CHAPTER IV.

"My faith," said Lord JOHN, "I am getting tired of this. Shall we

never reach the Sun?"

"Courage, my friend," was the well-known reply of the brave little

Doctor. "We deviated from our course one hair's-breadth on the twelfth

day. This is the fortieth day, and by the formula for the precession

of the equinoxes, squared by the parallelogram of an ellipsoidal

bath-bun fresh from the glass cylinder of a refreshment bar, we find

that we are now travelling in a perpetual circle at a distance of one

billion marine gasmeters from the Sun. I have now accounted for the

milk in the cocoa-nut."

"But not," said the Philosopher, as he popped up through a concealed

trap-door, "for the hair outside. That remains for another volume."

With that, he rang a gong. The iceberg splintered into a thousand

pieces. The voyagers were each hurled violently down into their

respective countries, where a savage public was waiting to devour

them.

* * * * *

TOLSTOI ON TOBACCO.

[Count TOLSTOI has been declaiming against Tobacco in

_The Contemporary Review_, and this in no way exaggerates

his views.]

TOLSTOI fuming, in a pet,

Raves against the cigarette;

Says it's bad at any time,

Leads to every kind of crime;

And the man who smokes, quoth he,

Is as wicked as can be.

TOLSTOI knew a man who said

He cut off a woman's head;

But, when half the deed was done.

Lo, the murderer's courage gone!

And he finished, 'tis no joke,

Only by the aid of smoke.

TOLSTOI asks us, when do boys

First essay Nicotian joys?

And he answers, quite aghast,

When their innocence is past.

Gamblers smoke, and then again

Smoking pleases the insane.

TOLSTOI, when he writes this stuff,

Swears he's serious enough;

Lately Marriage earned his sneers;

At Tobacco now he jeers;

Proving that, without the weed,

Some folks may be mad indeed.

* * * * *

[Illustration: THE SERENADE; OR, OVER THE GARDEN WALL.

(_Latest Transatlantic Version._)]

"Replying to Sir JOHN MACDONALD's manifesto, Mr. MERCIER said

it was ridiculous to say that reciprocity was veiled treason,

and meant annexation to the United States."--_Times' Montreal

Correspondent_.

_Uncle Sam (twangling his patent Reciprocity Banjo) sings_:--

Oh, my love my passion can hear--and see,

Over the garden wall;

She is sighing, and casting sheeps' eyes at me,

Over the garden wall:

Miss CANADA muses; look at her there!

My wooing and BULL's she is bound to compare,

And she pretty soon will to join me prepare,

Over the Garden Wall!

_Chorus_ (_pianissimo_).

Over the garden wall,

O sweetest girl of all!

Come along do, you'll never regret;

We were made for one another, you bet!

'Tis time our lips in kisses met,

Over the Garden Wall!

Your father will stamp and your father will rave,

Over the garden wall;

And like an old madman no doubt will behave,

Over the garden wall.

M'KINLEY has riled him, he's lost his head.

MAC's Tariff is stiff, but if me you'll wed,

I'll give Reciprocity, darling, instead,

Over the Garden Wall!

_Chorus_ (_piano_).

Over the garden wall!

MACDONALD is bound to fall.

'Tis MAC against MAC, my Canadian pet.

And M'KINLEY is bound to win, you bet!

So join _me_, dear; we'll be happy yet,

Over the Garden Wall!

One day you'll jump down on the other side,

Over the garden wall;

There's plenty of room, and my arms are wide.

Over the garden wall:

JOHNNY may jib, and Sir JOHN may kick,

I have an impression I'll lick them--slick;

So come like a darling and join me quick,

Over the Garden Wall!

_Chorus_ (_forte_).

Over the garden wall!

Dollars, dear, rule us all.

Patriot sentiment's pretty, and yet

Interest sways in the end, you bet!

MERCIER's right; so pop, my pet,

Over the Garden Wall!

Where there's a will there's always a way,

Over the garden wall!

MACDONALD's a Boss, but he's had his day,

Over the garden wall!

Tariffs take money, but weddings are cheap,

So wait till old JOHNNY is snoring asleep,

Then give him the slip, and to JONATHAN creep.

Over the Garden Wall!

_Chorus_ (_fortissimo_).

Over the garden wall!

_Your_ "Grand Old Man" may squall,

And swear Miss CANADA's loyal yet.

But loyalty bows to Dollars--you bet!

'Tis time our lips in union met

Over the Garden Wall!

[_Left twangling seductively._

* * * * *

QUEER QUERIES.

DOMESTIC SERVICE.--My General Servant has just left me suddenly, on

the ridiculous excuse that she was being "killed by overwork." She was

not required to rise before 5 A.M., and she was generally in bed by

twelve. Our house is not large, though rather lofty, and there are

only fifteen in family. Of course I shall not pay her any wages, and

shall retain her boxes; but how can I _really_ punish her for her

shameful desertion?--CONSIDERATE.

HAIR FALLING OFF.--My hair is coming off, not slowly, but in one

great circular patch at the top of the head. A malicious report has in

consequence been spread abroad in the neighbourhood that I have been

_scalped_! What course ought I to adopt to (1) recover damages against

my traducers, and (2) recover my hair?--LITTLE WOOL.

* * * * *

THE LIGHTS O' LONDON.

"The first practical constructive step towards lighting the

City of London by means of electricity, was taken yesterday

(Feb. 3), when the LORD MAYOR placed in position the first

stone of the main junction-box for the electric conductors,

at the top of Walbrook, close under the shadow of the western

walls of the Mansion House."--_Times_.

[Illustration: _Bill Sikes_. "WELL, I _HAM_ BLOWED! IF THEY'RE GOIN'

TO 'AVE THIS BEASTLY 'LECTRIC LIGHT ALL OVER THE PLACE--WOT'S TO

BECOME OF _HUS_?"]

_Mr. William Sikes, Junior, loquitur_:--

Well, I _ham_ blowed! I say, look 'ere, you NANCY!

