But the sphere of the Pretty Preacher lies really between these

extremes. She is not at war with mankind, like the nymph of bread and

butter; nor does mankind suspect her of subtle designs in her discourse

as it suspects the elder homilist. Her talk is just as easy and graceful

and natural as herself, and, moreover, it is always in season. She never

suffers a serious reflection to interfere with the whirl of town. She

quite sees the absurdity of a sermon at a five o'clock tea. No one is

freer from the boredom of a long talk when there is a chance of a boat

or a ride. But there are moments when one is too hot, or too tired, or

too lazy for chat or exertion, and such moments are the moments of the

Pretty Preacher. The first week of the holidays is especially her own.

There is a physical pleasure in doing, thinking, saying nothing. The

highest reach of human effort consists in disentangling a skein of silk

for her, or turning over Dore's hideous sketches for the Idyls. At such

a moment there is a freshness as of cool waters in the accents of the

Pretty Preacher. She does not plunge into the deepest themes at once.

She leads her listener gently on, up the slopes of art or letters or

politics, to the higher peaks where her purely dogmatic mission begins.

She is artistic, and she labors to wake the idler at her feet to higher

views of beauty and art. She points out the tinting of the distant

hills, she quotes Ruskin, she criticizes Millais. She crushes her

auditor with a sense of his ignorance, of the base unpoetic view of

things with which he lounged through the last Academy. What she longs

for in English art is nobleness of purpose, and we smile bitter scorn in

the sunshine at the ignoble artist who suffers a thought of his

butcher's bills to penetrate into the studio. If we could only stretch

the Royal Academicians beside us on the grass, what a thrill and an

emotion would run through those elderly gentlemen as they listened to

the indignation of the Pretty Preacher.

But art shades off into literature, and literature into poetry. We are

driven into a confession that we enjoy the frivolous articles that those

horrid papers have devoted to her sex. Is there nothing, the Pretty

Preacher asks us solemnly, to be said against our own? And the sun is

hot, and we are speechless. It was shameful of us to put down the

_Spanish Gipsy_, and let it return unfinished to Mudie's! Never did

rebuke so fill us with shame at our want of imagination and of poesy.

But already the Preacher has passed to politics, and is deep in Mr.

Mill's prophecies of coming events. She is severe on the triviality of

the House, or the quarrelsome debates of the past Session. She passes by

our murmured excuse of the weather, and dwells with a temperate

enthusiasm on the fact that the next will be a social Parliament. Do we

know anything about the Poor-laws or Education or Trades'-societies?

Have we subscribed to Mr. Mill's election? We plead poverty, but the

miserable plea dies away on the contemptuous air.

What our Pretty Preacher would like above all things would be to meet

that dear Mr. Shaw Lefevre, and thank him for his efforts to protect

woman. But she knows we are utterly heretical on the subject; she doubts

very much whether we take in the _Victoria Magazine_. We listen as the

Tory Mayor of Birmingham listened to Mr. Bright at his banquet. The

politics are not ours, and the literature is not ours, and the art is

not ours; but it is pleasant to lie in the sunshine and hear it all so

charmingly put by the Pretty Preacher. We own that sermons have a little

to say for themselves; above all, that the impossibility of replying to

them has its advantages in a case like this. It would be absurd to

discuss these matters with the Pretty Preacher, but it is delightful to

look up and see the kindling little face and listen to the sermon.

It is, however, as the theologian proper, as the moralist and divine,

that we love her most. She arrives at this peak at last. As a rule, she

chooses the tritest topics, but she gives them a novelty and grace of

her own. Even Thackeray's old "Vanity of Vanities" wakes into new life

as she dexterously couples it with the dances of the last season. We nod

our applause from the grass as she denounces the worthlessness and

frivolity of the life we lead. If the weather were cool enough we should

at once vow, as she exhorts us, to be earnest and great and good. Above

all, let us be noble. The Pretty Preacher is great on self-sacrifice.

She sent two of her spoilt dresses to those poor people in the East-end,

after listening to a whole sermon on their sufferings. The congregation

at her feet feels a twinge of remorse at the thought of his inhumanity,

and swears he will put down his segars and devote the proceeds to the

emigration fund. Does he ever read Keble? There is a slight struggle in

the unconverted mind, and a faint whisper that he now and then reads

Tupper; but it is too hot to be flippant, or to do more than swear

eternal allegiance to the _Christian Year_.

