CHAPTER XLVII

_Which introduces us to the First Lady of France_

A paddle-steamer cleared the long wooden jetties, and made Boulogne

Harbour, hooting the announcement of her coming to the echoing wharves

that flung back the chuckling hoot in answering welcome rollickingly;

and, churning with fussy thrashings of her paddle-wheels the waters of

the narrow sea-way as she settled to her moorings, she lurched against

the quay and was still.

To Betty and Noll, standing on deck with eyes bent on the swinging

prospect before them, there came the fragrance of a new world. The

tender greys, gentle blues, and silvery colours of France held out a

welcome to their ready senses, and from the many-windowed houses with

their hundred wooden shutters there drifted the pleasant odour of wood

fires.

So Betty, her happy eyes glancing at the shifting scenes that passed by

the wayside, and lolling in the grey carriage of her wedding journey,

was whirled through the pleasant garden of France.

Noll came and sat beside her.

“You’re very happy, my Betty,” said he.

She nodded--and her eyes filled with tears.

She put out her hand shyly to him, and he held it in his. He sat and

watched her. It was stupid to speak....

They swung past great sand-dunes by the sea--along the pleasant

plains with poplars all of a row--thundered over bridges that spanned

the shining river--clanked past villages--passing now and then a

picturesque château on a hilltop that stood sentry over the plains--and

always there was the sense of grey-green trees and white buildings

and tender blue skies that are the colour of France. Delicacy and

tenderness and graciousness and gentleness are written over the face of

the land, the subtle land of Corot.

And all the world was a-singing....

In the twilight the train dashed past St. Denis and the foundries of

Paris, swept under the lea of the hill where the scaffolding a-top

showed the building of the great church of Montmartre, and thundered

into the resounding grey gateway of the city that stands open to the

north--the Gare du Nord.

At the barriers they were met by a French student in black slouch

hat and great loose tie full flowing at the throat through the open

collar of his short black coat--he wore baggy corduroy pantaloons.

The golden-haired youth slapped Noll on the shoulder, pulled off his

hat, and held out a hand to Betty--welcoming them to Paris. And Horace

Malahide’s warm handshake brought a glow of happiness to them both. His

laugh sent all the strangeness flying; they were no longer alone amid

an alien people.

Horace, giving Noll a hand with the small baggage, called a porter and

told him to hail a cab. The blue-bloused fellow soon had the scanty

baggage stowed away on top. Horace smiled a little sadly at the girl’s

trunk and the narrow extent of Noll’s belongings.

As they drove off together, Horace explained:

“Now, I’ve got you a room, right at the top, in one of the most

delightful houses of the old student quarter. I have sent some of my

surplus furniture; but I had to get the concierge to buy you a stove

and one or two things.”

He laughed aside all thanks; then he coughed--a little embarrassedly:

“Of course--I told all the boys that you were coming--with a wife,

Noll. But the Frenchmen all winked at the word wife; so they’ll be

quite friendly and free.”

Horace was to show them everything and put them in the way of pleasant

economies.

In the morning he was to move down from his old studio on Montmartre to

be near them. Noll was to share his studio, when he was in the mood to

paint--Horace was at Gérôme’s atelier at the Beaux Arts.

The cab was rattling along the riverside--lurched aside and rattled

over a bridge--turned along the quays--up a narrow thoroughfare--took a

jolting turn or two--and came to a noisy standstill.

They got out, and walked through a high entrance into a cobbled

courtyard. And as they passed, to give them rude welcome, out of a

doorway that was a hole in the wall of the passage-way popped the stout

little woman who is the symbol and the tyrant and ultimate design

created by the machinery of the French constitution--the concierge.

Horace introduced them.

As they mounted the stairs to their first home, Horace discoursed on

the panting woman who led the way--in English.

The concierge, said he, is the government. The President of the

Republic is but her servant. Her newspaper has the greatest circulation

in the world--is the furthest reaching--_Le Petit Journal_. She stands

between the landlord and the tenant--that is her sole duty--and she

stands on her duty. She has usurped power as the Carlovingian mayors

of the palace plucked the sceptre from their Merovingian kings, the

Rois Fainéants of France. She is dragon over all the moralities--you

may commit any sin in France, if you do it gracefully, except shocking

the concierge. At eleven o’ the night she shuts the gates, and gets to

bed--and when you ring the bell for admittance, she pulls the bolts

by magic from that bed, scarce turning to break her snore, and you as

you pass must call your name--or you are lost. In her smile or in her

frown lies your honour, your repute, your good name.... France one

fine morning awoke, and her sunny smile died out, scared by the threat

of Revolution. Paris talked in anxious whispers. Paris frowned. For

on the walls of the Rue de Rivoli was writ _Long Live the King!_ At

mid-day Paris was laughing--the concealed troops marched out of the

courtyards and went home; the revolution was over: beneath _Long Live

the King_, a workman, mounting the shoulders of another, had writ:

“_Which?_” killing the danger with a jest.... At midnight Paris was a

riot of dancing--a third wag had written full answer to the sphinx: _Le

concierge_.

Arrived at the heights, Horace bade the lights to be lit, and when

their home was all ablaze with welcome, he handed Betty the key, wished

them happiness, and took his leave until the morning.

The Masterfolk · 第 47 / 94 章