Old Gog and Magog _is_ woke up at last!

Goin' to hilluminate the City. Fancy!!

When this yer 'Lectric light is fairly cast

On every nook and corner, hole and entry

Of London, you and me is done, to-rights.

A Slop at every street-end standin' sentry,

Won't spile our game like lots o' 'Lectric Lights.

The Lights o' London? Yah! That's bin all boko.

Were London _lighted_, how could you and me

Garotte a swell, or give a tight 'un toko?

We ain't got arf a chance where coves can _see_.

'Tis darkness plays our game, and we've 'ad plenty,

But this means mischief, or my name ain't BILL.

Wy, not one pooty little plant in twenty

Could we pull orf if _light_ spiled pluck and skill.

It's beastly, NAN, that's wot it is. Wy, blimy,

Narrer ill-lighted streets is our best friends.

Yer dingy nooks and slums, sombre and slimy,

Is gifts wot Prowidence most kyindly sends

To give hus chaps a chance of perks and pickins;

But if the Town's chock-full of "arc" and "glow,"

With you and me, NAN, it will play the dickens.

We must turn 'onest, NAN, and _that_'s no go!

'Ang Science! Ile lamps and old Charlies--bless 'em!--

Wos good for trade, _our_ trade. Ah! if my dad

Could see 'ow Larnin', Law, and Light oppress 'em,

Our good old cracksmen-gangs, he'd go stark mad.

As for the _Hartful Dodger_ and old _Fagin_,

Ah! they're well hout of it. Wot could they do

With Science and her bloomin' fireworks plaguin'

Their hartfullest little games the whole Town through?

Our only 'ope, my NAN, is in the Noodles,

There's still some left in London I'll be bound.

To lurk a crib, prig wipes, sneak ladies' poodles,

Gits 'arder every day; we're watched all round.

Many a programme wot looks vastly pooty,

Mucked by the mugs, leads on to wus and wus.

But if they _do_ light up the dim, cramped, sooty.

Gog-ruled old Town--_wot's_ to become of _hus_?

* * * * *

MOST APPROPRIATE.--The Bishop of DURHAM has appointed Mr. T.

DIBDIN Chancellor of the Diocese of Durham. He already holds the

Chancellorships of Exeter and Rochester. Three Chancellorships, all

on the high sees too! "THOMAS DIBDIN" is the right man in the right

place.

* * * * *

PROVERB "UP TO DATE."--"Cumming events cast their shadows before." And

let's hope the shadows will be speedily dispelled.

* * * * *

HOW IT'S DONE.

(_A HANDBOOK TO HONESTY._)

NO. VIII.-"SOLD AGAIN!"

SCENE--_An Auction-room, breathing an air of solid, if

somewhat Philistinish suburban comfort and respectability.

Amidst a labyrinthine accumulation of household

furniture, a number of people are dispersed, many of them

substantial-looking middle-class male and female "buyers,"

with lists and lead-pencils, on the look-out for "bargains," a

sprinkling of the ancient race, and an outer fringe of casual,

lounging, lookers-on. The gentleman in the rostrum is a

voluble personage, with a rapidly roving eye, of preternatural

quickness in picking up "bids." Attendants, shaggy men,

in soiled shirt-sleeves, with saw-dusty whiskers, and

husky voices. A pleasant-faced Paterfamilias, and his

"Good lady," are discovered inspecting a solidly-built,

well-seasoned, age-toned chest of mahogany drawers._

_Paterfamilias_ (_sotto voce_). Just what you want, my dear, as far as

I can see. What do _you_ think?

[Illustration]

_Materfamilias_. _I_ like the look of them much, JOHN. None of your

new, cheap, thinly-veneered, blown-together rubbish, smelling of

shavings and French-polish. Solid ma'ogany, every bit; the drawers run

as smoothly as could be wished, and--see! if there ain't actually some

sprigs of dry lavender still a laying in 'em!

_Paterfamilias_ (_decidedly_). Just so, my dear, I shall certainly bid

for them. [_Marks his catalogue vigorously._

_Auctioneer_ (_dropping his hammer smartly_). Sold! Remove the

first-class feather-bed, SAM. Buyer o' _that_ has a bargain! (_Nodding

blandly to pleased purchaser_). Really the prices at which things are

going to-night are ruinous! 'Owever, there's no reserve, and the lucky

public gets the pull. The next article, Ladies and Gents, No. 471, is

a very superior, well-made, fully-seasoned, solid Spanish, ma'ogany

chest of drawers. Chest o' drawers, SAM! (_To Paterfamilias._) _Would_

you mind standing a inch or so aside, Sir? Thanks! There they are,

Ladies and Gentlemen, open to hinspection, and warranted to bear

it. An unusually excellent lot, fit for the sleeping-apartment of a

prince, at a price within the means of a pork-butcher. (_Laughter._)

Oh, it's righteous, Gents. No 'umbug about _me_. There's quality, if

you like. Well worth a ten-pun note. What shall I have the pleasure

of saying for this very superior article? 'Ow much for the chest o'

drawers? Who bids for the ma'ogany chest? Thirty shillings. Thank

you, Sir! Any advance on thirty shillings? Thirty-five! _And_ six!

Thirty-five-and-six for this very desirable little lot! Worth five

times the amount, Ladies, as _you_ know! What do you think. Mum? [_To

Materfamilias, who smiles vaguely, and looks at her husband._

_Paterfamilias_. Two pounds! [_Feels he has made an impression._

_Auctioneer_. Two pounds! (_Confidentially to_ P.) _Your_ good lady

knows a good bit o' stuff when she sees it, Sir! Two pounds for the

chest! Two pounds! Any advance on a couple o' pounds? All done at

two pounds? Going at two pounds! (_Meeting silence, pretends to hear

another bid_). Two-pun-ten! Quite right, Sir! Very foolish to lose

such a superior harticle for a pound or two. Going at two-pun-ten!

