wanted wiping, it was every way commendable. At any rate I

was glad on this occasion to take what she did for old Rathbone as an

assurance that if Tommy fell ill, or anything untoward, he wouldn't lack

for anything a woman might do for him.

That winter Mr. Harding starred me, and what a wonderful winter it was!

Sarah says, taking account of the cold and the condition of the roads,

it was rather a hard one, but I was floated clear of all such

considerations on the crest of success. Nothing whatever seemed to have

gone wrong with it except that Tommy failed me at Christmas. He was to

have spent a week, but wired me at the last moment that he could not

leave before Wednesday, and then when he came stayed only until

Saturday. He had something to say about the pressure of the holiday

trade in neckties and cuff links such as the ladies of Higgleston

habitually invested in, on behalf of their masculine members, and all

the time he was with me, wore that efflorescence of appreciation which I

have long since learned to recognize as the overt sign of male

delinquency.

If I thought of it at all in that connection, it was clean swept out of

my mind by meeting early in January with Mr. Eversley and hearing him

first apply to myself that phrase which I have chosen for the title to

this writing. Mark Eversley, the greatest modern actor! So we all

believed. He had been an old friend of Mr. Harding's; they had had their

young struggles together; we crowded around our manager to hear him tell

of them; struggles which, in so far as they identified themselves with

our own, seemed to bring us by implication within reach of his present

fame. Eversley played in St. Louis while we were there, and having an

evening to spare, in spite of all the eager social appeal, chose to

spend it with the Hardings. They had had dinner together, and as Mr.

Harding did not come on until the second act, the great tragedian sat

with him in his dressing room, visiting together between the cues like

two boys in a dormitory. That was how Eversley happened to be standing

in the wings in my great third act, and as I came out between gusts of

applause after it, he was very kind to me.

"You will go far, little lady," said he, his lean face alive with

kindliness, "you will go farther and have to come back and pick up some

dropped stitches, but in the end you will get where you are bound." It

was not for me to tell him how the mere consciousness of his presence

had carried me that night to the utmost pitch of my capacity; I stood

and blushed with confusion while he fumbled for his card.

"I will hear of you again," he said; "I am bound to hear of you; in the

meantime here is my permanent address. It may be that I can be of use to

you when you come to the bad places."

"Oh," said Mrs. Harding, whose failure to win any conspicuous

distinction for herself had not embittered her, "she seems to have

cleared most of the hard places at a bound."

"My dear young lady," Eversley appealed to me with a charming

whimsicality, "whatever you do, don't let them put that into your head;

you will indeed need me if you get to thinking that. You are, I suspect,

a woman of genius, and in that case there will always be bad places

ahead of you--you are doomed, you are driven; they will never let up on

you."

Well, he should know; he was a man of genius. I hope it might be true

about me, but I was afraid. For to be a genius is no such vanity as you

imagine. It is to know great desires and to have no will of your own

toward fulfilment; it is to feed others, yourself unfed; it is to be

broken and plied as the Powers determine; it is to serve, and to serve,

and to get nothing out of it beyond the joy of serving. And to know if

you have done that acceptably you have to depend on the plaudits of the

crowd; the Powers give no sign; many have died not knowing.

There is no more vanity in calling yourself a woman of genius if you

know what genius means, than might be premised of one of the guinea pigs

set aside for experimentation in a laboratory; but the guinea pigs who

run free in the garden impute it to us. I wrote my mother and Tommy what

Eversley had said, but I knew they would see nothing more in it than

that he had paid me a compliment which it would not be modest to make

much of in public.

The successes of that year prolonged the season by a month, and by the

time I got home to Higgleston the leaves were all out on the maples and

the wide old yards smelled of syringa. I came back to it full of the

love of the world, alive in every fibre of my being, and the first thing

I noticed was that it caused my husband some embarrassment. There was a

shyness in his resumption of our relations more than could be accounted

for by the native Taylorvillian gaucheries of emotion.

"My dear," I protested, "you don't seem a bit glad to see me."

"You are away so much," he excused. "You're getting to seem almost a

stranger."

"Getting? I should say I am. This morning it seemed to me almost as if I

waked up in another woman's house." I meant no more than to suggest how

little the walls of it, the furniture, the draperies, expressed my new

mood of creative power, but suddenly I saw my husband colour a deep,

embarrassed red.

"You never did take any interest in our life here ... in the

business ... in me." He seemed to be making out a case against me.

"Don't say in you, Tommy; but the life here, yes; there is so little to

it. Another year and Mr. Harding says I could hope to stay in Chicago."

My husband pushed away his plate; we were at breakfast the second

morning.

"Higgleston's good enough for me," he protested. He got up and stood at

the window with his back to me, looking out at the side street and the

tardy traffic of the town beginning to stir in it. "When you hate it

so," he said, "I wonder you come back to it." But my mood was proof

against even this.

"Oh, Thomas, Thomas!" I got my hands about his arm and snuggled my head

against it. "And you can't even guess why I come back?" He looked at me,

vaguely troubled by the caress, but not responding to it.

"Do you care so much?"

"Ever and ever so." I thought he was in need of reassurance.

I hardly know when I began to get an inkling of what was wrong with him;

it trickled coldly to me from dropped words, inflections, sidelong

glances. Whenever I went out I was aware of all Higgleston watching,

watching like a cat at a mouse-hole for something to come out. What?

Reports of my success had reached them through the papers. Were they

looking for some endemic impropriety to break out on me as a witness to

what a popular actress must inevitably become? By degrees it worked

through to me that all Higgleston knew things about my situation that

were held from me. What they expected to see come out in my behaviour

was the stripe of chastisement.

