CHAPTER XI

FROM LAND'S END TO ZENNOR

The western promontory of granite to which we give the name of Land's

End is not the grandest piece of coast in these parts; but it has the

prestige of a deep sentiment attaching to it, and there is no other

spot in England that draws visitors with such a powerful attraction.

In one sense the Scillies are the true Land's End, beyond which the

deeper gulfs of ocean lie; and, again, there is another land's end at

the Lizard, the southernmost point of England, and yet another at

Lowestoft, the most easterly. But Lowestoft looks towards the Teutonic

Continent, and the Lizard towards what we may call the Latin; both

remain European in their outlook. Land's End has a different attitude;

it looks westward, and the migratory instinct of European races has

ever taken them towards the West. It is the _Bolerion_ of Ptolemy, the

_Bolerium_ of Roman writers, the _Penwith_ of the Celts. Adding a

Saxon affix, Simeon of Durham named it _Penwithsteort_, the "tail of

Penwith." There is some doubt about the true meaning of Penwith; Mr.

Baring-Gould gives it as "headland of blood," which it might well be

as the last battle-ground of a defeated people; another interpretation

says the "wooded headland." To speak of it as wooded now seems

inappropriate, though we cannot forget the submerged trees of Mount's

Bay, nor can we say what might have been beyond when the point reached

farther westward. But it is as the last land in England that we cross

this windy moorland to reach the sea; and beyond, visible on days of

rare clearness, lie the Fortunate Isles of our dreams. Many a

pilgrimage is made through the length of Cornwall for this sole

purpose--to stand here at the dividing point of two channels, the

meeting of two seas, the Titanic outermost gateway that confronts the

fury or the rough sport of the ocean gods. The visitors come by

car-loads from Penzance or from St. Ives; not only during the summer

season but throughout the year--there are always some who wish to see

Land's End. They often bring the vaguest ideas of what the sight will

be; our visions of Land's End before we see it are often dim, immense,

mystical. Our dreams turn westward, to the land of the setting sun--to

the great ocean of the unknown that hems us in, beyond which lie the

promise, the golden hope, that have lured us onward from childhood,

through disappointment and failure and the bitter sorrow of loss--

"Still nursing the unconquerable hope,

Still clutching the inviolable shade."

And so we come to the land's end--the end that is also a beginning.

When Tennyson came hither he saw a funeral somewhere near, and he has

the brief note, "Land's End and Life's End." The sun had just set in a

great yellow flare. There is no spot where sunsets seem more pregnant

of meaning than here, where winds are more haunted by crying

ghosts, where there is a deeper significance in the "murmurs and

scents of the infinite sea."

[Illustration: CAVERN AT LAND'S END.

_Photo by Gibson, Penzance._]

But we must come to Land's End in the right mood--with sentiment and

inner vision, certainly, but without unrealisable expectations of a

mighty gigantic headland, an abrupt tremendous precipice. We shall

need the inner vision to contend with some jarring aspects of the

reality, which are naturally more aggressive if we come during the

holiday season. For the Land's End is a show-place, and we know what

that entails. There is a large modern hotel here, just as we find

similar edifices in some of the lovely solitudes of the Lizard and

confronting the very castle of Arthur at Tintagel. Being there, we

must take them philosophically--perhaps even make use of them. The

cottage once boasting in the name of the "First and Last House in

England" must now take a second place. There are some other aspects of

even more definite vulgarisation--the presence of the tripper with his

halfpenny newspaper, his bananas, and his mineral waters; there is

also too much building here, and the prospect of more. Mr. W. H.

