After that he was to be found all day at the Three Melancholy Geniuses,

drooping over fours of Irish; and one day his late instructor happened

to come in and find him thus, with his melancholy nose over the edge of

his glass.

"Haven't got your Head Above Water, I see?" said the Master Genius.

"Sorry you haven't Made your Mark."

"I've made a good many," said Downs, pointing to the wet rings on the

counter.

"Ah, that sort of mark's no use--unless you make it in Company," said

the Genius.

[Illustration: "HAVEN'T GOT YOUR HEAD ABOVE WATER, I SEE?"]

One day, as young Bansted Downs sat in his cistern-cupboard biting his

nails, a step was heard on the stair, and his late instructor entered.

"I've been all wrong," he said, sitting down on the cistern. "I put you

all wrong--I've put all my pupils all wrong. I fell down stairs lately

and knocked my head, and when I got up I saw everything--the light broke

in upon me!"

"Why, you've cut your hair, and you're dressed quite neatly--I should

hardly have known you for a Master Genius at all!" exclaimed young

Bansted Downs.

"I am no longer a Genius--I am now the M.W.K.A.A.I.--the Man Who Knows

All About It. I now know why genius fails to get the Ear of the Public,

and is not appreciated----"

"Fault of the public--everybody knew that before," growled young Bansted

Downs.

"Pardon me, it is not the fault of the poor public, but the fault of the

system. We--the entertainers--have made the mistake of being geniuses;

whereas we had no business to meddle with genius at all.

"It is the public who ought to have the genius; _they_ should have the

lively appreciation, the keen sense of humour, the afflatus, and all

that; and then those who cater for them would not need to trouble about

those things--they would only have to cater, and leave the public to

perceive, by means of their genius, the excellences of the fare

provided. If a plain person does something, and geniuses perceive

greatness in it, that's a right state of affairs; but if a genius does

something great, and plain persons fail to appreciate it, that's a wrong

state of things, and a waste of material---see?"

"And what do you propose to do?" asked young Bansted Downs.

"That's very simple--just make geniuses of the public. Of course the

public, having their own affairs to attend to, will not wish to turn

caterers and originate--their province is to appreciate, perceive,

applaud, and pay at the doors--see? By this system any dullard is

enabled, without effort, fatigue, or preliminary study, to Make his Mark

and get his F.I., his E.P., and his H.A.W. A child could use it."

"But," objected young Bansted Downs, "under your system, dullardism

paying so well, everybody would want to cater for the public, and there

wouldn't be any audience--any public."

"Pooh! The system at present in vogue is all I require--compulsory

education. Everybody will have to be educated as a genius, except a few

who will be specially exempted from attendance at the Board schools to

enable them to lie fallow and fit themselves for originators.

"Of course, you may say that it would not be _necessary_ for the

entertainer to be dull. Of course it would not; but, as it is not

necessary for him to be a genius either, there would be a waste of

public money in educating him as one. In fact, it might be a

disadvantage for both originator and appreciator to be geniuses, and

their conceptions might clash and create confusion. It's better for a

conception to be lighted from one side only, as you get more contrast."

"But would not the genius of the spectator simply perceive the dulness

of the originator?"

"Not in the least. It's just the sphere of genius to perceive, in a

given production, excellences which the ordinary observer fails to

detect; and it's only a question of degree of genius. I take it that

perfect genius can detect perfect excellence in everything submitted to

its discrimination. And now, will you be kind enough to come and vote

for me, as for the furtherance of my scheme I am offering myself as

Chairman of the School Board?"

In due course, the Man Who Knew All About It was elected to the School

Board. He secured this by publishing handbills declaring his intention

to squander the rate-payers' money like water, and provide free food,

clothing, lodging, sweets, tobacco, drinks, theatres, and pianos to all

the Board school children and their parents, relatives, and friends. The

public judged by the proceedings of past candidates, all of whom had

deliberately broken their promises on coming into office; and they

concluded that this one would do so as well, and refuse to spend a

penny. The Board were compelled to choose him as Chairman; and he at

once commenced his work of reform.

