The man had imaginative eyes. It was plain to see that he was suffering

from some lively remembrance of a mountain folklore demon story. He

knew that we were foxes or badgers who had assumed human form, and

that we had come to him with no good intentions. He suspected a subtle

poison. But he had courage from one thought. It is the common knowledge

of the countryside that while the demands of demon badgers may not

be directly refused, their evil intent may often be thwarted by the

crafty intelligence of man. The immediate problem was how to avoid the

appearance of refusing to eat the mysterious cake which was now getting

soft and moist in his hand. Suddenly he popped the chocolate into his

mouth, tin foil and all. Then he pushed back the square into his hand

almost in the same movement. I pretended not to be watching. He dropped

his hand with elaborate carelessness into the thickness of the grass. I

felt a sense of dramatic relievement myself.

During those minutes the ox had been no such respecter of enchantment

as had his master. Instead, he had stood sniffing at our boots and

pulling up bits of grass round and about our ankles, all the time

rolling a pair of red, angry eyes. Asiatic beasts of burden find

something antagonistic to their complaisance in the odour of the

Caucasian and this individual ox was progressing toward a positive

bovine dissatisfaction. Furthermore, we were sitting on the sweetest

and most tender tufts of grass remaining. We courteously dismissed the

peasant to go his way. His marked alacrity was quite welcome.

We lingered on the grass for a little while and I told O-Owre-san my

guesses. I elaborated them into the hazard that the poor man--he had

not once turned to look back over his shoulder--might even then be

fearing that the slight taste from the chocolate would turn him into

a frog and his ox into a stork to eat him up; or perhaps he might be

in distress that he and his beast might grow smaller and smaller until

they would disappear into thin air.

O-Owre-san had been examining the faintness of the path. “I hope none

of these things happen until the man gets over the hills to Narii. The

hoof prints make an excellent trail,” he said.

It was time to sling on our packs and follow. When we reached the next

turn we could see the peasant’s straw hat and the ox’s straw bonnet

bobbing along just over the bush tops. We maintained this distance

without closing the gap. As O-Owre-san had predicted, the hoof marks

were useful. The path often grew so faint that it had no other resolute

indication. We had been sure, without thought of other possibility,

that the crest of the hill we were climbing would be the summit of the

range. When we reached the crest we stood looking up at another peak

rising from a shallow valley at our feet.

“Which way does the ox say to go?” I asked.

The hoof marks were there in the soft earth, but where our feet had

stopped there they had stopped. They stopped as absolutely as if the

peasant and his ox had been whisked away in a chariot to the sunset

sky. The bushes were too low for concealment. There was no cave, nor

hole in the earth.

If there be no such thing as magic, in the Japanese mountains at least,

where did that man and his beast go? The disappearance was as complete

as the most exacting enchanter could have desired. We found no answer

to the riddle and the sun was sinking, adding the next question of how

we were going to get out of the hills in the night time if we delayed

for scientific investigation. We succumbed to expediency and took a

five-mile-an-hour pace over such trail as we had left, guessing at the

turns. When we finally reached the next crest, deep in the valley we

could see Narii. Before descending the steep, dropping path, we sat

down near a spring where the birds had come to drink. They were singing

evening songs mightily. Bright wild flowers were scattered in the open

spaces between the intense green of the fern patches. The world was

lustily at peace.

When we did start we swung down the long hill almost at a run and in a

half-hour reached the edge of the village to find Hori sitting under

a stone lantern in the temple yard. The evening peace had made us

positive that this is the best of all possible worlds, but Hori was

entertaining a different idea. He looked exceedingly gloomy. We were

impatient of any discontent. If he had said that men were starving for

rice in the village beyond, the fitting answer would have seemed to us

the historic words of the good queen: “Give them cake.” Undoubtedly

when the message about the starving peasants was brought to that Lady

of France she was sitting under the shrubbery at Versailles, and the

birds were singing, and it was springtime, and perhaps the fountains

were playing. Impellingly she realized with an insight deeper than any

historian has ever appreciated that upon such a glorious day, if there

is any such thing as right or justice at all in this world, a certain

amount of cake should be everybody’s inalienable possession.

