VI. SHE LAUGHS TOO MUCH.

Meantime, notwithstanding awkward occurrences, and griefs that she

brought upon her parents, the little princess laughed and grew--not

fat, but plump and tall. She reached the age of seventeen, without

having fallen into any worse scrape than a chimney; by rescuing her

from which, a little bird-nesting urchin got fame and a black face.

Nor, thoughtless as she was, had she committed anything worse than

laughter at everybody and everything that came in her way. When she was

told, for the sake of experiment, that General Clanrunfort was cut to

pieces with all his troops, she laughed; when she heard that the enemy

was on his way to besiege her papa's capital, she laughed hugely; but

when she was told that the city would certainly be abandoned to the

mercy of the enemy's soldiery--why, then she laughed immoderately. She

never could be brought to see the serious side of anything. When her

mother cried, she said,--

"What queer faces mamma makes! And she squeezes water out of her

cheeks? Funny mamma!"

And when her papa stormed at her, she laughed, and danced round and

round him, clapping her hands, and crying,--

"Do it again, papa. Do it again! It's such fun! Dear, funny papa!"

And if he tried to catch her, she glided from him in an instant, not in

the least afraid of him, but thinking it part of the game not to be

caught. With one push of her foot, she would be floating in the air

above his head; or she would go dancing backwards and forwards and

sideways, like a great butterfly. It happened several times, when her

father and mother were holding a consultation about her in private,

that they were interrupted by vainly repressed outbursts of laughter

over their heads; and looking up with indignation, saw her floating at

full length in the air above them, whence she regarded them with the

most comical appreciation of the position.

One day an awkward accident happened. The princess had come out upon

the lawn with one of her attendants, who held her by the hand. Spying

her father at the other side of the lawn, she snatched her hand from

the maid's, and sped across to him. Now when she wanted to run alone,

her custom was to catch up a stone in each hand, so that she might come

down again after a bound. Whatever she wore as part of her attire had

no effect in this way: even gold, when it thus became as it were a part

of herself, lost all its weight for the time. But whatever she only

held in her hands retained its downward tendency. On this occasion she

could see nothing to catch up but a huge toad, that was walking across

the lawn as if he had a hundred years to do it in. Not knowing what

disgust meant, for this was one of her peculiarities, she snatched up

the toad and bounded away. She had almost reached her father, and he

was holding out his arms to receive her, and take from her lips the

kiss which hovered on them like a butterfly on a rosebud, when a puff

of wind blew her aside into the arms of a young page, who had just been

receiving a message from his Majesty. Now it was no great peculiarity

in the princess that, once she was set agoing, it always cost her time

and trouble to check herself. On this occasion there was no time. She

_must_ kiss--and she kissed the page. She did not mind it much; for she

had no shyness in her composition; and she knew, besides, that she

could not help it. So she only laughed, like a musical box. The poor

page fared the worst. For the princess, trying to correct the

unfortunate tendency of the kiss, put out her hands to keep her off the

page; so that, along with the kiss, he received, on the other cheek, a

slap with the huge black toad, which she poked right into his eye. He

tried to laugh, too, but the attempt resulted in such an odd contortion

of countenance, as showed that there was no danger of his pluming

himself on the kiss. As for the king, his dignity was greatly hurt, and

he did not speak to the page for a whole month.

I may here remark that it was very amusing to see her run, if her mode

of progression could properly be called running. For first she would

make a bound; then, having alighted, she would run a few steps, and

make another bound. Sometimes she would fancy she had reached the

ground before she actually had, and her feet would go backwards and

forwards, running upon nothing at all, like those of a chicken on its

back. Then she would laugh like the very spirit of fun; only in her

laugh there was something missing. What it was, I find myself unable to

describe. I think it was a certain tone, depending upon the possibility

of sorrow--_morbidezza_, perhaps. She never smiled.

The Light Princess and Other Fairy Stories · 第 10 / 30 题