Genius took the place of all the former studies at the Board schools: no

pupil was permitted to leave until he had passed the fifth standard,

which turned him out a full-fledged genius; and he had to attend until

he _could_ pass it, even if he became old and decrepit. This was a wise

step; for, had this rule been relaxed, those unable to pass the standard

would have joined the ranks of the originators, and thus flooded the

market.

[Illustration: "THE GENIUS CLASS AT THE BOARD SCHOOL."]

Young Bansted Downs now set himself to steadily forgetting all the

genius he had learned, feeling that it would be nothing but an

incumbrance in his new career; and he succeeded so well that in the

course of a few years he had become as dull as ditch-water.

Meanwhile a new public were growing up, a public of such brilliant

perceptions--so great a faculty of appreciation--that they were quite

bewildered with the excellences they perceived in everything around

them.

To take the sense of humour alone: they possessed it to so marvellous an

extent that they could perceive a joke in the passing cloud,

facetiousness in the growth of flowers, a choice witticism in the rates

and taxes, an incentive to mirth in strikes. Not that they were

incessantly giggling--that would have argued a something wanting; no,

they drank in and appreciated and enjoyed the universal humour, and

their eyes were bright.

So, when young Bansted Downs was middle-aged Bansted Downs he started

all over again in quite a different way: he just wrote twaddle, and

painted twaddle, and composed twaddle; and went on to a platform and

twaddled about twaddle: and the public genius detected the brilliancy

lurking in it all, and they were in ecstacies.

A terrible thing happened to the Boom Department of the Press. One day

the public arose as one man and remarked that they were capable of

finding out merit for themselves and no longer required the Department;

and they took large stones, and bad eggs, and dead cats, and fagots of

wood, and proceeded to the Boom Department; and it was in vain that the

head of the Department came out on the balcony and pleaded that the

Booming System, as practised by the Press, had nothing to do with the

finding-out of merit; for the public smashed the windows and burned the

offices, and abolished the Boom Department.

[Illustration: "A CHOICE WITTICISM IN THE RATES AND TAXES."]

However, nobody required Booming now, as absence of ability was no

longer a bar to fame; and things worked far more happily than they ever

had under the old system. Authors and others no longer pined under want

of appreciation; on the contrary, they were always wildly surprised at

the wonderful things the public discovered in their work; and as for the

public, they were vastly contented.

It's the true system--there's not a question about that.

J. F. SULLIVAN.

[Illustration: TABLES OF ALL AGES]

[Illustration: COMPLIMENTARY (A FACT).

GLADYS: "GRANDPA, WHAT ARE THOSE STRINGS MADE OF?"

GRANDPA: "CAT-GUT, MY DEAR."

GLADYS: "WHAT'S THAT?"

GRANDPA (JOKINGLY): "OH, THE INSIDES OF PUSSIES DEAR."

GLADYS (AFTER A PAUSE): "I SUPPOSE THEY FOUND OUT THEY WERE

GOOD FOR THAT ON ACCOUNT OF THE NOISE CATS MAKE!"]

* * * * *

[Illustration: TURN THESE UPSIDE DOWN.]

INDEX.

PAGE

ADJUTANT'S LOVE STORY, THE. From the French of LE COMTE ALFRED

DE VIGNY

(_Illustrations_ by H. R. MILLAR.) 528

ADVENTURES OF SHERLOCK HOLMES. By A. CONAN DOYLE.

(_Illustrations_ by SIDNEY PAGET.)