Hudson makes an appeal for a national fund that shall buy Land's End

and sweep away much of this. He says: "The buildings which now deform

the place, the unneeded hotels, with stables, shanties, zinc bungalows

sprawling over the cliff, and the ugly big and little houses could be

cleared away, leaving only the ancient village of Sennen, the old

farmhouses, the coastguard and Trinity House stations, and the old

fishing hamlet under the cliff." It is a dream that should not be

impossible to realise. But the visitor who stays here after sundown,

when the throng has departed, can to some extent realise it for

himself. When the dusk of nightfall has veiled the defacements and

deformities, he can stay on this ultimate headland alone with the

immemorial rocks, the whispering wind, the brooding sea, greeted by

the lights of the Wolf and the Longships, with a far twinkle from the

Scillies. To the south the skies are searched by the great light of

the Lizard. This, indeed, is a vision of peaceful intensity, but there

are other times when there is no peace here--when winds buffet the

barren downs and waves crash furiously on the caverned crags, when the

sentinel rocks of the old country are a horror of wreck and death. Of

such a scene it would be more easy to say too much than too little.

Even Ruskin, when he attempted to describe Land's End seas in his long

convoluted sentences, failed to do anything but give a series of

phrases and figures that the mind follows with weariness. Such things

must be sketched vividly and briefly, or language only betrays its own

limitations.

The rocks to which we immediately apply the name Land's End are only

about 60 feet above sea-level; there are many higher, even in the near

neighbourhood, and there are some more striking. Various fanciful, and

for the most part foolish, names have been applied to them, which need

not here be repeated. Both here and at the finer rock of Pordenack, a

little southward, the rock-formations somewhat resemble those of the

Giants' Causeway in appearance. But the noblest cliff of all on this

western promontory is that of Tolpedn-Penwith, to reach which we have

to pass Nanjisal Cove. Its name, the "holed headland of Penwith,"

refers to a deep cleft or fissure, which can be explored from the sea

when tide and weather permit. Part of this fine bluff is known as the

Chair Ladder, and has traditions of a witch, Madge Figgy, who used to

take flight with her comrades from this magnificent point, and here

would shriek her incantations above the roar of wind and waters. The

spot was certainly well chosen. There are some hidden crags, and some

that are not hidden, lying off Land's End, such as the Armed Knight,

the Irish Lady, and Enys Dodman, which is pierced by a grand natural

arch. Rather more than a mile out is a cluster of islets, on one of

which, Carn Bras, stands the Longships lighthouse, built in 1883 to

replace one that had been privately erected; it has an occulting light

of over seven hundred candle-power, visible at 16 miles. The lantern

has sometimes been shattered by the force of the seas, and the tower

rocks so violently that on one occasion one of the keepers went mad

with terror and shot himself. When a boat had been signalled and

managed to approach, the supposed corpse was slung down to it, and a

fisherman accidentally touching the wound, the man revived. The Wolf

light is about seven miles out, erected with immense labour and cost

on a most perilous reef of rocks. Both lighthouses are often quite

isolated by stress of weather.

[Illustration: SENNEN COVE.

_Photo by Gibson & Sons._]

Immediately north of Land's End is the truly charming little Sennen

Cove, with its church-town nearly a mile inland. Formerly its beach

was haunted by pixies and mermaids; now, in the summer, it becomes

quite fashionable with the presence of those who are lucky enough to

get lodgings. There is quite a competition to obtain rooms at this

quaint little fishing hamlet; those who love it best prefer it when it

is left more completely to the gulls and the fisher-folk. Most of the

fishing here is still done by the seine-net, and there is still

"huing" from the cliffs to announce the arrival of the pilchards.

Sennen can boast a new breakwater, and every scrap of harbourage is

often badly needed. The church is dedicated to a saint who seems more

real than some that we meet with in Cornwall. Senan or Senanus was an

Irishman who came here some time in the sixth century. It is related

of him that one day his mother was changing houses, and the youthful

saint declined to help her; she was angry and poured some water over

him. Even a saint may dislike house-moving or spring-cleaning.

However, in this case the domestic articles very considerately moved

of themselves. Another thing told of him is, that when being carried

to burial he sat up on his bier and gave orders that his feast-day

should be March the 8th, not the 1st. This foolish tale must have been

invented later by some priest who wanted to change the festival. The

church has a good tower built of massive granite blocks, and there is

a fine granite cross in the new churchyard. Within, there is a curious

mutilated alabaster figure, apparently a Virgin and Child, and there

is an old mural painting. At the rock known as the Table Men there is

a tradition of a great battle between Arthur and some Danish invaders,

and there is a conjecture of Danes having settled in this district.

