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MODERN WOMEN

AND

WHAT IS SAID OF THEM

A REPRINT OF

A SERIES OF ARTICLES IN THE

SATURDAY REVIEW

WITH AN INTRODUCTION BY

MRS. LUCIA GILBERT CALHOUN

NEW YORK

_J. S. REDFIELD, PUBLISHER_

140 FULTON STREET

1868

Entered according to Act of Congress, in the year 1868, by

J. S. REDFIELD,

In the Clerk's Office of the District Court of the United States for the

Eastern District of New York.

EDWARD O. JENKINS,

_PRINTER AND STEREOTYPER_,

No. 20 North William St.

ADVERTISEMENT.

The following papers on Woman were originally published in the columns

of the London SATURDAY REVIEW. Some of them have already been reprinted

in the literary and daily journals of this country, and they have

excited no little discussion and comment among readers of both sexes.

Whether agreeing or not with the writer, it is impossible not to concede

the eminent ability with which the various subjects are handled. No

series of essays has appeared in the English language for many years

which has been so extensively reprinted and so generally read.

The authorship of these papers has been attributed to different

individuals, male and female; but it is more than probable that the

writers whose names have been mentioned in this connection are precisely

those who have had nothing whatever to do with them. It is not unlikely

that, in due time, the publisher of this volume may be in possession of

authentic information on this head, and that the name of the author may

then appear on the title-page.

CONTENTS.

INTRODUCTION, 5

I.--THE GIRL OF THE PERIOD, 25

II.--FOOLISH VIRGINS, 34

III.--LITTLE WOMEN, 43

IV.--PINCHBECK, 52

V.--PUSHING WOMEN, 61

VI.--FEMININE AFFECTATIONS, 73

VII.--IDEAL WOMEN, 83

VIII.--WOMAN AND THE WORLD, 93

IX.--UNEQUAL MARRIAGES, 101

X.--HUSBAND-HUNTING, 109

XI.--PERILS OF "PAYING ATTENTION," 118

XII.--WOMEN'S HEROINES, 128

XIII.--INTERFERENCE, 138

XIV.--PLAIN GIRLS, 148

XV.--A WORD FOR FEMALE VANITY, 157

XVI.--THE ABUSE OF MATCH-MAKING, 167

XVII.--FEMININE INFLUENCE, 177

XVIII.--PIGEONS, 188

XIX.--AMBITIOUS WIVES, 198

XX.--PLATONIC WOMAN, 206

XXI.--MAN AND HIS MASTER, 215

XXII.--THE GOOSE AND THE GANDER, 225

XXIII.--ENGAGEMENTS, 235

XXIV.--WOMAN IN ORDERS, 243

XXV.--WOMAN AND HER CRITICS, 253

XXVI.--MISTRESS AND MAID, ON DRESS AND UNDRESS, 262

XXVII.--AESTHETIC WOMAN, 272

XXVIII.--WHAT IS WOMAN'S WORK? 281

XXIX.--PAPAL WOMAN, 291

XXX.--MODERN MOTHERS, 300

XXXI.--PRIESTHOOD OF WOMAN, 309

XXXII.--THE FUTURE OF WOMAN, 319

XXXIII.--COSTUME AND ITS MORALS, 329

XXXIV.--THE FADING FLOWER, 339

XXXV.--LA FEMME PASSEE, 347

XXXVI.--PRETTY PREACHERS, 355

XXXVII.--SPOILT WOMEN, 364

INTRODUCTION.

The "Woman Question" will not be put to silence. It demands an answer of

Western legislators. It besets college faculties. It pursues veteran

politicians to the fastnesses of so-called National Conventions. Under

the sacred sounding-boards of New England pulpits has its voice been

heard, and its unexpected ally, the London SATURDAY REVIEW, introduces

it to the good society of English drawing-rooms. That this introduction

comes in the form of diatribe and denunciation is a matter of the least

moment. Judgment will finally rest, not on the conclusions of the

special pleader, but on the strength of the case of the accused.

Something, clearly, is wrong with fashionable women. They accept the

thinnest gilt, the poorest pinchbeck, for gold. They care more for a

dreary social pre-eminence than for home and children. They find in

extravagance of living and a vulgar costliness of dress their only

expression of a vague desire for the beauty and elegance of life. Is

it, therefore, to be inferred that the race of noble women is dying out?

St. Paul was hardly less severe than the London SATURDAY, if less

explicit, in his condemnation of the fashionable women of his day, yet

we look upon that day as heroic. Certainly neither London nor New York

can rival the luxury of a rich Roman matron, yet it was not the luxury

of her women which destroyed the empire, and Brutus's Portia was quite

as truly a representative woman as the superb Messalina. John Knox

thought that things were as bad as they could possibly be when he

thundered at vice in high places; and if there had been a John Knox in

the court of Charles the Second, he would have sighed for a return of

the innocent days of his great-grandfather.