The evening deepens, and the sermon deepens with it. It is one of the

most disgusting points about the divine in the pulpit that he is always

boasting of himself as a man like as we are, and of the sins he

denounces as sins of his own. It is the special charm of the fair divine

above us that she is eminently a being not as we are, but one serene,

angelic, pure. It is the very vagueness of her condemnation that tells

on us--the utter ignorance of what is so familiar to us that the

vagueness betrays, the utter unskillfulness of the hits, and the purity

that makes them so unskillful. It is only when she descends to

particulars that we can turn round on the Pretty Preacher--only when a

burning and impassioned invective against Cider Cellars suddenly softens

into the plaintive inquiry, "But, oh, Charlie, dear, what _are_ the

Cider Cellars?" So long as the preacher keeps in the sphere of the

indefinite, we lie at her mercy, and hear the soft thunders roll

resistlessly overhead.

But then they are soft thunders. We feel almost encouraged, like Luther,

to "sin boldly" when the absolving fingers brush lightly over our

cousinly hair. Our censor, too, has faith in us, in our capacity and

will for better things, and it is amazingly pleasant to have the

assurance confirmed by a squeeze from the gentle theologian's hand. And

so night comes down, and preacher and penitent stroll pleasantly home

together, and mamma wonders where both can have been; and the Pretty

Preacher lays her head on her pillow with the sweet satisfaction that

her mission is accomplished, and that a reprobate soul--the soul, too,

of such a gentlemanly and agreeable reprobate--is won.

SPOILT WOMEN.

Like children and all soft things, women are soon spoilt if subjected to

unwholesome conditions. Sometimes the spoiling comes from

over-harshness, sometimes from over-indulgence; what we are speaking of

to-day is the latter condition--the spoiling which comes from being

petted and given way to and indulged, till they think themselves better

than everybody else, and as if living under laws made specially for them

alone. Men get spoilt too in the same manner; but for the most part

there is a tougher fibre in them, which resists the flabby influences of

flattery and exaggerated attention better than can the morale of the

weaker sex; and, besides, even arbitrary men meet with opposition in

certain directions, and the most self-contented social autocrat knows

that his humblest adherents criticise though they dare not oppose.

A man who has been spoilt by success and a gratified ambition, so that

he thinks himself a small Alexander in his own way, and able to conquer

any obstacles which may present themselves, has a certain high-handed

activity of will about him that does not interfere with his duties in

life; he is not made fretful and impatient and exigeant as a woman

is--as if he alone of all mankind is to be exempt from misfortune and

annoyances; as if his friends must never die, his youth never fade, his

circumstances run always smoothly, protected by the care of others from

all untoward hitch; and as if time and tide, which wait for no one else,

are to be bound to him as humble servants dutifully observant of his

wishes.

The useful art of "finding his level," which he learnt at school and in

his youth generally, keeps him from any very weak manifestation of being

spoilt; save, indeed, when he has been spoilt by women at home, nursed

up by an adoring wife, and a large circle of wife's sisters almost as

adoring, to all of whom his smallest wishes are religious obligations,

and his faintest virtues godly graces, and who vie with each other which

of them shall wait upon him most servilely, flatter him most

outrageously, pet and coax and coddle him most entirely, and so do him

the largest amount of spiritual damage, and unfit him most thoroughly

for the worth and work of masculine life. A man subjected to this

insidious injury is simply ruined so far as any real manliness of nature

goes. He is made into that sickening creature, "a sweet being," as the

women call him--a woman's man, with flowing hair and a turn for poetry,

full of highflown sentiment, and morbidly excited sympathies; a man

almost as much woman as man, who has no backbone of ambition in him, but

who puts his whole life into love, just as women do, and who becomes at

last emphatically not worth his salt.