Larst time, two-pun ten! Going--going--g--

_Paterfamilias_ (_hastily_). Two-fifteen!

_Auctioneer_ (_cheerily_). Two-fifteen! (_Taking other imaginary

bids_.) Three-pounds! Three-five! (_Thank you, Madam_). Three-ten!

Going at three-ten! Last time, three-ten! (_To Paterfamilias._) Are

_you going to lose it, Sir?_ Worth double, I assure you! Ask your good

lady!

_Materfamilias_ (_aside_). Bid three-fifteen, JOHN, but not a penny

more!

_Paterfamilias_ (_weakly_). Three-fifteen!

_Auctioneer_. Three-fifteen! Four! Going at four! Last time at four!

All done, four! Going, going--gone! (_Drops hammer_.) Sold at four

pounds, SAM! (_Looks round_.) Who bid four? [_No response, as the last

bid was imaginary._

_Sam_ (_huskily_). Gen'l'man as bid four jest slipped hout, Sir.

_Auctioneer_ (_tartly_). Tut--tut--tut! _Too_ bad, really. Well,

Sir, then I must take _your_ bid. Sold to this Gentleman, SAM, at

Three-fifteen!

[_Paterfamilias, highly pleased, pays deposit, and arranges to

send for his bargain in the morning. As he and his "good lady"

leave, they notice close by, three men with barrows, each

bearing a blazingly red and strongly-smelling chest of

drawers. Materfamilias complacently remarks on the manifest

superiority of the article they have purchased, to "that

red rubbish." Next morning they receive, instead of their

own "bargain," one of those identical brand-new, badly-made,

unseasoned, thinly-veneered "shop 'uns," which are "blown

together" by the gross for such purposes. They protest, but

vainly, notwithstanding their true assertion that the drawers

they received contain "fresh shavings" instead of the "sprigs

of blooming lavender" they had observed in those they thought

they had purchased. Paterfamilias, a week later, looking in

at the Auction-room, sees what he could swear to be the very

chest of drawers he had purchased being "sold again" in a

similar fashion._

* * * * *

"MY PRETTY JANUS, OH NEVER LOOK SO SHY!"

[Illustration: JANUS DRURIOLANUS.

_Suggestion for Costume at another Masked Ball._]

AUGUSTUS DRURIOLANUS is greater than ever. It is the penitential

season of Lent; some excellent persons renounce all worldly

amusements; others, not quite so excellent, and both lots thinking, it

may be, no small beer of themselves, we may term the first lot Treble

Excellent and the second Double Excellent--the latter division think

that concerts possibly, sacred concerts certainly, and certain other

forms of mild and non-theatrical entertainments, are of a sufficiently

severe character to constitute, as it were, a form of discipline. Then

there are the larger proportion of those "who," as _Mrs. Malaprop_

would say, "'care for none of these things,' like GALILEO, my dear,"

and who inquire. "What is the state of the odds as long as we think

we're happy?" and who would indulge in balls and theatres, and in

every other form of amusement, while such pursuits afforded them, or

seemed, to afford them, any pleasure. To the first section, i.e., the

"unco guid," DRURIOLANUS has nothing to offer, not even a course of

sermons by popular preachers; but to the two others he has much to

say. For these, last Saturday, he commenced the first of his series

of Lenten Oratorios at Covent Garden--it was the 14th of February, and

this was his Valentine--and on the 17th, i.e., the Tuesday afterwards,

having made, so to speak, a clean sweep of everything serious, out he

comes with his Fancy Dress and Masked Ball. _Elijah_ the Prophet, on

Saturday, in the Covent Garden Calendar, must be reckoned among the

"minor profits," seeing that the biggest profit would be found in the

_Bal Masqué_ on Tuesday. Over the doors should be the motto, "_Festina

Lente_," whereof the Druriolanian translation must be, "Keep it up in

Lent." _Ave Janus Druriolanus!_

* * * * *

OLD TIMES REVIVED.

[Illustration]

What! when _London Assurance_ is going off so well every night,

isn't it a pity that it should go off altogether? CHARLES WYNDHAM

as _Dazzle_ is delightfully flashy, and FARREN as the old beau, _Sir

Harcourt_, admirable. Miss MOORE charming, Mrs. BEERE bright and

sparkling; BOURCHIER quite up to "the Oxonian" mark of _Tom and

Jerry_; BLAKELEY delicious, and GIDDENS as good a _Dolly Spanker_ as

you'd wish to see. It's too good to be "taken off." Not that the piece

itself is a perfect gem, but the acting! _Tout est là._ Oddsfish,

your Majesty, CHARLES REX, Merry Monarch of the Cri, don't remove it

altogether, but let us have it just once or twice a week during the

season. CHARLES, "our friend," do! It's worth while, if but to see you

sitting carelessly at the end of the piece in that chair, R.H., as if

you didn't care for anything or anybody. Only--cut the tag and come to

the Curtain.

* * * * *

THE ETHICS OF MATCH-BOXES.

BY COUNT DOLLSTOI.

(_INTENDED FOR A CONTEMPORARY, BUT FOUND TO BE TOO SHORT._)

I.

What is the true explanation of the use which people make of

matches--of safety matches, wooden matches, wax matches, and, less

commonly, of fusees? Ask any man why he uses such things, and he will

tell you that he does it to get a light, or because others do it.

Is this true? You will probably think so. Let us examine the question.

Why does a man hold his hand in front of a match when he lights it in

the street? To screen it from the wind, or _to hide it from the sight

of passers-by?_ Why do ladies leave the dinner-table before the men

begin to smoke? To avoid the smell of tobacco--which is well known to

be aromatic, healthy, and delightful--or _because the natural modesty

of women shrinks from witnessing the striking of a match?_ Why, in a

railway-carriage, do you hold your fusee out of window when you light

it? Is it because you do not care about being half-choked--a paltry

plea--or is it to conceal from young persons who may be in the

carriage the sparkle which must inevitably remind them of wicked and

alluring eyes?

