Anastasius, vii. 220.
Anatomy of Melancholy (Burton’s), iv. 365; vi. 225.
Ancient Britons (the corps), ii. 176.
—— Mariner (Coleridge’s), iii. 205; iv. 218; v. 166, 377; viii. 14;
xii. 236, 273, 319, 460.
—— Pistol (Shakespeare’s Henry IV., etc.), i. 425; iii. 54.
—— and Modern Literature, On Spirit of; On German Drama contrasted with
that of Age of Elizabeth, v. 345.
Ancona, View of (Wilson’s), xi. 199.
Andalusia, Castle of (O’Keeffe’s), viii. 329.
Anderson, Dr, v. 124.
Andes, iv. 193; vii. 255; viii. 415.
Andrea del Sarto, vi. 11; ix. 25, 51, 226.
Andromache (Racine’s), viii. 334.
Andromeda (Guido’s), vi. 441; viii. 253; ix. 61, 237.
Andrugio (in Marston’s Antonio and Mellida), v. 225.
Angelica (Congreve’s Love for Love), i. 133; viii. 15, 152, 555.
—— and Medora (a picture), ii. 212, 227; v. 3; x. 71.
Angelo (in Shakespeare’s Measure for Measure), i. 346, 347.
—— Michael. See Michael Angelo.
Angerstein, John Julius, vi. 174, 346; ix. 9, 35, 75, 113, 439.
Angerstein’s Collection, ix. 7.
Angiers, i. 311.
Anglade Family (or Accusation, by Payne), viii. 279.
Anglaises pour rire (a play), xi. 366.
Angler. See Complete Angler.
Angrisani (Signor), viii. 365, 371; xi. 308.
Anhalt (in Lovers’ Vows, Mrs Inchbald’s version of Kotzebue’s Natural
Son), viii. 249.
Anjou, Charles of, x. 56.
Anlaff the Dane (in Holcroft’s The Noble Peasant), ii. 110.
Anna, Verses upon (Gifford’s), iv. 302; vi. 221.
—— St Ives (Holcroft’s), ii. 128, 132, 136, 201, 279.
Annabel (in Holcroft’s The Man of Ten Thousand), ii. 160.
Annabella (in Ford’s ’Tis a Pity She’s a Whore), v. 269.
Anne Page (in Shakespeare’s Merry Wives), i. 350; ix. 36.
—— Queen, i. 8, 138; iii. 405; iv. 212, 217, 367; v. 82, 104, 105; vi.
113, 322, 323, 376, 445; viii. 96; x. 73, 205, 310, 358, 373, 374,
377, 378; xii. 405.
Annecy (town), i. 17; v. 100; vii. 304.
Annesley (a novel), x. 392.
Annual Anthology, iii. 211.
—— Register, ii. 56.
Annunciation (Guido’s), ix. 111.
Annus Mirabilis, The (Dryden’s), v. 81.
Anselme (in Molière’s L’Avare), xi. 379.
Anstey, Christopher, viii. 560.
Antæus, i. 160; iv. 38.
Antigone (Sophocles), x. 81, 97.
Antigonus (Shakespeare’s Winter’s Tale), i. 324.
Anti-Jacobin Review, i. 401; iii. 219, 238, 261, 262, 295; v. 164; x.
139, 158, 225.
Antinous, The (statue), vii. 167; viii. 149; ix. 107, 350, 378; xi.
228, 486, 542.
Antipholis (in Shakespeare’s Comedy of Errors), i. 351; iv. 341; vi.
58; viii. 401.
Antipodes, xii. 279.
Antiquary (Scott’s), iv. 248; vii. 156; viii. 413, 425; ix. 202; xi.
558.
Antiquaries, Society of, viii. 335.
Antiquity, On, vii. 252.
Antonines, The, ix. 366.
Antonio (in Middleton’s Witch), v. 218.
—— (Shakespeare’s Merchant of Venice), i. 321; viii. 179, 250, 374; xi.
417.
—— (Godwin’s), iv. 210 _n._; xii. 326.
—— and Mellida (Marston’s), v. 224, 225.
Antony (Shakespeare’s Julius Cæsar and Antony and Cleopatra), i. 197;
iv. 183; vii. 264.
—— and Cleopatra (Shakespeare’s), i. 228; v. 50, 253; viii. 190;
also referred to, i. 195; v. 253; viii. 31, 389; ix. 27.