HARRY HOW.

[Illustration: Telegraphic Address, Likajoko, London]

_Portraits of Celebrities at Different Times of their Lives._

[Illustration: AGE 10.

_From a Photo. by W. Andrews, Dublin._]

[Illustration: Age 20.

_From a Photo. by W. & D. Downey._]

HARRY FURNISS.

BORN 1854.

At ten years old Mr. Furniss was a pupil at the Wesleyan College School

at Dublin, where he started and edited _The Schoolboy's Punch_, in the

manner described in the extremely interesting interview which appears in

the present number. At twenty he had just come up to London, and was

working for the illustrated papers. At twenty-six he joined the staff of

_Punch_, with which his name has ever since been intimately connected.

[Illustration: AGE 26.

_From a Photo. by C. Watkins, Camden Road, N.W._]

[Illustration: PRESENT DAY.

_From a Photo by Debenham & Gould._]

[Illustration: AGE 17.

_From a Photo, by A. Adams, Aberdeen._]

[Illustration: AGE 24.

_From a Photo. by John Lamb, Aberdeen._]

SIR GEORGE REID, P.R.S.A.

BORN 1842.

Sir George Reid, P.R.S.A., was born in Aberdeen, N.B., in the year 1842,

and when nineteen years of age commenced his artistic studies at the

"Trustees' Academy," in the City of Edinburgh, and shortly afterwards in

Utrecht, under Mollinger. In 1870 he quitted the latter place for Paris,

where he continued his studies; and for several months in 1871 completed

his student life with Israels, at The Hague. He has proved himself a

true artist, and proficient in all departments--both figure and

landscape. Latterly he has applied himself to portrait painting, in

which he finds few competitors. He has done much in the way of book

illustrating. He was elected an Associate of the Royal Scottish Academy

in 1870, and a full member seven years afterwards, receiving on the

death of Sir W. Fettes Douglas the unanimous call of his brethren to

occupy the chair as President.

[Illustration: AGE 36.

_From a Photo. by John Lamb, Aberdeen._]

[Illustration: PRESENT DAY.

_From a Photo. by A. Inglis, Edinburgh._]

COLIN HUNTER, A.R.A.

BORN 1841.

[Illustration: AGE 15.

_From a Daguerreotype._]

Colin Hunter, A.R.A., was born in Glasgow, July 16, 1841, and is the son

of John Hunter, bookseller and postmaster, of Helensburgh. He was

educated in that town, and began painting at twenty years of age, after

four years' clerkship. His education as a painter was derived from

Nature. Mr. Hunter was elected an Associate of the Royal Academy in

January, 1884, and is also a Member of the Royal Scottish Water Colour

Society.

[Illustration: AGE 24.

_From a Photo. by Ovinius-Davis, Glasgow._]

[Illustration: AGE 32.

_From a Photo. by Fradelle & Marshall, London._]

[Illustration: PRESENT DAY.

_From a Photograph._]

[Illustration: AGE 20.

_From a Drawing by Carl Hartmann._]

SIR FREDERICK AUGUSTUS ABEL, BART., K.C.B., D.C.L., F.R.S.

BORN 1827.

[Illustration: AGE 28.

_From a Photo. by Maull & Co., London._]

Sir Fredk. A. Abel, Bart., who has lately been prominent before the

public in connection with the recent opening of the Imperial Institute,

of which he has been Organizing Secretary from 1887, was born in London

in 1827, and is known principally in connection with chemistry and

explosives. His published works are: "The Modern History of Gunpowder,"

1866; "Gun Cotton," 1866; "On Explosive Agents," 1872, "Researches in

Explosives," 1875; and "Electricity Applied to Explosive Purposes,"

1884. He is also joint-author with Colonel Bloxam of a "Handbook of

Chemistry." Sir Frederick Abel has been President of the Institute of

Chemistry, the Society of Chemical Industry, and the Society of

Telegraph Engineers and Electricians. He was appointed Associate Member

of the Ordnance Committee in 1867; and is Chemist to the War Department

and likewise Chemical Referee to the Government. In 1883 he was one of

the Royal Commissioners on Accidents in Mines, and was President of the

British Association at the Leeds meeting, 1890. He was created C.B. in

1877, Hon. D.C.L., Oxford, in 1883, knighted in the same year, and

raised to the rank of Baronet at the opening of the Imperial Institute.

[Illustration: AGE 50.

_From a Photograph._]

[Illustration: AGE 65.