"_To get a light, or because others do it._" Is that true? Do not

trifle with the question. Read all my works. Do not get them from a

contemptible circulating library, but buy them.

II.

Some may not yet be convinced that the striking of matches is

suggestive and immoral. To me nearly everything is suggestive, but

there are some stupid persons in England. I will be patient with them,

and give them more evidence.

A wax match is called a vesta. Who was Vesta? But this is too

horrible. I cannot pursue this point in a periodical which is read in

families. I can only refer you to the classical dictionary, and remind

you that everything must infallibly suggest its opposite. Again,

there are matches which strike _only_ on the box. It distresses me to

write these words. The idea of "onlyness," of restriction, must bring

matrimony to the mind of everyone. If you do not know what I think

about marriage, buy _The Kreutzer Sonata_. It is not customary to have

more than one wife. Consequently, anything which has _one_ in it--as,

for instance, the date of WILLIAM THE CONQUEROR--reminds me of

marriage, and is, therefore, degrading. Why, the very word "match"

suggests marriage: and yet we allow young children to sell whole boxes

of them in the streets. Horrible! Do you think our lower orders would

become discontented, and strike, if they had not seen matches doing it

first? Still more horrible!

Finally, you strike a match that never struck you, that never offended

you in any way. Is that just, or even manly? Yet, in nine cases out of

ten, the law takes no notice of the offence.

"_To get a light, or because others do it._" Are you not convinced now

that, when you use these words, you are not speaking the truth?

III.

I do not think I ever met anybody who was quite as moral, or quite as

original, as I am. You should give a complete set of my works to each

of your children. I might have generalised on the ill-effects of those

vices from a special case--my own case. Had I done so, I could have

got it printed. I can get anything printed that I write. I preferred

to take a newer line, and to show you how vile you are when you use

matches. Everything is vile. But you are wondering, perhaps, how a

great novelist becomes a small faddist. You must wait till next month,

and then read my article on the immorality of parting one's hair with

a comb. A common table-fork is the only pure thing with which one can

part one's hair. Combs deaden the conscience. But more of this anon.

* * * * *

OUR BOOKING-OFFICE.

What is this the Baron reads in the _D.T._ of Feb. 9, and in the

_Daily Graphic_ of the same date? Here is a portion of the extract

from the _D.T._:--"The Monthly Meeting of that quaint Literary

Society, 'Ye Odd Volumes,' at Limmer's Hotel, brought together not

merely a goodly show of the Volumes themselves, but an unusually

large array of visitors," and then follows the distinguished list, the

crowning point being reached when we come to the name of "The Baron de

BOOK-WORMS of _Punch_," and in the _Daily Graphic_ the daring reporter

goes a step farther, as, after giving the name of a certain honoured

guest, he parenthetically explains that this academical _convive_

is _the_ "Baron de B.-W.!" _Erreur_! I, the Baron de B.-W., being of

sound mind and body, hereby declare that _the Baron himself was not

present_. And why? Well, do my readers remember the honest milk-maid's

retort to the coxcomb who said he wouldn't marry her? Good. Then,

substituting "me" for "you," and "he" for "she," the Baron can adopt

the maiden's reply. After this, other reasons would be superfluous.

How came the reporter to fall into so great an error? Who misinformed

him? A worthy henchman, as indignant as was _Sam Weller_ when he

found his beloved master's name trifled with, writes to ask me, "Ain't

nobody to be whopped for takin' this here liberty, Sir?" With the

immortal _Mr. Pickwick_, the Baron replies, "Certainly not. Not on any

account." And, whatever that sturdy henchman may murmur to himself, he

at once obeys. "Bring me my books!" cries the Baron, "I am off to the

review."

The Baron's Deputy writes, that he has again been steeping himself in

poetry, and reports as follows:--_Ionica_ (GEORGE ALLEN) is a little

volume, which no admirer of true poetry should fail to possess. The

author now calls himself W. CORY, but he was known by a different name

to many generations of Etonians. His Muse generally wears a classical

robe, but her speech is always delightfully musical. She has beautiful

cadences, that haunt the memory like some old _Volkslied_. In spite of

a careless confusion between "thou" and "you," I defy anybody to read

"_Heraclitus_," to take only one instance, without a sense of pleasure

which will compel him to learn the two verses by heart. But the Muse

is pathetic, playful, and patriotic, too, when the occasion fits, and,

whatever she sings, she sings with genuine taste and feeling. Would

that we might hope for more of her pure music. So far the Deputy.

Was that excentric character in _David Copperfield_ nameless, who

was represented as sitting in some sort of slop-shop, wheezing out

fiercely, "O my lights and liver! O goroo, goroo!" I think DICKENS

didn't give him a name, good or bad; but his constant repetition of

the above outlandish exclamations has impressed upon him an awful

and terrific personality, which places him among the more popular

creations of Dickensian genius. Of what is this _à propos_? you

will ask the Baron. "Well," he will make reply, "it is _à propos_ of

cookery books, and bookery cooks; the latter being those who are not

above teaching themselves from the sacred books of Cookery, and who

can put in practice the lessons they learn therein. Now," quoth the

Baron, "let me recommend you to ask at CHAPMAN AND HALL's for _Hilda's

'Where Is It' of Recipes_, a work got up as simply and substantially

as a good dinner should be, with 'pages in waiting,' quite blank,

all ready for your notes,--the book, like a dining-table, being

appropriately interleaved; and there is, happy thought, a pencil in

the cover-side most handy for the intending Lucullus." The season

of Lent is an excellent one for cookery-books, because you can be

studying for the dinner-giving season, and then--do not forget the

generally excellent advice of your friend,

THE BARON DE BOOK-WORMS.

* * * * *

[Illustration: "WHEN GREEK MEETS GREEK."

"THERE NOW, MR. MOSS! _THERE'S_ A PICTURE FOR YER! WHY, HE'S REGULAR

DOWNRIGHT _BUILT_ FOR YER, THAT LITTLE 'ORSE IS! SUIT YER TO A T,--AND

DIRT-CHEAP AT A HUNDRED-AND-TWENTY GUINEAS!"