Bad as it is for a man to be _kowtowed_ by men, it is not so bad,

because not so weakening, as the domestic idolatry which sometimes goes

on when one man is the centre of a large family of women, and the only

object upon which the natural feminine instinct can expend itself. No

greater damage can be done to a man than is done by this kind of

domestic idolatry. But, in truth, the evil is too pleasant to be

resisted; and there is scarcely a man so far master of himself as to

withstand the subtle intoxication, the sweet and penetrating poison, of

woman's tender flattery and loving submission. To at certain extent it

is so entirely the right thing, because it is natural and instinctive,

that it is difficult to draw the line and map out exactly the division

between right and wrong, pleasantness and harmfulness, and where loving

submission ends and debasing slavishness begins.

Spoilt women are spoilt mainly from a like cause--over-attention from

men. A few certainly are to be found, as pampered daughters, with

indulgent mammas and subservient aunts given up wholly to ruining their

young charge with the utmost despatch possible; but this is

comparatively a rare form of the disease, and one which a little

wholesome matrimonial discipline would soon cure. For it is seldom that

a petted daughter becomes a spoilt wife, human affairs having that

marvellous power of compensation, that inevitable tendency to readjust

the balance, which prevents the continuance of a like excess under

different forms.

Besides, a spoilt daughter generally makes such a supremely unpleasant

wife that the husband has no inducement to continue the mistake, and

therefore either lowers her tone by a judicious exhibition of snubbing,

or, if she is aggressive as well as unpleasant, leaves her to fight with

her shadows in the best way she can, glad for his own part to escape the

strife she will not forego. One characteristic of the spoilt woman is

her impatience of anything like rivalry. She never has a female

friend--certainly not one of her own degree, and not one at all in the

true sense of the word. Friendship presupposes equality, and a spoilt

woman knows no equality. She has been so long accustomed to consider

herself as the lady-paramount that she cannot understand it if any one

steps in to share her honors and divide her throne.

To praise the beauty of any other woman, to find her charming, or to pay

her the attention due to a charming woman, is to insult our spoilt

darling, and to slight her past forgiveness. If there is only one good

thing, it must be given to her--the first seat, the softest cushion, the

most protected situation; and she looks for the best of all things as if

naturally consecrated from her birth into the sunshine of life, and as

if the "cold shade" which may do for others were by no means the portion

allotted to her. It is almost impossible to make the spoilt woman

understand the grace or the glory of sacrifice. By rare good fortune she

may sometimes be found to possess an indestructible germ of conscience

which sorrow and necessity can develop into active good; but only

sometimes. The spoilt woman _par excellence_ understands only her own

value, only her own merits and the absolutism of her own requirements;

and sacrifice, self-abnegation, and the whole class of virtues belonging

to unselfishness are as much unknown to her as is the Decalogue in the

original, or the squaring of the circle.

The spoilt woman as the wife of an unsuccessful husband or the mother of

sickly children is a pitiable spectacle. If it comes to her to be

obliged to sacrifice her usual luxuries, to make an old gown serve when

a new one is desired, to sit up all night watching by the sick bed, to

witness the painful details of illness, perhaps of death, to meet

hardship face to face, and to bend her back to the burden of sorrow, she

is at the first absolutely lost. Not the thing to be done, but her own

discomfort in doing it, is the one master idea--not others' needs, but

her own pain in supplying them, the great grief of the moment. Many are

the hard lessons set us by life and fate, but the hardest of all is that

given to the spoilt woman when she is made to think for others rather

than for herself, and is forced by the exigencies of circumstances to

sacrifice her own ease for the greater necessities of her kind.

All that large part of the perfect woman's nature which expresses itself

in serving is an unknown function to the spoilt woman. She must be

waited on, but she cannot in her turn serve even the one or two she

loves. She is the woman who calls her husband from one end of the room

to the other to put down her cup, rather than reach out her arm and put

it down for herself; who, however weary he may be, will bid him get up

and ring the bell, though it is close to her own hand, and her longest

walk during the day has been from the dining-room to the drawing-room.

It is not that she cannot do these small offices for herself, but that

she likes the feeling of being waited on and attended to; and it is not

for love--and the amiable if weak pleasure of attracting the notice of

the beloved--it is just for the vanity of being a little somebody for

the moment, and of playing off the small regality involved in the

procedure. She would not return the attention.