On the whole, that hope which springs eternal suggests that the

fashionable women of the reign of Victoria, and of our seventeenth

President, are not essentially more discouraging than all the

generations of the thoughtless fair who danced idly down forgotten

pasts. Nay, we may even hope that they are better. If they will not

actually think, yet the fatal contagion of the newspaper and the modern

novel communicates to them an intellectual irritation which might

almost stand for a mental process. If they have not ideas, they have

notions of things, and however inexact and absurd these may be, they are

better than emptiness.

"Worse, decidedly worse," says our implacable critic; "when women were

content with looking pretty before marriage, and with good housekeeping

after, they were uninteresting certainly, but they were respectable. Now

they dabble in all things; are weakly aesthetic, weakly scientific,

weakly controversial, and wholly prosy, and contemptible." Dabbling is

pitiful, certainly, and weakness has few allies, but let us do justice

even to the weak dabblers. AEsthetic, or scientific, or controversial

training has but recently been made possible to women. Their previous

range of study had been very narrow. It is not strange that the least

attainments should seem to them very profound and satisfactory, and the

most manifest deductions pass for original conclusions. It is natural

that their undisciplined faculties should grapple feebly with

difficulties, and be quite unequal to argument. This is no reason for

flinging the baffling volumes at their heads; better so educate their

heads that the volumes shall no longer baffle.

Scolded because they have not an idea beyond dress, laughed at when

they try to think of something better, a word may certainly be said for

the good temper and the patience even of the fashionable women, who

would be wiser if they could.

The fault is, we are assured, that these women take up books only to

enhance their matrimonial value, and with no thought of the worth of

study. Let us be just. What business or the professions are to most men,

marriage is to most women. Men qualify themselves, if they can, for that

competitive examination which is always going on, and which insures

clients to the best lawyers, and business to the best merchant, and

parishes to the best preacher. Women, compelled to wait at home for the

wooing which changes their destiny, qualify themselves with attractions

for that competitive examination which all marriageable young women feel

that they undergo from every marriageable young man. Each has an eye to

business. One does not feel that the motive in the one case is any

higher than in the other.

It is very bad, of course, that marriage should be a matter of business.

It is, perhaps, the most tragic of all perversions. But, evidently, the

evil is not to be abated by jeremiads, nor by lectures to young women,

no, nor even by brilliant editorials. So long as women believe that

inglorious ease is better than work, so long as they are taught that

they are born to be the gentle dependents of a stronger being, so long

as courage and capacity are held to be "strong-minded," so long as the

range of employments for women is narrow, and the standard of wages

lower than men's, so long they will seek in marriage a home, a larger

liberty of action, an establishment, a servant who shall supply them

with money and insure them ease without effort of their own.

Men take the business opening which seems most congenial and most

profitable. Women do the same thing, and their choice naturally falls

upon marriage as altogether the most promising speculation of their very

small list. The remedy seems to be to give women as thorough mental

training as men receive, to make their training tend as directly to the

business of earning their bread and their pretty feminine adornments,

and for the same work to pay them the same wages. If it be objected that

fashionable women will not work, let it be answered that work itself

would be fashionable if it were held to be a dignity, and not a

drudgery, and that the really fine and thoughtful leaders of society

could easily establish the new order of things. In an aristocratic

country, where labor is the badge of caste, it would be difficult to

make it honorable. In a democracy like our own, it is the most

contemptible snobbishness which frowns on the honest earning of money.

The accusation of prodigal and senseless expenditure in dress must stand

unrefuted. Sums which would adorn our cities with pleasure-gardens, with

libraries, with galleries of art, are spent on perishable gauds that

have not even beauty to commend them. Charities might be founded, lives

be enriched with travel, all lands laid under contribution with the

money that every year flows into Stewart's drawers, and the strong-boxes

of fashionable dress-makers. But the jewelled prodigals who spend it are

not more selfish, perhaps, than we plain folks who carp.

Again, it is a mistake. They have the money. They mean to secure all the

pleasure that money can buy. They have that feminine sensuousness which

delights in color, and odor, and richness of fabric. Their sense of

beauty is untaught. A little lower in the scale of civilization they

would pierce their noses, and dye their finger-nails, and wear strings

of glass beads. A little higher, they would sacrifice the splendid shawl

to a rare marble, banish the chromo-lithograph, and turn the solitaire

ear-drops into a lovely picture, and build a conservatory with the price

of lace flounces. A little higher still, and we might have model

lodging-houses, and foundling hospitals, and music in the squares given

us by kindly women who had saved the money from milliner, and jeweller,

and silk-mercer.

But standing just where they are, clothes seem to these same undeveloped

women the best things money can buy; and a lack of culture confuses them

as to the attributes of clothes. Just now our fashionable women are

bitterly reprehended for copying the dress of the "Anonymas," who

establish the very pronounced fashions of Paris. Half of them do not

know what model they have taken. The other half accept the various and

tasteless costumes, not because they are devised by "Anonyma," but

because they are striking. There is something in the commonplaceness of

fashionable life which smothers all originality of thought, of action,

even of device in costume; and the women who give most time and money to

dress, to whom one would look for perfection in that mixed art, are

almost invariably the women who are exact reproductions of their

neighbors in this regard, as in their house-furnishing, their equipages,

and their manners.