"EXACTLY, MR. ISAACS. KNOCK OFF THE HUNDRED, AND HE'S MINE!"]

* * * * *

THE RIVAL "JARVIES;"

OR, THE IRISH JAUNTING CAR.

AIR:--"_THE LOW-BACKED CAR_."

"_Honest John" sings_:--

When first I knew CH-RL-S ST-RT,

'Twas in a happier day,

The Jaunting Car he drove in

Went gaily all the way.

But now the Car seems all askew,

Lop-wheel'd, and slack of spring;

Myself and WILL, in fear of a spill,

Feel little disposed to sing,

As we sit on the Jaunting Car,

The drivers at open war,

Seem little to care

For a Grand Old Fare,

As they fight for the Jaunting Car.

CH-RL-S ST-RT at one rein, Sir,

And J-ST-N at the other.

Give prospect small of progress

In pummelling one another.

As Honest JOHN my chance is gone

Of helping ill-used PAT,

If the Union of Hearts in Shindy starts,

And the Message of Peace falls flat.

WILL and I on the Jaunting Car,

With the couple of Jarvies at war,

Are sad to our souls,

Wherefore win at the polls

If we lose on the Jaunting Car?

In battle's wild commotion,

With proud and hostile SM-TH,

O'er Land or Tithe, our hearts were blithe,

Till P-RN-LL sapped our pith.

But "Mr. Fox's" lethal darts

Make "Union" all my eye;

Our ranks they thin (whilst our enemies grin),

As right and left they fly.

Though we cling to the Jaunting Car,

We were better out of it, by far;

Not the G.O.M.'s art

Can those Jarvies part

Who fight for the Jaunting Car.

I rather like this Car, Sir,

With GL-DST-NE by my side;

But row galore is an awful bore.

When two would-be whips collide.

With J-ST-N seated forninst us,

To victory we _might_ haste,

But with squabbling bhoys, and a deuce of a noise,

_Our_ efforts are cut to waste.

Though we're perched on the Jaunting Car,

Our purpose these madmen mar,

Whilst W-LL-M and I,

With a tear and a sigh,

Hold on to the Jaunting Car.

* * * * *

PAR ABOUT PICTURES.--Messrs. J. and W. VOKINS, Great Portland Street,

have an interesting loan collection of some of the Old Giants of the

English Water-colour School on view. There may be found TURNER, DE

WINT, WILLIAM HUNT, HOLLAND, COPLEY FIELDING, STANFIELD, MULREADY,

J.D. HARDING, besides many others. How good are the Old Giants, and

their works are as bright and fresh as the day they were painted.

Their reputations have not faded, neither have their pictures, and

moreover, they are not likely to. And so say all of us! And so says,

Yours paragonically, OLD PAR.

* * * * *

THE HUNDRED-AND-TEN-TONNER!

What is it, that, with labour skilled,

Though taking full three years to build,

The place of better weapons filled?

The Hundred-and-Ten-Tonner!

What was it, though, that had to stoop,

When fired, to putting on a hoop,

Spite this, yet found its muzzle "droop"?

The Hundred-and-Ten-Tonner!

And what, that matters made more hot,

Such curious ammunition got,

It cost £400 a shot?

The Hundred-and-Ten-Tonner!

Yet, much to the tax-payer's bliss,

What, firing such a sum as this.

At eighteen hundred yards would miss?

The Hundred-and-Ten-Tonner!

What is it, spite the First Lord's grace,

That guns of better make and case

At half the cost could well replace?

The Hundred-and-Ten-Tonner!

So, what no more upon the deep

Should JOHN BULL floating useless keep,

But quickly from his Navy sweep?

The Hundred-and-Ten-Tonner!

* * * * *

PROPOSED TUNNEL BETWEEN ENGLAND AND IRELAND.--An Irishman observed

this would bridge over a lot of difficulties; he begged pardon, he

meant it would Leth-bridge them over.

* * * * *

[Illustration: THE RIVAL "JARVIES."

J. M-RL-Y. "DRIVE ON, McCARTHY!--IT'S _YOUR_ JOB!"]

* * * * *

[Illustration: HUNTING SKETCH.

THE LOST SHOE, OR LATE FOR THE MEAT.]

* * * * *

CANDOUR IN COURT.

[In _Savell v. the Duke of Westminster_, Lord ESHER, Master

of the Bolls, said:--"It was the demands for interrogatories

and discovery of documents and commissions in cases of this

simple nature which had made the practice of the Common Law so

expensive, and caused the public to fly from Courts of Law as

from a pestilence. This oppression must be put down."]

"How does it hap," quoth ESHER, M.R.,

"That Solicitors languish for lack of bread?

That want of cases, as felt by the Bar,

To cases of want has recently led?

Oh, how does it come, and why, and whence,

That men shun the Law as a pestilence?

"It can't be denied that the public tries

To avoid an action by every means;

To a Court it with much reluctance hies,

And to arbitration madly leans.

In fact--I say it without offence--

It shuns the Law as a pestilence.

"'Tis all the fault," said this great Law Lord,

"Of demands for inspection, and similar pleas;

Of expenses that neither side can afford,

Commissions and interrogator-ees;

Till Pelion's piled on Ossa--and hence

Men shun the Law as a pestilence.

"_I_ call it oppression, and I'm a Judge!

We must put it down, for the wrong's acute;

And then the public no fees will grudge,

But will rush to get suited with a suit;

For Law, the perfection of common sense,

Should never be shunned as a pestilence!"

* * * * *

KING JOHN AT OXFORD.

