—— Pure (Mrs Centlivre’s A Bold Stroke for a Wife), iii. 143; vii. 186;
ix. 159.
Simpkins, Jas., xii. 1.
Simple Story (Mrs Inchbald’s), vi. 364; vii. 303; viii. 127; xii. 437.
Simplon, The, vii. 169, 177; ix. 182, 278, 279–82, 290, 296.
Simpson, Mr (picture cleaner), ii. 198.
Sinbad, the Sailor, vii. 24; ix. 121.
Sinclair, John, viii. 370; xi. 374.
Single Plays, Poems, etc., The Four P’s, The Return from Parnassus,
Gammer Gurton’s Needle, and other works, On, v. 274.
Singleton, Henry, xi. 247.
Sion (in Switzerland), ix. 282.
—— House, picture of (Wilson’s), ii. 165; xi. 199.
Sir Alfred Irthing (in Wordsworth’s Excursion), i. 124.
—— Amorous La Foole (Ben Jonson’s Silent Woman), viii. 43.
—— Andrew Aguecheek (in Shakespeare’s Twelfth Night), i. 314, 315;
viii. 36, 43, 165, 510; xii. 24.
—— Anthony Absolute (in Sheridan’s Rivals), iii. 226; viii. 117, 165,
509; x. 35; xi. 307, 396.
—— Archy Mac Sarcasm (Macklin’s Love à la Mode), viii. 350.
Sir Benjamin Constant (Murphy’s Know your Own Mind), viii. 164.
—— —— Dove (in Cumberland’s Brothers), ii. 83, 206.
—— Benjamin Backbite (in Sheridan’s School for Scandal), viii. 251,
292, 329.
—— Charles Grandison (Richardson’s), ii. 130; iii. 226; iv. 371; v. 15;
vi. 90, 400; viii. 118, 120, 186; ix. 59, 282, 432; x. 36, 37–9; xi.
254; xii. 33, 62.
—— —— Racket (Murphy’s Three Weeks After Marriage), viii. 427.
—— Clement Willoughby (in Miss Burney’s Cecilia), xii. 65.
—— David Daw (Cumberland’s Wheel of Fortune), xi. 207.
Sir Edward Mauley (in Scott’s Black Dwarf), vii. 345; viii. 129.
—— —— Mortimer (G. Colman the younger’s The Iron Chest), viii. 241,
343.
—— Epicure Mammon (in Ben Jonson’s Alchemist), vii. 141; viii. 45; x.
117; xi. 171.
—— Eustace Gray (Crabbe’s), xi. 606.
—— Fopling Flutter, or, The Man of Mode (Etherege’s), iii. 67; vi. 187;
vii. 42, 224; viii. 68, 82; xii. 13.
—— Francis, iv. 379 _n._
—— Fretful Plagiary (Sheridan’s Critic), viii. 164.
—— George Versatile (in Holcroft’s He’s Much to Blame), ii. 162.
—— Giles Mompesson (in a play), viii. 390.
—— —— Overreach (Massinger’s A New Way to Pay Old Debts), v. 213, 268
_n._; viii. 272, 284, 289, 290, 291, 302, 390, 472; xi. 352.
—— Harry Beagle (in Colman the elder’s Jealous Wife), viii. 163, 317,
505.
—— —— Moredon (in Leigh’s Where to Find a Friend), viii. 258, 259.
—— —— Sycamore (in Bickerstaffe’s Maid of The Mill), ii. 83.
—— —— Wildair (Farquhar’s), i. 158; viii. 86, 163; xii. 33.
—— Henry Chomley (in Mrs Charles Kemble’s Smiles and Tears, or, Widow’s
Stratagem), viii. 266.
—— Hugh Evans (Shakespeare’s Merry Wives), i. 425; iv. 162; v. 294;
viii. 22.
—— —— Middleton’s Head (an inn), viii. 439.
—— Jasper Herrington (in Miss Burney’s The Wanderer), x. 44.
—— John Barleycorn, ii. 2; xii. 314.
Sir John Brute (in Vanbrugh’s Provoked Wife), viii. 83.
—— —— the Curate (in Merry Devil of Edmonton), v. 294.
—— —— Daw (in Ben Jonson’s Silent Woman), viii. 43.
—— —— Falstaff (in Shakespeare), i. 6, 23, 43, 64, 291, 293, 425; v.
