III

You never know when an adventure is going to begin. But on a train

is a good place to lie in wait for them. So we sat down in the

smoker of the 10 A.M. Eastern Standard Time P.R.R. express to

Philadelphia, in a receptive mood.

At Manhattan Transfer the brakeman went through the train, crying in

a loud, clear, emphatic barytone: "Next stop for this train is North

Philadelphia!"

We sat comfortably, and in that mood of secretly exhilarated mental

activity which is induced by riding on a fast train. We were looking

over the June _Atlantic_. We smiled gently to ourself at that

unconscious breath of New England hauteur expressed in the

publisher's announcement, "_The edition of the Atlantic is carefully

restricted._" Then, meditating also on the admirable sense and skill

with which the magazine is edited, and getting deep into William

Archer's magnificent article "The Great Stupidity" (which we hope

all our clients will read) we became aware of outcries of anguish

and suffering in the aisle near by.

At Manhattan Transfer a stout little man with a fine domy forehead

and a derby hat tilted rather far aft had entered the smoker. He

suddenly learned that the train did not stop at Newark. He uttered

lamentation, and attacked the brakeman with grievous protest. "I

heard you say, This train stops at Newark and Philadelphia," he

insisted. His cigar revolved wildly in the corner of his mouth;

crystal beads burst out upon the opulent curve of his forehead.

"I've got to meet a man in Newark and sell him a bill of goods."

The brakeman was gentle but firm. "Here's the conductor," he said.

"You'll have to talk to him."

Now this is a tribute of admiration and respect to that conductor.

He came along the aisle punching tickets, holding his record slip

gracefully folded round the middle finger of his punch hand, as

conductors do. Like all experienced conductors he was alert,

watchful, ready for any kind of human guile and stupidity, but

courteous the while. The man bound for Newark ran to him and began

his harangue. The frustrated merchant was angry and felt himself a

man with a grievance. His voice rose in shrill tones, he waved his

hands.

Then began a scene that was delightful to watch. The conductor was

magnificently tactful. He ought to have been an ambassador (in fact,

he reminded us of one ambassador, for his trim and slender figure,

his tawny, drooping moustache, the gentle and serene tact of his

bearing, were very like Mr. Henry van Dyke). He allowed the

protestant to exhaust himself with reproaches, and then he began an

affectionate little sermon, tender, sympathetic, but firm.

"I thought this train stopped at Newark," the fat man kept on

saying.

"You mustn't think, you must _know_," said the conductor, gazing

shrewdly at him above the rims of his demi-lune spectacles. "Now,

why did you get on a train without making sure where it stopped? You

heard the brakeman say: 'Newark and Philadelphia'? No; he said

'North Philadelphia.' Yes, I know you were in a hurry, but that

wasn't our fault, was it? Now, let me tell you something: I've been

working for this company for twenty-five years...."

Unhappily the noise of the train prevented us from hearing the

remark that followed. We were remembering a Chinese translation that

we made once. It went something like this:

Plum Pudding: Of Divers Ingredients, Discreetly Blended & Seasoned · 第 22 / 61 题