The Oxford University Dramatic Society have acted another Shakspearian

play with conspicuous success. To say that the O.U.D.S. have acted a

play of SHAKSPEARE is to say nothing, seeing that they are compelled,

under fear of the most dreadful punishments known to the University

Calendar, to confine their histrionic efforts to the drama as

SHAKSPEARE wrote it, with an occasional excursion into the dramatic

verse of BROWNING. A great many, however, of the most influential

members of the Hebdomadal Council are said to view any such departure

from SHAKSPEARE with alarm, as calculated to impair the discipline and

sap the morality of the tender nurselings confided to their charge,

and it is doubtful if the experiment will be repeated. Long live the

legitimate drama, say I, and so say all of us. But, after all, it may

be questioned whether those who can listen unharmed to the broad, and,

if I may say so, "illegitimate" humour of _Faulconbridge_ in _King

John_ would take much damage from SHERIDAN, or LYTTON, or TOM

TAYLOR, or even--though I make this particular suggestion with bated

breath--from the performance of such burlesques as the A.D.C. at

Cambridge from time to time offers to its patrons.

All this is, however, by the way. We must take the O.U.D.S. as we find

it, and I must confess I found it in a very strong and flourishing

condition during the performance of _King John_. The audience is not

an easy one to act to. Not that it errs on the side of over-criticism.

Rather it is too painfully friendly and familiar with the actors. Here

is a stray example culled from the Stalls:--

_Enter_ King PHILIP, _the_ DAUPHIN, _and attendant Knights._

_Undergraduate in the Stalls_ (_to his Neighbour_). Halloa! There's

old Johnnie in chain armour and a helmet. Did you ever see such a rum

'un? Let's make him laugh.

[_They do, and the unfortunate Knight infects his fellow

Knights at a moment when a specially stern demeanour is

required._

Or again, as here:--

_The_ DAUPHIN _places his arm round the waist of the_ Lady

BLANCH, _and conducts her to the back of the stage._

_Voice in the Dress Circle_. Look out for the Proctor!

[_General laughter._

But in spite of these and similar exuberances, the play went well from

first to last, and the enthusiasm of the audience was unbounded.

It was stated on the programme that Mr. HENRY IRVING had lent the

chain-mail and the tapestries. I have come to the conclusion that he

lent himself as well, and then went and pretended he was his own son.

At any rate, while Mr. HENRY IRVING (stated to be of New College) was

declaiming as _King John_, I could have sworn that the impersonator

of _Shylock_ and _Macbeth_ was walking the stage. Voice, gesture,

and even mannerisms were there, toned down, of course, to suit the

academic atmosphere, but manifest to all who know and love the great

original. My hearty congratulations to the actor, whoever he was, on a

most carefully studied and dignified rendering of his difficult part.

Mr. ALAN MACKINNON, who grouped and arranged the whole of the play,

was vigorous and spirited as _Faulconbridge_. He delivered his insults

with immense force and go. The letter "_r_" is not an easy one for

him to pronounce, but he struggled manfully with this obstacle, and

after a time I got perfectly accustomed to the bold tones in which

he ordered _Austria_ to "hang a calf-skin chround those chrechreant

limbs." _King Philip's_ legs were, perhaps, too much inclined to

independence, and never quite seemed to have made up their minds

where they would settle down, but when once they were fixed the King

was every inch a King. Little Miss MABEL HOARE made us all weep

copiously as _Arthur_. I have kept _Hubert_ to the last, in order to

emphasise my opinion that Mr. CLARK, of New College, who acted this

tender-hearted Chamberlain, carried off the chief honours of the

performance. For consistent and restrained force, it would not have

been easy to match Mr. CLARK's impersonation. Lady RADNOR's band was

delightful, in light-blue and pink bows.

The fight in the Second Act was tremendous. Never have I seen such

dreadful blows delivered with such immense vigour on any other stage.

A very polite French Knight who had taken part in the combat accorded

me the honour of an interview afterwards. I congratulated him, and

suggested that so realistic a battle must have been long and carefully

rehearsed. "Rehearsals!" he laughed; "not a bit of it. We just lace

into one another's heads as hard as we can lick." For the benefit

of Mr. D'OYLY CARTE and other fighting managers I have given these

admirable words as they were spoken.

I had almost forgotten the ladies. There were three, Miss FFYTCHE,

Mrs. CHARLES SIM, and Miss DOWSON, and they were all good--especially

Mrs. SIM as _Constance_.

And so farewell, for the present, to the O.U.D.S. and to Oxford. I may

mention, by the way, that hospitality is as extensive and port wine

as abundant as ever in the neighbourhood of the High. _Experto crede._

Yours to a turn, A VAGRANT.

* * * * *

A SOUTH-AFRICAN SENTIMENT.

(_SEE PAPERS PASSIM._)

The Colossus of Rhodes as a marvel they toss us;

To which we retort, _our_ RHODES _is_ a Colossus!

* * * * *

A READY-MADE MILITARY CHAPLAIN.--"The Rev. the Dean of Battle."

Evidently of the Church militant.

* * * * *

[Illustration: ALL-ROUND POLITICIANS. NO. 1.--THE G.O.M. VARIETY

ENTERTAINER.]

* * * * *

THE PINK OF COURTESY, AND A TRUE BLUE.

Last week a Cambridge Graduate, a Layman, not a Reverend Don, kindly

coached the Oxford Eight. The great Duke of WELLINGTON, courteously

instructing the French Army how to defeat the English, would be an

historical parallel. It is to be hoped that this sublime example of

unselfish devotion to aquatic sport will be followed in other walks

of life. We may expect to learn from the daily papers how,--

On Monday a Cabinet Council was held at Downing Street. Lord SALISBURY

presided, and Mr. W.H. SMITH being indisposed, Mr. W.E. GLADSTONE (at

a moment's notice) kindly consented to take his place.

On Tuesday General CAPRIVI went on leave, his place as confidential

adviser to the Emperor of GERMANY being supplied during his absence

by Prince Von BISMARCK.

The Czar of RUSSIA, wishing to take a short holiday in Denmark, has

arranged that his place shall be supplied by Prince ALEXANDER, once of

Battenberg, and late of Bulgaria. Before his return to St. Petersburg

His Majesty is likely to spend some time as the guest of several

leading Nihilists.