Upon these splendidly monotonous fine ladies flashes the vision of

"Anonyma," with her meretricious beauty, and her daring toilettes.

Amenable to no social Mrs. Grundy, her love of dress develops itself in

bold contrasts of color, in bizarre and showy ornaments, in picturesque,

and often in grotesque and tawdry effects. But whatever the details, the

whole is always striking. Our women longing for the new, accept the

absurd; desiring the picturesque, take the bizarre, and eager for the

elegant, content themselves with the costly.

Nor does the fact that our present fashionable evening costume is

immodest, of necessity impugn the modesty of the women who wear it. That

they are wanting in fineness of perception must be admitted. But women

of fashion accept without question the dictum of their modistes. La

Belle Hamilton, the famous beauty of the reign of Charles the Second, so

delicately modest and pure that she passed unbreathed upon by scandal

through that most dissolute court, is painted in a costume that the

fastest of New York belles would not venture to wear at the most

fashionable of receptions. The gracious and self-sacrificing and womanly

women of our revolution, wore dresses cut lower than those of their

great-grand-daughters, as any portrait-gallery will show. The dress is

indefensible, but let us not be too ready to condemn the wearer for

worse sins than thoughtlessness and vanity.

One doubts if there is a single Becky Sharp the less, (poor Becky!)

since Thackeray gave such terrible immortality to their great prototype.

The satirist is not the reformer. The satirized do not see themselves in

the exaggerated type. They go their way, and thank God that they are not

as these others. The critic of the London SATURDAY, beginning, perhaps,

with the intention of telling sad and sober truth about a class, has

ended with a list of the follies and faults of individuals, and these

are set down with the keen and unconvincing clearness of the satirist.

It is a good thing indeed, that any aspect of the "woman question"

should claim place, week after week, in a leading English journal. It is

a good thing that it has been thought wise to reprint these essays here.

All this talk about the wrong ways of women suggests that there is a

right way, as yet very much involved in the dust of discussion and the

fogs of speculation. All these accusations against her folly imply a

proportionate tribute to her possible wisdom, if once she can get a fair

chance to be wise.

What the reviewer urges against the effect of fashionable life on the

intellect, cannot be gainsayed. But in America, at least, the injury to

the young men is greater apparently than to the young women. At any

evening party in New York, at any "Hop" in Newport or Saratoga, the

faces of the men are of a lower type, their talk is more inane, their

manners are more vulgar. The girls are empty enough, heaven knows! but

they seem capable of better things, most of them. And they are not so

wholly spoiled in character. I have found very fashionable girls capable

of large sacrifices for love, or kindred, or obedience to some divine

voice. This proves that they have only to be taught that there is

something better than being very fashionable, to take it thankfully. But

the men seemed sordid and selfish, and grown worldly-wise before their

time.

Yet it might make us both more just and more generous to remember that

during our time of peril as a nation, these very ranks of purposeless

men furnished us soldiers and money, and a cheerful faith in the cause,

just as these very legions of idle women gave us workers and nurses.

There is this cheer for American readers of these pages: What we have

been told is our national sin of extravagance, the too pronounced

character of our social life, the frivolity and ignorance of our women,

the lack of a universal and high-toned society, we find not to be inborn

defects peculiar to our system of government, and hopeless of change,

but vices, also, of an old and cultivated and dignified nation.

A cheerful optimist may well believe that we are in a transition state;

that women, impatient of the old life which was without thought and

culture and motive, in the blind struggle to something better have

fallen for the time on something worse; that with the movement of the

age toward mutual helpfulness, man to man, women will move not less

steadily, if more slowly, and come gradually into truer relations with

each other and with men. It will not hurt woman to be criticised. She

has too long been assured of her angelhood, and denied her womanhood. It

will not help her very greatly to be criticised as if she were being

tomahawked. If they who come to scoff would but remain to teach! There

has been much ungentle judgment of men by women, of women by men.

Thoreau said, "Man is continually saying to Woman, 'Why are you not more

wise?' Woman is continually saying to Man, 'Why are you not more

loving?' Unless each is both wise and loving there can be no real

growth."

L. G. C.

THE

MODERN WOMEN.

THE GIRL OF THE PERIOD.

Time was when the stereotyped phrase, "a fair young English girl," meant

the ideal of womanhood; to us, at least, of home birth and breeding. It

meant a creature generous, capable, and modest; something franker than a

Frenchwoman, more to be trusted than an Italian, as brave as an

American, but more refined, as domestic as a German and more graceful.