_From a Photo. by Barraud, London._]

LORD KELVIN.

BORN 1824.

[Illustration: AGE 28.

_From a Photograph._]

William Thomson, Lord Kelvin, was born at Belfast on the 26th of June,

1824. His father was a distinguished mathematician, and was Professor of

Mathematics, first in Belfast, and afterwards in Glasgow University. At

a very early age, Lord Kelvin showed extraordinary mathematical ability;

and he passed with great distinction, first through the University of

Glasgow, and then through Cambridge, where he gained the Second

Wranglership and the first Smith's Prize. He became Professor of Natural

Philosophy in the University of Glasgow in 1846, at the age of

twenty-two; and he still holds that office. He was one of the pioneer

band who laid the first successful Atlantic cable, in 1858. In 1866 Her

Majesty conferred the honour of knighthood on him for his distinguished

services to the science and practice of submarine telegraphy. Lord

Kelvin is the author of many inventions. His mariner's compass and

sounding machine have done good service to seamen. His electrical

instruments are the standards all over the world. He is President of the

Royal Society and member of every important scientific society at home

and abroad. In January, 1892, the Queen conferred upon him his peerage.

He held the Colquhoun Sculls, at Cambridge, for two years. He is a

sailor at heart and an enthusiastic yachtsman; and, among amateurs, a

more keen lover of music it would be difficult to find.

[Illustration: AGE 45.

_From a Photo. by John Fergus, Largs._]

[Illustration: PRESENT DAY.

_From a Photo. by W. & D. Downey._]

[Illustration: AGE 2.

_From a Painting._]

[Illustration: AGE 8.

_From a Photo. by R. Tudor Williams, Monmouth._]

[Illustration: AGE 40.

_From a Photo. by M. Guttenberg, Manchester._]

CARDINAL-ARCHBISHOP VAUGHAN.

BORN 1832.

His Eminence Herbert Vaughan, D.D., is the eldest son of the late

Lieut.-Colonel Vaughan, of Courtfield, Herefordshire, born at

Gloucester, April 15, 1832, and was educated at Stonyhurst College,

Lancashire, on the Continent, and in Rome. On the death of Bishop

Turner, he was elected Bishop of Salford, a post which he held until his

recent elevation to the rank of Cardinal-Archbishop.

[Illustration: AGE 25.

_From a Photo. by Jules Géruzet, Brussels._]

[Illustration: PRESENT DAY.

_From a Photo. by G. Felici, Rome._]

[Illustration: COLONEL VAUGHAN.

_From a Photo. by G. Borelli._]

[Illustration: JOHN S. VAUGHAN.

_From a Photo. by A. Sauvy._]

[Illustration: KENELM VAUGHAN.

_From a Photo. by Southwell Bros._]

[Illustration: REGINALD VAUGHAN.

_From a Photo. by Bradley & Rulofson._]

[Illustration: THE LATE COLONEL VAUGHAN.

_Father of Cardinal Vaughan, Archbishop of Westminster._

_From a Photograph._]

[Illustration: JOSEPH JEROME VAUGHAN.

_From a Photo. by Bara._]

[Illustration: BERNARD VAUGHAN.

_From a Photo. by G. Jerrard._]

[Illustration: ROGER BEDE VAUGHAN.

_From a Photo. by J. H. Newman._]

THE FATHER AND BROTHERS OF CARDINAL-ARCHBISHOP VAUGHAN.

ZIG-ZAGS AT THE ZOO

XII.--ZIG-ZAG ACCIPITRAL.

[Illustration]

[Illustration]

The accipitral birds are the eagles, the vultures, the falcons, the

owls--all those birds that bite and tear unhappy mammals as well as

birds of more peaceful habits than themselves. They have all, it will be

observed, Roman noses, which may be the reason why the Romans adopted

the eagle as a standard; as also it may not. They have striking

characteristics of their own, and have been found very useful by poets

and other people who have to wander off the main subject to make plain

what they mean. The owl is the wiseacre of Nature, the vulture is a vile

harpy, and the eagle is the embodiment of everything great and mighty,

and glorious and free, and swooping and catoptrical. There is very

little to say against the eagle, except that he looks a deal the better

a long way off, like an impressionist picture or a volcano. When the

eagle is flying and swooping, or soaring and staring impudently at the

sun, or reproaching an old feather of his own in the arrow that sticks

in his chest, or mewing his mighty youth (a process I never quite

understood)--when he is doing noble and poetical things of this class at

an elevation of a great many thousand feet above the sea level he is

sublime. When you meet him down below, on his feet, much of the

sublimity is rubbed off.