On Wednesday President CARNOT paid a long visit to General BOULANGER,

with a view to submitting to that eminent statesman a scheme for the

reorganisation of the French Army.

On Thursday the King of ITALY, having arranged to accompany Signor

CRISPI in a yachting cruise to South America, the POPE took up his

residence at the Quirinal, and presided at a National Council. Later

in the day his Holiness reviewed the Roman garrison.

On Friday Mr. O'BRIEN gave a numerously attended "at home" in his new

prison. Amongst those present were Mr. GLADSTONE, Lord SALISBURY,

Mr. PARNELL, Mr. MCCARTHY, and Mr. TIM HEALY. It is understood that

the result of this amicable meeting will be found in a spirit of

reciprocity exhibited in the anti-Parnellites writing Mr. PARNELL's

manifestoes for the Parnellites, and _vice versâ_.

* * * * *

QUERY BY IGNORAMUS.--From the _Times_' "Court Circular," Feb.

11:--"The following Ladies and Gentlemen had the honour of receiving

invitations, and being received by HER MAJESTY afterwards in the

Drawing Room." Well, Sir (writes our Correspondent) and where are they

usually received? In the kitchen? The report doesn't mention whether

it was the front or back Drawing Room.

* * * * *

[Illustration: INCONVENIENCE OF MODERN MALE ATTIRE.

_First Stranger_. "HERE--HI! I WANT A KNIFE AND FORK, PLEASE!"

_Second Stranger_. "CON-FOUND YOU--SO DO I!"]

* * * * *

ESSENCE OF PARLIAMENT.

EXTRACTED FROM THE DIARY OF TOBY, M.P.

_House of Commons, Monday, February 9_.--The ATTORNEY-GENERAL, with

copy of Orders in his hand, casts reproachful, almost angry, glance

on the harmless HOWORTH; that great diplomatist just dropped in

from Arlington Street; been to see the MARKISS, and give him latest

instructions as to conduct of public affairs, more especially with

respect to Behring Sea, the Northampton Election, the Newfoundland

Fisheries difficulty, and Assisted Education. A little fatigued with

his exertions; doesn't observe WEBSTER's woful regard.

[Illustration: Caustic Causton.]

"If it hadn't been for him," ATTORNEY-GENERAL mutters, still glaring

on elect of Salford, "shouldn't have to be down here now, answering

these sort of questions."

No doubt HOWORTH was, though undesignedly, originator of the business.

Saw in incident of Hartlepool election an opening for minimising

effect. Wrapped purpose up in form of question addressed to

ATTORNEY-GENERAL. Question in subtly diplomatic form insinuated

against FURNESS charge of breach of Corrupt Practice Act.

ATTORNEY-GENERAL, knowing that HOWORTH is the man who pulls the

strings of statecraft, not only in Salford and London, but in

Berlin and St. Petersburg, did not venture to decline to answer;

gravely played up to his lead. Opposition laughed and cheered; saw

their opening, and have since diligently filled it. Scarcely day

passed since that questions on hypothetical cases, addressed to

ATTORNEY-GENERAL, have not appeared on Orders. As they are moulded on

HOWORTH's, which he answered fully, even genially, difficult to refuse

reply. But there must be a limit to this kind of thing; reached to-day

when caustic CAUSTON comes forward with request for gratuitous opinion

on case submitted, involving difficult question of eligibility of

Catholics for seat on Woolsack. SUMMERS, who, depressed by Irish

domestic difficulty, hasn't put a question for three weeks, goaded

into activity; puts down another on same subject. Mr. ATTORNEY

respectfully declines to answer either. Opposition yell with derisive

cheers.

Mr. ATTORNEY a man of equable temper, but this too much for him. Must

find object of attack somewhere. Waited till HOWORTH had said adieu

to five ladies whom he had been showing round the House. "Look here,

HOWORTH," said Mr. ATTORNEY, his amiable visage clouded with unwonted

wrath, "you content yourself with looking after the MARKISS, and

keeping him straight, but don't you come round me any more with your

confoundedly clever questions."

_Business done_.--Tithe Bill still on Report stage.

_Tuesday_.--Met JOHN MORLEY in corridor just now walking along with

long stride and troubled countenance. "What's the matter?" I asked.

"Is the French Revolution still troubling you, or are you in fresh

difficulties On Compromise?"

"No, dear TOBY," he said; "like MARTHA, I am troubled with none of

these things. The fact is, I am pining for opportunity to give battle

to BALFOUR in the matter of his Government of Ireland. You remember

I tabled notice of a Motion on the matter as soon as the House met

in November. Then I was so anxious, so absorbed in the subject, that

I forgot all about it till Brer FOX and Brer RABBIT appeared on the

scene, and bid against each other for precedence. Thereupon I pulled

my Resolution out of pigeon-hole; reminded OLD MORALITY of my prior

claim; had it admitted, and day fixed. Should have come on last

Monday, you know. Tithes Bill in hand all last week; everybody tired

of it; agree there's really nothing in it; Opposition smouldering out;

then suddenly, my Motion having been put down for Monday, interest in

Tithes Bill swells; becomes absorbing. Couldn't possibly finish last

Thursday; everyone so urgent to continue debate that House was Counted

Out on Friday; yesterday was appropriated for further debate on Report

stage; Thursday next is taken for Third Reading, and I'm put off till

Monday."

"And who arranged all this?" I asked, with unfeigned sympathy.

[Illustration: Walking it Off.]

"Well, it was our fellows, you know, with assistance of Irish Members.

We are all so anxious to have it out with Prince ARTHUR that we made

it impossible for debate on his iniquities to come on this week. TIM

HEALY suddenly developed personal interest in Tithes Bill. Put down

several new Clauses. So succeeded in perhaps indefinitely deferring

debate on my Resolution. You know little, TOBY, of the thirst for

battle. It's more exhausting than the conflict itself. You'll excuse

me, I'll take another turn; to walk off the restless excitement is the

only hope left for me."