It meant a girl who could be trusted alone if need be, because of the

innate purity and dignity of her nature, but who was neither bold in

bearing nor masculine in mind; a girl who, when she married, would be

her husband's friend and companion, but never his rival; one who would

consider their interests identical, and not hold him as just so much

fair game for spoil; who would make his house his true home and place of

rest, not a mere passage-place for vanity and ostentation to go through;

a tender mother, an industrious house-keeper, a judicious mistress. We

prided ourselves as a nation on our women. We thought we had the pick

of creation in this fair young English girl of ours, and envied no other

men their own.

We admired the languid grace and subtle fire of the South; the docility

and affectionateness of the East seemed to us sweet and simple and

restful; the vivacious sparkle of the trim and sprightly Parisienne was

a pleasant little excitement when we met with it in its own domain; but

our allegiance never wandered from our brown-haired girls at home, and

our hearts were less vagrant than our fancies. This was in the old time,

and when English girls were content to be what God and nature had made

them. Of late years we have changed the pattern, and have given to the

world a race of women as utterly unlike the old insular ideal as if we

had created another nation altogether. The girl of the period, and the

fair young English girl of the past, have nothing in common save

ancestry and their mother-tongue: and even of this last the modern

version makes almost a new language through the copious additions it has

received from the current slang of the day.

The girl of the period is a creature who dyes her hair and paints her

face, as the first articles of her personal religion; whose sole idea of

life is plenty of fun and luxury; and whose dress is the object of such

thought and intellect as she possesses. Her main endeavor in this is to

outvie her neighbors in the extravagance of fashion. No matter whether,

as in the time of crinolines, she sacrificed decency, or, as now in the

time of trains, she sacrifices cleanliness; no matter either, whether

she makes herself a nuisance and an inconvenience to every one she

meets.

The girl of the period has done away with such moral muffishness as

consideration for others, or regard for counsel and rebuke. It was all

very well in old-fashioned times, when fathers and mothers had some

authority and were treated with respect, to be tutored and made to obey,

but she is far too fast and flourishing to be stopped in mid-career by

these slow old morals; and as she dresses to please herself, she does

not care if she displeases every one else. Nothing is too extraordinary

and nothing too exaggerated for her vitiated taste; and things which in

themselves would be useful reforms if let alone become monstrosities

worse than those which they have displaced so soon as she begins to

manipulate and improve. If a sensible fashion lifts the gown out of the

mud, she raises hers midway to her knee. If the absurd structure of wire

and buckram, once called a bonnet, is modified to something that shall

protect the wearer's face without putting out the eyes of her companion,

she cuts hers down to four straws and a rosebud, or a tag of lace and a

bunch of glass beads.

If there is a reaction against an excess of Rowland's Macassar, and hair

shiny and sticky with grease is thought less nice than if left clean and

healthy crisp, she dries and frizzes and sticks hers out on end like

certain savages in Africa, or lets it wander down her back like Madge

Wildfire's, and thinks herself all the more beautiful the nearer she

approaches in look to a maniac or a negress. With purity of taste she

has lost also that far more precious purity and delicacy of perception

which sometimes mean more than appears on the surface. What the

_demi-monde_ does in its frantic efforts to excite attention, she also

does in imitation. If some fashionable _devergondee en evidence_ is

reported to have come out with her dress below her shoulder-blades, and

a gold strap for all the sleeve thought necessary, the girl of the

period follows suit next day; and then wonders that men sometimes

mistake her for her prototype, or that mothers of girls not quite so far

gone as herself refuse her as a companion for their daughters. She has

blunted the fine edges of feeling so much that she cannot understand why

she should be condemned for an imitation of form which does not include

imitation of fact; she cannot be made to see that modesty of appearance

and virtue ought to be inseparable, and that no good girl can afford to

appear bad, under penalty of receiving the contempt awarded to the bad.

This imitation of the _demi-monde_ in dress leads to something in manner

and feeling, not quite so pronounced, perhaps, but far too like to be

honorable to herself or satisfactory to her friends. It leads to slang,

bold talk, and fastness; to the love of pleasure and indifference to

duty; to the desire of money before either love or happiness; to

uselessness at home, dissatisfaction with the monotony of ordinary life,

and horror of all useful work; in a word, to the worst forms of luxury

and selfishness, to the most fatal effects arising from want of high

principle and absence of tender feeling.

The girl of the period envies the queens of the _demi-monde_ far more

than she abhors them. She sees them gorgeously attired and sumptuously

appointed, and she knows them to be flattered, feted, and courted with a

certain disdainful admiration of which she catches only the admiration

while she ignores the disdain. They have all for which her soul is

hungering, and she never stops to reflect at what a price they have

bought their gains, and what fearful moral penalties they pay for their

sensuous pleasures. She sees only the coarse gilding on the base token,

and shuts her eyes to the hideous figure in the midst, and the foul

legend written around the edge.

It is this envy of the pleasures, and indifference to the sins, of these

women of the _demi-monde_ which is doing such infinite mischief to the

modern girl. They brush too closely by each other, if not in actual

deeds, yet in aims and feelings; for the luxury which is bought by vice

with the one is the thing of all in life most passionately desired by

the other, though she is not yet prepared to pay quite the same price.

