ICON.

Our readers know that we ourselves recently noticed the tendency of too

many of our correspondents to depart from the courteous spirit by which

the earlier communications to this Journal were distinguished. The

intention we then announced of playing the tyrant in future, and

exercising with greater freedom our "editorial privilege of omission,"

we now repeat yet more emphatically. ICON well remarks that we are much

in the power of our contributors. Indeed we are more so than even he

supposes.

An article on the _Notes and Emendations_ which lately appeared in our

columns concluded, in its original form, with an argument against their

genuineness, based on the use of a word unknown to Shakspeare and his

cotemporaries. This appeared to us somewhat extraordinary, and a

reference to Richardson's excellent Dictionary proved that our

correspondent was altogether wrong _as to his facts_. We of course

omitted the passage; but we ought not to have received a statement

founded on a mistake which might have been avoided by a single

reference to so common a book.

Again, at p. 194. of the present volume, another correspondent, after

pointing out some coincidences between the old Emendator and some

suggested corrections by Z. Jackson, and stating that MR. COLLIER never

once refers to Jackson, proceeds: "MR. SINGER, however, talks

familiarly about Jackson, in his _Shakspeare Vindicated_, as if he had

him at his fingers' ends; and yet, at p. 239., he favours the world

with an _original_ emendation (viz. 'He did _behood_ his anger,'

_Timon_, Act III. Sc. 1.), which, however, will be found at page 389.

of Jackson's book." Now, after this, who would have supposed that, as

we learn from MR. SINGER, "MR. INGLEBY has founded his charge on such

slender grounds as one cursory notice of Jackson at p. 288. of my book,

where I mentioned him merely on the authority of MR. COLLIER." And who

that knows MR. SINGER will doubt the truth of his assertion, that he

has not even seen Jackson's book for near a quarter of a century, and

that he had not the slightest reason to doubt that the conjecture of

_behood_ for _behave_ was his own property?[2]

But there is another gentleman who, although he has never whispered a

remonstrance to us upon the subject, has even more grounds of complaint

than MR. SINGER, for the treatment which he has received in our

columns; we mean our valued friend and contributor MR. COLLIER, who we

feel has received some injustice in our pages. But the fact is that,

holding, as we do unchanged, the opinion which we originally expressed

of the great value of the _Notes and Emendations_--knowing MR.

COLLIER'S character to be above suspicion--and believing that the

result of all the discussions to which the _Notes and Emendations_ have

given rise, will eventually be to satisfy the world of their great

value,--_we_ have not looked so strictly as we ought to have done, and

as we shall do in future, to the tone in which they have been discussed

in "N. & Q."

And here let us take the opportunity of offering a few suggestions

which we think worthy of being borne in mind in all discussions on the

text of Shakspeare, whether the object under consideration be what

Shakspeare actually wrote, or what Shakspeare really meant by what he

did write.

First, as to this latter point. Some years ago a distinguished scholar,

when engaged in translating Goethe's _Faust_, came to a passage involved

in considerable obscurity, and which he found was interpreted very

differently by different admirers of the poem. Unable, under these

circumstances, to procure any satisfactory solution of the poet's

meaning, the translator applied to Goethe himself, and received from him

the candid reply which we think it far from improbable that Shakspeare

himself might give with reference to many passages in his own

writings,--"That {263} he was very sorry he could not assist him, but

he really did not know exactly what he meant when he wrote it." We

doubt not some of our contributors could supply us with many similar

avowals.

This opinion will no doubt offend many of those blind worshippers of

Shakspeare, who will not believe that he could have written a passage

which is not perfect, and who, consequently, will not be satisfied with

any note, emendation, or restoration which does not make the passage

into which it is introduced "one entire and perfect chrysolite." But

this is unreasonable. We have direct evidence of the imperfect

character of much that Shakspeare wrote. When told that Shakspeare had

never blotted a line, Ben Jonson--no mean critic, and no unfriendly

one--wished he had "blotted a thousand." Would rare Ben have uttered

such a wish ignorantly and without cause? We believe the existence of

such defects in the writings of Shakspeare, as they were left by him.

It follows, therefore, that in our opinion Shakspeare is under great

obligations to the undeservedly-abused commentators.[3] It would be

strange indeed, when we consider how many men of genius and learning

have busied themselves to illustrate his writings, if none of them

should have caught any inspiration from his genius. We believe they

have done so. We believe Theobald's "babbled o' green fields" to be one

of many instances in which, with reference to some one particular

passage, the scholiast has proved himself worthy of and excelling his

author. Yes, Shakspeare, the greatest of all uninspired writers, was

but mortal; and his worshippers would sometimes do well bear in mind

that their golden image had but feet of clay.

[Footnote 1: We had not seen this very able article until our attention was

called to it by this letter. We regret that the author of it was not aware

of what had been written in "N. & Q." on many of the points discussed by

him. Such knowledge might have modified some of his views.]

[Footnote 2: On this point we would call especial attention to MR.

HALLIWELL'S communication on the _Difficulty of avoiding Coincident

Suggestions on the Text of Shakspeare_, which will be found in our present

Number.]

[Footnote 3: One of the most specious arguments which have been advanced

against the genuineness of the _Notes and Emendations_ is, that they agree

in many instances with readings which had been suggested many years before

the discovery of the MS. Notes. Of course it is obvious that, wherever the

readings are right, they must do so; and these coincidences serve to

satisfy us of the correctness of both.]

* * * * *

Notes.

Notes and Queries, Number 203, September 17, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 10 / 149 题