[Illustration: CHARLEY.]

[Illustration: CORNS,--]

[Illustration: BUNIONS,--]

[Illustration: CHILBLAINS, OR--]

[Illustration: IKINESS?]

There is only one eagle in the world with whom I can claim anything like

a confidential friendship, although I know many. His name is Charley.

If, after a chat with Bob the Bactrian, you will turn your back to the

camel-house and walk past the band-stand toward the eagles' aviaries,

you will observe that the first corner cage is occupied by wedge-tailed

eagles--a most disrespectful name, by-the-bye, I think. There are

various perches, including a large tree-trunk, for these birds; but one

bird, the oldest in the cage, doesn't use them. He keeps on the floor by

the bars facing the place where Suffa Culli and Jung Perchad stand to

take up passengers, and looks out keenly for cats. That is Charley. He

is all right when you know him, is Charley, and I have it on the best

authority that there are no flies on him. A rat on the straggle has been

known to turn up in this aviary and run the gauntlet of all the

cages--till he reached Charley; nothing alive and eatable ever got past

_him_. I have all the esteem and friendship for Charley that any eagle

has a right to expect; but I can't admit the least impressiveness in his

walk. An eagle's feet are not meant to walk with, but to grab things. An

eagle's walk betrays a lamentable bandy-leggedness, and his toe-nails

click awkwardly against the ground. This makes him plant his feet

gingerly and lift them quickly, so that worthy old ladies suppose him to

be afflicted with lameness or bunions, an opinion which disgusts the

bird, as you may observe for yourself; for you will never find an eagle

in these Gardens submitting himself to be fondled by an old lady

visitor. It is by way of repudiating any suggestion of bunions that the

eagle adopts a raffish, off-hand, chickaleary sort of roll in the gait,

so that altogether, especially as viewed from behind, a walking eagle

has an appearance of perpetually knocking 'em in the Old Kent Road. On

Charley's next birthday I shall present him, I think, with a proper

pearly suit, with kicksies cut saucy over the trotters, and an artful

fakement down the side, if the Society will allow me.

[Illustration: A PASSING SNACK.]

[Illustration: DINNER AHOY!]

There is nothing in the world that pleases an eagle better at

dinner-time than a prime piece of cat. Charley tells me that, upon the

whole, he prefers a good, plump, mouse-fed tabby; he adds that he never

yet heard of a tame eagle being kept at a sausage shop, though he would

like a situation of that sort himself, very much. The stoop of a free

eagle as it takes a living victim is, no doubt, a fine thing, except for

the victim; but the grabbing of cut-up food here in captivity is merely

comic. The eagle, with his Whitechapel lurch, makes for the morsel and

takes it in his stride; then he stands on it in a manner somehow

suggesting pattens, and pecks away at the hair--if, luckily, he has

secured a furry piece. I am not intimate with any eagle but Charley, but

I am very friendly with all of them--golden, tawny, white-tailed, and

the rest, with their scowls and their odd winks--all but one other of

the wedge-tailers, who stays for ever at the top of the tree trunk and

looks out westward, trying to distinguish the cats in the gardens of St.

John's Wood; he is reserved as well as uppish, and I don't know him to

speak to.

[Illustration: UNCIVIL BAWLINGS.]

I am pretty intimate with many of the owls. The owl I know least is a

little Scops owl, kept alone in the insect-house. He has for next-door

neighbour a sad old reprobate--Cocky, the big Triton cockatoo--who

abuses him horribly. The fact is, they both occupy a recess which once

Cocky had all to himself, and now Cocky bullies the intruder up hill and

down dale; although little Scops would gladly go somewhere else if he

could, and takes no notice of Cocky's uncivil bawlings further than to

lift his near wing apprehensively at each outburst. He and I have not

been able to improve our acquaintance greatly, partly because he is out

of reach, and partly because Cocky's conversation occupies most of his

time.

[Illustration: WHAT!]

[Illustration: WELL--]

[Illustration: DID YOU EVER!]

[Illustration: OF ALL THE--!]

The Zoo owls are a lamentably scattered family. Another Scops owl, with

one eye, lives in the eastern aviary, in Church's care. He is a

charming, furious little ruffian (I am speaking of the owl, and not of

Church), and perfectly ready to peck any living thing, quite

irrespective of size. Where he lost his eye is a story of his own, for

he was first met with but one. He sits on his perch with a furious cock

of the ears--which are not ears at all, but feathers--with the aspect of

being permanently prepared to repel boarders; and the only thing that

could possibly add to his fierceness of appearance would be a patch over

the sight of the demolished eye; a little present I would gladly make

myself, if he would let me.

