MOSCHUS, EPITAPH. BION.

It is my intention to subjoin to the London edition of this poem a

criticism upon the claims of its lamented object to be classed among the

writers of the highest genius who have adorned our age. 15 My known

repugnance to the narrow principles of taste on which several of his

earlier compositions were modelled proves at least that I am an

impartial judge. I consider the fragment of _Hyperion_ as second to

nothing that was ever produced by a writer of the same years. 20

John Keats died at Rome of a consumption, in his twenty-fourth year, on

the [23rd] of [February] 1821; and was buried in the romantic and lonely

cemetery of the protestants in that city, under the pyramid which is the

tomb of Cestius, and the massy walls and towers, now mouldering and

desolate, which formed the circuit of 25 ancient Rome. The cemetery is

an open space among the ruins, covered in winter with violets and

daisies. It might make one in love with death to think that one should

be buried in so sweet a place.

30 The genius of the lamented person to whose memory I have dedicated

these unworthy verses was not less delicate and fragile than it was

beautiful; and, where canker-worms abound, what wonder if its young

flower was blighted in the bud? The savage criticism on his _Endymion_

which appeared in the _Quarterly Review_ produced the 35 most violent

effect on his susceptible mind. The agitation thus originated ended in

the rupture of a blood-vessel in the lungs; a rapid consumption ensued;

and the succeeding acknowledgments, from more candid critics, of the

true greatness of his powers, were ineffectual to heal the wound thus

wantonly inflicted.

40 It may be well said that these wretched men know not what they do.

They scatter their insults and their slanders without heed as to whether

the poisoned shaft lights on a heart made callous by many blows, or one,

like Keats's, composed of more penetrable stuff. One of their associates

is, to my knowledge, a most base and unprincipled 45 calumniator. As to

_Endymion_, was it a poem, whatever might be its defects, to be treated

contemptuously by those who had celebrated with various degrees of

complacency and panegyric _Paris_, and _Woman_ and _A Syrian Tale_, and

Mrs. Lefanu, and Mr. Barrett, and Mr. Howard Payne, and a long list of

the illustrious 50 obscure? Are these the men who, in their venal

good-nature, presumed to draw a parallel between the Rev. Mr. Milman and

Lord Byron? What gnat did they strain at here, after having swallowed

all those camels? Against what woman taken in adultery dares the

foremost of these literary prostitutes to cast his opprobrious stone? 55

Miserable man! you, one of the meanest, have wantonly defaced one of the

noblest, specimens of the workmanship of God. Nor shall it be your

excuse that, murderer as you are, you have spoken daggers, but used

none.

The circumstances of the closing scene of poor Keats's life were 60 not

made known to me until the Elegy was ready for the press. I am given to

understand that the wound which his sensitive spirit had received from

the criticism of _Endymion_ was exasperated by the bitter sense of

unrequited benefits; the poor fellow seems to have been hooted from the

stage of life, no less by those on whom 65 he had wasted the promise of

his genius than those on whom he had lavished his fortune and his care.

He was accompanied to Rome, and attended in his last illness, by Mr.

Severn, a young artist of the highest promise, who, I have been

informed, 'almost risked his own life, and sacrificed every prospect to

unwearied attendance upon his dying friend.' Had I known these

circumstances before the completion 70 of my poem, I should have been

tempted to add my feeble tribute of applause to the more solid

recompense which the virtuous man finds in the recollection of his own

motives. Mr. Severn can dispense with a reward from 'such stuff as

dreams are made of.' His conduct is a golden augury of the success of

his future career. 75 May the unextinguished spirit of his illustrious

friend animate the creations of his pencil, and plead against oblivion

for his name!

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