Unfortunately, she has already paid too much, all, indeed, that once

gave her distinctive national character. No one can say of the modern

English girl that she is tender, loving, retiring, or domestic. The old

fault so often found by keen-sighted Frenchwomen, that, she was so

fatally _romanesque_, so prone to sacrifice appearances and social

advantages for love, will never be set down to the girl of the period.

Love, indeed, is the last thing she thinks of, and the least of the

dangers besetting her. Love in a cottage, that seductive dream which

used to vex the heart and disturb the calculations of prudent mothers,

is now a myth of past ages. The legal barter of herself for so much

money, representing so much dash, so much luxury and pleasure; that is

her idea of marriage; the only idea worth entertaining.

For all seriousness of thought respecting the duties or the consequences

of marriage, she has not a trace. If children come, they find but a

stepmother's cold welcome from her; and if her husband thinks that he

has married anything that is to belong to him--a _tacens et placens

uxor_ pledged to make him happy--the sooner he wakes from his

hallucination and understands that he has simply married some one who

will condescend to spend his money on herself, and who will shelter her

indiscretions behind the shield of his name, the less severe will be his

disappointment. She has married his house, his carriage, his balance at

the banker's, his title; and he himself is just the inevitable condition

clogging the wheels of her fortune; at best an adjunct, to be tolerated

with more or less patience as may chance. For it is only the

old-fashioned sort, not girls of the period _pur sang_, that marry for

love, or put the husband before the banker.

But she does not marry easily. Men are afraid of her; and with reason.

They may amuse themselves with her for an evening, but they do not take

her readily for life. Besides, after all her efforts, she is only a

poor copy of the real thing; and the real thing is far more amusing than

the copy, because it is real. Men can get that whenever they like; and

when they go into their mother's drawing-rooms, to see their sisters and

their sisters' friends, they want something of quite different flavor.

_Toujours perdrix_ is bad providing all the world over; but a continual

weak imitation of _toujours perdrix_ is worse. If we must have only one

kind of thing, let us have it genuine; and the queens of St. John's Wood

in their unblushing honesty, rather than their imitators and

make-believes in Bayswater and Belgravia. For, at whatever cost of

shocked self-love or pained modesty it may be, it cannot be too plainly

told to the modern English girl that the net result of her present

manner of life is to assimilate her as nearly as possible to a class of

women whom we must not call by their proper--or improper--name. And we

are willing to believe that she has still some modesty of soul left

hidden under all this effrontery of fashion, and that, if she could be

made to see herself as she appears to the eyes of men, she would mend

her ways before too late.

It is terribly significant of the present state of things when men are

free to write as they do of the women of their own nation. Every word of

censure flung against them is two-edged, and wounds those who condemn as

much as those who are condemned; for surely it need hardly be said that

men hold nothing so dear as the honor of their women, and that no one

living would willingly lower the repute of his mother or his sisters. It

is only when these have placed themselves beyond the pale of masculine

respect that such things could be written as are written now; when they

become again what they were once they will gather round them the love

and homage and chivalrous devotion which were then an Englishwoman's

natural inheritance. The marvel, in the present fashion of life among

women, is how it holds its ground in spite of the disapprobation of men.

It used to be an old-time notion that the sexes were made for each

other, and that it was only natural for them to please each other, and

to set themselves out for that end. But the girl of the period does not

please men. She pleases them as little as she elevates them; and how

little she does that, the class of women she has taken as her models of

itself testifies.

All men whose opinion is worth having prefer the simple and genuine girl

of the past, with her tender little ways and pretty bashful modesties,

to this loud and rampant modernization, with her false red hair and

painted skin, talking slang as glibly as a man, and by preference

leading the conversation to doubtful subjects. She thinks she is piquant

and exciting when she thus makes herself the bad copy of a worse

original; and she will not see that though men laugh with her they do

not respect her, though they flirt with her they do not marry her; she

will not believe that she is not the kind of thing they want, and that

she is acting against nature and her own interests when she disregards

their advice and offends their taste. We do not see how she makes out

her account, viewing her life from any side; but all we can do is to

wait patiently until the national madness has passed, and our women have

come back again to the old English ideal, once the most beautiful, the

most modest, the most essentially womanly in the world.

FOOLISH VIRGINS.

The heroines of the London season--the fillies, we mean, who have been

entered for the great matrimonial stakes, and have been mentioned in the

betting--have by this time exchanged the fast pleasures of the town for

the vapid pastimes of the country. We do not of course concern ourselves

with those poor simple girls who only repeat the lives and morals of

old-fashioned English homes, and who are too respectable and too modest

to be pointed at as the girls of the season. We speak of the fast

sisterhood only. After three months of egregious dissipation they enter

duly upon the next stage of their regular yearly alternations. Three

months of headlong folly are succeeded by three months of deadly

_ennui_. Action and reaction are always equal. The pains and weariness

of moral crapulousness arise in nice proportion to the passion of the

debauch. It is a dismal hour when we look on the withered leaves of last

night's garland.

