I. THE ANGELS.

There is something so very attractive and poetical, as well as soothing

to our helpless finite nature, in all the superstitions connected with

the popular notion of Angels, that we cannot wonder at their prevalence

in the early ages of the world. Those nations who acknowledged one

Almighty Creator, and repudiated with horror the idea of a plurality

of Gods, were the most willing to accept, the most enthusiastic in

accepting, these objects of an intermediate homage; and gladly placed

between their humanity and the awful supremacy of an unseen God, the

ministering spirits who were the agents of his will, the witnesses of

his glory, the partakers of his bliss, and who in their preternatural

attributes of love and knowledge filled up that vast space in the

created universe which intervened between mortal man and the infinite,

omnipotent LORD OF ALL.

The belief in these superior beings, dating from immemorial antiquity,

interwoven as it should seem with our very nature, and authorised by a

variety of passages in Scripture, has descended to our time. Although

the bodily forms assigned to them are allowed to be impossible, and

merely allegorical, although their supposed functions as rulers of

the stars and elements have long been set aside by a knowledge of the

natural laws, still the coexistence of many orders of beings superior

in nature to ourselves, benignly interested in our welfare, and

contending for us against the powers of evil, remains an article of

faith. Perhaps the belief itself, and the feeling it excites in the

tender and contemplative mind, were never more beautifully expressed

than by our own Spenser:—

And is there care in heaven? And is there love

In heavenly spirits to these creatures base,

That may compassion of their evils move?

There is!—else much more wretched were the case

Of men than beasts! But O th’ exceeding grace

Of highest God that loves his creatures so,

And all his works with mercy doth embrace,

That blessed angels he sends to and fro

To serve to wicked man, to serve his wicked foe

How oft do they their silver bowers leave,

And come to succour us that succour want?

How oft do they with golden pinions cleave

The flitting skies, like flying pursuivant,

Against foul fiends, to aid us militant?

They for its fight, they watch, and duly ward,

And their bright squadrons round about us plant,

And all for love, and nothing for reward!

Oh why should heavenly God to men have such regard!

It is this feeling, expressed or unexpressed, lurking at the very core

of all hearts, which renders the usual representations of angels, spite

of all incongruities of form, so pleasing to the fancy: we overlook

the anatomical solecisms, and become mindful only of that emblematical

significance which through its humanity connects it with us, and

through its supernatural appendages connects _us_ with heaven.

But it is necessary to give a brief summary of the scriptural and

theological authorities, relative to the nature and functions of

angels, before we can judge of the manner in which these ideas have

been attended to and carried out in the artistic similitudes. Thus

angels are represented in the Old Testament—

1. As beings of a higher nature than men, and gifted with superior

intelligence and righteousness.[14]

2. As a host of attendants surrounding the throne of God, and as a kind

of celestial court or council.[15]

3. As messengers of his will conveyed from heaven to earth: or as sent

to guide, to correct, to instruct, to reprove, to console.

Sacred and legendary art, volume 1 (of 2) Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts. · 第 49 / 106 题