XIV.--THE ADVENTURE OF THE CARDBOARD BOX 61

XV.--THE ADVENTURE OF THE YELLOW FACE 162

XVI.--THE ADVENTURE OF THE STOCKBROKER'S CLERK 281

XVII.--THE ADVENTURE OF THE "GLORIA SCOTT" 395

XVIII.--THE ADVENTURE OF THE MUSGRAVE RITUAL 479

XIX.--THE ADVENTURE OF THE REIGATE SQUIRE 601

"AUTHOR! AUTHOR!" By E. W. HORNUNG 241

(_Illustrations_ by W. S. STACEY.)

BARNARDO, DR. (_See_ "ILLUSTRATED INTERVIEWS.") 173

BEAUTIES:--

I.--LADIES: THE COUNTESS OF ANNESLEY, THE MISSES HATHAWAY

(TWINS), MISS HAYTER, MISS LEE, MISS MENCE 74

II.--CHILDREN: MISS BEAUMONT, MISS CROSS, MISS DUNLOP, MISS

MARGUERITE FOSTER, MISS SERJEANT, MISS WATERLOW, MISS WHITE,

MISSES WHITE, MISS WINSTEAD 186

III.--LADIES: PRINCESS AHMADEE, MADAME ARNOLDSON, MISS DOROTHY

DORR, MISS FLO HENDERSON, MISS KINGSLEY, MISS ALICE

LETHBRIDGE, MADAME SCHIRMER-MAPLESON, MLLE. DEL TORRE,

MISS WEBSTER 292

IV.--LADIES: MISS ARCHER, LADY CHARLES BERESFORD, MISS FLO

BERESFORD, MISS BRANSON, MRS. BRATE, MISS LLOYD, MISS

DECIMA MOORE, MISS RIPLEY, MISS NELLIE SIMMONS 415

V.--CHILDREN: MISS KATE BIRCH, MISS DORIS COLLINS, MISS ERNA

COLLINS, MISS GASCOYNE DALZIEL, MISS ELSIE DIEDRICHS, MISS

GLADYS HERBERT, MISS DOROTHY NORCUTT, MISS MAUDE WALLIS,

MISS KATHLEEN WHITE 525

VI.--LADIES: LADY ABERDEEN, MISS ELLA BANISTER, MISS C. L. FOOTE,

MISS FRIEND, MISS L. HAROLD, MISS A. HUGHES, MRS. MARSH, MISS

ALICE RAVENSCROFT, MISS NORAH WILLIAMS 613

CARDS, PECULIAR PLAYING 77, 148

CHILD'S TEAR, A. From the French of EDOUARD LEMOINE 95

(_Illustrations_ by PAUL HARDY.)

COURTSHIP OF HALIL, THE. By A. F. BURN 84

(_Illustrations_ by H. R. MILLAR.)

DARK TRANSACTION, A. By MARIANNE KENT 362

(_Illustrations_ by PAUL HARDY.)

DEAD OF NIGHT, AT. By MRS. NEWMAN 498

(_Illustrations_ by W. B. WOLLEN.)

DICTATES OF FASHION, FUTURE 551

(_Written_ and _Illustrated_ by W. CADE GALL.)

FASHION, FUTURE DICTATES OF 551

FURNISS, MR. HARRY. (_See_ "ILLUSTRATED INTERVIEWS.") 571

GAME OF CHESS, A. Translated from the French 219

(_Illustrations_ by PAUL HARDY.)

HANDS. By BECKLES WILLSON 119, 295

(_Illustrations_ from Photographs of Casts.)

HUMANE SOCIETY, ROYAL. With Portraits of Winners of the Medals 370, 446

(_Illustrations_ from Photographs.)

ILLUSTRATED INTERVIEWS. By HARRY HOW.

XIX.--THE LORD BISHOP OF RIPON 12

(_Illustrations_ from Photographs by Messrs. ELLIOTT & FRY.)

XX.--DR. BARNARDO 173

(_Illustrations_ from Photographs by Messrs. ELLIOTT & FRY.)

XXI.--MR. AND MRS. KENDAL 228

(_Illustrations_ by MR. KENDAL; and from Photographs by Messrs.