As it happened, Hori’s worry had nothing to do with altruistic sorrow

for starving villagers, but existed from a lively interest in our own

affairs. The town was very poor, he explained, a town come down in the

world from ancient prosperity. Its neck was hung with the millstone

of decayed graces and thinned blood. The inn was so old that it was

senile. Hori had established some excuse before entering the door for

inspection which later allowed his rejection of the inn’s hospitality,

but it would never do for us in turn to venture in for a glance around.

That would be needlessly raising the expectation of the ancient host.

We would find, he suggested, that it would be only five or six or seven

miles to the next village. As we had had twenty-five or more miles

behind us and most of those had been along mountain paths, we were

not so inevitably tempted at that hour of night to be particular in a

choice of roofs as Hori, who had come by train, was imagining.

The inn, in truth, was very old. By any law of survival chances the

wandering wings should have burned to earth long ago. To greet us

there were no smiling and chattering maids gathered behind a mistress;

instead, an old man and a very small girl, his granddaughter or more

likely his great-granddaughter, met us in the dark entrance with

protests that the house was unworthy of our presence. We hastily denied

them their words. Hori could employ the polite phrases of Japan. We

impulsively, directly, and bluntly told them “no.” It was not alone the

pathos of the two figures which appealed. It was somewhat that their

dignity had not surrendered to ruin, and it was somewhat a something

else, indescribable, in the atmosphere that charmed.

We followed the master along a labyrinthine corridor. The soft wood

planks of the floor had been polished to a deep reddish gleam under the

bare feet of generations of hurrying _ne-sans_. He led us past inner

courtyards to the farthest wing. Our room hung over the river at an

elbow of the stream. Even with the _shogi_ pushed wide open we were

hidden completely from the eyes of the town by heavily leafed trees.

The mats on the floor had turned a dingy, mottled brown and black

from their once light golden yellow, but they were clean. The sacred

_takemona_ corner still compelled its importance. It had been built in

an age when the demand for its existence was the ardent faith of the

builders rather than an architectural tradition. The room was about

thirty-five feet long and fifteen feet deep, perhaps a little larger.

The ceiling was proportionately high.

Hori was still doubtful, not gloomily so, but from the knowledge that

an inn is proved by its service. The host was kneeling, as immobile

as a temple image, awaiting our orders. His skin was as bloodless as

the vellum of the painting which hung behind him. His watchful eyes,

however, were intensely bright in their deep sockets. Hori began

inquiries about dinner. The ancient bowed his head to the floor,

drawing in his breath sharply against his teeth. Dinner was now being

prepared for his family, he said, but it would be unworthy of his

guests. The formal phrase of polite deprecation carried this truth, as

Hori discovered by further questioning; it was not that the dinner was

or was not worthy--it was the failure of _quantity_. We should not have

long to wait, said our host, but food would have to be sent for.

As we sat in a circle planning what we should have, the old man smiled

and pointed to a patched square in the matting. Underneath the square,

he said, was a depression for holding bronze braziers. When the

nobility, in the old feudal times, had travelled the Nakescendo trail,

this was the room of honour that had been given to the _daimyos_. It

had been often the custom for the retainers of a _daimyo_ themselves

to prepare his dinner over the braziers. Our sitting there, planning

what we should have, had reminded him of the dead past. His words came

slowly as if between each word of recollection his spirit journeyed

back into the very maw of oblivion and then had to return again to the

world.

“Are the braziers still hidden there?” Hori interrupted.

Yes, the braziers were under the floor or somewhere to be found.

Hori turned to us and put us through a questioning until he

rediscovered the word “picnic” for his vocabulary. “That’s what we will

have, a picnic, right here,” he declared, and he turned back to the

host to explain. The old man almost gasped, at least approaching as

near to such escape of emotion as he probably ever had at the request

of a guest.

“But you will then have to have a special waitress,” he said. “My

granddaughter is indeed too young for that privilege.” Always when he

used depreciatory adjectives about the child’s unworthiness he failed

lamentably to harden his caressing tone. She was, however, as he had

said, little older than a baby. The services of a maid we should have

to pay for, but, under the spell of the conjuring up of the memories of

those bygone revels in our room, what cared we for saving our precious

_yen_? We had become reincarnations of the two-sworded swaggerers. We

waved our arms grandiloquently.