209 _n._, 239, 252; vi. 409, 504; viii. 22, 32, 33, 103, 165, 340,
343; ix. 36, 190; x. 121, 243; xi. 311, 365; xii. 453.
—— —— Lambert (in Bickerstaffe’s Hypocrite), viii. 245, 246.
—— —— Oldcastle, a play (? Munday and Drayton), v. 289; x. 117.
—— Joseph Banks and Emperor of Morocco (Peter Pindar’s), viii. 168.
—— Lennox Leinster (Theodore Hook’s Diamond Ring), viii. 475.
—— Leoline (Coleridge’s Christabel), v. 166; x. 413.
—— Lucius O’Trigger (in Sheridan’s Rivals), viii. 508.
—— Martin Mar-all (Dryden’s), viii. 69.
—— Oliver Surface (Sheridan’s School for Scandal), viii. 251.
—— Paul Pliant (Congreve’s Double Dealer), viii. 72.
—— Pertinax Macsycophant (Macklin’s Man of The World), viii. 166, 299,
300, 318, 350.
—— Peter Pigwiggin (in Pigeons and Crows), viii. 469.
—— —— Teazle (Sheridan’s School for Scandal), viii. 251, 291, 388, 465;
xi. 392; xii. 24.
—— Pierce Exton (in Shakespeare’s Richard II.), i. 297.
—— Plume (in Hogarth’s Marriage à la Mode), i. 25; viii. 134; ix. 76;
xi. 498.
—— Politic Would-be (in Ben Jonson’s Volpone), viii. 43.
—— Ralph (in a play by Holcroft), ii. 221.
Sir Reginald Front de Bœuf (in play founded on Ivanhoe), viii. 426.
—— Robert Bramble (G. Colman the younger’s Poor Gentleman) viii. 319;
xi. 376.
—— Roderick (in Return from Parnassus), v. 284.
—— Roger de Coverley (in Addison’s Spectator), i. 8, 12, 83; iv. 246,
367; viii. 97, 98, 151, 152; x. 310; xii. 35.
—— Roland de Vaux of Tryermaine (in Coleridge’s Christabel), v. 166; x.
415.
—— Rowland (Congreve’s Way of the World), viii. 75.
—— Sampson Legend (in Congreve’s Love for Love), i. 12; viii. 72, 151,
278.
—— Sedley Clarendel (Miss Burney’s Camilla), xi. 345.
—— Solomon Sadlife (in Cibber’s Double Gallant), viii. 361.
—— Thomas Booby (in Fielding’s Tom Jones), vii. 363; viii. 107; x. 27;
xi. 435.
—— —— Grandison (Richardson’s Sir Charles Grandison), xii. 154 _n._
—— Toby Belch (in Shakespeare’s Twelfth Night), iii. 213; viii. 32.
—— Tophas (in John Lyly’s Midas and Endymion), v. 198, 201.
—— Tunbelly Clumsy (in Sheridan’s Trip to Scarborough), vi. 414; viii.
37, 83.
—— Wilful Witwond (in Congreve’s Millamant), viii. 37, 74.
Sirens, The, x. 12.
Sisera, xi. 321.
Sismondi, Simonde de, x. 79.
Sismondi’s Literature of the South, x. 44.
Sistina, The Via, at Rome, ix. 233.
Sistine Chapel, vi. 346, 363; ix. 232, 235, 341, 360, 366, 371; x. 354.
Sitting For One’s Picture, On, vii. 107.
Skeffington, Sir Lumley St George, vi. 13.
Sketch-Book (Irving’s), iv. 367.
Sketches of The History of The Good Old Times, xi. 582.
—— of Man (Lord Kaimes’), ii. 271.
—— of the Principal Picture Galleries in England, i. 419.
Skiddaw, ii. 329; iv. 270, 274; xi. 552.
Skinner, Cyriac, Sonnet to, vi. 177.
Slade (a village), ii. 166.
Slaukenbergius (Sterne’s Tristram Shandy), iii. 127; viii. 8.
Slave, The (a play), xi. 397.
Slave Trade, The, iii. 294; iv. 330.
Sleeping Child (Murillo’s), ix. 54.
—— Nymph (Titian’s), ix. 25.
—— —— and Satyr (Polemberg’s), ix. 20.
Sleigh, Dr, ix. 415.
Slender (Shakespeare’s Merry Wives), vi. 433; viii. 15.