The lovely and unlovely beings who are now living depressed days far

from Belgravia and the Row have, it is true, but joyless orgies to look

back upon. Their pleasures gave but a pinchbeck joviality after all,

were but a thin lacker spread over mercenary cares and heart-aching

jealousies--not the jealousies of passion, but the nipping vulgar

vexation with which a shopkeeper trembles lest a customer should go to

his rival over the way. Still there was excitement--the excitement of

outdoing a rival in shamelessness of apparel, in reckless abandonment of

manner, in the unblushing tolerance of impudent speech, in all the other

elements of ignoble casino-emulation. Above all, there was the tickling

excitement of knowing that all this was in some sort clandestine; that

ostensibly, and on the surface, things looked as if they were all

exhibiting human nature at its stateliest, most dignified, and most

refined pitch. The consciousness that the thin surface only conceals

some of the worst elements of character in full force and activity must

give a pleasantly stinging sensation to an acutely cynical woman.

However, this is all over for a time.

For a time the half-dressed young Maenads of the season will be found

clothed and in their right minds. And what sort of a right mind is it?

We know the kind of preparation which they have had for the business of

the season--for flirting, husband-hunting, waltzing, dressing so as to

escape the regulations of the police, and the rest. For this their

training has been perfect. But wise men agree that education should

comprehend training for all the parts of life equally--for pleasure not

less than for business, for hours of relaxation as well as for hours of

strain and pressure, for leisure just as much as for active occupation.

Education is supposed to arm us at every point. Nobody in this world was

ever perfectly educated. Everybody has at least one side on which he is

weak--one quarter where temptations are either not irresistible, or else

are not recognised as alluring to what is wrong. But we all know that

training, though never perfect, can make the difference between a

decently right and happy life and a bad, corrupt half-life or no life.

What does training do for the nimble-footed young beauties of the London

ball-room? It makes them nimble-footed, we admit. And what else?

The root-idea of the training of girls of the uppermost class in this

country is perhaps the most absolutely shameless that ever existed

anywhere out of Circassia or Georgia. It puts clean out of sight the

notion that women are rational beings as well as animals, or that they

are destined to be the companions of men who are, or ought to be, also

something more than animals. It takes the mind into account only as an

occasionally useful accident of body. The mind ought to be developed a

little, and in such a way as to make the body more piquant and

attractive. Like the candle inside a Chinese lantern, it may serve to

light up and show to advantage the pretty devices outside. But the

outside is the important thing, and the inside only incidental.

Insipidity of mind is perhaps a trifle objectionable, because there are

a few young men of property who dislike insipidity, and who therefore

might be lost from the toils in consequence. It is a crotchet and an

eccentricity in a man to desire a wife with a bright mind, but since

there are such persons, it is just as well to pay a slight attention to

the mind in odd moments when one is not engaged upon the more urgent

business of the body. You don't know what may happen, and it is possible

that the most eligible _parti_ of a season may dislike the idea of

taking a female idiot to wife. Still it would be absurd to change the

entire system of up-bringing for our girls merely because here and there

a man has a distaste for a fool.

The majority of men are incapable of gauging power of intellect and

fineness of character. But the veriest blockhead and simpleton who ever

lounged in a doorway or lisped in Pall Mall can tell a fine woman when

he sees her, and is probably able to find pleasure and hope in the

spectacle. It is these blockheads and simpletons who thus set the mode.

They fix the standard of fashionable female education. Education, or the

astounding modern conception of it, means preparation of girls for the

marriage market. If a girl does not get well married, it were better for

her and for her mother also if she had never been born, or had been cast

with a millstone round her neck into the sea. Whom she marries--whether

a man old enough to be her father, whether a pattern of imbecility,

whether a man of a notoriously debauched character--this matters not a

jot. Only let him have money. This being the conception of marriage, and

marriage being the aim of all sagacious up-bringing, as most men

unhappily are more surely taken on their animal than on their rational

side, it is perfectly natural that you should strive to bring up a

worthy family of attractive young animals. And let us pause upon this.

If the idea which, even at its best, would be so deplorably imperfect,

were rationally carried out, still it would not be so absolutely

pestilent and debasing as it is. Physical education, rightly practiced,

is a fine and indispensable process in right living. If the system had

for its end the rearing of really robust and healthy creatures, it would

mean something. On the contrary, however, anybody who makes a tour

through fashionable rooms in the season may see that, in a vast quantity

of cases, the heroines of the night are just as sorrily off in bodily

stamina as they are for intellectual ideas and interests. Here we again

encounter the fundamental blunder, that it is only the outside about

which we need concern ourselves. Let a woman be well dressed (or

judiciously undressed), have bright eyes, a whitish skin, rounded

outlines, and that suffices. All this a wise English mother will

certainly secure, just as a wise Chinese woman will take care to have

tiny feet, plucked eyebrows, and black finger-nails.