“Tell him to send for fowls for the pot,” we oratorically assailed

Hori. “Let us mix rich sauces and warm the _sake_. And tell him to

remember that for us there can be but one choice--the maid to serve our

dinner must be the prettiest maid in all Narii.”

I had not the slightest idea that Hori would translate our exact words,

but I found later that such was his act.

Thus the mountain village of Narii faced a problem. Two foreigners, and

a Japanese almost as alien as a foreigner, had appeared from nobody

knew where, not preceded, ’twas true, by retainers as had been the

travellers of old, but nevertheless demanded the old-time service with

as much gusto as if they were accustomed to having what they wished.

They had asked that the prettiest maid in all Narii be called to the

inn to exercise the privilege of guarding the steaming rice box. It was

obvious that there could be only one prettiest maid, and all Narii knew

with one mind that the prettiest maid was the daughter of the Shinto

priest. However, the daughter of a priest is not a likely candidate for

service in an inn, even if the master has ever been a faithful devotee

of the temple. Nevertheless there was the honour of the hospitality of

Narii at stake. Messengers (or even appropriately, it might be said,

heralds) were sent to explain the problem to the maid and her father,

and to use, if necessary, the pressure of “the state demands.”

Thus came O-Hanna-san to the inn. (In all Japan there cannot be

a prettier, a more bashful, or a more modest maiden.) Her eyes

were downcast behind long black lashes. Her soft cheek flushed and

paled--perhaps somewhat from the excitement of the adventure. Neither

she nor her friends had ever seen one of that strange race, the

foreigner. And, indeed, even a priest’s daughter may think that to be

chosen as the prettiest maid----!! Ah, her courage failed her to glance

up and words would not come to her lips to answer their questions, but

they did not seem to be so very predatory nor so very fearsome--and

they were very hungry.

Two great bronze braziers had been filled with glowing charcoal. The

foreigners and the outer-world Japanese who could speak their strange

words were busily cooking the fowls, chopped into dice, and they were

arguing about their respective talents and abilities, as do all amateur

cooks. Perhaps she could now look up for an instant unobserved. No, a

glance met her eyes and she felt hot blushes grow again on her cheek.

While they feasted and laughed she had to run many times to the kitchen

for forgotten dishes. When she passed along the hall by the entrance

to the street she was each time stopped and besieged by the questions

of the gathered mob. (Some of those inquiring investigators had also

gathered outside the wall of my bath an hour before. I had been

suddenly aware of an eye at every crack and crevice of the boards as

I was cautiously stepping into the superheated tub. There was not a

sound, merely the glitter of their star-scattered eyes.)

The foreigners put sugar on their rice and one of them even put sugar

in his tea. They handled their chopsticks so awkwardly that it was

marvellous that they did not spill the rice grains on the matting. She

thought of the twenty rules in etiquette for the proper and graceful

use of chopsticks and she imagined that if there had been a ten score

of rules they might have all been broken. At last the three feasters

finished their mighty meal and stretched out on the cushions to smoke

in deep contentment. She doubted whether they had even noticed that her

superior _kimono_ was not such as a maid of an inn would possess. After

the feast her quick feet, in spotless white _tabi_, carried away the

bowls and little tables. Then she sat down by the door to await any

further clapping of hands.

The host came in, moving silently across the matting. He kneeled and

bent his forehead to the floor. Before the meal he had himself arranged

the flowers, in an old iron vase, to stand in the _takemona_ corner. We

tried to express our appreciation for the flowers and our admiration of

the vase.

We asked him how old the inn was. It had been his father’s before

him, and his grandfather’s before his father. Yes, in those days the

Nakescendo had rivalled the Tokaido, and yearly, on the hastening to

Yedo to give obeisance to the Shogun, the great nobles of the northwest

provinces with their armed retainers had had to pass through Narii.

In the pride of their gifts to the Shogun, in their numbers, in their

courage, they had never yielded place to the envoys from the great

families of the South. This now forgotten inn had then been famous.