[Illustration: THE SCOWLING SCOPS.]

He lives just underneath a much less savage little Naked-foot Owl, who

doesn't resent your existence with his beak, but gazes at you with a

most extreme air of shocked surprise. He doesn't attack you bodily for

standing on this earth on your own feet--he is too much grieved and

scandalized. He looks at you as a teetotal lady of the Anti-Gambling

League would look at her nephew if he offered to toss her for whiskies.

He follows you with his glare of outraged propriety till you shrink

behind Church and sneak away, with an indescribable feeling of personal

depravity previously unknown. Why should this pharisaical little bird

make one feel a criminal? As a matter of fact, he is nothing but a

raffish fly-by-night himself; and his pious horror is assumed, I

believe, as much to keep his eyes wide open and him awake as to impose

on one.

The owls' cages proper are away behind the llamas' house, and here you

may study owl nature in plenty; and you may observe the owls, like

people sitting through a long sermon, affecting various concealments and

excuses for going to sleep in the daytime. The milky eagle-owl pretends

to be waiting for a friend who never keeps his appointment. You come

upon him as he is dozing away quietly; he sees you just between his

eyelids, and at once stares angrily down the path as if he were sick of

waiting, and the other owl already half an hour overdue. Of course there

is no owl coming, so he shakes his head testily and half shuts his eyes.

If you go away then, he goes to sleep again. If you stay, he presently

makes another pretence of pulling out his watch and wondering if that

owl is ever coming. He has practised the transparent deception so long

that he does it now mechanically, and sleeps, I believe, or nearly so,

through the whole process. The oriental owl does it rather differently.

He doesn't open his eyes when you first wake him--this in order to give

greater verisimilitude to his pretence of profound meditation; he wishes

you to understand that it is not your presence that causes him to open

his eyes, but the natural course of his philosophical speculations. As a

pundit, he disdains to appear to observe you; so he gazes solemnly at a

vast space with nothing whatever for its centre. He sees you, but he

knows you for a creature that never carries raw meat with it, like a

keeper; a creature beneath the notice of _Bubo orientalis_.

[Illustration: MILKY REPOSE.]

[Illustration: IS HE COMING?]

[Illustration: WHAT A NUISANCE!]

As a song-bird, the owl is not a conspicuous success. Perhaps he has

learned this in the Zoo, for he cannot be induced to perform during

visiting hours. He is a reserved person, and exclusive. If you, as a

stranger, attempt to scrape his acquaintance, he meets you with an

indignant stare--confound your impudence! Nothing in this world can

present such a picture of offended, astounded dignity as an owl. I often

wonder what he said when Noah ordered him peremptorily into the Ark. As

for myself, I should as soon think of ordering one of the beadles at the

Bank.

[Illustration: NOT YET?]

[Illustration: OH, HANG IT!]

Many worthy owls, long since passed away as living things, now exist in

their astral forms as pepper-boxes and tobacco-jars. They probably

belonged, in life, to the same species as a friend of mine here, who

exhibits one of their chief physical features. He sits immovably still,

so far as his body--his jar or pepper-reservoir--is concerned; indeed,

if he is not disturbed, he sits immovably altogether, and sleeps. When

he is disturbed he wakes in instalments, opening one eye at a time. He

fixes you with his wild, fiery eye, his indignant stare. Start to walk

round him; the head turns, and the stare follows you, with no movement

whatever of the part containing the pepper. The head slowly turns and

turns, without the smallest indication of stopping anywhere. I never

tempted it farther than once round, but walked back the other way, for

fear of strangling a valuable bird. Besides, I remembered an owl

pepper-box once, which became loose in the screw through continual

turning, so that the head fell off into your plate, and all the pepper

after it.

[Illustration]

The biggest owls are the eagle-owls. The eagle-owls here occupy a

similar sort of situation to that of the hermit in an old tea-garden. In

a secluded nook behind the camel-house a brick-built cave is kept in a

wire cage, which not only hinders the owls from escaping, but prevents

them taking the cave with them if they do. The cave is fitted up with

the proper quantity of weird gloom and several convenient perches; the

perches, however, are indistinct, because the gloom is obvious. In the

midst of it you may see two fiery eyes, like the fire-balls from a Roman

candle, and nothing else. This is the most one often has a chance of

seeing here in bright day. Often the eagle-owls are asleep, and then you

do not even see the fireworks. I know the big eagle-owl fairly well;

that is to say, I am on snarling terms with him. But once he has settled

in his cave he won't come out, even when I call him Zadkiel.