The wizard Merlin is said to have foretold another landing of Norsemen

here, to precede the end of the world; perhaps he meant the Germans.

In the past Sennen had a bad name for smuggling and piracy. Curving

northward is the beautiful and partially sheltered Whitesand Bay,

which has memories of some historic landings--Athelstan, Stephen,

John, Perkin Warbeck; but the coast is very dangerous, and is rendered

more so by off-lying rocks such as the Brisons. It is singular that

Cornwall should begin and end with a Whitesand Bay. Inland rises the

height of Chapel Carn Brea, which must be distinguished from the Carn

Brea of Redruth; it reaches about 660 feet, but Bartinney, or Bartine,

is still higher. Both are crowded with prehistoric remains, but Carn

Brea is the more interesting in this respect, for its cairn, whose

lower layer held the bones of some Stone Age chieftain, was crowned at

the summit by a Christian oratory. It is a great pity that this

chapel, probably one of the oldest religious structures in the

kingdom, was not preserved. Above the Stone Age burial was a dolmen of

the Bronze Age; and above this were layers that told of Romano-British

civilisation. But the antiquities of this district really need a book

to themselves. When we reach Cape Cornwall we are in the immediate

neighbourhood of mining again, and the fine headland itself is crowned

with an old mine-stack. Its formation gives Cape Cornwall the

appearance of reaching even farther westward than Land's End, and the

view from its summit is grandly impressive. This is the parish

of St. Just-in-Penwith (so called to distinguish it from St.

Just-in-Roseland). Mr. Hind thinks St. Just the dreariest town in

Cornwall, and its best friends do not call it lovely; but there is a

rather interesting Perpendicular church, with some earlier relics, and

there is also a _plan-an-guare_, like the Planguary of Redruth--an

old-world amphitheatre, first used for sports and later for

miracle-plays. The name means "place of play." It is now used for

religious and other meetings. The moorland country here is barren and

windswept, with disfigurations from mining; and the dismal summit of

Cam Kenidzhek is haunted with queer traditions. This is the "carn of

the howling wind" or the "hooting cairn," covered with traces of the

immemorial past and feared in old days as a special domain of evil

spirits. About a mile westward is the old Botallack mine, perhaps the

most famous in all Cornwall, which reached to the sea and considerably

beyond; it was long closed, and the decayed buildings had quite a

romantic appearance on the wild, bare cliffs, but the revival of

Cornish minings has brought a new activity. The old workings run for

about a third of a mile below the sea, and it is said that the pitmen

were often terrified by the roar of the waves above their heads,

dashing the loose boulders of rock. But the great Levant mine, a

little over a mile northward, runs for about a mile beneath the sea,

being worked for tin, copper, and arsenic. Once, not many years since,

the sea actually broke into its workings. This is mining, indeed, in

all its grimmest reality, and the arsenic-working in particular has a

bad effect on the miners. But it earns dividends. Pages might be

written about the old miners' superstitions, but even underground

these things have died out; even the perils are now lessened by modern

science. Yet at Wheal Owles, in 1892, eighteen men lost their lives

through the flooding of the workings.

Just beyond Levant is Pendeen Village, with a new lighthouse on the

coast. At Pendeen manor-house, now a farm, was born the eminent

Cornish antiquary, Dr. Borlase, in 1695. For his age he was a

tolerably enlightened archaeologist, and his works on local antiquities

have supplied the basis of much subsequent writing; but of course they

present pitfalls for the unwary. He was Vicar of Ludgvan for fifty

years. The curious _fogou_ of Pendeen Vau was actually in the garden

of his birthplace, so that he had an early stimulus to research.

