What _the_ Sagas Were

Iceland is a little country far north in the cold sea. Men found it and

went there to live more than a thousand years ago. During the warm

season they used to fish and make fish-oil and hunt sea-birds and gather

feathers and tend their sheep and make hay. But the winters were long

and dark and cold. Men and women and children stayed in the house and

carded and spun and wove and knit. A whole family sat for hours around

the fire in the middle of the room. That fire gave the only light.

Shadows flitted in the dark corners. Smoke curled along the high beams

in the ceiling. The children sat on the dirt floor close by the fire.

The grown people were on a long narrow bench that they had pulled up to

the light and warmth. Everybody's hands were busy with wool. The work

left their minds free to think and their lips to talk. What was there to

talk about? The summer's fishing, the killing of a fox, a voyage to

Norway. But the people grew tired of this little gossip. Fathers looked

at their children and thought:

"They are not learning much. What will make them brave and wise? What

will teach them to love their country and old Norway? Will not the

stories of battles, of brave deeds, of mighty men, do this?"

So, as the family worked in the red fire-light, the father told of the

kings of Norway, of long voyages to strange lands, of good fights. And

in farmhouses all through Iceland these old tales were told over and

over until everybody knew them and loved them. Some men could sing and

play the harp. This made the stories all the more interesting. People

called such men "skalds," and they called their songs "sagas."

Every midsummer there was a great meeting. Men from all over Iceland

came to it and made laws. During the day there were rest times, when no

business was going on. Then some skald would take his harp and walk to a

large stone or a knoll and stand on it and begin a song of some brave

deed of an old Norse hero. At the first sound of the harp and the

voice, men came running from all directions, crying out:

"The skald! The skald! A saga!"

They stood about for hours and listened. They shouted applause. When the

skald was tired, some other man would come up from the crowd and sing or

tell a story. As the skald stepped down from his high position, some

rich man would rush up to him and say:

"Come and spend next winter at my house. Our ears are thirsty for song."

So the best skalds traveled much and visited many people. Their songs

made them welcome everywhere. They were always honored with good seats

at a feast. They were given many rich gifts. Even the King of Norway

would sometimes send across the water to Iceland, saying to some famous

skald:

"Come and visit me. You shall not go away empty-handed. Men say that the

sweetest songs are in Iceland. I wish to hear them."

These tales were not written. Few men wrote or read in those days.

Skalds learned songs from hearing them sung. At last people began to

write more easily. Then they said:

"These stories are very precious. We must write them down to save them

from being forgotten."

After that many men in Iceland spent their winters in writing books.

They wrote on sheepskin; vellum, we call it. Many of these old vellum

books have been saved for hundreds of years, and are now in museums in

Norway. Some leaves are lost, some are torn, all are yellow and

crumpled. But they are precious. They tell us all that we know about

that olden time. There are the very words that the men of Iceland wrote

so long ago--stories of kings and of battles and of ship-sailing. Some

of those old stories I have told in this book.

_PART I_

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_IN_ NORWAY

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