[Illustration: THE EAGLE-OWLS' RETREAT.]

There is nothing much more grotesque than a row of small barn owls, just

awakened from sleep and curious about the disturber. There is something

about the odd gaze and twist of the neck that irresistibly reminds me of

an illustration in an Old Saxon or Early English manuscript.

[Illustration: SLEEP.]

[Illustration: WHO SAID RATS?]

[Illustration: THE ANGOLA.]

I am not particularly friendly with any of the vultures. Walk past their

cages with the determination to ingratiate yourself with them. You will

change your mind. There are very few birds that I should not like to

keep as pets if I had the room, but the vulture is the first of them. I

don't know any kind of vulture whose personal appearance wouldn't hang

him at a court of Judge Lynch. The least unpleasant-looking of the lot

is the little Angola vulture, who is put among the kites; and she is bad

enough: a horrible eighteenth-century painted and powdered old woman; a

Pompadour of ninety. The large bearded vulture is not only an

uncompanionable fellow to look at, but he doesn't behave respectably. It

is not respectable to hurl yourself bodily against anybody looking over

a precipice and unaware of your presence, so as to break him up on the

rocks below, and dine off his prime cuts. I have no doubt that

Self--(Self, by-the-bye, keeps eagles and vultures as well as

camels)--has any amount of sympathy for his charges, but who _could_

make a pet of a turkey-vulture, with its nasty, raw-looking red head, or

of a cinereous vulture, with its unwholesome eyes and its

unclean-looking blue wattle? No, I am not over-fond of a vulture. He is

always a dissipated-looking ruffian, of boiled eye and blotchy

complexion, and you know as you look at him that he would prefer to see

you dead rather than alive, so that he might safely take your eyes by

way of an appetizer, and forthwith proceed to lift away your softer

pieces preparatory to strolling under your ribs like a jackdaw in a cage

much too small. He sits there placid, unwinsome, and patient; waiting

for you to die. But he has his little vanities. He is tremendously

proud of his wings--and they certainly are wings to astonish. On a warm

day he likes to open them for coolness, but often he makes this a mere

excuse for showing off. He waits till some easily-impressed visitor

comes along--not a regular frequenter. Then he stands up and spreads his

great pinions abroad, and perhaps turns about, and the visitor is duly

impressed. So the vulture stands and receives the admiration, hoping the

while that the visitor has heart disease, and will drop dead where he

stands. And when the visitor walks off without dying the old harpy lets

his wings fall open, ready for somebody else.

[Illustration]

_The Adventures of Sherlock Holmes._

XIX.--THE ADVENTURE OF THE REIGATE SQUIRE.

BY A. CONAN DOYLE.

It was some time before the health of my friend, Mr. Sherlock Holmes,

recovered from the strain caused by his immense exertions in the spring

of '87. The whole question of the Netherland-Sumatra Company and of the

colossal schemes of Baron Maupertins are too recent in the minds of the

public, and are too intimately concerned with politics and finance, to

be fitting subjects for this series of sketches. They led, however, in

an indirect fashion to a singular and complex problem, which gave my

friend an opportunity of demonstrating the value of a fresh weapon among

the many with which he waged his life-long battle against crime.

On referring to my notes, I see that it was upon the 14th of April that

I received a telegram from Lyons, which informed me that Holmes was

lying ill in the Hotel Dulong. Within twenty-four hours I was in his

sick room, and was relieved to find that there was nothing formidable in

his symptoms. His iron constitution, however, had broken down under the

strain of an investigation which had extended over two months, during

which period he had never worked less than fifteen hours a day, and had

more than once, as he assured me, kept to his task for five days at a

stretch. The triumphant issue of his labours could not save him from

reaction after so terrible an exertion, and at a time when Europe was

ringing with his name, and when his room was literally ankle-deep with

congratulatory telegrams, I found him a prey to the blackest depression.

Even the knowledge that he had succeeded where the police of three

countries had failed, and that he had out-manoeuvred at every point

the most accomplished swindler in Europe, were insufficient to rouse him

from his nervous prostration.

The Strand Magazine, Vol. 05, Issue 30, June 1893 An Illustrated Monthly · 第 4 / 10 段