ELLIOTT & FRY.)

XXII.--SIR ROBERT RAWLINSON 513

(_Illustrations_ from Drawings and Paintings; and from Photographs

by Messrs. ELLIOTT & FRY.)

XXIII.--MR. HARRY FURNISS 571

(_Illustrations_ by HARRY FURNISS; and from Photographs by

Messrs. ELLIOTT & FRY.)

KENDAL, MR. AND MRS. (_See_ "ILLUSTRATED INTERVIEWS.") 228

LIEUTENANT GAUTHIER. From the French of JOSÉ DE CAMPOS 616

(_Illustrations_ by H. R. MILLAR.)

LITTLE SURPRISE, A. Adapted from the French of A. DREYFUS by

CONSTANCE BEERBOHM 25

(_Illustrations_ by W. S. STACEY.)

MAJOR'S COMMISSION, THE. By W. CLARK RUSSELL 138

(_Illustrations_by W. CHRISTIAN SYMONS.)

NANKEEN JACKET, THE. From the French of GUSTAVE GUESVILLER 418

(_Illustrations_ by H. R. MILLAR.)

ONE AND TWO. By WALTER BESANT 44

(_Illustrations_ by JOHN GÜLICH.)

PIERRE AND BAPTISTE. By BECKLES WILLSON 547

(_Illustrations_ by PAUL HARDY.)

PLAYING CARDS, PECULIAR. By GEORGE CLULOW 77, 148

(_Illustrations_ from facsimiles of Curious Playing Cards.)

PORTRAITS OF CELEBRITIES AT DIFFERENT TIMES OF THEIR LIVES:--

ABEL, SIR FREDERICK, BART. 589

ADLER, DR. HERMANN 278

ALISON, SIR ARCHIBALD 279

BATTERSEA, LORD 274

BERESFORD, LORD CHARLES 393

COWEN, FREDERIC H. 161

FURNISS, HARRY 586

GIRARD, MISS DOROTHEA 59

GOULD, REV. S. BARING 392

HADING, MADAME JANE 280

HALLÉ, SIR CHARLES 277

HALLÉ, LADY 276

HARDY, MISS IZA DUFFUS 473

HAWEIS, REV. H. R. 160

HERKOMER, MR. HUBERT, R.A. 474

HOUGHTON, LORD 156

HUNTER, COLIN, A.R.A. 588

KELVIN, LORD 590

KNILL, MR. STUART (LORD MAYOR) 60

LESLIE, THE LATE FRED 58

LLOYD, EDWARD 478

MACWHIRTER, JOHN, R.A. 476

NICOL, ERSKINE, A.R.A. 475

ORCHARDSON, W. Q., R.A. 275

PETTIE, JOHN, R.A. 157

POTTER, MRS. BROWN 389

PRINCESS MARIE OF EDINBURGH 56

PRINCE FERDINAND OF ROUMANIA 57

PRINCE OF WALES 390

PRINCESS OF WALES 391

REID, SIR GEORGE, P.R.S.A. 587

ROBERTS, JOHN 394

ROBERTSON, J. FORBES 477

RUSSELL, W. CLARK 55

TECK, DUCHESS OF 158

TECK, DUKE OF 159

VAUGHAN, CARDINAL 591

VAUGHAN, CARDINAL, FATHER AND BROTHERS OF 592

PRINCE OF WALES AT SANDRINGHAM, THE 327

(_Illustrations_ from Photographs by BEDFORD LEMERE and W. & D.

DOWNEY.)

QUASTANA THE BRIGAND. From the French of ALPHONSE DAUDET 124

(_Illustrations_ by JEAN DE PALÉOLOGUE.)