And crossing his hands behind him, honest JOHN was off again, down the

corridor, his red necktie gleaming in the further recesses like the

lurid light of battle.

_Business done_.--Tithes Bill through Report stage.

_Wednesday_.--Marriage with Deceased Wife's Sister Bill on again. A

hardy annual, carefully cultured in Commons, and regularly nipped

in Lords. The speeches to-day naturally did not present any features

riotously novel. HALL of Oxford (not the University, but the Brewery)

seconded Motion for rejection of Bill. A beautiful speech, I thought,

full of touching sentiments, delivered with much unction. His plea for

the sanctity of sisterhood brought tears into eyes unused to excessive

moisture. Didn't seem to have much to do with the Bill, but very

touching.

"Like evening bells," I said to the Member for Sark.

"More like a barrel-organ," he responded, gruffly. "HALL has the

oratorical manner of a street-preacher, and the emptiness of a tankard

that a thirsty porter has held to his lips for sixty seconds. Like a

skilfully-drawn glass of his own four-half, he's mostly froth; only,

after all, there's something under the froth in the glass of 'HALL's

Hextra,' and there's nothing beneath the sound of HALL's ambitious

common-places."

[Illustration: Hirsute Hints for Lord Randolph; or, the Art of

Political Make-up.]

SARK often says nasty things; seems in particularly disagreeable mood

to-day. Even fell foul of the inoffensive Member for Crewe. WALTER

MCLAREN, whilst declaring himself strongly in favour of Bill, wanted

to throw it out because it didn't provide opportunity for women to

marry their deceased husband's brother.

"McLAREN," snarled SARK, "is one of those typical Radicals who have no

toleration. He's the sort of man who would bite off his nose to spite

his face. Quiet, gentle, almost feminine, in his manner, he would

think nothing of boiling you and me in molten lead if we didn't cross

our t's exactly at the height he is accustomed to do, or dotted

our i's at an angle which did not conform with his views. Scratch a

Radical, TOBY my boy, and you'll find the Tyrant."

I'll take care to do no such thing.

_Business done_.--Deceased Wife's Sister Bill read Second Time by 202

Votes against 155.

_Thursday_.--After long period of anxiety, House to-night reassured.

GEDGE, who hasn't been seen since he disappeared after obstructing

passage through Committee of Tithes Bill, turned up again. Curiously

regarded by House; looked for signs of privation, but no falling

off visible, whether in physical contour or volume of voice. Tithes

Bill during his absence has gone through Committee and Report stage.

Now awaiting Third Reading. GEDGE proposed to continue his speech

interrupted by stroke of Midnight, when House in Committee. Fixed

himself obligingly behind GOSCHEN and HICKS-BEACH, so that they should

miss nothing of his counsel, and started off. Instantly arose stormy

cries for Division. GEDGE, wherever he has been, seems to have been

well-fed, and kept generally in good fettle. Cheerfully accepted

challenge to vocal contest. Every time he commenced sentence

the boisterous chorus, "'vide! 'vide! 'vide!" rang though House.

Opposition, who didn't want Bill, started it; Ministerialists, anxious

to see Bill pass, took it up; a roaring, excited crowd; amid them

GEDGE, grey-faced, imperturbable, with mouth wide open, shouting

in the ear of the pleased CHANCELLOR of the EXCHEQUER. _Business

done_.--Tithes Bill read Third Time by 250 Votes against 161.

[Illustration: "In rising to respond."]

_Friday_.--The United Services come nobly to the front to-day, all

about Nelson's Pillar in Sackville Street, Dublin. However it may be

at Westminster, Irish Members can't abear obstruction at home; brought

in Bill to remove Monument lower down street; long debate; towards

close Admiral FIELD suddenly hove in sight; bore down on enemy.

"As humble naval officer," he roared, as through a speaking-trumpet,

"I protest against addressing our immortal naval hero in the words of

the Poet, saying unto him, 'Friend, go down lower.'"

General FRASER, V.C., sitting next to Admiral on Front Bench below

the Gangway; bosom swelled with generous emulation; Navy attacked;

duty of Army to come to its assistance. General doesn't often speak;

appearances as public orator chiefly confined to responding to

patriotic toast at dinners. This led him a little astray. Drawing

himself up to full height, setting hands on hips, he began, in deep

bass voice, "In rising to respond to this toast--" Then, remembering

where he was, he executed strategic retreat, and addressed himself to

SPEAKER.

Spectacle of the two veterans defending memory of NELSON deeply

touched House. Nevertheless, Bill carried. _Business done_.--Counted

Out at Half-past Seven.

* * * * *

IN MONTAGU WILLIAMS' _Later Leaves_ there is a small error, but

of importance to the historian of the English Stage, which can be

corrected in the next edition:--Mr. KEELEY never played _Bob Mettles_,

and there is no such character in TOM TAYLOR's _Our Clerks. Bob

Nettles_ is one of the principal characters in _To Parents and

Guardians_, and it was played by Mrs. KEELEY, her husband playing

_Waddilove_. Middle-aged play-goers will remember both pieces; and in

the latter, no one will forget ALFRED WIGAN as the French Tutor.

* * * * *

CIVIL SERVICE NOTE.--The Directors of the Covent Garden Opera Company

present their compliments to the C.S. Examiners, and trust that they

will reconsider their determination to exclude the Italian language

from their list of subjects. The Directors will be happy to give every

facility to students during the forthcoming Opera season. Box Office

now open. Reduction on taking a quantity.

* * * * *

NOTICE.--Rejected Communications or Contributions, whether MS.,

Printed Matter, Drawings, or Pictures of any description, will in no

case be returned, not even when accompanied by a Stamped and Addressed

Envelope, Cover, or Wrapper. To this rule there will be no exception.

Punch, or the London Charivari, Volume 100, February 21, 1891 · 第 4 / 4 章