In the outer chamber of her mind she said briskly--

"It's a lovely morning. It's a shame to waste it indoors. I'll go out."

The sun was fully up when she stole down through the still sleeping

house and out into the garden, now as awake as a lady in full dress at

the court of the King.

The garden gate fell to behind her, and the swing of her white skirts

went down the green lane. On such a morning who would not wear white?

She walked with the quick grace of her nineteen years, and as she went

fragments of the undigested poetry that had been her literary diet of

late swirled in her mind--

"With tears and smiles from heaven again,

The maiden spring upon the plain

Came in a sunlit fall of rain,"

and so on, though this was July, and not spring at all. And--

"A man had given all other bliss

And all his worldly work for this,

To waste his whole heart in one kiss

Upon her perfect lips."

Her own lips were not perfect, yet, as lips went, they were well enough,

and, anyway, kisses would not be wasted on them.

She went down the lane, full of the anxious trembling longing that is

youth's unrecognised joy, and at the corner, where the lane meets the

high white road, she met him. That is to say, she stopped short, as the

whispering silence of the morning was broken by a sudden rattle and a

heavy thud, not pleasant to hear. And he and his bicycle fell together,

six yards from her feet. The bicycle bounded, and twisted, and settled

itself down with bold, resentful clatterings. The man lay without

moving.

Her Tennyson quotations were swept away. She ran to help.

"Oh, are you hurt?" she said. He lay quite still. There was blood on his

head, and one arm was doubled under his back. What could she do? She

tried to lift him from the road to the grass edge of it. He was a big

man, but she did succeed in raising his shoulders, and freeing that

right arm. As she lifted it, he groaned. She sat down in the dust of the

road, and lowered his shoulders till his head lay on her lap. Then she

tied her handkerchief round his head, and waited till someone should

pass on the way to work. Three men and a boy came after the long half

hour in which he lay unconscious, the red patch on her handkerchief

spreading slowly, and she looking at him, and getting by heart every

line of the pale, worn, handsome face. She spoke to him, she stroked his

hair. She touched his white cheek with her finger-tips, and wondered

about him, and pitied him, and took possession of him as a new and

precious appanage of her life, so that when the labourers appeared, she

said--

"He's very badly hurt. Go and fetch some more men and a hurdle, and the

boy might run for the doctor. Tell him to come to the White House. It's

nearest, and it may be dangerous to move him further."

"The 'Blue Lion' ain't but a furlong further, miss," said one of the

men, touching his cap.

"It's much more than that," said she, who had but the vaguest notion of

a furlong's length. "Do go and do what I tell you."

They went, and, as they went, remorselessly dissected, with the bluntest

instruments, her motives and her sentiments. It was not hidden from

them, that wordless whisper in the shadowy inner chamber of her heart.

"Perhaps the 'Blue Lion' isn't so very much further, but I can't give

him up. No, I can't." But it was almost hidden from _her_. In her mind's

outer hall she said--

"I'm sure I ought to take him home. No girl in a book would hesitate.

And I can make it all right with mother. It would be cruel to give him

up to strangers."

The Literary Sense · 第 44 / 66 题