QUEER SIDE OF THINGS, THE:--

BOTTLE FROM THE DEEP SEA, A 214

CHILDREN OF A THOUSAND YEARS 542

CLOAKS AND MANTLES 106

CROCODILE STORY, A 324

DRINKING VESSELS OF ALL AGES 322

DWINDLING HOUR, THE 98

EXPLOSION OF A LOCOMOTIVE 214

HORSE AND ITS OCCUPATIONS, THE 430

HUNTER AND THE BIRD, THE 108

JUDGE'S PENANCE, THE 535

MANDRAKE ROOTS 105

MISCELLANEOUS 648

N.P.M.C., THE 315

OLD JOE'S PICNIC 423

PAL'S PUZZLES 104, 215

ROOM PAPERED WITH STAMPS 321

SAGACITY OF A DOG 216

STORY OF THE KING'S IDEA 209

TABLES OF A CENTURY 646

TURNIP RESEMBLING A HUMAN HAND 321

USE FOR GENIUS 639

VEGETABLE ODDITIES 214, 432

WHO ARE THESE? 544

RAWLINSON, SIR ROBERT. (_See_ "ILLUSTRATED INTERVIEWS.") 513

RIPON, THE LORD BISHOP OF. (_See_ "ILLUSTRATED INTERVIEWS.") 12

ROSITA. From the French of PITRE CHEVALIER 302

(_Illustrations_ by H. R. MILLAR.)

SANDRINGHAM, THE PRINCE OF WALES AT 327

(_Illustrations_ from Photographs.)

SHADOW OF THE SIERRAS, IN THE. By IZA DUFFUS HARDY 433

(_Illustrations_ by PAUL HARDY.)

SHAFTS FROM AN EASTERN QUIVER. By CHARLES J. MANSFORD, B.A.

VII.--MARGARITA, THE BOND QUEEN OF THE WANDERING DHAHS 3

VIII.--THE MASKED RULER OF THE BLACK WRECKERS 189

IX.--MAW SAYAH, THE KEEPER OF THE GREAT BURMAN NAT 258

X.--THE HUNTED TRIBE OF THREE HUNDRED PEAKS 340

XI.--IN QUEST OF THE LOST GALLEON 453

XII.--THE DAUGHTER OF LOVETSKI THE LOST 561

(_Illustrations_ by A. PEARSE.)

SLAVE, A. By LEILA HANOUM. Translated from a Turkish Story 203

(_Illustrations_ by H. R. MILLAR.)

SPEAKER'S CHAIR, FROM BEHIND THE. Viewed by H. W. LUCY 89, 198, 267,

381, 490, 624

(_Illustrations_ by F. C. GOULD.)

STRANGE REUNION, A. By T. G. ATKINSON 376

(_Illustrations_ by A. J. JOHNSON.)

TYPES OF ENGLISH BEAUTY. (_See_ "BEAUTIES.")

WEATHERCOCKS AND VANES 351

(_Written_ and _Illustrated_ by WARRINGTON HOGG.)

WEDDING GIFT, A. By LEONARD OUTRAM 111

(_Illustrations_ by PAUL HARDY.)

WORK OF ACCUSATION, A. By HARRY HOW 633

(_Illustrations_ by JOHN GÜLICH.)

ZIG-ZAGS AT THE ZOO. By ARTHUR MORRISON.

VII.--ZIG-ZAG CURSOREAN 35

VIII.--ZIG-ZAG PHOCINE 129

IX.--ZIG-ZAG CONKAVIAN 248

X.--ZIG-ZAG OPHIDIAN 407

XI.--ZIG-ZAG MARSUPIAL 464

XII.--ZIG-ZAG ACCIPITRAL 593

(_Illustrations_ by J. A. SHEPHERD.)

GEORGE NEWNES, LIMITED. 8, 9, 10 AND 11, SOUTHAMPTON STREET, AND EXETER

STREET, STRAND. W.C.

The Strand Magazine, Vol. 05, Issue 30, June 1893 An Illustrated Monthly · 第 10 / 10 段