Our room, overhanging the river, he repeated, had been only given to

the _daimyos_. The _samurai_ had crowded the other rooms. The inn

had boasted a score, two score, of trained and pretty _ne-sans_ to

wait upon those fiery warriors. (The modern _geisha_, in many of her

accomplishments, is daughter to the inn maidens of the feudal days

who sang and danced and played musical instruments in addition to the

graces of more domestic duties.) The inn had then rung with shouting

and laughter, and sometimes the dawn of the morning start of the

cavalcade found the retainers still sitting around the feast.

On the road to Yedo their purses had hung full, but the great city

always plunged both its hands into those purses filled from the rice

taxes, and it was often quite another story--the return journey back

to the provincial castles. No rare occurrence was it indeed, for some

haughty _samurai_ to declare in the morning that he could not pay his

inn bill, however modest it might be. Upon one occasion a certain

warrior had been forced to leave in pledge the first mistress of his

heart--his sword. A _daimyo_, overlord of a province, could, of course,

never be in debt to an innkeeper, although he might leave a _gift_ for

his host instead of money. When such eventuality as that arose the

host would declare (wisely) that his hospitality had been unworthy

of any remuneration and that he was a thousand times repaid by the

magnificence of the gift.

Yes, went on the old man, once a noble upon leaving the door had caused

a vase to be unwrapped from its encasements of one silken bag after

another and had given it to the inn. The donor had written a poem of

dedication with his own hand. The vase was shaped like a bottle and

the inn had been called “The Bottle Inn” from that day, seventy years

in the past. Our host, a youth on that day, had thought that the inn

would ever be rich and renowned. He sighed. The tradition of its renown

had faded and been forgotten in this age of railways. No longer did

turbulent guests demand that the bottle be brought out and shown.

If his dramatic genius had been subtly leading us toward turbulence, we

obeyed the pulling of the strings. We demanded to know whether the vase

was still under his roof. Our host smiled. The sacred vase was hidden

safely. Would we like to see it?

He returned, carrying an old wooden box. The great-granddaughter

dragged the unredeemed sword after her. The well-worn scabbard of the

sword was of mediocre, conventional design, but the blade had been

forged by one of the famous sword makers. Hori read the sword’s origin

from the characters carved in the steel. The old man slowly slipped

the sword back into the scabbard, leaving us to ponder what might have

been the tragic fate of the _ronin_ that he had never returned for his

pledge.

No casket of precious metal can be so alluringly suggestive of trove

as the simple, unpainted, pine boxes into which the Japanese put their

treasures. A woven cord clasped down the lid of the box. The untying of

it began the breathless ceremony. When the lid was lifted we saw the

first silken wrapping, then came another, and another, and another.

Some were of brocade, some were of faded plain colour,--red, blue, or

rose. Finally the drawing string of the last bag was pulled open and

the old man lifted the bottle. It was of yellow pottery with a thick

brown glaze overrunning the sides. The mouth of the vase was capped by

a bronze and silver band carved with an irregular motif.

The trustee of the possession allowed us to pass it from hand to hand.

What was one of our reasons for being in Narii at that very moment? It

was that our eyes were prying for those rarer treasures in Japan which

may be sometimes gleaned “away from the beaten path.” Unaccountable

chance had led us to the inn. The old man was hopelessly beaten in

his contest with poverty. I knew that he did not wish to sell, but

if there should be the jingling of a few _yen_--was it likely that

he could refuse? Our eyes were gleaming with desire. Surely, even if

it were a venal sin to take away the bottle from The Bottle Inn the

very greatness of the temptation would have brought its own special

forgiveness. But because temptation and conscience can generally be

argued around to our satisfaction, the gods have ironically added

impulse as the third part of us. It must have been some such impulse

which was the irrational lever which moved us to action. We soared

to the heights. It was a superior endurance to any flight that it is

likely either of us will ever attempt again. Truly such virtue is more

regretted than gloried in. We did not take the bottle with us. It still

functions in its environment, in harmony with its tradition. Taken away

it could be only a superior vase with a history, an object of art. In

that old inn it is a living part, an inspiration. In the forgotten

village of Narii no numbered museum tag hangs around its neck.

