A. (Mr), vi. 390.
Aaron (Shakespeare’s Titus Andronicus), i. 357; v. 207.
Aaron’s Rod, iv. 63.
Abbot’s Ford, iv. 245.
Abbott, William, vi. 277; viii. 235, 266, 292, 333, 335, 413, 455; xi.
402.
—— Mr Speaker (Lord Colchester), iv. 199; xii. 370.
À Becket, Thomas, v. 143.
A’Beckett, Gilbert, v. 143.
Abednego, iii. 265.
Abel Drugger (Ben Jonson’s The Alchemyst), ii. 76 _n._, 79; vi. 273,
418; viii. 227, 228; xii. 33.
Abelard and Eloise (Pope’s), v. 75.
—— Peter, iv. 213; v. 75; vii. 96; ix. 146, 354; xii. 165.
Aben Hamet (in Dimond’s Conquest of Taranto), viii. 368.
Aberdeen, ii. 209; viii. 290; ix. 492.
Abernethy, John, vi. 62.
Abhorson (in Shakespeare’s Measure for Measure), i. 346.
Abimelech Henley (in Holcroft’s Anna St Ives), ii. 128.
Abinger, Lord (Mr Scarlett), vii. 174 _n._, 516.
Abington, Mrs, i. 157; vi. 426, 453; viii. 74, 174, 393; ix. 147; xii.
24.
Aboam (in Southerne’s Oroonoko), xi. 302.
Abraham Adams (in Fielding’s Joseph Andrews), viii. 106; x. 328.
Abruzzi, The Passes of the, ix 255, 259; x. 283, 291.
Absalom and Achitophel (Dryden), v. 80.
Abstract Ideas, On, xi. _p._ v., 1.
—— —— xi. 1.
Abstraction, On, xi. 180.
Academie de Musique, viii. 363.
Academy, at Bologna, ix. 205, 264.
—— of Compliments, i. 235.
—— of Painting (Venice), ix. 273, 274.
—— of St Luke, x. 280, 296.
Accusation. See Anglade Family.
Acetto, Count, ix. 213.
Achilles, i. 221; iv. 225; v. 15, 54, 64; vii. 255; x. 6, 98; xii. 8.
Achitophel (Dryden’s), iii. 400; v. 80.
Achmet (in John Brown’s Barbarossa), viii. 372.
Acis and Galatea (by John Gay), vii. 103.
Ackerman, Rudolf, i. 366; viii. 143; ix. 313.
Acropolis, ix. 379; x. 343; xi. 227, 486.
Actæon—Hunting (Titian), i. 27, 78.
Acted Drama in London, Essays on the, viii. 381.
Actium, i. 229; v. 50; viii. 192.
Acton, Sir Francis, v. 213.
Actor, The (Holcroft’s paper), ii. 87.
Actors and Acting, On, i. 153, 156, 382.
—— ought to sit in the Boxes? Whether, vi. 272.
Actors and the Public, xi. 348.
Acts of Uniformity, xi. 314.
Adair, Sir R., ii. 169, 214, 227.
Adam, i. 38, 105 _seq._, 385, 425; iv. 337; v. 60, 66; vi. 96, 396,
411; vii. 36; xi. 233, 452; xii. 276, 455 _n._
—— (in Shakespeare’s As You Like It), i. 340.
—— (Michael Angelo’s), ix. 241, 332, 362.
—— (in Milton’s Paradise Lost), v. 357, 371.
—— and Eve (Barry’s), ix. 418.
—— —— (Martin’s), vi. 398; vii. 292 _n._; xi. 553.
—— —— in Paradise (Poussin), vii. 291, 292; ix. 109.
—— —— driven out of Paradise (Ribera’s), ix. 70.
Adam Bell (in Holcroft’s The Noble Peasant), ii. 110.
Adams, Mr (Sec. of the Constitutional Soc.), ii. 153.
Addington, Henry, Viscount Sidmouth, iii. 3, 38; viii. 17; xii. 206,
450.
—— Hiley, iii. 238, 300.
Addison, Joseph, i. 2, 8, 9, 370, 372, 374, 380, 382, 415; ii. 43, 212;
iv. 233, 269, 367; v. 78, 319, 373; vii. 6, 36; viii. 22, 89, 97,
98, 99, 101, 105, 158; ix. 276; x. 112, 206, 359; xi. 391, 489, 543,
546; xii. 35, 170, 330, 331, 375.
Address to the Inhabitants of New Lanark (Robert Owen’s), iii. 121.
Adela (in Holcroft’s The Noble Peasant), ii. 110.
Adelaide, or The Emigrants (Sheil’s), viii. 308, 530.
Adelard (in L. Bonaparte’s Charlemagne), xi. 232.
Adelinde (in L. Bonaparte’s Charlemagne), xi. 235.
Adelphi, i. 35; viii. 404, 411, 412; ix. 420, 421, 422; x. 200; xi.
242; xii. 168, 195, 196.
Adige, The, ix. 277.
Admetus, iii. 206.
Admirable Crichton, viii. 459; xii. 34.
Admiralty, vii. 115.
Adonis, Gardens of, v. 38.
Adoration, An (Raphael’s), ix. 73.
—— of the Angels (Poussin’s), ix. 51.
—— of the Shepherds (Caracci’s), ix. 26.
Adrian (Pope), xi. 235.
Adriana (in Shakespeare’s Comedy of Errors), i. 352.
Adriano de Armada (in Shakespeare’s Love’s Labour’s Lost), v. 324.
Adrian’s Villa, ix. 256; xi. 199.
Adriatic, ix. 200, 264, 266, 284.
Adventurer, The (Hawksworth’s), vii. 226; viii. 104.
Adventures of Friar Albert (Chaucer), xii. 30.
—— at Madrid, or Gallantry (a play), viii. 399.
Advertisement and Biographical and Critical Notes from the Eloquence of
the British Senate, iii. 388.
Advice to a Patriot; in a Letter addressed to a Member of the Old
Opposition, iii. 1.
Ægeon of Syracuse (Shakespeare’s Comedy of Errors), iv. 341; vi. 58.
Æmilia (in Two Noble Kinsmen), v. 261.
—— (Shakespeare’s Othello), i. 201 _seq._, 293; vi. 303.
Æneas, i. 416; iii. 461; v. 54; ix. 171; x. 20; xi. 492; xii. 19.
—— Escaping, etc. (Barry’s), ix. 415.
—— (in Opera Didona Abandonnata), viii. 197.
—— and Dido (Guérin’s), ix. 135.
Æneid (Gawin Douglas’ version), v. 399.
—— (Virgil’s), xi. 492.
Ænobarbas (in Shakespeare’s Antony and Cleopatra), see Enobarbus.
Ænone, v. 203.
Æschylus, i. 194; iv. 216; v. 56; vi. III; viii. 12; x. 33; xi. 284,
506; xii. 240, 260.
Æsop. See Fables by Æsop.
Ætna, v. 122.
Afrancesadoes (Spaniards), i. 428.
African (or Negro), i. 69.
Agamemnon (Æschylus), i. 221; v. 54; x. 81, 94, 98; xi. 284, 421; xii.
240, 260.
Agar (Welbore Ellis), vi. 369.
Agatha Friburg (in Kotzebue’s Lovers’ Vows), viii. 335.
Age of Elizabeth, The Lectures on, etc.; Lecture I.—Introductory, v.
175.
Agincourt, i. 285, 289, 425.
Aglaura (Suckling’s), viii. 57.
Agli, Messer, x. 300.