Pendeen has now its own church, which is of remarkable interest

although quite recent. In plan and exterior it is modelled on Iona

Cathedral, and was built by the Cornish missioner, Robert Aitken, who

influenced his people so powerfully that the granite was both given

and wrought free of cost. A castellated wall with a fine arched

gateway surrounds the building, which proves that under the right

impulse the people may still become church-builders--and will still

attend church. Eastward of Pendeen is the church town of Morvah. This

tract of coast from Land's End to St. Ives has perhaps been neglected

by visitors and writers, only one spot, and that not the finest,

Gurnard's Head, being really familiar. The stony barrenness of the

inland country is compensated by a real grandeur of coast-line,

invisible from the road and therefore often left unexplored. Morvah

has traditions of mermaids, with some idea that its name may be a

corruption of the Breton _morverch_; but we must probably seek some

other derivation. Tonkin says the name simply means _locus maritimus_.

Stories of mermaids are common enough, or rather were so, along this

north shore, doubtless explained by the seals that were once

frequent, and would be still if not shot off by the usual insensate

"man with a gun." The small church is Perpendicular, with a pinnacled

tower. In this parish is the magnificent Chun or Chywoon castle, on a

hill about 700 feet high. This western extremity of Cornwall was

guarded by a line of hill forts, of which this Chun, if not the most

powerful, remains in best preservation. We cannot speak with decision

as to the date of their earliest use, but this stronghold of Chun was

almost certainly utilised as late as the fifth or sixth centuries, and

may have seen fighting during the days when Irish invaders, even if

they came as travelling saints, were not always welcomed. The first

and second vallum can be traced with their ditches, and there was

doubtless an inner wall. The masonry is of different character from

that cyclopean piling of boulders which was all the earlier men had

known of building. Of such cyclopean style, though it is a small

specimen, is the Chun cromlech, standing near. In the near

neighbourhood are the _Men Scryfa_ (the inscribed stone), the

_Men-an-tol_ (the holed stone), the Nine Maidens, the Lanyon Quoit,[A]

the huts of Bosporthennis, the Mulfra Quoit--all being monoliths, or

other survivals of wonderful interest, with the strange fascination of

their mystery. Cairns, barrows, sepulchral monuments, we can

understand, for death and burial are ever with us; but what was the

meaning of these circles and standing-stones--who built them, and for

what purpose? They are interpreted astronomically now--the latest,

perhaps the correct, theory. The earliest peoples who brought any

culture to these shores came from the East, and we cannot tell what

profundities of astrologic science they carried with them. It is

generally acknowledged that when the rough Teutons came they

encountered and checked a mental culture higher than their own. But we

can only conjecture dimly, and leave the controversialists to wrangle.

[A] See illustration, page 181.

On the moorland beyond Morvah rises the tor of Carn Galva, standing

stern and solitary like a little patch of Dartmoor. On the coast is

the grand sheer cliff of Bosigran, the western protection of Porthmeor

Cove, with traces of prehistoric fortification; it is a noble bluff of

granite, with a drop of 400 feet. Puffins nest in the crevices below.

A little westward are the pinnacled rocks of Rosemergy, covered with

lichens and in parts clad in ivy; the neighbouring turfy slopes are

fragrant with heather and gorse. Little streams filter their way from

the moorland to the coves, reaching the sea through hollows rich with

ferns--there are still rare ferns to be found in the more inaccessible

shelters. Just beyond is another Treryn Dinas, like that of the Logan

near St. Levan; but this Treen is better known as the Gurnard's Head.

It is a favourite show-place, winning perhaps more attention than it

deserves in comparison with other places near it; but the rocky and

turf-clad headland, with its traces of a far-distant past, is really

very beautiful, reaching like a couchant beast into the waves that are

sometimes of the purest blue, sometimes white with seething foam.

There was an old chapel on the neck of the promontory, and near are

remains of some rude granite huts. The popularity of the place has

brought a modern hotel.

[Illustration: GURNARD'S HEAD.