Unlike the Eastern women, who wait on their lords, hand and foot, and

who place their highest honor in their lowliest service, the spoilt

woman of Western life knows nothing of the natural grace of womanly

serving for love, for grace, or for gratitude. This kind of thing is

peculiarly strong among the _demi-monde_ of the higher class, and among

women who are not of the _demi-monde_ by station, but by nature. The

respect they cannot command by their virtues they demand in the

simulation of manner; and perhaps no women are more tenacious of the

outward forms of deference than those who have lost their claim to the

vital reality.

It is very striking to see the difference between the women of this

type, the _petites maitresses_ who require the utmost attention and

almost servility from man, and the noble dignity of service which the

pure woman can afford to give--which she finds, indeed, that it belongs

to the very purity and nobleness of her womanhood to give. It is the old

story of the ill-assured position which is afraid of its own weakness,

and the security which can afford to descend--the rule holding good for

other things besides mere social place.

Another characteristic of the spoilt woman is the changeableness and

excitability of her temper. All suavity and gentleness and delightful

gaiety and perfect manners when everything goes right, she startles you

by her outburst of petulance when the first cross comes. If no man is a

hero to his valet, neither is a spoilt woman a heroine to her maid; and

the lady who has just been the charm of the drawing-room, upstairs in

her boudoir makes her maid go through spiritual exercises to which

walking on burning ploughshares is the only fit analogy. A length of

lace unstarched, a ribbon unsewed, a flower set awry, anything that

crumples only one of the myriad rose-leaves on which she lies, and the

spoilt woman raves as much as if each particular leaf had become

suddenly beset with thorns.

If a dove was to be transformed to a hawk the change would not be more

complete, more startling, than that which occurs when the spoilt woman

of well-bred company manners puts off her mask to her maid, and shows

her temper over trifles. Whoever else may suffer the grievances of life,

she cannot understand that she also must be at times one of the

sufferers with the rest; and if by chance the bad moment comes, the

person accompanying it has a hard time of it. There are spoilt women

also who have their peculiar exercises in thought and opinion, and who

cannot suffer that any one should think differently from themselves, or

find those things sacred which to them are accursed. They will hear

nothing but what is in harmony with themselves, and they take it as a

personal insult when men or women attempt to reason with them, or even

hold their own without flinching.

This kind is to be found specially among the more intellectual of a

family or a circle; women who are pronounced "clever" by their friends,

and who have been so long accustomed to think themselves clever that

they have become spoilt mentally as others are personally, and fancy

that minds and thoughts must follow in their direction, just as eyes and

hands must follow and attend their sisters. The spoilt woman of the

mental kind is a horrid nuisance generally. She is greatly given to

large discourse; but discourse of a kind that leans all to one side, and

that denies the right of any one to criticise, doubt, or contradict, is

an intellectual Tower of Pisa under the shadow of which it is not

pleasant to live.

TRANSCRIBER'S NOTES

Words in italics in the original are surrounded by _underscores_.

The following words appear with and without hyphens. They have been left

as in the original.

ball-room ballroom

business-like businesslike

hearth-rug hearthrug

house-keeper housekeeper

house-keeping housekeeping

man-like manlike

now-a-days nowadays

over-head overhead

Variations in spelling have been left as in the original. Examples

include the following:

center/centre

learned/learnt

spoiled/spoilt

The following corrections have been made to the text:

Page xi: INTRODUCTION, 13[original has 5]

Page 48: slink away from a bantam[original has bantum] hen

Page 67: you[original has vou] go in for this sort

Page 129: sheer force of genius[original has genuis]

Page 161: some out-of-the-way[original has out-of-the way]

corner

Page 220: exhausts itself in a declaration[original has

delaration] of revolt

Page 269: ignorant of contemporary[original is split across

lines after con but hyphen is missing] fashions

Page 303: following the [original has the the] same

extravagance

Page 332: torture it until it[original has is] has about as

much life

The following words use an oe ligature in the original:

manoeuvred

outmanoeuvring

Oedipus

Phoenician

In the phrase, "white-armed, large-limbed Here", the original has

macrons over both of the vowels in "Here".

Ellipses match the original.

End of Project Gutenberg's Modern Women and What is Said of Them, by Anonymous

Modern women and what is said of them : a reprint of a series of articles in the Saturday Review (1868) · 第 21 / 21 段