INTRODUCTION

These stories were written nearly a quarter of a century ago, for the

old _Amazing Stories_ magazine. The essence of any magazine is

not its name, but its philosophy, its purpose. That old _Amazing

Stories_ is long since gone; the magazine of the same name today is

as different as the times today are different from the world of 1930.

Science-fiction was new, in 1930; atomic energy was a dream we

believed in, and space-travel was something we tried to understand

better. Today, science-fiction has become a broad field, atomic

energy--despite the feelings of many present adults!--is no dream.

(Nor is it a nightmare; it is simply a fact, and calling it a

nightmare is another form of effort to push it out of reality.)

In 1930, the only audience for science-fiction was among those who

were still young enough in spirit to be willing to hope and speculate

on a new and wider future--and in 1930 that meant almost nothing but

teen-agers. It meant the brightest group of teen-agers, youngsters who

were willing to _play_ with ideas and understandings of physics

and chemistry and astronomy that most of their contemporaries

considered "too hard work."

I grew up with that group; the stories I wrote over the years, and,

later, the stories I bought for _Astounding Science Fiction_

changed and grew more mature too. _Astounding Science Fiction_

today has many of the audience that read those early stories; they're

not high school and college students any more, of course, but

professional engineers, technologists and researchers now. Naturally,

for them we need a totally different kind of story. In growing with

them, I and my work had to lose much of the enthusiastic scope that

went with the earlier science fiction.

When a young man goes to college, he is apt to say, "I want to be a

scientist," or "I want to be an engineer," but his concepts are broad

and generalized. Most major technical schools, well knowing this, have

the first year course for _all_ students the same. Only in the

second and subsequent years does specialization start.

By the sophomore year, a student may say, "I want to be a

_chemical_ engineer."

At graduation, he may say, "I'm going into chemical engineering

_construction_."

Ten years later he may explain that he's a chemical engineer

specializing in the construction of corrosion-resistant structures,

such as electroplating baths and pickling tanks for stainless steel.

Year by year, his knowledge has become more specialized, and much

deeper. He's better and better able to do the important work the world

needs done, but in learning to do it, he's necessarily lost some of

the broad and enthusiastic scope he once had.

These are early stories of the early days of science-fiction. Radar

hadn't been invented; we missed that idea. But while these stories

don't have the finesse of later work--they have a bounding enthusiasm

that belongs with a young field, designed for and built by young men.

Most of the writers of those early stories were, like myself, college

students. (_Piracy Preferred_ was written while I was a sophomore

at M.I.T.)

For old-timers in science-fiction--these are typical of the

days when the field was starting. They've got a fine flavor

of our own younger enthusiasm.

For new readers of science-fiction--these have the stuff that laid the

groundwork of today's work, they're the stories that were meant for

young imaginations, for people who wanted to think about the world

they had to build in the years to come.

Along about sixteen to nineteen, a young man has to decide what is,

for him, the Job That Needs Doing--and get ready to get in and pitch.

If he selects well, selects with understanding and foresight, he'll

pick a job that _does_ need doing, one that will return rewards

in satisfaction as well as money. No other man can pick that for him;

he must choose the Job that _he_ feels fitting.

Crystal balls can be bought fairly reasonably--but they don't work

well. History books can be bought even more cheaply, and they're

moderately reliable. (Though necessarily filtered through the cultural

attitudes of the man who wrote them.) But they don't work well as

predicting machines, because the world is changing too rapidly.

The world today, for instance, needs engineers desperately. There a

lot of jobs that the Nation would like to get done that can't even be

started; not enough engineers available.

Fifty years ago the engineering student was a sort of Second Class

Citizen of the college campus. Today the Liberal Arts are fighting for

a come-back, the pendulum having swung considerably too far in the

other direction.

So science-fiction has a very real function to the teen-agers; it

presents varying ideas of what the world in which he will live his

adult life will be interested in.

This is 1953. My son will graduate in 1955. The period of his peak

earning power should be when he's about forty to sixty--about 1970,

say, to 1990. With the progress being made in understanding of health

and physical vigor, it's apt to run beyond 2000 A.D., however.

Anyone want to bet that people will be living in the same general

circumstances then? That the same general social and cultural and

material standards will apply?

I have a hunch that the history books are a poor way of planning a

life today--and that science-fiction comes a lot closer.

There's another thing about science-fiction yarns that is quite

conspicuous; it's so difficult to pick out the villains. It might have

made quite a change in history if the ballads and tales of the old

days had been a little less sure of who the villains were. Read the

standard boy's literature of forty years ago; tales of Crusaders who

were always right, and Saracens who were always wrong. (The same

Saracens who taught the Christians to respect the philosophy of the

Greeks, and introduced them to the basic ideas of straight,

self-disciplined thinking!)

Life's much simpler in a thatched cottage than in a dome on the

airless Moon, easier to understand when the Villains are all pure

black-hearted villains, and the Heroes are all pure White Souled

Heroes. Just look how simple history is compared with science-fiction!

It's simple--but is it good?

These early science-fiction tales explored the Universe; they were

probings, speculations, as to where we _could_ go. What we

_could_ do.

They had a sweep and reach and exuberance that belonged.

They _were_ fun, too....

John W. Campbell, Jr.

Mountainside, N.J.

April, 1953

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