1. The King of Babylon, 2. Marduk, 3. Eabani, 4. Or Gilgamesh,

and thus to combine a god or hero of vegetation (which Eabani is

bound to be) with a mortal king, and a supreme god--and, oh, _why_

is he whipped and hanged? Taking the theory of iii. 177-179 it seems

to run thus, in combination with all that has gone before: The king

was burned alive annually. His royal substitute was next burned alive

annually. His criminal substitute was burned alive annually, till this

was commuted for whipping and hanging, with or without burning. The

king (before the feast of Zakmuk was brought from Erech to Babylon)

had incarnated some god or other (I presume of vegetation). After the

Eabani feast at Erech became the Marduk feast at Babylon, the king, I

think, but I may be wrong, represented Eabani _plus_ Marduk. If he

did, so, too, does the victim at the Sacæa. But Eabani, in a Babylonian

poem, has a resurrection: though I cannot find it in Jastrow's account

of the poem. The victim then, being a personation of Eabani, of Marduk,

and of the king, has a resurrection--after he has been hanged under the

name of Humman, a god of the Elamites. He owes _that_ name, Mr. Frazer

thinks, to a popular misconception, for he really is the king, _plus_

Eabani, _plus_ Marduk. Dying as king, and as Marduk, under the _alias_

of Humman (Haman), he is feigned, according to the theory, to rise

under the name of Marduk (Mordecai). The Mordecai of one year becomes

the Haman of the next, is hanged, and so on.

This is an hypothesis of some complexity. An effort is needed to

maintain the mental equilibrium as we contemplate this hypothesis.

However, by thus amalgamating the ideas of Jensen and of Mr. Frazer,

one gets in the mock royalty (from the king), the scourging and hanging

(from the mitigation of burning alive), the divinity of vegetation

(from Eabani, who lends that part of his attributes to Marduk), and

the resurrection from Eabani, who, in the Babylonian poem, rose

again: though I own that in Dr. Jastrow's account of the poem I am

unable to discover this incident. The spirit of Eabani is conjured

up, indeed, in the poem, but 'there is a tone of despair in the final

speech of Eabani.'[10] This is hardly a resurrection. However, I am

but poorly seen in Babylon and its poetry, and no doubt Eabani had

his resurrection. From that or a similar resurrection Mr. Frazer

deduces the probability that the Sacæan victim in his resurrection

was represented by Mordecai.[11] He, like Haman, had a sacred bride,

Esther. In the Book of Esther, to be sure, she is Mordecai's cousin

and adopted daughter. Mr. Frazer knows better.

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