“Slippery George” (Canning), ix. 187 _n._
Slipslop, Mrs (in Fielding’s Tom Jones), vii. 223; viii. 12, 115; x.
33.
Sly (in Shakespeare’s Taming of the Shrew), iii. 434.
Small-coal Man’s Musical Parties (Thomas Britton), vii. 35.
Smalridge, Bishop, iii. 408.
Smart, Christopher, v. 122.
—— John, ii. 224.
Smeaton, John, vi. 511.
Smiles and Tears, or, The Widow’s Stratagem (Mrs Charles Kemble), viii.
266.
Smirk (in Foote’s The Minor), ii. 170; viii. 167.
Smirke, Sir Robert, vi. 278.
Smith (in Scott’s Peveril of the Peak), xi. 540.
—— (an author), v. 359.
Smith, Adam, i. 138; ii. 415; iv. 400; vi. 49; vii. 185, 271, 464; xi.
289; xii. 262.
—— Alderman, iii. 213.
—— Rev. G., ii. 174.
—— Horace, xii. 276 _n._
—— Raphael, vi. 404.
—— William, iii. 237, 238; vi. 67; ix. 55.
—— Mr (actor), viii. 301, 370, 529; xi. 303.
—— Mr (a surgeon), ii. 194; vii. 408.
—— Miss, viii. 180, 515.
Smiths, The (in Miss Burney’s Evelina), vi. 157; vii. 72; viii. 124; x.
42; xi. 442.
Smithfield, ii. 213; iii. 239, 266; iv. 83 _n._; vi. 428; xi. 323, 443.
Smithson, Sir Hugh, x. 172.
—— Miss, xi. 391.
Smock Alley, ii. 63.
Smollett, Tobias, i. 138; ii. 328; iv. 365; vii. 36, 70; viii. 107,
112, 113, 115, 116, 117, 133, 174, 510, 552; ix. 391; x. 27, 31, 32,
34, 35; xii. 64, 145, 253–4 _n._
Smug the Smith (in Merry Devil of Edmonton), v. 294.
Smugglers’ Cave. See Up all Night.
Snake in the Grass, The (a picture), vi. 437.
Snug the Joiner (Shakespeare’s Midsummer Night’s Dream), viii. 275;
xii. 74 _n._
Snyders, Franz, ix. 54.
Soane, John, i. 144; viii. 426.
Social Contract (Rousseau’s), vii. 224; xi. 47.
Society of Arts, vi. 449; ix. 421, 422.
—— of Authors, xi. 346.
—— for Constitutional Information, ii. 140, 142.
—— for the Encouragement of Arts, Manufactures, and Commerce, etc., ix.
420.
—— of Painters in Oil and Water Colours, ix. 309.
Society for the Suppression of Vice, i. 60, 139; viii. 33, 283.
—— A New View of, iii. 121.
Socinians, x. 360.
Socinus, iv. 217; xi. 420.
Socrates, vi. 111; viii. 28; x. 346, 348; xi. 228, 491.
Soho Square Bazaar, xii. 131.
Solander, Dr Daniel Charles, ii. 203.
Soldier, The Tired (song in Arne’s Artaxerxes), viii. 192.
Soldier’s Daughter (Cherry’s comedy), viii. 537; xi. 297.
Solfatara, Stream of, ix. 256.
Soliloquy on Death, The (in Addison’s Cato), v. 356.
—— On Honour (in G. Colman the younger’s The Iron Chest), viii. 344.
Solitude (Wilson’s), xi. 199.
—— (Zimmerman’s), i. 340.
Solomon, iii. 146, 147, 394.
—— (Haydon’s painting), ix. 309.
—— (Prior’s), v. 106.
—— Mr, ii. 164.
Solomon’s Temple, ix. 348; xii. 263.
Somasco, College of the, x. 277, 287.
—— Monastery of the, x. 283.
Somers, Lord John, iii. 401; iv. 250.
Somers Town, ii. 345; xii. 148, 349.
Somerset House, vi. 270, 296, 435; vii. 90; ix. 12, 48, 126, 324, 463,
480; x. 195; xi. 247.
—— Street, ii. 264.
Somersetshire, iii. 409; ix. 185; x. 416; xii. 265, 346.
Somerville, William, v. 122.
—— Miss (actress), viii. 307, 352, 392, 530; xi. 302, 403.
Sompnoure, The (Chaucer’s), v. 24, 25.
Son-in-Law, The (John O’Keefe’s), i. 155; viii. 230, 388.