If you go into a nursery you will see the process already at work. The

little girl, who would fain exercise her young limbs by manifold rude

sprawlings and rushing hither and thither, and single combats with her

brothers, is tricked out in ribbons and gay frocks, and bid sit still in

solemn decorum. With every year of her growth this principle of

attention to outside trickeries and fineries is more rigidly pursued.

Less and less every year are the nerves and muscles, the restless

activities of arms and legs, exercised and made to purvey new vigor to

the life. The blood is allowed to grow stagnant. The life of the woman,

even as mere animal, becomes poor and morbid and artificial. By dint of

much attention and many devices, the outside of the body is maintained

comely in the eyes of people whose notions of comeliness are thoroughly

artificial and sophisticated. But how can there be any health with high

eating, little exercise, above all, with the mind left absolutely vacant

of all interests? The Belgravian mother does not even understand the

miserable trade she has chosen. She is as poor a physical trainer as she

is poor morally and intellectually.

The truth is that in a human being, even from the physical point of

view, it is rather a dangerous thing to ignore the intellect and the

emotions. Nature resents being ignored. If you do not cultivate her, she

will assuredly avenge herself. If you do not get wheat out of your piece

of ground, she will abundantly give you tares. And there can be no other

rule expressly invented for the benefit of fashionable young women.

Their moral nature, if nobody ever taught them to keep an eager eye upon

it, is soon overgrown, either with flaunting poison plants, or at best

with dull gray moss. The parent dreams that the daughter's mind is all

swept and garnished. Lo, there are seven or any other number of devils

that have entered in and taken possession, more or less permanently. The

human creature who has never been taught to take an interest in what is

right and wholesome will, in ninety-nine cases out of a hundred, take an

interest in what is wrong and unwholesome. You cannot keep minds in a

state of vacuum. A girl, like anybody else, will obey the bent of the

character which has been given either by the education of design or the

more usual education of mere accidental experience. Everything depends,

in the ordinary course of things, upon the general view of the aims and

objects of life which you succeed, deliberately or by hazard, in

creating.

A girl is not taught that marriage has grave, moral and rational

purposes, itself being no more than a means. On the contrary, it is

always figured in her eyes as an end, and as an end scarcely at all

connected with a moral and rational companionship. It is, she fancies,

the gate to some sort of paradise whose mysterious joys are not to be

analysed. She forgets that there are no such swift-coming spontaneous

paradises in this world, where the future can never be anything more

than the child of the present, indelibly stamped with every feature and

line of its parent. This castle-building, however, is harmless. If it

does not strengthen, still it does not absolutely impoverish or corrupt,

characters. Of some castle-building one cannot say so much. Character

_is_ assuredly corrupted by avaricious dreams of marriage as a road to

material opulence and luxury. There is, indeed, no end to the depraved

broodings which may come to an empty and undirected mind. If the

emotions and the intellect are not tended and trained, they will run to

an evil and evil-propagating seed. Rooted and incurable frivolty is the

best that can come of it; corruption is the worst.

People madly suppose that going to church, or giving an occasional

blanket to a sick old woman, will suffice to implant a worthy conception

of the aims of life. At this moment, some mothers are, perhaps,

believing that the dull virtue of the country will in a few days redress

the balance which had been too much discomposed by the rush and whirl of

the town. As if one strong set of silly interests and emotions could be

effaced at will by simple change of scene, without substitution of new

interests and emotions. Excess of frivolous excitement is not repaired

or undone by excess of mere blankness and nothingness. The dreariness of

the virtue of the _villeggiatura_ is as noxious as the whirl of the

mercenary and little virtuous period of the season. Teach young women

from their childhood upwards that marriage is their single career, and

it is inevitable that they should look upon every hour which is not

spent in promoting this sublime end and aim as so much subtracted from

life. Penetrated with unwholesome excitement in one part of their

existence, they are penetrated with killing _ennui_ in the next.

If mothers would only add to their account of marriage as the end of a

woman's existence--which may be right or it may not--a definition of

marriage as an association with a reasonable and reflective being, they

would speedily effect a revolution in the present miserable system. To

the business of finding a husband a young lady would then add the not

less important business of making herself a rational person, instead of

a more or less tastefully decorated doll with a passion for a great

deal of money. She might awaken to the fact, which would at first

startle her very much no doubt, that there is a great portion of a

universe outside her own circle and her own mind. This simple discovery

would of itself effect a revolution that might transform her from being

an insipid idiot into a tolerably rational being. As it is, the universe

to her is only a collection of rich bachelors in search of wives, and of

odious rivals who are contending with her for one or more of these too

wary prizes. All high social aims, fine broad humanizing ways of

surveying life, are unknown to her, or else appear in her eyes as the

worship of Mumbo Jumbo appears in the eyes of the philosopher. She

thinks of nothing except her private affairs. She is indifferent to

politics, to literature--in a word, to anything that requires thought.