The bottle dropped back into the brocade bag lined with faded crimson

silk. Then the other wrappings, one by one, muffled it. It went into

the box, the lid was fitted into place, and the cord was tied. Do we

gain strength from resisting such temptation? The writers of the Holy

Church of the Middle Ages said so. By refusing that bottle I merely

gained exhaustion. This moment I am stifled by the dust of the ashes

of that murdered passion. My conscience replies with no response. It

has lost the vitality of recoil, and thus, if ever such time may come,

I may yet glory in a greater vandalism, some supreme Hunnish act, and

there will be no rasping regret.

The breezes up among the snows of the mountains came down into the

valley for the night. Wherever they were going they seemed to be quite

undetermined as to their path. They blow from every side and into every

corner of the room by turn. Little by little, to escape the draughts,

we had kept pushing along the wooden shutters until we were at length

completely walled in. It was not possible to imagine that a few miles

away, down on the rice plains, the millions were nudely stifling while

we were going to bed to get warm. The daughter of the priest had

been dragging layers of bedding to the door and, when we clapped our

hands, she had innumerable mattresses for each of us. For once it was

unnecessary to stretch the mosquito netting. There seemed to be nothing

left but to blow out the lights and cry: “_O yasumi nasai!_” to the

retreating patter of her footsteps.

“What’s the midget granddaughter waiting for?” I asked Hori.

“She wants you to go to bed,” said he from under his quilt.

I jumped into the soft centre of my mattresses as requested. Then the

butterfly dropped on her knees and crept backward around our beds.

Out of a box she was pouring a train of powder until she had us each

enclosed in a magic circle.

“Why?” I demanded.

Kenjiro laughed at me.

“It’s _nomi-yoke_,” he said. “Insect powder--what do you say in

America? Bug medicine?”

I insisted that I had not seen the sign of a bug or an insect or a flea

or anything looking like a marauder.

“Of course not,” Hori stopped me as if I should have known better.

“It’s just courtesy to honoured guests, to show you that they would

wish to protect you if there were any. If there were crawlers,” he

concluded with some scorn, “do you suppose they’d make such an effort

to call attention to the fact?”

That _bushido_ explanation satisfied Hori but I was doubtful. For the

sake of verification I carefully destroyed the integrity of the rampart

around my bed by opening up passages through the powder. I was willing

to display a few bites in the morning to prove the truth. I went to

sleep dreaming about two-sworded _samurai_ who looked like pinch bugs,

and they were swaggering around a wall of insect powder. However, the

morning proved that Hori was quite correct. The delicate attention had

been born of pure courtesy.

VII THE IDEALS OF A SAMURAI

In the morning we found great brass basins of water waiting for us in

the sunny iris garden. One of the super-errors that a foreigner can

make in a native inn is to ask to have the basins brought to his room.

Such a request can be understood only as a perversion, or a barbarity.

One reason why the houses and inns seem so clean is that they eliminate

so many of the chances for their being otherwise; and this defence

might be added into the weighing when criticizing Japanese nudity at

ablutions.

Breakfast was brought to us steaming under the lacquer covers of the

bowls, but the priest’s daughter was not holding the wooden ladle

for the rice. It was a rather late hour when she had returned to her

father’s house, but the mothers and daughters of a Japanese home are

accustomed to having their working hours overlap into the night. In

subtlety we brazenly accused each other of having frightened the gentle

_ne-san_ into not returning. The truth was--as it afterwards came

out--that we had each found opportunity to hint to the host’s ear the

night before that the maid’s slumber by no means should be disturbed

for our morning’s start. Thus we each privately thought we knew the

secret of her non-appearance, but just as we were tying on our shoes

at the door a breathless message was brought by her small brother. She

had overslept. It had not been our late hour which was responsible. The

family of the Shinto priest had sat up almost until the first light in

the East to listen to the wonder tale of their daughter who had endured

such a singular and daring adventure.

The ancient host gave us presents and we gave him presents. We said our

farewells at the door and then, after that, he and his granddaughter

walked along with us half through the village. Finally we bowed our

formal seven bows of farewell. When we reached the end of the street we

turned and saw them still standing where we had left them.

Samurai Trails: A Chronicle of Wanderings on the Japanese High Road · 第 6 / 13 段