When I had been at home four or five days it occurred to me Miss

Rathbone had not yet run in to see me with that quasi-familiarity which

had grown out of the business association of our men. Old Rathbone had

said that she had the trousseau of one of the Harvey girls in hand, but

I knew that if the courtesy had been due from me, I couldn't have

neglected it without the risk of being thought what Miss Rathbone

herself would have called uppish. So the very next afternoon, having

fallen in with some Higgleston ladies strolling the long street that led

through the town from countryside to countryside, passing her gate, it

struck me that here was an excellent opportunity to run in and exchange

a greeting with her. I said as much to Mrs. Ross and Mrs. Harvey, as I

swung the picket gate out across the board walk; there was something in

their way of standing back from it that gave them the air of sheering

off from any implication in the incident. They looked at the sidewalk

and their lips were a little drawn; I should have known that look very

well by that time. I threw out against it just that degree of impalpable

resistance that was demanded by my official relation to the women of my

husband's business partner, and clinched it with the click of the gate

swinging to behind me, but as I went up the peony-bordered walk I

wondered what Miss Rathbone would possibly have done to get herself

talked about.

I was let into the workroom by Tillie Hemingway, in the character of a

baster, with her mouth full of threads; Miss Rathbone came hurrying from

a fitting, and in the brief moment of crossing my half of the room to

meet her I was aware that she had turned a sickly hue of fear. She must

have seen me coming up the street with the other women, I surmised, and

guessed that I knew. I felt a kind of compulsion on me to assure her by

an extra graciousness that I did not know, and that it wouldn't make any

difference if I did. She was not changed at all except perhaps as to a

trifle more abundance of bosom and a greater insensibility to the pins

with which she bristled. There was the same effect of modishness in the

blond coiffure with the rats showing, and the well cut, half-hooked

gown, but she seemed to know so little what to do with my visit that I

was glad to cut it short and get away into the wide, overflowing day. I

went on under the maples in leafage full and tender, following the faint

scent of the first cutting of the meadows, quite to the end of the

village and a mile or two into the country road, feeling the working of

the Creative Powers in me, much as it seemed the sentiment earth must

feel the summer, a warm, benignant process. I was at one with the soul

of things and knew myself fruitful. At last when the dust of the roadway

disturbed by the homing teams, collected in layers of the cooler air,

and the bats were beginning, I tore myself away from the fair day as

from a lover and went back to Tommy waiting patiently for his supper.

While I was getting it on the table I recalled Miss Rathbone.

"What," I said, "has she been doing to get herself talked about?"

Suddenly there whipped out on his face the counterpart of the flinching

which I had noted in the dressmaker.

"Who said she had been talked about? What have they been telling you? A

pack of lying old cats!"

"So she _has_ been talked about?" I put down a pile of plates the better

to account to myself for his excitement.

"I might have known somebody would get at you. Why can't they come to

me."

"Tommy! Has Miss Rathbone been talked about with _you_? Oh, my dear!" I

meant it for commiseration. Tommy went sullen all at once.

"I don't want to talk about it. I won't talk about it!"

"You needn't. And as for what the others say, you don't suppose I am

going to believe it?" He turned visibly sick at the assurance.

"I'll tell you about it after supper," he protested. "I meant to tell

you." I kept my mind turned deliberately away from the subject until it

was night and I heard the last tardy customer depart, then the shutters

go up, and after a considerable interval my husband's foot upon the

stairs.

I hope I have made you understand how good he was, with what simple sort

of goodness, not meant to stand the strain of the complexity in which he

found himself. He wanted desperately to get out of it, to get in touch

again with straight and simple lines of living. As he stood before me

then his face was streaked red and white with the stress of the

situation, like a man after a great bodily exertion. I was moved

suddenly to spare him--after all what was the village dressmaker to us?

Tommy flared out at me.

"She is as good as you are ... she's as pure ... as kind-hearted. It's

as much your fault as anybody's. You were away; you were always away."

His voice trailed out into extenuation. There fell a long pause in which

several things became clear to me.

"Tell me," I said at last.

Tommy sat down on the red plush couch. He had taken off his coat

downstairs, for the evening was warm. There was pink in his necktie and

the freckles stood out across his nose. I was taken with a wild sense of

the ridiculous. Miss Rathbone, I knew, was six years my husband's

senior.

"I went there a good deal last winter," he began. "I never meant any

harm ... my business partner ... it was lonesome here. Of course I ought

to have known people would talk. Nobody told me. She was brave, she bore

it a long time, and then I saw that something was the matter. I didn't

know until she told me, how fond of her I was----"

"Tommy, Tommy!" Strangely, it was I crying out. "Fond of her? Fond of

_her_?"

"I was fond of her," he insisted dully. "She suffered a lot on account

of me." The words dropped to me through immeasurable cold space. I

believe there were more explanations, excusings. I was aware of being

wounded in some far, unreachable place. I sat stunned and watched the

widening rings of pain and amazement spread toward me. By and by tears

came; I cried long and quietly. I got down on the floor at my husband's

knees and put my arms about his body, crying. After a time I remember

his helping me to undress and we got into bed. We had but the one. I

know it now for the sign that I never loved my husband as wives should

love, that I felt no offence in this; sex jealousy was not awake in me.

We lay in bed with our arms around one another and cried for the pain

and bewilderment of what had happened to us.

A Woman of Genius · 第 9 / 12 章