She reads novels of a kind, because novels are all about love, and love

had once something to do with marriage, her own peculiar and absorbing

business. Beyond this her mind does not stir. Any more positively gross

state one cannot imagine. There are women who are by accident more

degraded physically. _Mutatis mutandis_, there are none more degraded,

morally and intellectually, than those whose minds are constantly bent

upon marriage at any cost, and with anybody, however decrepit, however

silly, and however evil, who can make a settlement.

LITTLE WOMEN.

The conventional idea of a brave, an energetic, or a supremely criminal

woman is a tall, dark-haired, large-armed virago, who might pass as the

younger brother of her husband, and about whom nature seemed to have

hesitated before determining whether to make her a man or a woman--a

kind of debatable land, in fact, between the two sexes, and almost as

much one as the other. Helen Macgregor, Lady Macbeth, Catharine de'

Medici, Mrs. Manning, and the old-fashioned murderesses in novels, are

all of the muscular, black-brigand type, with more or less of regal

grace superadded according to circumstances; and it would be thought

nothing but a puerile fancy to suppose the contrary of those whose

personal description is not already known. Crime, indeed, especially in

art and fiction, has generally been painted in very nice proportion to

the number of cubic inches embodied, and the depth of color employed;

though we are bound to add that the public favor runs towards muscular

heroines almost as much as towards muscular murderesses, which to a

certain extent redresses the overweighted balance.

Our later novelists, however, have altered the whole setting of the

palette. Instead of five foot ten of black and brown, they have gone in

for four foot nothing of pink and yellow; instead of tumbled masses of

raven hair, they have shining coils of purest gold; instead of hollow

caverns whence flash unfathomable eyes eloquent of every damnable

passion, they have limpid lakes of heavenly blue; and their worst

sinners are in all respects fashioned as much after the outward

semblance of the ideal saint as can well be managed. The original notion

was a very good one, and the revolution did not come before it was

wanted; but it has been a little overdone of late, and we are threatened

with as great a surfeit of small-limbed, yellow-headed criminals as we

have had of the man-like black. One gets weary of the most perfect model

in time, if too constantly repeated; as now, when we have all begun to

feel that the resources of the angel's face and demon's soul have been

more heavily drawn on than is quite fair, and that, given "heavy braids

of golden hair," "bewildering blue eyes," "a small lithe frame," "a

special delicacy of feet and hands," and we are booked for the

companionship, through three volumes, of a young person to whom

Messalina or Lucretia Borgia would be a mere novice.

And yet there is a physiological truth in this association of energy

with smallness; perhaps, also, with a certain tint of yellow hair,

which, with a dash of red through it, is decidedly suggestive of nervous

force. Suggestiveness, indeed, does not go very far in an argument; but

the frequent connection of energy and smallness in women is a thing

which all may verify in their own circles. In daily life, who is the

really formidable woman to encounter?--the black-browed,

broad-shouldered giantess, with arms almost as big in the girth as a

man's? or the pert, smart, trim little female, with no more biceps than

a ladybird, and of just about equal strength with a sparrow? Nine times

out of ten, the giantess with the heavy shoulders and broad black

eyebrows is a timid, feeble-minded, good tempered person, incapable of

anything harsher than a mild remonstrance with her maid, or a gentle

chastisement of her children. Nine times out of ten her husband has her

in hand in the most perfect working order, so that she would swear the

moon shone at midday if it were his pleasure that she should make a fool

of herself in that direction. One of the most obedient and indolent of

earth's daughters, she gives no trouble to any one, save the trouble of

rousing, exciting, and setting her agoing; while, as for the conception

or execution of any naughty piece of self-assertion, she is as utterly

incapable as if she were a child unborn, and demands nothing better than

to feel the pressure of the leading-strings, and to know exactly by

their strain where she is desired to go and what to do.

But the little woman is irrepressible. Too fragile to come into the

fighting section of humanity, a puny creature whom one blow from a man's

huge fist could annihilate, absolutely fearless, and insolent with the

insolence which only those dare show who know that retribution cannot

follow--what can be done with her? She is afraid of nothing, and to be

controlled by no one. Sheltered behind her weakness as behind a triple

shield of brass, the angriest man dare not touch her, while she provokes

him to a combat in which his hands are tied. She gets her own way in

everything, and everywhere. At home and abroad she is equally dominant

and irrepressible, equally free from obedience and from fear. Who breaks

all the public orders in sights and shows, and, in spite of king,

kaiser, or policeman X, goes where it is expressly forbidden that she

shall go? Not the large-boned, muscular woman, whatever her temperament;

unless, indeed, of the exceptionally haughty type in distinctly inferior

surroundings, and then she can queen it royally enough, and set

everything at most lordly defiance. But in general the large-boned woman

obeys the orders given, because, while near enough to man to be somewhat

on a par with him, she is still undeniably his inferior. She is too

strong to shelter herself behind her weakness, yet too weak to assert

her strength and defy her master on equal grounds. She is like a

flying-fish, not one thing wholly; and while capable of the

inconveniences of two lives, is incapable of the privileges of either.

Modern women and what is said of them : a reprint of a series of articles in the Saturday Review (1868) · 第 1 / 21 段