Songs (Campbell’s), iv. 347.
Songs and Sonnets (Southey’s), v. 164.
Sonino (a town), ix. 249.
Sonnets and Inscriptions (Southey’s), iii. 205.
Sontag, Mademoiselle, xi. 370, 372.
Sophi, The, iii. 142.
Sophia, granddaughter of James I., iii. 405.
—— (in Holcroft’s The Road to Ruin), ii. 123.
—— Western (in Fielding’s Tom Jones), i. 44; vi. 452, 453; vii. 221;
viii. 144, 153, 506, 556; x. 32; xii. 364, 435.
Sophocles, iii. 336; iv. 216; v. 347; vi. 111; viii. 396; x. 81–2,
94–7, 248; xii. 168.
Sorceror, The (Weber’s), ii. 222.
Sospetto d’ Herode (Marino’s in Crashaw’s translation), v. 315.
Sorrentum (a town), ix. 253.
Sophron, x. 100.
Sorrows of Werter, The (Goethe’s), iv. 217; v. 362.
Sotheby, William (friend of Scott), iv. 421; ix. 473; xii. 276, 492.
Soul, The, a poem (Davies), viii. 53.
South, Robert, iv. 216; xi. 124; xii. 266.
—— Audley Chapel, xii. 132.
—— —— Street, ii. 55; ix. 158; xii. 132.
—— Sea House, iv. 364.
—— —— Isles, The, xii. 284.
Southampton Buildings (London), ii. 88, 95, 106, 163.
—— Coffee House, vi. 192, 197.
Southcott, Joanna, iii. 297; x. 121; xii. 297.
Southern, Thomas, v. 359; viii. 162; xi. 301–303.
Southey, Robert, iv. 262; also referred to in i. 152, 388, 391; iii.
34, 48–51, 92 _n._, 99, 121, 126, 145, 149, 157, 177, 193, 200, 205,
210, 220, 224, 242, 246, 249, 258, 262, 277–80, 295–6, 302, 311,
312, 319, 433, 448; iv. 202, 218, 308, 329, 361; v. 40, 147, 162,
164, 377; vi. 67, 151–2, 176; vii. 16, 102, 321, 374, 514; viii. 24,
362, 422; ix. 216; x. 20, 135, 139, 140, 141, 235, 238 _n._, 244,
410, 416; xi. 256 _n._, 328, 342, 411, 413, 423, 444, 448, 457, 486,
493, 503, 512; xii. 116, 187, 267, 271, 275, 295, 358.
Southey, Poet Laureate, iii. 48.
—— Robert, A Letter to William Smith, iii. 210, 218, 224.
Southey’s (Mr) New-Year’s Ode, iii. 49.
Southgate, ii. 175.
Southwark Fair, The (Hogarth’s), viii. 144.
Sowerby, Mr (actor), viii. 190.
Spagnoletti, lo. See Ribera, Josef.
Spain, iii. 23, 51, 55, 99, 106, 158, 162, 216, 228, 393; iv. 93; v.
186; vi. 156; vii. 52; viii. 111, 442; xi. 317, 554.
Spanish America, iii. 235, 270.
—— —— Revolution in (1820), vii. 52.
—— Girl with Flowers (Murillo’s), ix. 25.
—— Inquisition, The, vii. 243.
—— Painters, ix. 389.
—— Refugees, Articles on (Stoddart’s), ix. 143 _n._
—— Rogue, or, Guzman de Alfarache (Aleman’s), i. 12, 123; vi. 419;
viii. 111, 151; xii. 142.
—— Tragedy, The (Kyd’s), v. 289, 294.
Sparke, Anthony, xi. 321.
Sparkish (in Wycherley’s Country Girl), i. 12; v. 231; viii. 36, 77,
151; xi. 276.
Sparks, Mrs, ii. 78; viii. 246, 255, 258, 301, 329; xi. 307, 396.
Speaker (William Enfield’s), v. 90, 147; vi. 294.
Speaker’s house, iii. 128.
Specimens of Early Dramatic Poetry (Lamb’s), i. 194; v. 213; xi. 298.
Spectator, The, i. p. xxxi, 8, 9, 83, 370, 372; ii. 42; iii. 405; iv.
367; vi. 278 _n._; vii. 226; viii. 95, 97, 99, 100, 158; ix. 92; xi.
543; xii. 19, 179, 331.