_Photo by Gibson & Sons._]

The cove of Porthglaze with its strange turret-like rocks, the coves

of Pendour and Zennor--all these are beautiful, and cannot be seen

from the road; the visitor must explore them by scrambling along the

cliffs, crossing summits and gorges and gullies, not deterred by

difficulties that to a careless or nervous climber might become

dangers. Only so can this fine coast be fully known.

In its situation the village of Zennor is like some of the wild, stony

parts of Ireland; but the cottages are too comfortable to be Irish.

Close to it stretches the stone-strewn moorland. Everywhere we have

proof of the abundance of stone, the scarcity of wood; hedges are of

rough boulders and pebbles; stiles are the charming Cornish

"gridirons"; there is a stream crossed by rugged little stone bridges.

The church is of the thirteenth century, restored in 1890; of course

there had been earlier restoration, for the tower is Perpendicular.

The dedication is to St. Sinara or Senar, a virgin probably of Irish

origin; but we know nothing about her, and little of the early

building itself, except that in 1270 the Bishop of Exeter granted it

to his college at Glassiney near Penryn, and the living seems to have

been starved. Zennor, indeed, was formerly known as the place "where

the cow ate the bell-rope," a sportive neighbourly reference to its

poverty and infertility. But the most famous feature of the church is

its carved mermaid. There are two good old bench-ends, now forming the

sides of sedilia, and of these the mermaid is one, represented with

comb, mirror, and fishy tail. The story tells that the men of Zennor

were very fine singers in the old days, and one, a squire's son who

sang in the choir, had so beautiful a voice that this mermaid came

all the way up from the sea-beach to hear him, Sunday after Sunday.

How she did it is not explained; but at last her importunity

prevailed, and the youth went away with her. She had lured him to the

"Sand-strewn caverns cool and deep

Where the winds are all asleep;

Where the spent lights quiver and gleam,

Where the salt weed sways in the stream."

The dial on the tower also bears the figure of a mermaid. There must

have been some origin for such a legend; perhaps some youth was

drowned off the coast, and it was imagined that a mermaid had beguiled

him away. The same sea-lady appears to have been heard of later, for

it is said that "a long time after, a vessel lying in Pendour Cove

cast her anchor, and in some way barred the access to a mermaid's

dwelling. She rose up from the sea and politely asked the captain to

remove it. He landed at Zennor, and related his adventure, and those

who heard it agreed that this must have been the lady who decoyed away

the poor young man." But why poor? The connection may have been a

happy one; the mermaid was evidently courteous in manners, though her

representation on the Zennor bench-end is not exactly beautiful.

Zennor Hill or Beacon rises to 750 feet in desolate grandeur, and on

this high land, often haunted by foxes and badgers, is the great

Zennor Quoit or cromlech, thought to be the finest in Britain. Its

slab, 18 feet in length, has slipped from its rest. It is an immense

titanic monument, whose story no one can tell us; yet in this

district these things are common, and utterly disregarded by the

countryfolk. They have forgotten even the tales of the giants who used

to play "bob-buttons" with them. He who wanders among these undated

relics and wild stony moorlands may easily go astray; the cairns and

tors are very like each other, and paths are few. Sometimes also there

are blinding mists or fierce winds heavy with rain; at other times a

glamour of loveliness steals over the desolate wastes, sunsets wrap

them in atmospheric glory, or dreamy noons brood over them with deep

calm. Between Zennor and St. Ives is the parish of Towednack, where

they tried to build a hedge around the cuckoo. It is just a symbol of

our craving to keep the springtime ever with us; the hedge was not

high enough, and the cuckoo flew out at the top. The name of the

hamlet was formerly Towynnok, which evidently embodies a dedication to

St. Winnoc--probably the same saint as we find at Landewednack. The

low, sturdy little tower has no pinnacles; when the folk were building

it the devil came each night and pulled them down. But this parish

does not touch the sea at all. Off the coast are the rocks known as

the Carracks, beyond which we pass Penynys and Hor Point, and so reach

the "Island" of St. Ives.

The Cornwall Coast · 第 11 / 18 章